|by Maurice Duruflé|
Beginning of the second movement, Kyrie, in the organ version
|Based on||Gregorian plainchant|
|Dedication||To the memory of his father|
The Requiem, Op. 9, is a setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. The Requiem was first published in 1948 by Durand in an organ version.
Maurice Duruflé was among French composers commissioned in May 1941 by the collaborationist Vichy regime to write extended works for a monetary award, such as 10,000 francs for a symphonic poem, 20,000 for a symphony, and 30,000 for an opera. Duruflé, commissioned to compose a symphonic poem, decided to compose a Requiem and was still working on it in 1944 when the regime collapsed. He completed it in September 1947.
He set the Latin text of the Requiem Mass, omitting certain parts in the tradition of Gabriel Fauré's Requiem and structuring it in nine movements. At the time of the commission, he was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead". Nearly all the thematic material in the work comes from chant. Duruflé scored the work for a solo voice in the central movement, Pie Jesu, and a mixed choir, accompanied by organ or orchestra. The composer dedicated the Requiem to the memory of his father.
The Requiem was published in 1948 by the French publishing house Durand, first issued in a version for SATB choir and organ. Duruflé demanded payment for the commissioned work and received 30,000 francs, instead of the 10,000 of his commission, because of the complex nature of his work and inflation during that time.
Structure and scoring
- Introit (Requiem aeternam)
- Kyrie eleison
- Offertory (Domine Jesu Christe), Choir & baritone solo
- Sanctus and Benedictus
- Pie Jesu, Mezzo-soprano solo, optional solo cello
- Agnus Dei
- Communion (Lux aeterna)
- Libera me, Choir & baritone solo
- In paradisum
The work is for SATB choir with brief mezzo-soprano and baritone solos. It exists in three versions: one for organ alone (with obbligato solo for cello); one for organ with string orchestra and optional trumpets, harp, and timpani; and one for organ and full orchestra.
Like Fauré in his Requiem, Duruflé's omits most of the liturgical Dies Irae, but sets its part Pie Jesu. He includes Libera me and In Paradisum, from the burial service, again like Fauré, focused on calmness and a meditative character. The central movement, Pie Jesu, has the only solo for the mezzo-soprano.
The full-orchestra version is scored for 3 flutes (2nd and 3rd doubling piccolo), 2 oboes (2nd doubling 2nd English horn), English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 French horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, tamtam, celesta, harp, organ, and strings (violins, violas, cellos, and double basses).
The reduced-orchestra version is scored for 3 trumpets, timpani, harp, organ, and strings (violins, violas, cellos, and double basses). The organ part used in the reduced version is different from the organ part used in the version for choir and organ.
- Guy Janssens, A history of the Requiem - Part III, Laudantes Consort, Benoît Mernier, Organ - CD: Cypres CYP 1654, 2006 (with Bruckner's Requiem)
- Stetson University Concert Choir, Requiem, Alan Raines Conducting, Boyd Jones Organ - CD: Clear Note 74390, 2008. Publisher's store; Album info (archived)
- Requiem Æternam, The Choir of Somerville College, Oxford (David Crown, conductor; Tristan Mitchard, organ), Stone Records 5060192780208, 2012 (with Robin Milford’s Mass for Five Voices)
- Durufle Requiem & Four Motets; Ann Murray, mezzo-soprano; Thomas Allen, baritone; Thomas Trotter, organ; Corydon Singers; English Chamber Orchestra; Matthew Best, conductor. CD: Hyperion Records Limited CDA66191, recorded October 1985
- Durufle Requiem * Quatre Motets * Messe Cum Jubilo; Westminster Cathedral Choir / James O'Donnell; Hyperion CDA66757, recorded on 22-24 June, 6-8 July 1994
- Frazier 2007, pp. 156–157.
- Frazier 2007, p. 166.
- Creasy, Barry. "Requiem – Maurice Duruflé (1902 - 1986)". Collegium Musicum of London. British Choirs on the Net. Retrieved 26 July 2014.
- Gammie, David (2014). "Requiem, Op 9". Hyperion. Retrieved 3 August 2017.
- Maurice Duruflé / Requiem / Choers à 4 Voix (S.A.T.B.). Durand. 1948.
- Frazier 2007, p. 157.
- Coghlan, Alexandra (2016). "Duruflé Requiem". Gramophone. Retrieved 3 August 2017.
- Frazier, James E. (2007). Chapter Sixteen: The Vichy Commissions / Chapter Seventeen: The Requiem. The Man and his Music. University of Rochester Press. pp. 156–180. ISBN 978-1-58-046227-3.
- Cooksey, Karen Lou (2000). "The Duruflé Requiem: A Guide for Interpretation". Undergraduate Honors Thesis Collection. Butler University. Retrieved 1 March 2007.
- Dellal, Pamela (2017). "Miscellaneous Translations / Requiem / Maurice Duruflé". Emmanuel Music. Retrieved 1 March 2007.
- Oestreich, James R. (16 November 1989). "Review/Music; Maurice Durufle Requiem Opens 3-Part Retrospective". The New York Times. Retrieved 1 March 2007.
- Platt, Russell (8 March 2012). "Elegant Theft: Maurice Duruflé's Requiem". The New Yorker. Retrieved 3 August 2017.
- Kaye, Nicholas. (1 January 2001). "Duruflé, Maurice." Grove Music Online. Ed. Retrieved 13 September 2018.
- "Maurice Gustave Duruflé / 1902 - 1986 / France". requiemsurvey.org. 2017. Retrieved 3 August 2017.