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List of compositions by Frédéric Chopin by genre

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A portrait of Chopin in 1847

This is a list of extant, published compositions by Frédéric Chopin.

Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles. His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F-sharp major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus and nocturnes taking a substantial portion of recorded and performed music. Two important collections are the Études, Op. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the circle of fifths in clockwise steps). In addition, he wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata.

Two listings are given below:

  • by musical form
  • by opus/catalogue number.

Both listings use the traditional opus numbers, as well as numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), and Josef Michał Chominski (A, C, D, E, P, S).

By musical form

Ballade

  • Opus 23: Ballade No. 1 in G minor (composed 1835-36)
  • Opus 38: Ballade No. 2 in F major (1836-39)
  • Opus 47: Ballade No. 3 in A-flat major (1841)
  • Opus 52: Ballade No. 4 in F minor (1842-43)

Étude

Impromptu

Mazurka

  • Two Mazurkas (unnumbered; 1826; pub. 1826, without opus number; B. 16, KK IIa/2-3, S 1, No. 2):
    • a. Mazurka in G major
    • b. Mazurka in B flat major
  • Opus 6, Four Mazurkas (Nos. 1-4):
    • No. 1: Mazurka in F-sharp minor
    • No. 2: Mazurka in C-sharp minor
    • No. 3: Mazurka in E major
    • No. 4: Mazurka in E-flat minor
  • Opus 7, Five Mazurkas (Nos. 5-9):
    • No. 1: Mazurka in B-flat major
    • No. 2: Mazurka in A minor
    • No. 3: Mazurka in F minor
    • No. 4: Mazurka in A-flat major
    • No. 5: Mazurka in C major
  • Opus 17, Four Mazurkas (Nos. 10-13):
    • No. 1: Mazurka in B-flat major
    • No. 2: Mazurka in E minor
    • No. 3: Mazurka in A-flat major
    • No. 4: Mazurka in A minor
  • Opus 24, Four Mazurkas (Nos. 14-17):
    • No. 1: Mazurka in G minor
    • No. 2: Mazurka in C major
    • No. 3: Mazurka in A-flat major
    • No. 4: Mazurka in B-flat minor
  • Opus 30, Four Mazurkas (Nos. 18-21):
    • No. 1: Mazurka in C minor
    • No. 2: Mazurka in B minor
    • No. 3: Mazurka in D-flat major
    • No. 4: Mazurka in C-sharp minor
  • Opus 33, Four Mazurkas (Nos. 22-25):
    • No. 1: Mazurka in G-sharp minor
    • No. 2: Mazurka in D major
    • No. 3: Mazurka in C major
    • No. 4: Mazurka in B minor
  • Opus 41, Four Mazurkas (Nos. 26-29):
    • No. 1: Mazurka in C-sharp minor
    • No. 2: Mazurka in E minor
    • No. 3: Mazurka in B major
    • No. 4: Mazurka in A-flat major
  • Mazurka in A minor (No. 50; "Notre Temps"; 1840; pub. 1841 in Six morceaux de salon, without opus number; B. 134; KK IIb/4; S 2/4)
  • Mazurka in A minor (No. 51; 1840; pub. 1841 in Album de pianistes polonais, without opus number; ded. Émile Gaillard; B. 140; KK IIb/5; S 2/5)
  • Opus 50, Three Mazurkas (Nos. 30-32):
    • No. 1: Mazurka in G major
    • No. 2: Mazurka in A-flat major
    • No. 3: Mazurka in C-sharp minor
  • Opus 56, Three Mazurkas (Nos. 33-35):
    • No. 1: Mazurka in B major
    • No. 2: Mazurka in C major
    • No. 3: Mazurka in C minor
  • Opus 59, Three Mazurkas (Nos. 36-38):
    • No. 1: Mazurka in A minor
    • No. 2: Mazurka in A-flat major
    • No. 3: Mazurka in F-sharp minor
  • Opus 63, Three Mazurkas (Nos. 39-41):
    • No. 1: Mazurka in B major
    • No. 2: Mazurka in F minor
    • No. 3: Mazurka in C-sharp minor

Posthumously published

  • Opus posth. 67, Four Mazurkas (Nos. 42-45; 1835-49; pub. 1855):
    • No. 1: Mazurka in G major
    • No. 2: Mazurka in G minor
    • No. 3: Mazurka in C major
    • No. 4: Mazurka in A minor
  • Opus posth. 68, Four Mazurkas (Nos. 46-49; 1827-49; pub. 1855):
    • No. 1: Mazurka in C major
    • No. 2: Mazurka in A minor
    • No. 3: Mazurka in F major
    • No. 4: Mazurka in F minor
  • Later published mazurkas (unnumbered):
    • Mazurka in C major (1833; pub. 1870; B. 82; KK IVB/3; P 2/3)
    • Mazurka in D major (1829; pub. 1875; B 31/71; KK IVa/7; P 1/7)
    • Mazurka in B flat major (1832; pub. 1909; B. 73; KK IVb/1; P 2/1)
    • Mazurka in F major "Mazurek" (1820; pub. 1910; B. 4; KK Anh Ia/1; A 1/1)
    • Mazurka in A flat major (1834; pub. 1930; B. 85; KK IVb/4; P 2/4)
    • Mazurka in D major (1832; pub. ?; P 2/2)

Nocturne

Posthumously published

  • Opus posth. 72:
    • No. 1: Nocturne in E minor
  • P. 1/16: Nocturne in C-sharp minor (1830; often referred to by its tempo marking Lento con gran espressione)
  • P. 2/8: Nocturne in C minor (1837)
  • A. 1/6: Nocturne in C sharp minor (Nocturne oubliée) (spurious)

Polonaise

Posthumously published

  • Opus posth. 71, Three Polonaises:
    • No. 1: Polonaise in D minor
    • No. 2: Polonaise in B-flat major
    • No. 3: Polonaise in F minor
  • KK IIa No. 1: Polonaise in G minor (1817)
  • KK IVa, Five Polonaises:
    • No. 1: Polonaise in B flat major (1817)
    • No. 2: Polonaise in A flat major (1821)
    • No. 3: Polonaise in G sharp minor (1822)
    • No. 5: Polonaise in B flat minor "Adieu à Guillaume Kolberg" (1826)
    • No. 8: Polonaise in G flat major (1829).

Prelude

  • Opus 28, 24 Preludes:
    • No. 1: Prelude in C major (composed 1839)
    • No. 2: Prelude in A minor (1838)
    • No. 3: Prelude in G major (1838-1839)
    • No. 4: Prelude in E minor (1838)
    • No. 5: Prelude in D major (1838-1839)
    • No. 6: Prelude in B minor (1838-1839)
    • No. 7: Prelude in A major (1836)
    • No. 8: Prelude in F-sharp minor (1838-1839)
    • No. 9: Prelude in E major (1838-1839)
    • No. 10: Prelude in C-sharp minor (1838-1839)
    • No. 11: Prelude in B major (1838-1839)
    • No. 12: Prelude in G-sharp minor (1838-1839)
    • No. 13: Prelude in F-sharp major (1838-1839)
    • No. 14: Prelude in E-flat minor (1838-1839)
    • No. 15: Prelude in D-flat major ("Raindrop") (1838-1839)
    • No. 16: Prelude in B-flat minor (1838-1839)
    • No. 17: Prelude in A-flat major (1836)
    • No. 18: Prelude in F minor (1838-1839)
    • No. 19: Prelude in E-flat major (1838-1839)
    • No. 20: Prelude in C minor (1838-1839)
    • No. 21: Prelude in B-flat major (1838-1839)
    • No. 22: Prelude in G minor (1838-1839)
    • No. 23: Prelude in F major (1838-1839)
    • No. 24: Prelude in D minor (1838-1839)
  • Opus 45: Prelude in C-sharp minor (1841)

Posthumously published

  • P. 2/7: Prelude in A-flat major (1834, published 1918; ded. Pierre Wolff)
  • A. 1/2: Prelude in F major
  • Prelude in E flat minor, Devil's Trill

Rondo

Scherzo

Sonata

Waltz

Posthumously published

  • 1852: Two Waltzes, Opus posth. 69:
  • 1855: Three Waltzes, Opus posth. 70:
    • No. 1: Waltz in G-flat major
    • No. 2: Waltz in F minor
    • No. 3: Waltz in D-flat major
  • 1868: Waltz in E minor, B. 56, KK IVa/15, P. 1/15
  • 1871-72: Waltz in E major, B. 44, KK IVa/12, P. 1/12
  • 1902: Waltz in A-flat major, B. 21, KK IVa/13, P. 1/13
  • 1902: Waltz in E-flat major, B. 46, KK IVa/14, P. 1/14
  • 1932: Waltz in F-sharp minor, Valse mélancolique, KK Ib/7, A. 1/7 (now considered spurious)
  • 1955: Waltz in A minor, B. 150, KK IVb/11, P. 2/11
  • 1955: Waltz in E-flat major ("Sostenuto"), B. 133, KK IVb/10 (not always classified as a waltz)

Miscellaneous solo piano

Posthumously published

  • Opus posth. 72:
    • No. 2: Marche funèbre in C minor (1829; B.20)
    • No. 3: Three Écossaises (1830)
      • No. 1 in D major
      • No. 2 in G major
      • No. 3 in D-flat major
  • B. 12a: Variations in D major on a Theme by Thomas Moore, piano four-hands
  • B. 14: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub", aka Introduction et Variations sur un Lied allemande (1826)
  • B. 17: Contredanse in G-flat major
  • B. 37: Variations in A major: Souvenir de Paganini
  • B. 84: Cantabile in B-flat major
  • B. 109a: Largo in E-flat major
  • B. 113: Variation in E major for Hexameron
  • B. 129a: Canon in F minor
  • B. 144: Fugue in A minor
  • B. 151: Album Leaf in E major
  • B. 160b: 2 Bourrées
  • P. 2/13: Galopp in A flat (Galop Marquis)
  • P. 2/5: Klavierstück in E flat (1837)
  • P. 2/6: Klavierstück in B flat (1834)
  • P. 2/10: Klavierstück in E flat (1840)

Piano and orchestra

Cello and piano

Violin, cello and piano

Vocal music

  • Opus posth. 74, 17 Songs (1829-1847; Polish)
    • No. 1 The Wish (Życzenie) (1829)
    • No. 2 Spring (Wiosna) (1838)
    • No. 3 The Sad River (Smutna Rzeka) (1831)
    • No. 4 Merrymaking (Hulanka) (1830)
    • No. 5 What She Likes (Gdzie lubi) (1829)
    • No. 6 Out of My Sight (Precz z moich oczu) (1830)
    • No. 7 The Messenger (Poseł) (1830)
    • No. 8 Handsome Lad (Śliczny chłopiec) (1841)
    • No. 9 Melody (Melodia) (1847)
    • No. 10 The Warrior (Wojak) (1830)
    • No. 11 The Double-End (Dwojaki koniec) (1845)
    • No. 12 My Darling (Moja pieszczotka) (1837)
    • No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
    • No. 14 The Ring (Pierścień) (1836)
    • No. 15 The Bridegroom (Narzeczony) (1831)
    • No. 16 Lithuanian Song (Piosnka litewska) (1831)
    • No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)

Later published separately

  • No. 18 Enchantment (Czary) (1830)
  • No. 19 Reverie (Dumka) (1840)

By opus/catalogue number

Opus numbers are given where they exist. The last opus number Chopin used was 65, that allocated to the Cello Sonata in G minor. He expressed a death-bed wish that all his unpublished manuscripts be destroyed. However, at the request of the composer's mother and sisters, Julian Fontana selected 23 unpublished piano pieces and grouped them into eight opus numbers (Opp. 66–73). These works were published in 1855.[2] In 1857, the known 17 Polish songs that had been written at various stages throughout Chopin's life were collected and published as Op. 74, the order of the songs within that opus having little regard for their actual order of composition.[3] Other songs have since come to light, but they are not part of Op. 74. Works that were published or have come to light since 1857 were not given opus numbers, and alternate catalogue designations are used for them.

Published with opus numbers during Chopin's lifetime

Published without opus numbers during Chopin's lifetime

Note: Because different catalogue numbering systems have applied to the following works, they are ordered by year of publication.

  • 1817: Polonaise in G minor, B. 1, KK IIa/1, S 1/1 (written 1817)
  • 1826: 2 Mazurkas (G major, B flat major), B. 16, KK IIa/2-3, S 1/2 (1826)
  • 1833: Grand Duo concertant for Cello and Piano in E (written jointly with Auguste Franchomme, B. 70, KK IIb/2, S 2/1 (1832)
  • 1839: Variation No. 6 in E from Hexameron, B. 113, S 2/2 (1837)
  • 1840: Trois nouvelles études (F minor, A flat major, D flat major), B. 130, KK IIb/3, S 2/3 (1839)
  • 1841: Mazurka in A minor, Notre Temps, B. 134, KK IIb/4, S 2/4(1840)
  • 1841: Mazurka in A minor, Émile Gaillard, B. 140, KK IIb/5, S 2/5 (1841)
  • 1843: Contredanse in G flat major, B. 17. KK Anh Ia/4, A 1/4 (1826; doubtful)

Posthumously published with opus numbers

  • Op. posth. 66, Fantaisie-Impromptu in C-sharp minor (1835)
  • Op. posth. 67, 4 Mazurkas (1835-1849)
    • No. 1 in G major (1835)
    • No. 2 in G minor (1849)
    • No. 3 in C major (1835)
    • No. 4 in A minor (1846)
  • Op. posth. 68, 4 Mazurkas (1827-1849)
    • No. 1 in C major (1829)
    • No. 2 in A minor (1827)
    • No. 3 in F major (1829)
    • No. 4 in F minor (1849) (Last Composition)
  • Op. posth. 69, 2 Waltzes (1829-1835)
  • Op. posth. 70, 3 Waltzes (1829-1841)
    • No. 1 in G-flat major (1833)
    • No. 2 in F minor (1841)
    • No. 3 in D-flat major (1829)
  • Op. posth. 71, 3 Polonaises (1825-1828)
    • No. 1 in D minor (1825)
    • No. 2 in B-flat major (1828)
    • No. 3 in F minor (1828)
  • Op. posth. 72, (1826-1827)
    • No. 1 Nocturne in E minor (1827)
    • No. 2 Funeral March in C minor (1827)
    • No. 3 3 Écossaises (1826)
      • No. 3a in D major
      • No. 3b in G major
      • No. 3c in D-flat major
  • Op. posth. 73, Rondo in C major (for two pianos) (1828)
  • Op. posth. 74, 17 Polish Songs (1829-1847)
    • No. 1 The Wish (Życzenie) (1829)
    • No. 2 Spring (Wiosna) (1838)
    • No. 3 The Sad River (Smutna Rzeka) (1831)
    • No. 4 Merrymaking (Hulanka) (1830)
    • No. 5 What She Likes (Gdzie lubi) (1829)
    • No. 6 Out of My Sight (Precz z moich oczu) (1830)
    • No. 7 The Messenger (Poseł) (1830)
    • No. 8 Handsome Lad (Śliczny chłopiec) (1841)
    • No. 9 Melody (Melodia) (1847)
    • No. 10 The Warrior (Wojak) (1830)
    • No. 11 The Double-End (Dwojaki koniec) (1845)
    • No. 12 My Darling (Moja pieszczotka) (1837)
    • No. 13 I Want What I Have Not (Nie ma czego trzeba) (1845)
    • No. 14 The Ring (Pierścień) (1836)
    • No. 15 The Bridegroom (Narzeczony) (1831)
    • No. 16 Lithuanian Song (Piosnka litewska) (1831)
    • No. 17 Leaves are Falling, Hymn from the Tomb (Śpiew z mogiłki) (1836)

Posthumously published without opus numbers

Note: Because different catalogue numbering systems have applied to the following works, they are ordered by year of publication.

  • 1851: Variations in E major on the air "Der Schweizerbub", aka Introduction et Variations sur un lied Allemande in E, B. 14, KK IVa/4, P 1/4 (1826)
  • 1856: Song Jakiez kwiaty, jakie wianki, in C major, B. 39, KK IVa/9, P 1/9 (1829)
  • 1864: Polonaise in G sharp minor, B. 6, KK IVa/3, P 1/3 (1822)
  • 1868: Waltz in E minor, B. 56, KK IV1/15, P 1/15 (1830)
  • 1870: Polonaise in G flat, B. 36, KK IVa/8, P 1/8 (1829)
  • 1870: Mazurka in C, B. 82, KK IVb/3, P 2/3 (1833)
  • 1871: Waltz in E, B. 44, KK IVa/12, P 1/12 (1829)
  • 1875: 2 Mazurkas (G major, B flat major), B. 16, KK. IIa/2-3, S 1/2 (1826; these are the original versions of these works; their revised versions were originally published in the year of their composition, 1826, without opus numbers)
  • 1875: Mazurka in D, B. 31, KK IVa/7, P 1/7 (1829)
  • 1875: Nocturne in C sharp minor, Lento con gran espressione, B. 49, KK IVa/16, P 1/16 (1830)
  • 1879: Polonaise in B flat minor ("La gazza ladra"), B. 13, KK IVa/5, P 1/5 (1826)
  • 1881: Variations in A: Souvenir de Paganini, B. 37, KK IVa/10, P 1/10 (1829)
  • 1898: Fugue in A minor, B. 144, KK IVc/2, P 3/1 (1841-1842)
  • 1902: Polonaise in A flat, B. 5, KK IVa/2, P 1/2 (1821)
  • 1902: Waltz in A flat, B. 21, KK IVa/13, P 1/13 (1827)
  • 1902: Waltz in E flat, B. 46, KK IVa/14, P 1/14 (1829-1830)
  • 1909: Mazurka in B flat, B. 73, KK IVb/1, P 2/1 (1832)
  • 1910: Mazurka in D major (Mazurek), B. 4, KK Anh. Ia/1, A 1/1 (1820)
  • 1910: Song "Rêverie" (Dumka, Mist Before My Eyes), A minor, B. 132, KK IVb/9, P 2/9 (1840)
  • 1910: Moderato in E (Album Leaf), B. 151, KK IVb/12, P 2/12 (1843)
  • 1918: Prelude in A flat (ded. Pierre Wolff), B. 86, KK. IVb/7, P 2/7 (1834)
  • 1930: Mazurka in A flat, B. 85, KK. IVb/4, P 2/4 (1834)
  • 1930: Prelude and Andantino animato, in F major, KK Anh Ia/2-3, A 1/2-3 (doubtful)
  • 1931: Cantabile in B flat, B. 84, KK IVb/6
  • 1932: Waltz in F sharp minor, Valse mélancolique, KK Ib/7, A 1/7 (spurious)
  • 1938: Largo in E flat, B. 109, KK. IVb/5
  • 1938: Nocturne in C minor, B. 108, KK IVb/8, P 2/8 (1837)
  • 1947: Polonaise in B flat, B. 3, KK IVa/1, P 1/1 (1817)
  • 1948: Canon in F minor, B. 129b, KK IVc/1
  • 1954: Song "Czary" (Enchantment), in D minor, B. 51, KK IVa/11, P 1/11 (1830; a facsimile version had been published in 1910)
  • 1955: Variations in E major for flute and piano on the air "Non piu mesta" from Rossini's La Cenerentola, B. 9, KK Anh. Ia/5, A 1/5 (1824; spurious)
  • 1955: "Sostenuto" (aka Klavierstuck; Waltz) in E flat, B. 133, KK IVb/10, P 2/10 (1840)
  • 1955: Waltz in A minor, B. 150, KK IVb/11, P 2/11 (1843)
  • 1965: Introduction, Theme and Variations on a Venetian Air, in D major, for piano 4-hands, B.12a, KK IVa/6 (1826)
  • 1968: Bourrée No. 1 in G major, B. 160b/1, KK VIIb/1, D 2/1 (1848)
  • 1968: Bourrée No. 2 in A major, B. 160b/2, KK VIIb/2, D 2/2 (1846)
  • ?: Galop A flat (Galop Marquis), KK IVc/13, P 2/13 (1846)
  • ?: Nocturne in C sharp minor (Nocturne oubliée), KK Anh Ia/6, A1/6 (spurious)
  • ?: Introduction, Theme and Variations in D On a Theme by Thomas Moore, P 1/6 (1826)
  • ?: Mazurka in D, P 2/2 (1832)
  • ?: Klavierstuck in E flat, P 2/5 (1837)
  • ?: Klavierstuck in B flat, P 2/6 (1834)

Notes

  1. ^ The Andante spianato et grande polonaise brillante in E flat, Op. 22, commences with a lengthy piano solo (Andante spianato), which segues into the Grande polonaise, which is scored for piano and orchestra. The work is generally classified as a work for piano and orchestra; however, Chopin also wrote a piano solo version.
  2. ^ Piano Society
  3. ^ Classical Archives

References

  • Template:Fr icon Poliquin, Robert (2007-03-23). Catalogue des oeuvres "Catalogue of Works". Music and Musicians. Retrieved 2007-04-08. {{cite web}}: Check |url= value (help)
  • Template:Fr icon Poliquin, Robert. "Works catalogues". Music and Musicians. Retrieved 2007-04-08.
  • Mueller, Roman (1997-11-18). "Frédéric François Chopin: Works List". Classical Net. Retrieved 2007-04-08.
  • Newman, Danny. "Works by Frédéric François Chopin as compiled by Krystyna Kobylanska" (TXT). Classical Archives. Retrieved 2007-04-08.