First edition cover
|Author||Robert A. Heinlein|
|Cover artist||Clifford Geary|
|Genre||science fiction novel|
|Media type||Print (hardback & paperback)|
|Preceded by||The Rolling Stones|
|Followed by||The Star Beast|
Starman Jones is a 1953 science fiction novel by Robert A. Heinlein about a farm boy who wants to go to the stars. It was first published by Charles Scribner's Sons as part of the Heinlein juveniles series.
Most occupations are tightly controlled by guilds with hereditary memberships. One such is the Astrogators Guild. Since his uncle had been a member and had no children, Max hopes that before he died, his uncle had named him his heir. He begins hitchhiking towards Earthport to find out. Along the way, he finds a friendly face in hobo Sam Anderson, who later alludes to being a deserter from the Imperial Marines. Sam feeds Max and offers advice, though he later departs with Max's valuable manuals.
At the guild's headquarters, Max is disappointed to find that he had not been named as an heir, but he is returned his uncle's substantial security deposit for his manuals. Max learns that Sam had tried to claim the deposit for himself.
By chance, he runs into an apologetic Sam. With Max's money, Sam is able to finagle them a one way job/trip aboard a starship using forged papers. Max signs on as a steward's mate third class, and then he absorbs the contents of the Stewards' Guild manual using his eidetic memory. Among his duties is caring for several animals, including passengers' pets. When passenger Eldreth "Ellie" Coburn visits her pet, an alien, semi-intelligent "spider puppy" that Max has befriended, she learns that he can play three-dimensional chess, and challenges him to a game. A champion player, she diplomatically lets him win. Meanwhile, Sam manages to rise to the position of master-at-arms.
When, through Ellie's machinations, the ship's officers discover that Max had learned astrogation from his uncle, Max is promoted to the command deck. Under the tutelage of Chief Astrogator Hendrix and Chief Computerman Kelly, he becomes a probationary apprentice chartsman, then a probationary astrogator. In a meeting with Hendrix, Max reluctantly admits to faking his record to get into space. Hendrix defers the matter until their return to Earth. The Asgard then departs for Halcyon, a human colony planet orbiting Nu Pegasi.
When Hendrix dies, the astrogation department is left dangerously shorthanded. The aging captain tries to take his place, but is not up to the task. When Max detects an error in his real-time calculations leading up to a transition, neither the captain nor Assistant Astrogator Simes believe him, and the ship becomes lost.
They locate a habitable world, which Ellie names charity, and the passengers become colonists. Meanwhile, the crew continues to try to figure out where they are and whether they can return to Earth. Unfortunately, it turns out the planet is already inhabited by intelligent centaur-like beings. Max and Ellie are captured, but Ellie's pet is able to guide Sam to them. They escape, though Sam is killed covering their retreat.
Upon his return, Max is informed that the captain has died. Simes tried to illegally take command and was killed by Sam, leaving Max as the only remaining astrogator. To make matters worse, Simes hid or destroyed the astrogation manuals.
Vastly outnumbered by the hostile natives, the humans are forced to attempt a perilous return to known space by reversing the erroneous transition. Max must not only pilot the ship; he must supply the missing astrogation tables from his eidetic memory. To add to his burdens, the remaining officers inform Max that he must take charge, as only an astrogator can be the captain. The pressure is immense, but Max succeeds and the ship returns to known space.
Max pays heavy fines for breaking their regulations, but becomes a member of the Astrogators Guild. However, he loses any chance for a relationship with Eldreth: she returns home to marry her boyfriend. Max accepts this with mixed feelings, but looks forward to his new career.
Groff Conklin found the novel to be "a richly textured and thoroughly mature tale." Boucher and McComas praised it for its "good character-development, rousing adventure-telling, and brilliant creation of several forms of extra-Terrestrial life." P. Schuyler Miller ranked it "close to the the [sic?] best in mainline science fiction."
Surveying Heinlein's juvenile novels, Jack Williamson described Starman Jones as "a classic example of the bildungsroman pattern" and noted that "with its bold symbolism, the book makes a universal appeal." Despite "coincidence and occasional melodrama" in the plotting, Williamson concluded that "the novel is a fine juvenile [which] reflects hopes and fears we all have known."
Adaptation to other media
Although Heinlein rarely permitted dramatic adaptations of his work, he authorized Douglas L Lieberman to stage Starman Jones at the Goodman Children's Theater in Chicago. Written and directed by Lieberman, the 2-act play ran for 25 performances in 1972. The title role was played by Charles Fleischer, who later performed the voice of Roger Rabbit in Hollywood. In 1974, Avon Books published the script as part of the anthology Contemporary Children's Theater edited by Betty Jean Lifton.
- "Galaxy's 5 Star Shelf", Galaxy Science Fiction, May 1954, p.131
- "Recommended Reading," F&SF, January 1954, pp. 94–95.
- "The Reference Library", Astounding Science Fiction, May 1954, p.149
- "A Boy in Space", The New York Times, November 15, 1953
- Jack Williamson, "Youth Against Space," Algol 17, 1977, p.12.