Talk:Nirmal paintings
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is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings. is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting particularly in temples. However, Tanjore painting, as we know it now, originated in the Maratha court of Thanjavur (1676 - 1855).[1]
Tanjore paintings are known for their rich and vivid colors, simple iconic composition, glittering gold foils overlaid on delicate but extensive gesso work and inlay of glass beads and pieces or very rarely precious and semi-precious gems. It can be said that in Thanjavur paintings one can see the influence of Deccani, Vijayanagar, Maratha and even European style of painting. Essentially serving as devotional icons, the subjects of most paintings are Hindu gods, goddesses, and saints. Episodes from Hindu puranas and religious texts were visualised, drawn and painted with the main figure or figures placed in the central section of the picture. There are also many instances when many Jain, Sikh, other religious and even secular subjects were depicted in Tanjore paintings.v
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