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Max van Egmond

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Max van Egmond, June 2007.

Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach.

Professional career

Max van Egmond studied voice at Hilversum with Tine van Willingen de Lorme.[1] At the age of eighteen he became a member of De Nederlandse Bachvereniging (Dutch Bach Society).[2]

Starting in 1965, he became involved in the complete Bach recordings of Gustav Leonhardt, Nikolaus Harnoncourt and Frans Brüggen. He recorded the St Matthew Passion first under Claudio Abbado in 1969 and Nikolaus Harnoncourt in 1970, singing the bass arias.[3][4] In 1973 he recorded the words of Jesus first with Johan van der Meer, in 1977 with Charles de Wolff and De Nederlandse Bachvereniging,[5] in 1989 with Gustav Leonhardt.[6] In the St John Passion he recorded the words of Jesus in 1965 with Harnoncourt and the Concentus Musicus Wien, in 1979 with van der Meer, in 1986 with de Wolff, and in 1987 the arias with Sigiswald Kuijken and La Petite Bande.

He participated in recordings of Monteverdi's operas with Harnoncourt, L'Orfeo in 1968,[7] and the first complete recording of Il ritorno d'Ulisse in patria in 1971.[8] He also performed more recent operas, such as the world premieres at De Nederlandse Opera of Jurriaan Andriessen's Het Zwarte Blondje in 1962 and of Antony Hopkins' Three's Company in 1963.

In 1969 he was the soloist in Reger's Hebbel Requiem in concerts recorded live in the Berlin Philharmonie with Junge Kantorei, Symphonisches Orchester Berlin and conductor Joachim Martini.[9] In 1976 he performed with the same choir Handel's Messiah in Eberbach Abbey.[10] In 1998 he sang the words of Jesus in Bach's St Matthew Passion in St. Martin, Idstein with Elisabeth Scholl, Andreas Scholl and Max Ciolek as the Evangelist.[11][12]

Max van Egmond has performed and recorded romantic Lieder of Schubert, Schumann and Fauré, among others, accompanied on period instruments. Songs by Gabriel Fauré were accompanied by Jos van Immerseel on an Erard piano built in 1897.[13] Schubert's Winterreise was accompanied by Penelope Crawford on a fortepiano of Conrad Graf, built in 1835.[14]

He was a teacher at the Sweelinck Conservatory Amsterdam from 1980 until 1995 and conducted master classes, annually in Mateus, Portugal, and at the Baroque Performance Institute at Oberlin, Ohio since 1978. One of his students has been Harry van der Kamp.[1]

Selected recordings

References

  1. ^ a b Max van Egmond at all-music
  2. ^ Max van Egmond on the bach-cantatas website
  3. ^ St. Matthew passion, Bach: Matthäus-Passion on bach-cantatas, Abbado #44, Harnoncourt #47
  4. ^ Geringe Mittel review in Der Spiegel 5 April 1971 (in German)
  5. ^ J.S. Bach: Matthäus-Passion on bach-cantatas, #51 and # 54
  6. ^ J.S. Bach: Matthäuspassion on bach-cantatas, #71
  7. ^ Monteverdi: L'orfeo / Harnoncourt, Hansmann, Berberian Naxos
  8. ^ Monteverdi: Il Ritorno D'ulisse In Patria / Harnoncourt Naxos
  9. ^ "Max Reger, Chorstücke (1969)" (in German). junge-kantorei.de. 2010. Retrieved 10 July 2010.
  10. ^ Pfingstkonzerte in Kloster Eberbach Junge Kantorei (in German)
  11. ^ "Andreas Scholl past concerts 1998". andreasschollsociety.org. 2010. Retrieved 7 November 2010.
  12. ^ Matthäuspassion on the St. Martin Idstein website (in German)
  13. ^ a b Egmond, Max van - baritone / Immerseel, Jos van - piano Erard 1897 - 8295 Faure songs Chanel Classics
  14. ^ a b c d e Franz Schubert Musica Omnia

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