Talk:Music semiology

	Music portal This article is within the scope of WikiProject Music theory, a collaborative effort to improve the coverage of music theory, theory terminology, music theorists, and musical analysis on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Music theoryWikipedia:WikiProject Music theoryTemplate:WikiProject Music theoryMusic theory articles
???	This article has not yet received a rating on the project's importance scale.

Work to be done

This article needs some work. Perhaps you can assist. Tonyfaull 12:33, 19 October 2007 (UTC)[reply]

That goes without saying. Unless you have specific suggestions or complaints... Hyacinth (talk) 11:29, 24 December 2008 (UTC)[reply]

The article in French for this topic is extensive, perhaps something of a translation might be attempted? --60.241.95.185 (talk) 15:27, 31 October 2010 (UTC)[reply]

Find this article

An example of music semiology is Grace Kingsbury Muzzo's deconstruction of the work of Arvo Pärt's compositions in "The Tintinnabuli Technique of Arvo Pärt into the Twenty-First Century."

The above was removed as being particularly hard to find. Hyacinth (talk) 07:51, 1 April 2009 (UTC)[reply]

Article title

I'd propose that the title of this article be changed to "Musical semiotics". This would make it consistent with basically all English-language literature on the subject (and on semiotics in general), with the most notable exception being Abbate's translation of Nattiez. The term "semiotics" was standardised internationally in the 1960s.^[1]^[2] The term "semiology" is typically only used in French-language scholarship (as "sémiologie") and even there the term "sémiotique" appears common. basswaster (talk) 07:07, 23 April 2017 (UTC)[reply]

References

^ Sebeok, ed. (1986). Encyclopedic Dictionary of Semiotics. p. 900.
^ Monelle. Linguistics and Semiotics in Music. p. 26.

[1] Sebeok, ed. (1986). Encyclopedic Dictionary of Semiotics. p. 900.

[2] Monelle. Linguistics and Semiotics in Music. p. 26.

[1]

[2]