Rose Antonia Maria Valland
1 November 1898
|Died||18 September 1980(aged 81)|
|Education||École nationale des beaux-arts de Lyon (1922)|
École nationale supérieure des beaux-arts (1925)
École du Louvre (1931)
University of Paris
Collège de France
|Known for||Commission for the Recovery of Works of Art|
Commandeur of the Order of Arts and Letters;
Médaille de la Résistance;
Officer's Cross of the Order of Merit;
Medal of Freedom
Rose Antonia Maria Valland (1 November 1898 – 18 September 1980) was a French art historian, member of the French Resistance, captain in the French military, and one of the most decorated women in French history. She secretly recorded details of the Nazi plundering of National French and private Jewish-owned art from France; and, working with the French Resistance, she saved thousands of works of art.
Valland was born in Saint-Étienne-de-Saint-Geoirs, Isère, the daughter of a blacksmith. Like many gifted pupils from humble backgrounds, she received a scholarship to an école normale, a teacher school. She graduated in 1918, with the plan of becoming an art teacher. She studied art at the École nationale des beaux-arts de Lyon, graduating in 1922. Valland then topped the competitive exam for art teacher training and underwent two years of training at the École nationale supérieure des beaux-arts in Paris, graduating in 1925. Afterwards, she became a high school drawing teacher, but began to study art history at the École du Louvre and the University of Paris. She graduated in 1931 with a special diploma from the École du Louvre, and engaged in graduate studies at the Collège de France. In 1932, Valland became a volunteer assistant curator at the Jeu de Paume Museum.
World War II
In 1941, during World War II, Valland was put in paid service and became the overseer of the Jeu de Paume Museum at the time of the German occupation of France. Through the "Special Staff for Pictorial Art" (Sonderstab Bildende Kunst) of the Einsatzstab Reichsleiter Rosenberg für die besetzten Gebiete (The Reich Leader Rosenberg Institute for the Occupied Territories), or ERR, the Germans began the systematic looting of artworks from museums and private art collections throughout France. They used the Jeu de Paume Museum as their central storage and sorting depot pending distribution to various persons and places in Germany.
While the Nazi plundering was being carried out, Rose Valland began secretly recording as much as possible of the more than 20,000 pieces of art brought to the Jeu de Paume Museum. Valland kept secret from the Germans the fact that she understood German. In fact, she never formally studied the language, but some trips in Germany in the 1920s and 1930s had helped her to get a good grasp of a then widely used scholarly language. Valland regularly informed Jacques Jaujard, the Director of the Musėes Nationaux, about the status of Nazi art looting. In addition, for four years she kept track of where and to whom in Germany the artworks were shipped and risked her life to provide information to the French Resistance about railroad shipments of art so that they would not mistakenly blow up the trains loaded with France's priceless treasures. The museum was visited by high-ranking Nazi officials, and Valland was there when Reichsmarschall Hermann Göring came on 3 May 1941 to personally select some of the stolen paintings for his own private collection.
A few weeks before the Liberation of Paris, on 1 August 1944, Valland learned that the Germans were planning to ship out a final five boxcars full of art, including many of the modern paintings which they had hitherto neglected. She notified her contacts in the Resistance, who prevented the train from leaving Paris. The train was subsequently liberated by the French Army.
Post World War II
Following the liberation of Paris by the Allied Forces, Rose Valland worked as a member of the "Commission for the Recovery of Works of Art" (Commission de Récupération Artistique). Valland was appointed a conservator of the French Musées Nationaux and in 1954 was named Chair of the "Commission for the Protection of Works of Art" (Chef du Service de protection des oeuvres d'art). In 1961, she wrote about her wartime experiences in a book published under the title, Le front de l'art (republished in 1997).
Rose Valland retired in 1968, but continued to work on restitution matters for the French archives. Her valour and dedication resulted in numerous awards from her own and other countries. From the French government she received the Légion d'honneur, was made a Commandeur of the Order of Arts and Letters and awarded the Médaille de la Résistance. Following its creation in 1951, she would receive the Officer's Cross of the Order of Merit of the Federal Republic of Germany. The United States awarded Valland the Medal of Freedom in 1948.
In popular culture
The 1964 John Frankenheimer film The Train was loosely based on her book, and includes a character named "Mlle Villard". Valland's role in preserving the stolen art was discussed as part of the book and documentary, The Rape of Europa.
In 2006, Valland was the subject of Corinne Bouchoux's biography "Rose Valland: Resistance at the Museum."
Rose Valland is a character in the 2014 novel Portrait of a Woman in White, by Susan Winkler. The book tells the story of Nazi art looting in France and a French art-collecting family.
In Sara Houghteling's novel, Pictures at an Exhibition (2009), the character of Rose Clément is based on Rose Valland. In 2009 Valland was also one of the main subjects of Robert M. Edsel's book "The Monuments Men," which would later serve as the basis of the 2014 film of the same name.
She is also mentioned in the French thriller L'Antiquaire.
- Association "La Mémoire de Rose Valland"
- Monuments, Fine Arts, and Archives
- List of Monuments, Fine Arts, and Archives (MFAA) personnel
- Nazi plunder
- Alan Riding (2010). And the Show Went On: Cultural Life in Nazi-Occupied Paris. New York: Alfred A. Knopf. ISBN 978-0-307-26897-6.
- "Rose Valland" Monuments Men Foundation, Retrieved 20 March 2014.
- Mashberg, Tom. "Not All Monuments Men Were Men" The New York Times, Retrieved 20 March 2014.
- "On the Trail of Lost Art: A Conversation with Lynn H. Nicholas". Humanities, September/October 2000, Volume 22/Number 3. Retrieved 2008-12-31.
- "L'Association La Mémoire de Rose Valland" Retrieved 20 March 2014.
- Hoffman, Jordan. "Monuments Men: A Story So Good, Burt Lancaster Told It 50 Years Ago" Vanity Fair, Retrieved 20 March 2014.
- Feeney, Mark. "Riveting Stories about Nazi plundering of Art" The Boston Globe, Retrieved 20 March 2014.
- "Rose Valland: Resistance at the Museum" Retrieved 21 March 2014.
- Atwood, Roger. "Book Review: 'Pictures at an Exhibition' by Sara Houghteling" The Washington Post, Retrieved 20 March 2014.
- "The Monuments Men" Retrieved 21 March 2014.
- Reed, Rex. "The Monuments Men Is One Hell of a Monumental Film" New York Observer, Retrieved 20 March 2014.
- Bouchoux, Corinne. Rose Valland: résistance au musée. La Crèche: Geste, 2006. ISBN 2-845-61236-2 OCLC 65630980 In French
- Catel, Emmanuelle Polack, and Claire Bouilhac. Rose Valland. [Marcinelle (Belgique)]: Dupuis, 2009. ISBN 2-800-14552-8 OCLC 690669894 In French.
- Edsel, Robert M., and Bret Witter. The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History. New York: Center Street, 2009. ISBN 1-599-95149-5 OCLC 317118312
- Nicholas, Lynn H. The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War. New York: Viking Press, 1980. ISBN 0-679-75686-8 OCLC 779411555
- "Rose Valland (1898 - 1980)", Monuments Men Foundation
- Photo of Edith Standen and Rose Valland with art to be restituted to France, 1946 May, Archives of American Art, Smithsonian Institution
- Artful Collaborators: James J. Rorimer and Rose Valland, Archives of American Art, Smithsonian Institution