Ten Days That Shook the World

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1919 Boni & Liveright first edition

Ten Days That Shook the World (1919) is a book by the American journalist and socialist John Reed about the October Revolution in Russia in 1917, which Reed experienced firsthand. Reed followed many of the prominent Bolshevik leaders closely during his time in Russia. John Reed died in 1920, shortly after the book was finished, and he is one of the few Americans buried at the Kremlin Wall Necropolis in Moscow, a site normally reserved only for the most prominent Soviet leaders.

Concept and creation[edit]

John Reed was on an assignment for The Masses, a magazine of socialist politics, when he was reporting the Russian Revolution. Although Reed states that he had "tried to see events with the eye of a conscientious reporter, interested in setting down the truth"[1] during the time of the event, he stated in the preface that "in the struggle my sympathies were not neutral"[1] (since the book leans towards the Bolsheviks and their viewpoints).

This book is a slice of intensified history—history as I saw it. It does not pretend to be anything but a detailed account of the November[note 1] Revolution, when the Bolsheviki, at the head of the workers and soldiers, seized the state power of Russia and placed it in the hands of the Soviets.

John Reed[1]

Before John Reed left for Russia, the Espionage Act was passed on June 15, 1917, which fined and imprisoned anyone who interfered with the recruiting of soldiers and prohibited the mailing of any newspaper or magazine that promoted such sentiments. The U. S. Post Office was also given leave to deny any mailing that fitted these standards from further postal delivery, and then to disqualify a magazine because it had missed a mailing (due to the ban) and hence was no longer considered a "regular publication."[2] Because of this, The Masses was forced by the United States federal government to cease publication in the fall of 1917, after refusing to change the magazine's policy against the war. The Liberator, founded by Max Eastman under his and his sister's private control, published Reed's articles concerning the Russian Revolution instead. In an effort to ensure the magazine's survival, Eastman compromised and tempered its views accordingly.[3]

Upon returning from Russia during April 1918 from Kristiania in Norway, after being barred from either traveling to the United States or returning to Russia since February 23 by the State Department, Reed's trunk of notes and materials on the revolution—which included Russian handbills, newspapers, and speeches—were seized by custom officials, who interrogated him for four hours over his activities in Russia during the previous eight months. Michael Gold, an eyewitness to Reed's arrival to Manhattan, recalls how "a swarm of Department of Justice men stripped him, went over every inch of his clothes and baggage, and put him through the usual inquisition. Reed had been sick with ptomaine on the boat. The inquisition had also been painful."[4] Back home during mid-summer 1918, Reed, worried that "his vivid impressions on the revolution would fade,"[5] fought hard to regain his papers from the possession of the government, who refused to return them.

Reed would not receive his materials until seven months later in November. Max Eastman recalls a meeting with John Reed in the middle of Sheridan Square during the period of time when Reed isolated himself writing the book:

...he wrote Ten Days that Shook the World—wrote it in another ten days and ten nights or little more. He was gaunt, unshaven, greasy-skinned, a stark sleepless half-crazy look on his slightly potato-like face—had come down after a night's work for a cup of coffee.

"Max, don't tell anybody where I am. I'm writing the Russian revolution in a book. I've got all the placards and papers up there in a little room and a Russian dictionary, and I'm working all day and all night. I haven't shut my eyes for thirty-six hours. I'll finish the whole thing in two weeks. And I've got a name for it too—Ten Days that Shook the World. Good-bye, I've got to go get some coffee. Don't for God's sake tell anybody where I am!"

Do you wonder I emphasize his brains? Not so many feats can be found in American literature to surpass what he did there in those two or three weeks in that little room with those piled-up papers in a half-known tongue, piled clear up to the ceiling, and a small dog-eared dictionary, and a memory, and a determination to get it right, and a gorgeous imagination to paint it when he got it. But what I wanted to comment on now was the unqualified, concentrated joy in his mad eyes that morning. He was doing what he was made to do, writing a great book. And he had a name for it too—Ten Days that Shook the World![6]

Critical response[edit]

Ten Days That Shook the World has received mixed responses since its publication in 1919, resulting in a wide range of critical reviews from negative to positive. However, the book was overall positively received by critics at the time of its first publication, despite some critics’ vocal opposition to Reed’s political beliefs.[7]

George F. Kennan, an American diplomat and historian who has a strong bias against Bolshevism and is best known as “the father of containment,” praised the book: “Reed’s account of the events of that time rises above every other contemporary record for its literary power, its penetration, its command of detail” and would be “remembered when all others are forgotten.” Kennan saw it as “a reflection of blazing honesty and a purity of idealism that did unintended credit to the American society that produced him, the merits of which he himself understood so poorly.”[8] On March 1, 1999, The New York Times reported New York University’s “Top 100 Works of Journalism” list,[note 2] which placed Ten Days that Shook the World in seventh position.[9][10] Project director Mitchell Stephens explains the reasoning behind the judges’ decision:

Perhaps the most controversial work on our list is the seventh, John Reed’s book, “Ten Days That Shook the World,” reporting on the October revolution in Russia in 1917. Yes, as conservative critics have noted, Reed was a partisan. Yes, historians would do better. But this was probably the most consequential news story of the century, and Reed was there, and Reed could write. The magnitude of the event being reported on and the quality of the writing were other important standards in our considerations.[11]

But not all responses were positive. Joseph Stalin argued in 1924 that Reed was misleading in regards to Leon Trotsky.[12] The book portrays Trotsky (head of the Red Army) as a man who co-led the revolution with Lenin and mentions Stalin only twice—one of them being only in the recitation of a list of names, as both Lenin and Trotsky were internationally known, whereas the activities of other Bolshevik militants were virtually unknown.[13] Russian writer Anatoly Rybakov elaborates on Stalinist Soviet Union’s ban on Ten Days that Shook the World: “The main task was to build a mighty socialist state. For that, mighty power was needed. Stalin was at the head of that power, which mean that he stood at its source with Lenin. Together with Lenin he led the October Revolution. John Reed had presented the history of October differently. That wasn’t the John Reed we needed.”[14] After Stalin’s death, the book was allowed to recirculate.


Cover of the 1922 German edition of 10 Days That Shook The World, published by the Comintern in Hamburg.

After its first publication, Reed returned to Russia in the fall of 1919, delighted to learn that Vladimir Lenin had taken time to read the book. Furthermore, Lenin agreed to write an introduction that first appeared in the 1922 edition published by Boni & Liveright (New York):[7]

With the greatest interest and with never slackening attention I read John Reed's book, Ten Days that Shook the World. Unreservedly do I recommend it to the workers of the world. Here is a book which I should like to see published in millions of copies and translated into all languages. It gives a truthful and most vivid exposition of the events so significant to the comprehension of what really is the Proletarian Revolution and the Dictatorship of the Proletariat. These problems are widely discussed, but before one can accept or reject these ideas, he must understand the full significance of his decision. John Reed's book will undoubtedly help to clear this question, which is the fundamental problem of the international labor movement.

End of 1919

In his introduction to Animal Farm entitled "Freedom of the Press" (1945),[15] George Orwell claims that the British Communist Party published a version omitting Lenin's introduction and mention of Trotsky:

At the death of John Reed, the author of Ten Days that Shook the World—a first-hand account of the early days of the Russian Revolution—the copyright of the book passed into the hands of the British Communist Party, to whom I believe Reed had bequeathed it. Some years later the British Communists, having destroyed the original edition of the book as completely as they could, issued a garbled version from which they had eliminated mentions of Trotsky and also omitted the introduction written by Lenin.

Film adaptations[edit]

In 1928, Sergei Eisenstein filmed the book as October: Ten Days That Shook the World.

In 1967, Granada Television presented a feature-length version of the events narrated and essentially (like the Eisenstein work) a new work with the same title by Orson Welles.[16]

John Reed's own exploits and parts of the book itself were the basis of the 1981 Warren Beatty film Reds.

In 1982, the Soviet film maker Sergei Bondarchuk used the book as the basis of his film Red Bells (its alternative title is Ten Days that Shook the World).[17]

At one point in the 1946 film Blood on the Sun socialist/communist screenwriter Lester Cole has one of two characters, played by James Cagney and Sylvia Sydney who are planning on spending ten days together, utter the line, ”Ten days that shook the world.”

See also[edit]

Notes and references[edit]


  1. ^ According to the Gregorian calendar, the October Revolution takes place in November.
  2. ^ This list only includes works in the United States in the 20th Century.


  1. ^ a b c Reed, John (1990) [1919]. Ten Days that Shook the World (1st ed.). Penguin Classics. ISBN 0-14-018293-4.
  2. ^ Mott, Frank Luther (1941). American Journalism: A History of Newspapers in the United States Through 250 Years, 1690–1940. New York: The Macmillan Company.
  3. ^ Eastman, Max (1964). Love and Revolution: My Journey Through an Epoch. New York: Random House. pp. 69–78.
  4. ^ Gold, Michael (1940-10-22). "He Loved the People". The New Masses: 8–11.
  5. ^ Duke, David C. (1987). John Reed. Boston: Twayne Publishers. p. 41. ISBN 0-8057-7502-1.
  6. ^ Eastman, Max (1942). Heroes I Have Known: Twelve Who Lived Great Lives. New York: Simon and Schuster. pp. 223–24.
  7. ^ a b Duke, David C. (1987). John Reed. Boston: Twayne Publishers. ISBN 0-8057-7502-1.
  8. ^ Kennan, George Frost (1989) [1956]. Russia Leaves the War: Soviet-American Relations, 1917–1920. Princeton University Press. pp. 68–69. ISBN 0-691-00841-8.
  9. ^ Barringer, Felicity (1999-03-01). "Journalism's Greatest Hits: Two Lists of a Century's Top Stories". The New York Times. Retrieved 2007-11-17.
  10. ^ "The Top 100 Works of Journalism". New York University. Retrieved 2007-11-17.
  11. ^ Stephens, Mitchell. "The Top 100 Works of Journalism in the United States in the 20th Century". New York University. Retrieved 2007-11-17.
  12. ^ Trotskyism or Leninism?
  13. ^ Kahn, A. E. and M. Sayers. The Great Conspiracy: The Secret War Against Soviet Russia. 1st ed. Boston: Little, Brown and Co., 1946. pp. 190–91.
  14. ^ Lehman, Daniel (2002). John Reed & the Writing of Revolution. United States: Ohio University Press. p. 201. ISBN 0-8214-1467-4.
  15. ^ George Orwell, "The Freedom of the Press, Orwell's Proposed Preface to Animal Farm", online: orwell.ru/library
  16. ^ Ten Days That Shook the World in the National Library of Australia (which apparently lists/conflates its date of acquisition with the actual year of production). It's also on You Tube in its entirety free.
  17. ^ Eleanor Mannikka. "Ten Days That Shook the World (1982)". The New York Times. Retrieved March 31, 2012.

External links[edit]