List of compositions by Benjamin Britten
Appearance
This list of compositions includes all the published works by English composer Benjamin Britten with opus number.
By genre
Operas
Title | Opus | Description | Libretto and source | Premiere | Publ. |
---|---|---|---|---|---|
Paul Bunyan | Op. 17 | Operetta in two acts, 114' | W. H. Auden, after the American folktale | 5 May 1941, Brander Matthews Hall, New York | Faber |
Peter Grimes | Op. 33 | Opera in a prologue and three acts, 147' | Montagu Slater, after the poem The Borough by George Crabbe | 7 June 1945, Sadler's Wells, London | B&H |
The Rape of Lucretia | Op. 37 | Opera in two acts, 107' | Ronald Duncan, after the play Le Viol de Lucrèce by André Obey | 12 July 1946, Glyndebourne | B&H |
Albert Herring | Op. 39 | Comic opera in three acts, 137' | Eric Crozier, loosely after the short story Le Rosier de Mme. Husson by Guy de Maupassant | 20 June 1947, Glyndebourne | B&H |
The Beggar's Opera | Op. 43 | Ballad opera, 108' | after the ballad opera by John Gay | 24 May 1948, Cambridge Arts Theatre | B&H |
Let's Make an Opera (The Little Sweep) | Op. 45 | An Entertainment for Young People, 130' | Eric Crozier | 14 June 1949, Jubilee Hall, Aldeburgh Festival | B&H |
Billy Budd | Op. 50 | Opera in four acts, 162' | E. M. Forster and Eric Crozier, after the novella by Herman Melville | 1 December 1951, Royal Opera House, London | B&H |
Billy Budd (revised) | Op. 50 | Opera in two acts, 158' | 9 January 1964, Royal Opera House, London (revised version) | B&H | |
Gloriana | Op. 53 | Opera in three acts, 148' | William Plomer, after Elizabeth and Essex by Lytton Strachey | 8 June 1953, Royal Opera House, London | B&H |
The Turn of the Screw | Op. 54 | Opera in a prologue and two acts, 101' | Myfanwy Piper, after the novella by Henry James | 14 September 1954, Teatro La Fenice, Venice | B&H |
Noye's Fludde | Op. 59 | Music-theatre for community performance, 50' | After the Chester Miracle Play | 18 June 1958, Orford Church, Aldeburgh Festival | B&H |
A Midsummer Night's Dream | Op. 64 | Opera in three acts, 144' | the composer and Peter Pears, after the play by Shakespeare | 11 June 1960, Jubilee Hall, Aldeburgh Festival | B&H |
Owen Wingrave | Op. 85 | Opera for television in two acts, 106' | Myfanwy Piper, after the short story by Henry James | 16 May 1971, BBC2 TV broadcast; 10 May 1973, Royal Opera House, London (staged) | Faber |
Death in Venice | Op. 88 | Opera in two acts, 145' | Myfanwy Piper, after the novella by Thomas Mann | 16 June 1973, Snape Maltings, Aldeburgh Festival | Faber |
Church parables
- Curlew River (1964), based on a Japanese Noh play
- The Burning Fiery Furnace (1966), after the Book of Daniel, Chapter 3
- The Prodigal Son (1968), after the Gospel of Luke, Chapter 15
Ballets
- Plymouth Town (Ballet for small orchestra) (1931)
- The Prince of the Pagodas (1956)
Orchestral
- Sinfonietta Op. 1, for five winds and five strings (1932), revised for chamber orchestra (1936)
- Simple Symphony, for string orchestra (1934)
- Soirées musicales, after Rossini (1936)
- Variations on a Theme of Frank Bridge, for string orchestra (1937)
- Mont Juic, a suite of Catalan Dances, jointly composed with Lennox Berkeley (1937)
- Canadian Carnival (1939)
- Sinfonia da Requiem (1940)
- Matinées musicales, after Rossini (1941)
- An American Overture (1941)
- Prelude and Fugue for 18 Strings (1943)
- Four Sea Interludes and Passacaglia from Peter Grimes, for orchestra (1945)
- The Young Person's Guide to the Orchestra (1946)
- Occasional Overture (1946)
- Men of Goodwill – Variations on a Christmas carol (1947)
- Variations on an Elizabethan Theme, jointly composed with Lennox Berkeley, Arthur Oldham, Humphrey Searle, Michael Tippett and William Walton (1953)
- Symphonic Suite from Gloriana (1954)
- Suite on English Folk Tunes, A Time There Was..., for chamber orchestra (1966/1974)
- "Two Portraits" for string orchestra (1930). Portraits/sketches No. 1 and No. 2, with No. 3 left unfinished. No. 2 is also arranged for solo viola and strings.
Concertante
- Rondo Concertante for piano and strings (1930)
- Double Concerto for Violin, Viola and Orchestra (1932, incomplete, realised by Colin Matthews)
- Piano Concerto (1938, rev. 1945, the original third movement – Recitative and Aria – replaced by an Impromptu)
- Violin Concerto (1939, rev. 1958)
- Young Apollo, for piano, string quartet and string orchestra (1939)
- Diversions for Piano Left Hand and Orchestra (1940 rev. 1954)
- Scottish Ballad, for two pianos and orchestra (1941)
- Clarinet Concerto (incomplete: 1st movement only, 1942/3, orch. by Colin Matthews; Matthews later added two further movements to this torso, derived from sketches Britten also wrote in the early 1940s, a Sonata for Orchestra and a Mazurka Elegiaca; the resulting 3 movement work, called "Movements for a Clarinet Concerto" was first performed in 2008)
- In memoriam Dennis Brain (c. 1958), unfinished sketch for 4 horns and orchestra.
- Cello Symphony (1963)
- Two Portraits for viola and string orchestra, No. 2 (1930), subtitled "E.B.B" for his own initials, written as a self-portrait when the composer was 17 years old. Also performed as a work for string orchestra.
Vocal/choral orchestral
- Quatre Chansons Françaises, for soprano and orchestra (1928)
- Two Psalms, for chorus and orchestra (1931)
- Our Hunting Fathers, for soprano or tenor and orchestra (words W. H. Auden and others) (1936)
- The Company of Heaven, for speakers, soloists, chorus and orchestra (1937, not performed again until 1989)
- Les Illuminations, for soprano or tenor and strings (words Arthur Rimbaud) (1939; three further songs, not included in the cycle, also exist — another setting also called 'Phrase', and 'Aube' and 'A une raison'; they have been orchestrated by Colin Matthews; there also exists a sketch for a fourteenth Rimbaud setting)
- Serenade for Tenor, Horn and Strings (1943)
- The Ballad of Little Musgrave and Lady Barnard, for male voice choir and piano (1943)
- Saint Nicolas, for tenor soloist, children's chorus, chorus, and orchestra (1948)
- Spring Symphony, for soprano, contralto, and tenor soloists, mixed chorus, boys' choir and orchestra (1949)
- Nocturne, for tenor, seven obbligato instruments and strings (1958)
- Cantata academica for soloists, chorus and orchestra (1959)
- War Requiem for soprano, tenor and baritone soloists, chamber ensemble, boys' chorus, mixed chorus, and orchestra (1961)
- Cantata misericordium for tenor and baritone soloists, small chorus, string quartet, string orchestra, piano, harp, timpani (1963)
- Phaedra for mezzo-soprano, cello, harpsichord, percussion, and string orchestra (Robert Lowell after Jean Racine's Phèdre, 1975)
- Praise we great men, for soloists, chorus and orchestra (Edith Sitwell) (1976, completed by Colin Matthews 1985)
- Sea Symphony, for soloists, chorus and orchestra (unrealized, 1976)
Vocal
- Beware! Three Early Songs for voice and piano (1) "Beware!" (Henry Wadsworth Longfellow; 1922) (2) "O That I Had Ne’er Been Married" (Robert Burns; 1922) (3) "Epitaph: The Clerk" (Herbert Asquith; 1926). Revised 1968, published 1985
- Tit for Tat for voice and piano (Walter de la Mare; 1928–31, revised and published 1969)
- The Birds (Belloc; 1929, rev. 1934)
- On this Island for high voice and piano (1937)
- Seven Sonnets of Michelangelo for tenor and piano, Op. 22 (1940)
- The Holy Sonnets of John Donne for tenor and piano, Op. 35 (1945)
- Canticle I: My beloved is mine for tenor and piano (1947) (Five Canticles)
- A Charm of Lullabies for mezzo-soprano and piano (1947)
- Canticle II: Abraham and Isaac for alto (or countertenor), tenor, and piano (1952) (Five Canticles)
- Canticle III: Still falls the rain for tenor, horn and piano (words Edith Sitwell) (1954) (Five Canticles)
- Winter Words for tenor and piano, poetry by Thomas Hardy (1954)
- The Heart of the Matter for narrator, tenor, horn, and piano (1956)
- Songs from the Chinese for soprano or tenor and guitar, Op. 58 (translations by Arthur Waley; 1957)
- Sechs Hölderlin-Fragmente for tenor and piano, Op. 61 (1958)
- Songs and Proverbs of William Blake for baritone and piano, Op. 74 (1965)
- The Poet's Echo for soprano or tenor and piano, Op. 76 (Alexander Pushkin; 1965)
- Who Are These Children? for tenor and piano (William Soutar), Op. 84 (1969)
- Canticle IV: Journey of the Magi for countertenor, tenor, baritone, and piano (1971) (Five Canticles)
- Canticle V: The Death of Saint Narcissus for tenor and harp (1974) (Five Canticles)
- A Birthday Hansel for high voice and harp (1975)
- Eight books of Folksong Arrangements from the British Isles and France, for voice and piano, guitar and harp
- Many realizations of songs by Henry Purcell
Choral
- A Hymn to the Virgin for chorus and soli (1930; revised 1934)
- Christ's Nativity for unaccompanied chorus (1931)
- A Boy was Born for treble voices and choir (1933; revised 1955)
- Jubilate Deo in E flat for chorus and organ (1934); published posthumously
- Te Deum in C for treble solo, chorus, trumpet, and organ (1934)
- Friday Afternoons for children's voices and piano (1935)
- Advance Democracy for unaccompanied choir (1938)
- A.M.D.G. (Ad Majorem Dei Gloriam), seven settings of Gerard Manley Hopkins for unaccompanied SATB (1939)
- A Ceremony of Carols for treble voices and harp (1942); an alternative arrangement for mixed voices and harp (or piano) is popular as well
- Hymn to St. Cecilia for unaccompanied choir; poem by W. H. Auden (1942)
- Rejoice in the Lamb for 4 soloists, choir, and organ; text by Christopher Smart (1943)
- Festival Te Deum in E for chorus and organ (1944)
- A Wedding anthem 'Amo Ergo Sum' for soprano, tenor, SATB and organ (1949)
- Five Flower Songs for SATB (1950)
- Hymn to St. Peter for treble soloist, SATB and organ (1955)
- Antiphon for SATB and organ, (1955)
- Missa Brevis for boys' voices and organ (1959)
- Jubilate Deo in C for chorus and organ (1961)
- A Hymn of St Columba for chorus and organ (1962)
- The Golden Vanity for 5 boy soloists, treble chorus and piano (1966)
- The Building of the House for chorus or organ or brass and orchestra (1967)
- Children's Crusade for 9 boy soloists and chorus, percussion, organ and two pianos; text Bertolt Brecht, trans. Hans Keller (1968)
- Sacred and Profane (8 medieval lyrics) for SSATB (1974–5)
Chamber/instrumental
Solo piano
- Five Waltzes, for piano (1923–25, rev. 1969)
- Three Character Pieces, for piano (1930)
- Twelve variations on a theme, for piano (1930)
- Holiday Diary, for piano (1934)
- Sonatina romantica, for piano (1940)
- Night-Piece (Notturno) for piano, written for Leeds International Pianoforte Competition (1963)
- Variations for piano (1965)
Two pianos
- Two Lullabies, for 2 pianos (1936)
- Introduction and Rondo alla burlesca, for 2 pianos (1940)
- Mazurka elegiaca, for 2 pianos (1941; written as part of the collaborative album Homage to Paderewski)
Organ
- Prelude and Fugue on a Theme of Vittoria, for organ (1946)
String quartet
- String Quartet in F major (1928)
- Rhapsody (1929)
- Quartettino (1930)
- String Quartet in D major (1931, revised 1974)
- Alla Marcia (1933)
- Three Divertimenti, for string quartet (1933, revised 1936): March, Waltz, Burlesque
- String Quartet No. 1 in D major (1941)
- String Quartet No. 2 in C major (1945)
- String Quartet No. 3 in G major (1975)
Violin and piano
- Suite for Violin and Piano (1935)
Viola and piano
- Reflections for viola and piano (1930)
- Lachrymae, Reflections on a song of Dowland for viola and piano (1950) after "If My Complaints Could Passions Move" by John Dowland, for William Primrose
- arranged for viola and string orchestra (1976) for Cecil Aronowitz
- There is a willow grows aslant a brook (1932), an arrangement of the orchestral poem by Frank Bridge. The title is taken from Shakespeare, and the arrangement by Britten is dedicated to Bridge.
Violin, viola and piano
- Two Pieces (written 1929; first performance 2003)[1]
Solo viola
- Etude (1929)
- Elegy (1930)
Cello and piano
- Cello Sonata in C major (1960)
Solo cello
- Cello Suite No. 1 (1964)
- Cello Suite No. 2 (1967)
- Cello Suite No. 3 (1972)
- Tema "Sacher" for cello solo (1976)
Oboe and piano
- Two Insect Pieces, for oboe and piano (1935)
- Temporal Variations, for oboe and piano (1936)
Oboe and Strings
- Phantasy Quartet, Op. 2, for oboe, violin, viola, and cello (1932)
Solo oboe
- Six Metamorphoses after Ovid for solo oboe (1951), with quotations from Ovid's Metamorphoses poem.
Flute, violin and piano 4-hands
- Gemini Variations, for flute, violin and piano four hands (1965)
Solo timpani
- Timpani Piece for Jimmy, timpani solo (1955) for James Blades
Three trumpets
- Fanfare for St Edmundsbury (1959) short antiphonal and polytonal piece for three trumpets
Guitar
- Nocturnal after John Dowland for guitar (1963)
Harp
- Suite for Solo Harp (1969)
Film music
- Night Mail (1936), with words by W. H. Auden
By opus number
- Op. 1, Sinfonietta, for five winds and five strings 1932, revised for chamber orchestra 1936
- Op. 2, Phantasy, oboe quartet, 1932
- Op. 3, A Boy was Born for mixed chorus with organ ad lib, 1933, revised 1955
- Op. 4, Simple Symphony for strings, 1934 (+ also version for string quartet)
- Op. 5, Holiday Diary for piano, 1934
- Op. 6, Suite for violin and piano, 1935
- Op. 7, Friday Afternoons for children's voices and piano, 1935
- Op. 8, Our Hunting Fathers for soprano or tenor and orchestra (words W. H. Auden), 1936
- Op. 9, Soirées musicales for orchestra (after Rossini), 1936
- Op. 10, Variations on a Theme of Frank Bridge for string orchestra, 1937
- Op. 11, On this Island for soprano or tenor and piano (words W. H. Auden), 1937
- Op. 12, Mont Juic, suite of Catalan dances, with Lennox Berkeley, 1937
- Op. 13, Piano Concerto, 1938, revised 1945
- Op. 14, Ballad of Heroes for tenor or soprano, chorus and orchestra (words W. H. Auden and Randall Swingler), 1939
- Op. 15, Violin Concerto, 1939, revised 1958
- Op. 16, Young Apollo for piano and strings, 1939 (withdrawn)
- Op. 17, Paul Bunyan, opera (libretto W. H. Auden), 1941, revised 1976
- Op. 18, Les Illuminations, for soprano or tenor and strings (words Arthur Rimbaud), 1939
- Op. 19, Canadian Carnival overture, 1939
- Op. 20, Sinfonia da Requiem, 1940
- Op. 21, Diversions for Piano Left Hand and Orchestra, 1940, revised 1954
- Op. 22, Seven Sonnets of Michelangelo for tenor and piano, 1940
- Op. 23
- No. 1, Introduction and Rondo alla burlesca for two pianos, 1940
- No. 2, Mazurka elegiaca for two pianos, 1941
- Op. 24, Matinées musicales for orchestra (after Rossini), 1941
- Op. 25, String Quartet No. 1, 1941
- Op. 26, Scottish Ballad for two pianos and orchestra, 1941
- Op. 27, Occasional Overture, 1941; retitled An American Overture when first performed 1983[2]
- Op. 27, Hymn to St. Cecilia for SSATB, 1942 (replaced Occasional Overture as Op. 27)
- Op. 28, A Ceremony of Carols for trebles and harp, 1942
- Op. 29, Prelude and Fugue for 18 strings, 1943
- Op. 30, Rejoice in the Lamb for soloists, chorus and organ, 1943
- Op. 31, Serenade for Tenor, Horn and Strings, song cycle, 1943
- Op. 32, Festival Te Deum for chorus and organ, 1945
- Op. 33, Peter Grimes, opera (libretto Montagu Slater after George Crabbe), 1945
- Op. 33a, Four Sea Interludes from Peter Grimes
- Op. 33b, Passacaglia from Peter Grimes
- Op. 34, Variations and Fugue on a Theme of Henry Purcell (The Young Person's Guide to the Orchestra), 1946
- Op. 35, The Holy Sonnets of John Donne for soprano or tenor and piano, 1945
- Op. 36, String Quartet No. 2, 1945
- Op. 37, The Rape of Lucretia, opera (libretto Ronald Duncan after André Obey), 1946 revised 1947
- Op. 38, Occasional Overture, 1946
- Op. 39, Albert Herring, opera (libretto Eric Crozier after Guy de Maupassant), 1947
- Op. 40, My beloved is mine (Canticle I) for soprano or tenor and piano (words Francis Quarles), 1947
- Op. 41, A Charm of Lullabies for mezzo soprano and piano, 1947
- Op. 42, Saint Nicolas for soloists, chorus, strings, piano (4 hands), percussion and organ, 1948
- Op. 43, The Beggar's Opera after John Gay, 1948
- Op. 44, Spring Symphony for soloists, mixed choir, children's choir and orchestra, 1949
- Op. 45, The Little Sweep, opera (libretto Eric Crozier), 1949
- Op. 46, A Wedding anthem Amo Ergo Sum for soprano, tenor, SATB and organ (words Ronald Duncan), 1949
- Op. 47, Five Flower Songs for SATB, 1950
- Op. 48, Lachrymae for viola and piano, 1950
- Op. 48a, Lachrymae for viola and strings, 1976
- Op. 49, Six Metamorphoses after Ovid for oboe, 1951
- Op. 50, Billy Budd, opera (libretto E. M. Forster and Eric Crozier after Herman Melville), 1951, revised 1960
- Op. 51, Abraham and Isaac (Canticle II) for alto, tenor and piano (Chester miracle play), 1952
- Op. 52, Winter Words for soprano or tenor and piano (words Thomas Hardy), 1953
- Op. 53, Gloriana, opera (libretto William Plomer after Lytton Strachey), 1953
- Op. 53a, Symphonic Suite "Gloriana" for tenor or oboe and orchestra, 1954
- Op. 54, The Turn of the Screw, opera (libretto Myfanwy Piper after Henry James), 1954
- Op. 55, Still Falls the Rain (Canticle III) for tenor, horn and piano (words Edith Sitwell), 1954
- Op. 56a, Hymn to St. Peter for treble, SATB and organ, 1955
- Op. 56b, Antiphon for SATB and organ, 1955
- Op. 57, The Prince of the Pagodas, ballet, 1956
- Op. 57a, Pas de six from The Prince of the Pagodas
- Op. 58, Songs from the Chinese for soprano or tenor and guitar, 1957
- Op. 59, Noye's Fludde, opera (Chester mystery play), 1957
- Op. 60, Nocturne for tenor, 7 obbligato instruments and string orchestra, song cycle, 1958
- Op. 61, Sechs Hölderlin-Fragmente for voice and piano, 1958
- Op. 62, Cantata academica, 1959
- Op. 63, Missa brevis for boys' voices and organ, 1959
- Op. 64, A Midsummer Night's Dream, opera (libretto Benjamin Britten and Peter Pears after William Shakespeare), 1960
- Op. 65, Sonata for cello and piano, 1961
- Op. 66, War Requiem, 1961
- Op. 67, Psalm CL for children's chorus and instruments, 1962
- Op. 68, Cello Symphony, 1963
- Op. 69, Cantata misericordium, 1963
- Op. 70, Nocturnal after John Dowland for guitar, 1963
- Op. 71, Curlew River, church parable (libretto William Plomer after Noh), 1964
- Op. 72, Cello Suite No. 1, 1964
- Op. 73, Gemini Variations for flute, violin and piano four hands, 1965
- Op. 74, Songs and Proverbs of William Blake for baritone and piano, 1965
- Op. 75, Voices for Today for boys' voices, chorus and organ ad lib, 1965
- Op. 76, The Poet's Echo for soprano or tenor and piano (words Alexander Pushkin), 1965
- Op. 77, The Burning Fiery Furnace, church parable (libretto William Plomer after The Book of Daniel), 1966
- Op. 78, The Golden Vanity for boys' voices and piano (words Colin Graham), 1966
- Op. 79, The Building of the House overture, for chorus or organ or brass and orchestra, 1967
- Op. 80, Cello Suite No. 2, 1967
- Op. 81, The Prodigal Son, church parable (libretto William Plomer), 1968
- Op. 82, Children's Crusade (words Bertolt Brecht/Hans Keller), 1968
- Op. 83, Suite for Harp, 1969
- Op. 84, Who Are These Children? for tenor and piano (words William Soutar), 1969
- Op. 85, Owen Wingrave, opera (libretto Myfanwy Piper based on Henry James), 1970
- Op. 86, The Journey of the Magi (Canticle IV) for countertenor, tenor, baritone and piano (words T. S. Eliot), 1971
- Op. 87, Cello Suite No. 3, 1972
- Op. 88, Death in Venice, opera (libretto Myfanwy Piper based on Thomas Mann), 1973
- Op. 89, The Death of Saint Narcissus (Canticle V) for tenor and harp (words T. S. Eliot), 1974
- Op. 90, A Suite on English Folk Tunes "A Time There Was" for chamber orchestra, 1974
- Op. 91, Sacred and Profane (8 medieval lyrics) for five voices (SSATB), 1975
- Op. 92, A Birthday Hansel for high voice and harp (words Robert Burns), 1975
- Op. 93, Phaedra, cantata (words Robert Lowell after Jean Racine), 1975
- Op. 94, String Quartet No. 3, 1975
- Op. 95, Welcome Ode for young people's voices and orchestra, 1976
Notes
- ^ Cambridge Journals
- ^ Oliver, p. 215
References
- Diane McVeagh (ed.) (1986). English Masters (New Grove Composer Biography). Grove Publications. ISBN 0-333-40241-3.
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has generic name (help) - Michael Oliver (1996). Benjamin Britten (Phaidon 20th Century Composers). Phaidon. ISBN 0714832774.
- Britten Thematic Catalogue