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Robin and Marian

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Robin and Marian
Theatrical poster by Drew Struzan
Directed byRichard Lester
Written byJames Goldman
Produced byDennis O'Dell
Richard Shepherd
Ray Stark
StarringSean Connery
Audrey Hepburn
Robert Shaw
Nicol Williamson
and
Ronnie Barker
CinematographyDavid Watkin
Music byJohn Barry
Production
company
Distributed byColumbia Pictures
Release date
11 March 1976
Running time
106 minutes
CountriesUnited Kingdom
United States
LanguageEnglish
Budget$5,000,000

Robin and Marian is a 1976 British-American romantic adventure period film directed by Richard Lester and written by James Goldman, based on the legend of Robin Hood. It stars Sean Connery as Robin Hood, Audrey Hepburn as Lady Marian, Nicol Williamson as Little John, Robert Shaw as the Sheriff of Nottingham and Richard Harris as Richard the Lionheart. It also features comedian Ronnie Barker in a rare film role as Friar Tuck. It was filmed in Zamora, Spain. The film marked Hepburn's return to the screen after an eight-year absence.[1]

Lester made Robin and Marian amid a series of period pieces, including The Three Musketeers (1973). The original music score was composed by John Barry. The film was to have originally been titled The Death of Robin Hood but was changed by Columbia Pictures to be more marketable,[2] and perhaps give equal billing to Hepburn.

Plot

An aging Robin Hood (Connery) is a trusted captain fighting for King Richard the Lionheart (Harris) in France, the Crusades long over. Richard orders him to take a castle that is rumored to hold a gold statue. Discovering that it is defended by a solitary, one-eyed old man (Esmond Knight) who is sheltering harmless women and children, and convinced that there is no statue, Robin and his right-hand man, Little John (Williamson), refuse to attack. King Richard, angry at their insubordination, orders the pair's execution, but before his orders can be carried out, he is mortally wounded by an arrow thrown by the old man. Richard has the helpless residents massacred, with the exception of the old man, because Richard likes his eye. The King asks Robin to pray for mercy for him. When Robin refuses, Richard draws his sword, but lacks the strength to strike him and falls to the floor. Robin helps him, and moved by his loyalty, with his last words, Richard frees Robin and Little John.

After Richard's death, Robin and Little John return to England and are reunited with old friends Will Scarlet (Denholm Elliott) and Friar Tuck (Ronnie Barker) in Sherwood Forest. When Robin casually inquires about Maid Marian (Hepburn), they tell him she has become an abbess. When he goes to see her, she finds him as impossible as ever. He learns that his old nemesis, the Sheriff of Nottingham (Shaw), has ordered her arrest in response to the King's order to expel senior leaders of the Roman Catholic Church from England. Marian wants no trouble, but Robin rescues her against her will, injuring Sir Ranulf (Kenneth Haigh), the Sheriff's arrogant guest, in the process. Ignoring the Sheriff's warnings, Sir Ranulf pursues Robin into the forest. His men are ambushed and devastated by arrows; Sir Ranulf is left unharmed only because Robin orders him spared. When the news of Robin's return spreads, old comrades and new recruits rally once more to him. Sir Ranulf asks King John (Ian Holm) for 200 soldiers to deal with Robin.

The Sheriff waits in the open fields beyond the Forest, knowing Robin will attack. When Robin does, he proposes that he and the Sheriff duel to settle the issue, despite the protests of Sir Ranulf. Despite Robin appearing to have superior skills at the start of the fight, it soon becomes clear that the Sheriff is more agile and resistant, and soon he is dominating Robin in the fight. Eventually the Sheriff has the wounded Robin at his mercy and demands his surrender. Refusing, Robin manages to kill the Sheriff with the last of his strength. Led by Sir Ranulf, the soldiers attack and scatter Robin's ragtag band, many of whom are captured or killed. Little John swiftly kills Sir Ranulf. Then he and Marian take Robin to her abbey, where she keeps her medicine.

Robin believes he will recover to win future battles. Little John stands guard outside while Marian tends to Robin's wounds. Marian prepares a draft and takes a drink of it herself before giving it to Robin. He drinks the medicine and notes that the pain has gone away and his legs have gone numb. Then, realizing that she has poisoned them both, he cries out for Little John. However, he comes to understand that Marian has acted out of love because he would never be the same man again. She tells him:

I love you. More than all you know. I love you more than children. More than fields I've planted with my hands. I love you more than morning prayers or peace or food to eat. I love you more than sunlight, more than flesh or joy, or one more day. I love you...more than God.

Robin and Marian try to touch each other's hands as Little John crashes through the door and weeps at Robin's bedside. Robin asks Little John for his bow and shoots an arrow from his deathbed through the open window, and tells him to bury them both where it lands. The arrow soars out of the window into the distance, while decaying apples next to the same window are seen.

Cast

Reception

The film was generally given positive reviews by critics. It currently holds a 76% rating on Rotten Tomatoes, based on 29 reviews.

Roger Ebert was positive towards Connery and Hepburn as Robin and Marian although he was uncertain about "history repeating itself" in regards to the plot. According to Ebert, "What prevents the movie from really losing its way, though, are the performances of Sean Connery and Audrey Hepburn in the title roles. No matter what the director and the writer may think, Connery and Hepburn seem to have arrived at a tacit understanding between themselves about their characters. They glow. They really do seem in love. And they project as marvelously complex, fond, tender people; the passage of 20 years has given them grace and wisdom."[3] He also approved of the cinematography of the film in comparison to early films of the genre noting that, "Lester photographs them with more restraint than he might have used 10 years ago. His active camera is replaced here by a visual tempo more suited to bittersweet nostalgia. He photographs Sherwood Forest and its characters with a nice off-hand realism that's better than the pretentious solemnity we sometimes get in historical pictures".[3]

See also

References

  1. ^ [1]. People.
  2. ^ p.178 Norwich, Brahm Dilemmas of Difference, Inclusion and Disability: International Perspectives and Future Directions Routledge, 2008
  3. ^ a b Chicago Sun-Times review by Roger Ebert , April 21, 1976, Retrieved on July 7, 2008
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