Six (Mansun album)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Six
Mansun six.jpg
Studio album by Mansun
Released 7 September 1998
Recorded 1998
Genre
Length 70:37
Label Parlophone
Producer Paul Draper, Mark Stent and Mike Hunter
Mansun chronology
Attack of the Grey Lantern
(1997)Attack of the Grey Lantern1997
Six
(1998)
Little Kix
(2000)Little Kix2000
Singles from Six
  1. "Legacy"
    Released: 29 June 1998
  2. "Being a Girl"
    Released: 24 August 1998
  3. "Negative"
    Released: 26 October 1998
  4. "Six"
    Released: 1 February 1999
Professional ratings
Review scores
SourceRating
AllMusic3/5 stars[1] (US edition)
AllMusic3/5 stars[2] (Japanese edition)
Melody Maker4.5/5 stars[3]
Pitchfork Media7.8/10[4]
PopMatters(Positive)[5]
Q2/5 stars
The Guardian4/5 stars[6]
Uncut5/5 stars

Six is the second album by English alternative rock band Mansun, released in September 1998 via Parlophone. It was released in the UK and Europe on 7 September 1998, and in the US on 20 April 1999, with an alternative running order, different artwork, and the re-recorded single version of the title track. In an interview prior to the release of Six, Paul Draper stated that the "interlude" "Witness to a Murder (Part Two)" was included to separate the album into two parts as a tribute to old-style vinyl albums.

Background[edit]

The main musical palette of the album were created out of guitar ideas that Draper and Chad coined at soundchecks, on their tour bus and in hotel rooms, and were then "blended into wordy and complex tableaux."[7]

Recording[edit]

Wanting to capitalise upon their increasing live skills, the band recorded the basic tracks on Six live in the studio, firstly at Liverpool's Parr Street Studios and then later at London's Olympic Sound Studios. Chad said: "There's a lot of horrible, dirty sounds on there as a result. There's all sorts of spill - guitars over the drum takes, drums over the bass - purely because we were just in a room together. I think that if a producer had tried to clean it up and separate it all, it just wouldn't have the same feel."[7]

After the basic tracks were recorded, the group added on the album's "dusty effects," a lot of which were guitar effects. The band decided that if any of them wrote a new idea to jam, such as a riff, they also had to create a new guitar sound. They repeatedly used the TC Electronics Fireworx, a then-new rack processor which contributed to some "fantastic sounds." Chad said that "it doesn't so much process the sound of the guitar as completely change it. On some patches the notes you fret just trigger sounds; it's quite random."[7] Other pedals used include a Colorsound Toneblender, a Daddy-O, an Electro-Harmonix Big Muff, a Rat fuzz and, in helping to achieve a "really shitty chorus sound," a vintage Electro-Harmonix Clone Theory.[7]

In addition to usage of the Eventie DSP4000 and Bell BF20 flangers, the band also put Chad's guitar through a Korg synthesiser on occasion while messing around with the synth's filters, while having to tape one of the synthesiser's keys down prior to playing guitar through it. Draper also used the Roland TR-707, an early guitar synthesiser ("It's been mostly old gear, but new sounds,") while Chad developed a liking for using vari-speed techniques when recording, "slowing the tape down to half-time, transposing the guitar line down about four semi-tones and then playing it back at normal speed. It all helps make the tones interesting."[7]

Roland TR-707 guitar synthesiser

Composition[edit]

Draper said the segues between songs were influenced by side two of The Beatles' Abbey Road (1969) and side one of Prince's Parade (1986).[8]

The ending of "Fall Out," which re-incorporates the riff from "Legacy", features the MXR flanger Eventide DSP4000. As Chad played the riff through the DSP400, Draper twirled the knobs simultaneously, contributing to a "really fucked up sound."[7]

The main riff of "Anti-Everything" uses a Bell BF20 rack flanger. Chad recalled "it's on the verge of being out-of-tune-y, but it's a fantastic noise."[7]

Packaging[edit]

The album's sleeve art was a painting produced by Max Schindler, and commissioned especially for the album. It contains many references to personal interests and obsessions of the band, such as a TARDIS and an image of Tom Baker as Doctor Who, and Patrick McGoohan as Number 6 (sitting in the ball chair commonly occupied by the different Number 2's), from The Prisoner. There is also a depiction of Winnie the Pooh standing close to a painting that may be a reproduction of Vinegar tasters, a Taoist allegorical painting. Guitarist Dominic Chad is known to be both a Taoist and a fan of A. A. Milne, and the album's name is in fact a reference to Milne's book Now We Are Six.

The cover art also depicts a number of (perhaps non-existent) books, including:

The inlay booklet includes enlarged images of the piles of books from the cover, making it easier to read the authors and titles.

Release[edit]

Six was released in September 1998, it débuted at #6[9] on the UK Albums Chart. The album spawned four singles, each one was altered for single release. The alterations ranged from subtle to dramatic. The first single "Legacy" and the third single "Negative" were given slight trims. Conversely, "Being a Girl" was literally cut in half with the opening two-minute section labelled 'Part One' and released as a single. The title track was completely re-recorded with producer Arthur Baker and released in the winter of 1999. "Legacy" was the most successful single and reached the top ten on the UK Singles Chart.[9] "Being a Girl (Part One)" and "Six" made the top twenty,[9] while "Negative" peaked at #27.[9]

Track listing[edit]

All tracks written by Paul Draper; except where indicated.

Part One
No.TitleWriter(s)Length
1."Six" 8:07
2."Negative"Draper, Chad, King, Rathbone4:21
3."Shotgun"Draper, Chad6:38
4."Inverse Midas"Chad1:44
5."Anti-Everything" 2:25
6."Fall Out" 3:47
7."Serotonin" 2:33
8."Cancer" 9:31
Interlude
No.TitleWriter(s)Length
9."Witness to a Murder (Part Two)" (monologue performed by Tom Baker)Chad3:06
Part Two
No.TitleWriter(s)Length
10."Television"Draper, Chad8:21
11."Special / Blown It (Delete as Appropriate)" 5:32
12."Legacy" 6:33
13."Being a Girl" 7:59
14."I Care" (Japanese only bonus track) 3:42

US track listing[edit]

The US release of Six restructured the track listing considerably at the behest of Epic Records. The chapters and interlude were removed and the running order was rearranged with "Legacy" and "Shotgun" swapped. More significant was the omission of "Inverse Midas" and "Witness to a Murder (Part Two)" both of which were composed by Dominic Chad. The full eight-minute recording of the title track is substituted for the Arthur Baker re-recording. Small edits appear throughout the remaining track listing: the opening guitar from "Legacy", the feedback from the opening of "Negative" and the removal of silence from the end of "Cancer".

All tracks written by Paul Draper; except where indicated.

Personnel[edit]

Mansun
Production

B-sides[edit]

from "Legacy" (Eight EP)
  • "Can't Afford to Die"
  • "Spasm of Identity"
  • "Check Under the Bed"
  • "Wide Open Space (The Perfecto Remix)"
  • "GSOH"
  • "Face in the Crowd"
  • "The Impending Collapse of it All (Acoustic Version)"
  • "Ski Jump Nose (Acoustic Version)"
from "Being a Girl (Part One)" (Nine EP)
  • "Hideout"
  • "Railings"
  • "I Care"
  • "Been Here Before"
  • "Wide Open Space (Trouser Enthusiast Mix)"
  • "Mansun's Only Acoustic Song"
from "Negative" (Ten EP)
  • "When the Wind Blows"
  • "King of Beauty"
  • "I Deserve What I Get"
  • "Take It Easy Chicken (Live)"
  • "Mansun's Only Live Song"
from "Six" (Eleven EP)
  • "Church of the Drive Thru Elvis"
  • "But the Trains Run on Time"
  • "What It's Like to Be Hated"
  • "Being a Girl (Parts One & Two) (Live)"
  • "Live Television"

Chart positions[edit]

Chart (1998) Peak
position
Japanese Oricon Album Chart[10] 40
Scottish Albums Chart[11] 14
UK Album Chart[12] 6

References[edit]

  1. ^ Erlewine, Stephen Thomas. "Review: Six – Mansun". Allmusic. Retrieved 4 August 2009.
  2. ^ Erlewine, Stephen Thomas. "Review: Six (Japan) – Mansun". Allmusic. Retrieved 4 August 2009.
  3. ^ Booth, Daniel (Sep 1998). "Review Six - Mansun". melody maker.
  4. ^ DiCrescenzo, Brent (20 April 1999). "Review: Mansun – Six (Parlophone UK; 1999)". Pitchfork Media. Retrieved 4 August 2009.
  5. ^ Garrett, Jon (29 October 2002). "Review: MANSUN – Six (import edition) (Parlophone)". popmatters.com. Retrieved 4 August 2009.
  6. ^ Sullivan, Caroline. "Review: Mansun – Six (Parlophone)". Friday Review (11 September 1998): 26.
  7. ^ a b c d e f g Leonard, Michael (September 1998). "The Mansun Family". The Guitar Magazine. 8 (12): 49–56. Retrieved 6 October 2017.
  8. ^ Millar, Mark (12 September 2015). "INTERVIEW: PAUL DRAPER on the 17th anniversary of 'Six', getting sacked from Mansun & 'Spooky Action'". XS Noize. Retrieved 6 October 2017.
  9. ^ a b c d "Mansun at chartstats.com". Archived from the original on 2 January 2013. Retrieved 4 August 2009.
  10. ^ "Japan: Album positions". oricon.co.jp. Retrieved 13 December 2010.
  11. ^ "Official Scottish Albums Chart Top 100". officialcharts.com. 1998-09-13. Retrieved 2016-09-19.
  12. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 348. ISBN 1-904994-10-5.

External links[edit]