Minion (typeface)

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Adobe Minion
Category Serif
Classification Garalde old style serif
Designer(s) Robert Slimbach
Date released 1990
Shown here Adobe Minion Pro

Minion is a serif typeface designed by Robert Slimbach in 1990 for Adobe Systems and inspired by late Renaissance-era type. The name comes from the traditional naming system for type sizes, in which minion is between nonpareil and brevier, equivalent to modern 7pt type. As the name suggests, it is particularly intended as a font for body text in a classical style, neutral and practical while also slightly condensed to save space.[1] Slimbach described the design as having "a simplified structure and moderate proportions."[2][3]

Minion was developed using innovative multiple master technology to create a range of weights and styles suitable for different text sizes.[4] This automation of font creation was intended to allow a gradual trend in styles from solid, chunky designs for caption-size small print to more graceful and slender designs for headings.[5][a] It is an early member of what became Adobe's Originals program, which created a set of type families primarily for book and print use, many like Minion in a deliberately classical style.[b] Minion is a very large family of fonts, including Greek and Cyrillic alphabets, optical sizes, condensed styles and stylistic alternates such as swash capitals.[8] It is one of the most popular typefaces used in books, one of the most famous being The Elements of Typographic Style, Robert Bringhurst's book about fine printing and page layout.[9][10]


Minion Pro capital letters in (L-R) regular, italic and swash style

Modern Minion releases are in the OpenType (otf) format, allowing a variety of stylistic alternates such as small caps and ligatures to be encoded in the same font. The original release used additional 'expert set' fonts for these features, and may remain used by designers using more primitive software such as Microsoft Office that have limited OpenType support.


The original release. Minion Black does not have italic counterpart. Minion Expert is a separate font package that include fonts containing small caps, ligatures, old style figures, and swash glyphs. There are also fonts for dingbats (Minion Ornaments), and a Black-weighted font (Minion Black Expert). Swash fonts are included for only the 2 lightest font weights. An 'expert set' font is used for older and simpler applications that cannot handle multiple text styles for the same letter (such as both lower-case letters and small caps) in the same font.

Minion Cyrillic[edit]

Minion Cyrillic was designed in 1992 by Robert Slimbach and was conceived as a non-Latin counterpart to Slimbach’s Minion typeface family. There were no Display-sized fonts, expert fonts, or Black-weighted fonts in this family.

Minion MM[edit]

The Multi Master version of the original Minion family, released in 1992. Commonly used in Adobe Acrobat to replace unknown fonts.

Minion Std Black[edit]

An OpenType version of the Minion Black font, but includes features found in Expert versions of PostScript Minion Black fonts. In addition, character set was updated to support Adobe Western 2.

Minion Pro[edit]

An OpenType update of the original family, released in 2000. The update is based on Minion MM but features slight changes to the selection of instances and modifications of the font metrics.[11]

The family comes with 3 (later 4, which adds Medium) weights, each in roman and italic, 2 widths, and 4 optical sizes (not sold in all packages). The Black weight from Minion Black Expert was not included. Each font includes the expert glyphs and dingbats that were previously found in Minion Expert package (swashes available in italic fonts only), Cyrillic Glyphs from Minion Cyrillic. In addition, the font family supports Adobe CE, Adobe Western 2, Greek, Latin Extended, Vietnamese character sets.

Optical sizes Caption Regular Subhead Display
Intended point sizes 6–8.4 8.4–13.0 13.0–19.9 19.9–72

Minion Web[edit]

A TrueType version of Minion, designed for screen use. It supports ISO-Adobe character set. Version 1.00 of the font was distributed with Internet Explorer 4.0.

Minion Web Pro[edit]

An updated version of Minion Web, which supports Adobe CE and Adobe Western 2 character sets.

Minion Math and MnSymbol[edit]

Minion Math is a variant designed by Johannes Küster from typoma GmbH, for mathematical applications.[12][13] Minion Math family includes 20 fonts in 4 weights and 5 optical sizes each. An additional optical size 'Tiny' is added. The October 2011 version (1.020) contains about 2900 glyphs per font; it also added OpenType math features. Minion Math had a working title, typoma MnMath. The final form is expected to include all Unicode mathematical symbols and many additional symbols.

An older companion to Adobe's Minion Pro (rather than replacement) is Achim Blumensath's MnSymbol, typically (but not necessarily) used from TeX.[14] Although MnSymbol has a packaging as OpenType, it only provides TeX font metrics for math.

Minion in other font families[edit]

The Latin Minion glyphs are also used in other Adobe font families, including Adobe Arabic (Arabic), Adobe Hebrew (Hebrew), Adobe Thai (Thai), and Adobe Song (simplified Chinese).


Minion has generally received praise for its effectiveness as a clean, neutral book face with a very comprehensive range of features and styles. Slimbach himself has described it as 'an exercise in restraint', noting that his other serif designs such as Arno and Jenson have tended to be more eccentric.[3]

The designer Matthew Butterick however criticised it for being too neutral, saying "Minion is beautifully made—it’s balanced, it’s clean, it’s handsome, it’s conservative. It’s easy to like. And it’s been hugely successful as a book font, meaning you will not get fired for using Minion...[but] Minion succeeds so well in being noncontroversially good-looking that I find it sort of dull."[15]



Minion Pro won bukva:raz! 2001 award under Greek category.[23]


  1. ^ "Minion". Typekit. Adobe. Retrieved 2 July 2015. 
  2. ^ Slye, Christopher. "Coming to your desktop: fonts from Adobe". Typekit Blog. Adobe. 
  3. ^ a b Twardoch, Slimbach, Sousa, Slye (2007). Arno Pro (PDF). San Jose: Adobe Systems. Retrieved 14 August 2015. 
  4. ^ "DesigningMultiple Master Typefaces" (PDF). Adobe. Retrieved 2 July 2015. 
  5. ^ Riggs, Tamye. "The Adobe Originals Silver Anniversary Story". Typekit blog. Adobe. Retrieved 2 July 2015. 
  6. ^ Phinney, Thomas. "Font Remix Tools (RMX) and Multiple Master Fonts in type design". Phinney. Retrieved 4 July 2015. 
  7. ^ Phinney, Thomas. "TrueType, PostScript Type 1, & OpenType: What’s the Difference?" (PDF). Adobe. Retrieved 4 July 2015. 
  8. ^ "Adobe Typography Primer" (PDF). Adobe. Retrieved 2 July 2015. 
  9. ^ Coles, Stephen. "Top Ten Typefaces Used by Book Design Winners". FontFeed. Retrieved 2 July 2015. 
  10. ^ Bringhurst, Robert (1996). The elements of typographic style (2. ed.). Point Roberts: Hartley & Marks. p. 49. ISBN 0881791334. 
  11. ^ Type 1 ("PostScript") to OpenType font conversion
  12. ^ Minion Math: the design of a new math font family
  13. ^ Notes from TUG2008 in Cork: Day 2
  14. ^
  15. ^ Butterick, Matthew. "Minion". Typography for Lawyers. Retrieved 15 August 2015. 
  16. ^ "Brown University: Visual Identity and Graphic Standards - The New Logo". Retrieved 2009-12-15. 
  17. ^ "Section 4: Typography" (PDF). Identity Standards, Standards Guide. Wake Forest University. p. 2. Retrieved 2008-09-03. 
  18. ^ University of Otago Brand Guide
  19. ^ "Installing Minion Pro". Retrieved 15 August 2015. 
  20. ^ Healy, Kieran. "Oppressed by Social Forces". Retrieved 15 August 2015. 
  21. ^ "Smithsonian Visual Identity Program - Logo Specifications". Retrieved 2012-12-13. 
  22. ^ The Cambridge Grammar of the English Language (CUP, 2002), p. iv.
  23. ^ Type Directors Club : News : bukva:raz! Results
  1. ^ The original goal was that this would be controllable from inside applications using text, so a user could fine-tune the font to the exact form they needed (thickness, optical size, level of condensation, etc.)[6] Making apps support this proved impractical, and so instead multiple master fonts have been released in a set of styles likely to be useful.[7]
  2. ^ This describes their original design goal: with the growth of webfonts and higher-resolution displays it has become more practical to use them for onscreen use as well.

External links[edit]

Links to Adobe:

Non-Adobe links: