Maurice Manning (poet)

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Maurice Manning
Born 1966
Danville, Kentucky
Occupation Poet
Language English
Nationality American
Education Earlham College;
University of Alabama
Genre Poetry

Maurice Manning (born 1966 in Danville, Kentucky) is an American poet. His first collection of poems, Lawrence Booth's Book of Visions, was awarded the Yale Younger Poets Award, chosen by W.S. Merwin.[1] Since then he has published four collections of poetry (with Houghton Mifflin Harcourt and Copper Canyon Press). He teaches at Transylvania University in Kentucky.


Maurice Manning attended Earlham College and the University of Alabama at Tuscaloosa. From 2000 to 2004, Manning taught at DePauw University.[2] In the fall of 2004 he began teaching in the Indiana University M.F.A. Program.[3] He is on the faculty of the Warren Wilson College MFA Program for Writers[4] and in January 2012 he was hired by Transylvania University, a small liberal arts college in Lexington, Kentucky.[5] He lives on a 20-acre farm in Washington County, Kentucky.[6]

His poems have appeared in The New Yorker, Shenandoah, The Southern Review, Washington Square, Green Mountains Review, Hayden's Ferry Review, Spoon River Poetry Review, Wind, Hunger Mountains, Black Warrior Review, Virginia Quarterly Review, and elsewhere.[4] His collection The Common Man was one of the two finalists for the 2011 Pulitzer Prize in Poetry.[7]

He has held a fellowship to the Fine Arts Works Center in Provincetown[8] and was a 2011 Guggenheim Fellow.[9][10]


Manning's first collection, Lawrence Booth's Book of Visions, won the Yale Series of Younger Poets Competition in 2001 (under W. S. Merwin).[11] Dwight Garner, literary critic for The New York Times, said in a review of the book that "Manning displays not just terrific cunning but terrific aim--he nails his images the way a restless boy, up in a tree with a slingshot, nails anything sentient that wanders into view".[12] His fourth collection, The Common Man (Houghton Mifflin, 2010), deals with religion, Kentucky, whiskey, and a donkey, and was praised as a "fine collection" by Jacob Sunderlin in the Sycamore Review.[13] During his Guggenheim fellowship, he was working on his fifth collection, tentatively titled The Gone and the Going Away.[10] His newest collection, One Man's Dark,[14] was published in 2016 by Copper Canyon Press and focuses on rural America, and on living life in close contact with the natural world.



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