Solo Concerts: Bremen/Lausanne is a recording released through ECM by jazz pianist Keith Jarrett performing solo improvisations recorded in Bremen (July) and Lausanne (March) in 1973; in between, Jarrett played in the US with his American quartet.[1] Originally released as a 3-LP album, it was the first of Jarrett's live solo performances to be released on ECM, following his studio-based debut solo recording Facing You (1971), and preceding his record-breaking Köln Concert (1975).[2]
The Allmusic review by Scott Yanow awarded the album 5 stars, stating, "Despite the length, the music never loses one's interest, making this an essential recording for all jazz collections".[3]Ted Gioia calls it Jarrett's "masterpiece", "two titanic improvised performances".[5]
According to Mikal Gilmore in Night Beat, "with Bremen-Lausanne and the subsequent Köln Concert, Jarrett found his niche, freely mixing gospel, impressionist, and atonal flights into a consonant whole".[6] Bill Dobbins notes that the (short) encore on the third side, a boogie-woogie inflected ostinato, owes much to Duke Ellington's New World A-Comin'.[7]
Track listing
Vinyl pressing
All tracks are written by Keith Jarrett
Side one
No.
Title
Length
1.
"Bremen, July 12, 1973 Part I"
18:11
Side two
No.
Title
Length
1.
"Bremen, July 12, 1973 Part IIa"
19:40
Side three
No.
Title
Length
1.
"Bremen, July 12, 1973 Part IIb"
26:15
Side four
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part Ia"
22:50
Side five
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part Ib"
7:20
2.
"Lausanne, March 20, 1973 Part IIa"
12:34
Side six
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part IIb"
22:35
CD pressing
All tracks are written by Keith Jarrett
Disc one
No.
Title
Length
1.
"Bremen, July 12, 1973 Part I"
18:11
2.
"Bremen, July 12, 1973 Part II"
45:09
Disc two
No.
Title
Length
1.
"Lausanne, March 20, 1973"
64:53
Recorded in concert in Bremen on July 12, and in Lausanne on March 20, 1973.
^Dobbins, Bill (2017). "'Nobody Was Looking': The Unparalleled Jazz Piano Legacy of Duke Ellington". In Howland, John (ed.). Duke Ellington Studies. Cambridge University Press. pp. 108–56. ISBN9780521764049.