Marilyn Stablein

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Marilyn Stablein (born August 22, 1946) is an American poet, essayist, fiction writer and mixed media artist whose sculptural artist's books, altered books and performance art concern visual narrative, travelogue and memoir.

Life[edit]

Born in Los Angeles, California Stablein attended schools in Palo Alto, California and graduated from Palo Alto High School. She began studies at the University of California, Berkeley and completed a bachelor's degree from the University of Washington in 1981. She received a master's degree from the University of Houston in 1984. She lives and works in Portland, Oregon.[1]

Influences[edit]

As a child Stablein became interested in Asian culture from visits to Chinatown, San Francisco and the Asian Art Museum. After reading about the India travels of beat generation writers Gary Snyder and Allen Ginsberg she traveled to India as a teenager and studied Tibetan culture.[citation needed] She wrote about the Boudhanath Tibetan Losar celebration,[2] published an illustrated article on Tibetan pilgrimage.[3] and published books[4] about the six-years she lived in the Himalayas from 1966-1972.

Work[edit]

Poetry[edit]

A reviewer in the Notre Dame Review wrote Splitting Hard Ground "combines elements of travelog, cultural studies and spiritual journey, and was praised as her other books have been, for its poetic prose, which Stablein has now distilled into actual poems. Her central themes are all here on display: politics and prophecy, how the land and character interact, a deep social concern for the woes of others.".[5] Another reviewer noted how "Dreams and reality, enlightenment and practicality weave together creating an American women's portrait of life deep in the heart of regions unknown to most of us. Blending the conventional with the bizarre, the every-day with the exotic, the mundane with the extraordinary."[6][7]

Fiction[edit]

Stories set in India and Nepal were published in The North American Review[8] and The Mississippi Review.[9][10] About Stablein's short story collection, The Census Taker: Tales of a Traveler in India and Nepal, a reviewer wrote, "Traveling on a shoestring (or a sandal strap in this case) in India and Nepal takes fortitude and a great deal of open-mindedness. Stablein has both. She wandered fearlessly through the street life of India and Nepal."[11] A reviewer commented on the style of the short prose poems anthologized in Nixon Under the Bodhi Tree; "Marilyn Stablein's pieces, are like sneak-attack satoris, extremely short prose poems that, in their brevity, capture the suchness of a moment. They are carefully honed, almost textbook examples of the short story form...".[12] Another reviewer mentioned the short style, "Among these sometimes pat and slight vignettes, the most substantial is the fable-like title story, which renders the country of Bhutan as an imaginary realm that might have emerged from the pen of Donald Barthelme."[13]

Nonfiction[edit]

Stablein's memoir, Sleeping in Caves: A Sixties Himalayan Memoir (2003) [7], is included in what is described as "a fantastical, eclectic reading list" in The New York Times.[14][15] Her essays were published in The Sun Magazine,[16] The Buddhist Review [17][18] and The Kyoto Journal. Two of Stablein's essays anthologized in Out of the Catskills and Just Beyond,[19] and The Truth About the Territory: Contemporary Nonfiction from the Northwest[20] were collected in Climate of Extremes: Landscape and Imagination.[21] Her book reviews appeared in The Seattle Times[22] and The San Francisco Chronicle.[23]

Art[edit]

In a series of art works exhibited in New York,[24] Stablein began to incorporate autobiographical collage elements into her work. When she began making sculptural artist's books and altered books in 2006 she continued to use collaged ephemera. A reviewer noted one visual narrative or journal, Collage Journal: New York to New Mexico,[25][26] featured "tickets, programs, invitations and other ephemera that form a memoir of a period in her life or a particular trip."[27] In the issue of Bound and Lettered magazine which featured one of Stablein's altered books on the cover, a reviewer of the art monograph Bind, Alter, Fold: Artist Books notes the three dimensional quality of Stablein's accordion-style binding, "permits the viewer to see the billboard-like array of pages, with their colorful collage of images and text, in a way similar to a traveler observing advertising along the highway".[28][29] Stablein used a variety of binding styles to create artist books illustrated with excerpts from her Himalayan notebooks and literary journals. One curator notes Stablein is a "book and assemblage artist whose work explores and celebrates cultural artifacts and traditions."[30]

Her book sculptures and visual journals are featured in magazines[31][32] and on magazine covers.[33][34][35] Her artist books have been exhibited [36] at the University of California San Diego Geisel Library, Delaware Center for Contemporary Art, the Rhode Island School of Design, and featured in books.[37][38][39]

Performance art[edit]

In the 1980s Stablein began to script her written work into multimedia performance art events. In a 1987 work, AutoText: Poems, Bullhorns, Streets[40][41] she pioneered the use of a bullhorn to recite poetry with another poet from the back of a moving vehicle.[42] AutoText also performed in 1987 at An Alternative To Loud Boats. Stablein performed Intrusions in Ice at the 1990 Bumbershoot Literary Arts Fair.[43] In a 1998 work, The Gypsy Procession,[44][45] Stablein collaborated with fluxus artist Dick Higgins. "Dick appeared as the King of Ties. He had a wonderful crown with ties hanging from it and a coat made of ties," composer Pauline Oliveros wrote about the parade.[46][47] Artworks from The Gypsy Procession were exhibited in a show curated by the artist Judy Chicago.[48]

Bibliography[edit]

Art[edit]

  • Bind, Alter, Fold: Artist Books 2015 ISBN 978-0-9608920-4-4

Fiction[edit]

  • The Census Taker: Tales of a Traveler in India and Nepal, 1985, ISBN 978-0-8808900-9-0
  • Night Travels to Tibet, 2001, OCLC 665864049
  • The Monkey Thief: Himalayan Tales, 2003, OCLC 57138388
  • More Night Travels to Tibet, 2010, OCLC 828682282
  • Vermin: A Traveler's Bestiary, 2018.[8]

Nonfiction[edit]

  • Houseboat on the Ganges & A Room in Kathmandu, Letters from India and Nepal, 1966-1972, 2019, ISBN 978-1-63405-972-5 [9]

Poetry[edit]

Anthologies[edit]

References[edit]

  1. ^ Goetze, Janet (2015-09-22). "Northeast Neighbor Marilyn Stablein Makes Art in Form of Books". Hollywood Star: Northeast & North Portland Neighborhood News. Retrieved 2018-03-16.
  2. ^ "Losar at Bodhnath 2008". theflowerraj.org.
  3. ^ "Textual and Contextual Patterns of Tibetan Buddhist Pilgrimage in India", Tibet Society Bulletin, Volume 12, 1978 pp. 7-38.
  4. ^ The Census Taker: Tales of a Traveler in India and Nepal, Sleeping in Caves: A Sixties Himalayan Memoir and Houseboat on the Ganges & A Room in Kathmandu: Letters from India & Nepal, 1966-1972
  5. ^ Notre Dame Review, number 30, summer/fall 2010, page 286
  6. ^ monterey. "poet-lit". poet-lit.blogspot.com.
  7. ^ Martin Abramson, Splitting Hard Ground, a review in Book/Mark A Quarterly Small Press Review, Winter/Spring 2012
  8. ^ "Picnic in Bodh Gaya," Marilyn Stablein, The North American Review, Vol. 279, No. 6, Nov.-Dec., 1994, pages 18-21
  9. ^ Mataji, JSTOR 20134045
  10. ^ "Mataji," Marilyn Stablein, The Mississippi Review, Vol. 13, No.3 (Spring, 1985) pp.86-94.
  11. ^ Sue Martin, Los Angeles Times, Dec. 22, 1985.
  12. ^ Nixon Under the Bodhi Tree and other works of Buddhist Fiction, Wheeler, Kate, Wisdom Publications, 2004, reviewed by Paul Morris in the Shambhala Sun, September 2004.
  13. ^ A review in Publishers Weekly, September, 1985
  14. ^ http://mobile.nytimes.com/2015/08/14/arts/design/review-robert-seydel-the-eye-in-matter-looks-at-an-artists-traces.html?_r=1
  15. ^ Martha Schwendener, "Robert Seydel: The Eye in Matter Looks at an Artists Traces," The New York Times, August 14, 2015
  16. ^ "The Sun Magazine - Search Results". thesunmagazine.org.
  17. ^ "Ten Thousand Cups of Tea - Tricycle". tricycle.org.
  18. ^ "Ten Thousand Cups of Tea," Tricycle magazine, Spring, 1992
  19. ^ "Picking Blackberries," Out of the Catskills and Just Beyond: Literary and Visual Works, Bertha Rogers, editor, Bright Hill Press, 1997.
  20. ^ "The Truth about the territory : contemporary nonfiction from the Northwest". worldcat.org.
  21. ^ "Climates of Extremes: Landscape and Imagination by Marilyn Stablein - blackheronpress.com". blackheronpress.com.
  22. ^ "Entertainment & the Arts - Books Briefly - Seattle Times Newspaper". nwsource.com.
  23. ^ Varley O'Connor (18 March 2015). "Like China - Varley O'Connor". varleyoconnor.com.
  24. ^ Woodstock Artist Association and Museum solo show, 1999
  25. ^ "otoliths". the-otolith.blogspot.com.au.
  26. ^ Otolith Magazine #34, article on Marilyn Stablein's "Visual Journals, New York to New Mexico 2003-2006"
  27. ^ Janet Goetze,"[1] Marilyn Stablein Makes Art in Form of Books]", Hollywood Star News, Portland, Oregon, September 2015
  28. ^ Barbara Adams Hebard, Bind, Alter, Fold: Artist Books by Marilyn Stablein, a review, Bound & Lettered magazine, Fall 2015, pages 30,31
  29. ^ [2]
  30. ^ [3]
  31. ^ Anjula Duggal, "Sleeping in Caves - A Conversation with Marilyn Stablein," in Levitating Monkey, 2014
  32. ^ Mary Ann Moore, reviews Bind, Alter, Fold: Artists Books by Marilyn Stablein, Vancouver Sun, 2015
  33. ^ Time on My Hands, cover illustration, The Malpais Review, vol.2 no.4, Spring 2012
  34. ^ Barbara Grosh. "Gargoyle: Issue 57". gargoylemagazine.com.
  35. ^ "Button Typewriter," cover illustration, Gargoyle Magazine, Issue 57, 2012
  36. ^ Reader's Art 12: Marilyn Stablein, Susan Hensel gallery, Minneapolis, 2012
  37. ^ '"Blue Stocking", The Book: A Contemporary View, Isaacs, Susan J. Center for Contemporary Art, Towson University, 2011, p.35
  38. ^ "Inflation: A Biased View,", 1000 Artists' Books: Exploring the Book as Art, Salamony, Sandra. Thomas, Peter and Donna. Quarry Books, 2012, p. 180
  39. ^ "The Bread Book, Pan de Muerto," 500 Handmade Books, Vol.2, Chen, Julie. Lark Publishers, 2013, p. 232.
  40. ^ [4]
  41. ^ AutoText: Poems, Bullhorns, Streets, a multimedia collaboration with Susan Kronenberg
  42. ^ A 30-minute video of AutoText: Poems, Bullhorns, Streets with Susan Kronenberg and produced by Jeff Buckley, In the Round, was broadcast on Channel 29, Seattle, Washington, 1987.
  43. ^ Author! Author! Readings, Panels Planned
  44. ^ [5]
  45. ^ The Gypsy Procession: A Kinetic Percussion Fashion Show and Parade, with twenty-five musicians and artists was performed annually from 1998-2000 at the Kingston NY Artist Soapbox Derby.
  46. ^ [6]
  47. ^ "Marilyn Stablein had organized a pre Derby parade. She made the participant's costumes with men's ties. Dick appeared as the King of Ties. He had a wonderful crown with ties hanging from it and a coat made of ties. " The December 1998 issue of Umbrella: Mail Art Volume 21 no. 3/4 (December 1998) was dedicated to the life and work of Dick Higgins.
  48. ^ Through the Flower a nonprofit feminist arts organization founded by Judy Chicago in Belen, New Mexico hosted Subversive Stitching--Feminist Artists with a Needle a mixed media art show from February to August, 2010.
  49. ^ "Deceptions in Gray" and "Intrustions in Ice," The Truth About the Territory: Contemporary Nonfiction from the Northwest, Ives, Rich, editor, Owl Creek Press, 1987.
  50. ^ "Teeth" and "Prediction", Nixon Under the Bodhi Tree: And Other Tales of Buddhist Fiction Wheeler, Kate. Wisdom Publications, 2004.
  51. ^ "Above, Below Ground," and "What Water Carries," Make it True: Poetry from Cascadia, Nelson, Paul. McKinnon, Barry. Maestas, Nadine. Stanley, George, editors, Leaf Press, 2015
  52. ^ Sacred Waters.

External links[edit]