Nothing but the Truth (2008 American film)
| Nothing But The Truth | |
|---|---|
 Original poster | |
| Directed by | Rod Lurie |
| Written by | Rod Lurie |
| Produced by | Rod Lurie Bob Yari Marc Frydman |
| Starring | Kate Beckinsale Matt Dillon Vera Farmiga David Schwimmer Angela Bassett Preston Bailey Noah Wyle Alan Alda |
| Cinematography | Alik Sakharov |
| Edited by | Sarah Boyd |
| Music by | Larry Groupé |
Production company | |
Running time | 108 minutes |
| Country | Template:FilmUS |
| Language | English |
Nothing But The Truth is a 2008 American drama film written and directed by Rod Lurie. According to comments made by Lurie in The Truth Hurts, a bonus feature on the DVD release, his inspiration for the screenplay was the case of journalist Judith Miller, who in July 2005 was jailed for contempt of court for refusing to testify before a federal grand jury investigating a leak naming Valerie Plame as a covert CIA operative, but this was merely a starting point for what is primarily a fictional story. In an April 2009 interview, Lurie stressed, "I should say that the film is about neither of these women although certainly their stories as reported in the press went in to the creation of their characters and the situation they find themselves in." [1]
The film premiered at the Toronto International Film Festival on September 8, 2008. It was scheduled to open in New York City and Los Angeles on December 19, but because distributor Yari Film Group Releasing filed for Chapter 11 protection, it never was given a theatrical release. [1]
Plot
Rachel Armstrong (Kate Beckinsale) is an ambitious reporter for the Capital Sun-Times. When she discovers fellow soccer mom Erica Van Doren (Vera Farmiga) is working as a covert operative for the CIA and recently returned from Venezuela, where she was investigating an assassination attempt on the President of the United States, she confronts her and requests confirmation. Erica refuses to cooperate, but Rachel has no doubts about the veracity of the report, and her story becomes front-page news with the support of editor Bonnie Benjamin (Angela Bassett) and Avril Aaronson (Noah Wyle), who serves as the newspaper's legal counselor.
Because revealing a covert operative's identity is a treasonous offence and the individual who leaked the information to Rachel is a potential threat to national security, special Federal prosecutor Patton Dubois (Matt Dillon) convenes a grand jury and demands to know who her source is, information she refuses to divulge. High profile attorney Alan Burnside (Alan Alda), hired by the newspaper to defend Rachel, is certain his personal friendship with Judge Hall will facilitate matters and is shocked when his client is jailed for contempt of court. Days become weeks, and then months, but Rachel steadfastly defends the principle of confidentiality, a position that eventually estranges her husband Ray (David Schwimmer), alienates her young son Timmy (Preston Bailey), and costs her embattled newspaper hundreds of thousands of dollars in fines and legal fees. She is stricken when a member of an extremist right-wing group assassinates Van Doren in her own driveway, as he perceives Van Doren's report on Venezuela's innocence to be unpatriotic, but she remains silent. Burnside even argues her case before the Supreme Court, but they decide against him 5-4, citing the overriding concern of national security.
Eventually Judge Hall decides to release her from jail, as he is convinced she will never divulge her source and therefore cannot be pressured through continued incarceration. On the day she is released, Dubois has the U.S. Marshals arrest her for obstruction of justice and convinces her to take a deal for a shortened sentence rather than go to trial. She agrees to two years in prison, with the possibility of early parole for good behavior. As she is taken to the facility, she reminisces about her source: Van Doren's daughter, who revealed to her on a school field trip that her mother worked for the government and recently went to Venezuela on "business."
Production
Attorney Floyd Abrams had argued for The New York Times and Judith Miller in the grand jury investigation of her report about Valerie Plame, and he was hired as a consultant on the film by screenwriter/director Rod Lurie, who was so impressed with his demeanor he cast Abrams as Judge Hall.
The film was shot on location in Memphis, Tennessee.
Cast
- Kate Beckinsale: Rachel Armstrong
- Matt Dillon: Patton Dubois
- Alan Alda: Albert Burnside
- Vera Farmiga: Erica Van Doren
- Angela Bassett: Bonnie Benjamin
- David Schwimmer: Ray Armstrong
- Noah Wyle: Avril Aaronson
- Floyd Abrams: Judge Hall
- Preston Bailey: Timmy Armstrong
Critical reception
Although the film never officially opened, several critics who had seen it in advance screenings nonetheless published their reviews. Manohla Dargis of the New York Times thought the "confusing film . . . mixes familiar plot points . . . with some grievous nonsense, most of which involves the two women’s irritatingly distracting home lives . . . That’s too bad for all sorts of reasons, including this one: when not cooing inanities at pipsqueaks, the actresses are pretty good, both together and individually. There’s pleasure in watching them go manolo a manolo against each other, particularly Ms. Farmiga, who fills out her size 0 with macho swagger. Despite a shaky start, Ms. Beckinsale does eventually look the part of the harassed and haggard heroine, if largely by not wearing any eye makeup." [2]
In the Los Angeles Times, Sam Adams observed the film "isn't ripped from the headlines so much as it's pasted together like a ransom note, using scraps so small their origins are indiscernible. The obvious inspiration for the story of a newspaper reporter who is jailed for refusing to reveal her sources is the Valerie Plame affair, and for a while the details match up . . . But from there, Lurie spins off into invention like a Law & Order writer on deadline, scrambling the issues so thoroughly it's no longer clear what, if anything, the movie is meant to address." [3]
Peter Travers of Rolling Stone rated the film three out of four stars and commented, "Lurie is expert at springing surprises and getting the best out of a first-rate cast. Beckinsale excels at finding the chinks in Rachel's armor. Farmiga goes so deep into her character you can feel her nerve endings. And Alda is simply superb as a lawyer whose peacock vanity about his designer wardrobe hardly prepares you for his moving argument for principles before the Supreme Court. Lurie also convinced Floyd Abrams, who represented Miller in court, to play the trial judge, and the canny counselor steals every scene he's in. Nothing But the Truth is currently in distribution hell, which means you might have to seek it out. It's worth the trouble. Lurie has crafted a different kind of thriller, one with a mind and a heart." [4]
Writing for the online Slant Magazine, Jay Antani stated, "The film easily could have gotten saddled with liberal polemics and pedestrian plot twists, but Lurie's focus is on lean, intelligent storytelling while keeping his righteous anger worked seamlessly into plotting and character development. Sarah Boyd's superb editing keeps apace with the taut, compelling script, and the performers are no slouches either. After years shunting between various genre vehicles, Beckinsale proves her chops as a serious dramatic actress. Dillon and Alda are dependably strong, while Bassett, Wyle, Farmiga, and Schwimmer provide sharp support. All combine to create a worthy political thriller whose good intentions don't spoil the pleasures of a good yarn well told." [5]
Stephen Garrett of Time Out New York thought the film was "both exhilarating and frustrating" because "So few movies dare to tackle intelligent, provocative, socially relevant topics in a mature framework that doesn’t condescend. But there’s a halfway point when the rush of watching the inner machinations of power players turns into the listless predictability of a TV courtroom drama, crossed with the voyeurism of a mild grindhouse prison movie." [6]
In reviewing the DVD release, Roger Ebert of the Chicago Sun-Times awarded it 3½ out of four stars and called it "a finely-crafted film of people and ideas, of the sort more common before the movie mainstream became a sausage factory. It respects the intelligence of the audience, it contains real drama, it earns its suspense, and it has a point to make." [7]
DVD release
Sony Pictures Home Entertainment released the film on DVD on April 28, 2009. It is in anamorphic widescreen format with an English audio track and subtitles. Bonus features include commentary with screenwriter/director Rod Lurie and producer Marc Frydman, The Truth Hurts: The Making of Nothing But the Truth, and eight deleted scenes.