The Big Fisherman
| The Big Fisherman | |
|---|---|
 | |
| Directed by | Frank Borzage |
| Screenplay by | Howard Estabrook and Rowland V. Lee |
| Produced by | Rowland V. Lee |
| Starring | Howard Keel Susan Kohner John Saxon Martha Hyer Herbert Lom |
| Cinematography | Lee Garmes, A.S.C. |
| Edited by | Paul Weatherwax, A.C.E. |
| Music by | Albert Hay Malotte |
Production companies | Centurion Films, Inc. Rowland V. Lee Production |
| Distributed by | Buena Vista Distribution |
Release date | August 4, 1959 (US) |
Running time | 180 minutes |
| Country | United States |
| Language | English |
| Box office | $3,000,000 (US/Canada rentals)[1] |
The Big Fisherman is a 1959 American film directed by Frank Borzage about the life of Simon Peter, one of the disciples of Jesus. Starring Howard Keel, Susan Kohner and John Saxon, the production is adapted from the 1948 novel by Lloyd C. Douglas, which is closely related to Douglas' previous book, 1942's The Robe which, six years earlier, in 1953, had also been adapted for the screen under the same title, The Robe. The film was shot at Universal-International studios but released by Buena Vista, the film releasing company of Walt Disney Productions.
The Robe ends with "the Big Fisherman" as a nickname for Peter;[2] Jesus called him "the fisher of men" and "the Rock".
Plot
The story traces Peter's journey from self-sufficient fisherman to his dependency on a risen Christ. It also presents another story of redemption and forgiveness, as he takes in a young Arab/Jewish girl, Fara. As they both learn of Jesus, it changes their lives.
The young Fara discovers that she is the daughter of Herod Antipas who married and shortly discarded her Arab mother in favor of Herodias. Disguised as a boy, Fara goes to Galilee to assassinate Herod in revenge.
Robbed by bandits, Fara is discovered by John the Baptist who advises her to listen to the great teacher, Jesus. She comes under the protection of Peter but vows to kill Herod. She manages to be employed in Herod's household to translate a series of prophecies.
Fara and Peter hear Jesus teaching. Fara turns away when he urges nonviolence. Peter is initially cynical, but in stages is drawn to become his disciple.
Fara gains an opportunity to kill Herod, and reveals her identity to him. As Peter watches, Herod urges her not to sink to murder. Fara recalls the words of Christ, and lowers her knife. Peter declares her free of her own chains.
Peter takes Fara to Arabia where they rescue Voldi, an Arab prince who wishes to marry her. However, Fara realises that her mixed race would jeopardise his future rule, so she leaves with Peter to spread the word of peace.
Cast
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Production
The film was shot in Super Panavision 70 (the first film so credited) by Lee Garmes. The original music score was composed by Albert Hay Malotte, an American composer who is best known for his musical setting of The Lord's Prayer, composed in 1935, and introduced on radio that year by John Charles Thomas.
Though originally rejected by Walt Disney because of its religious tone, the film was supported by Roy Disney, and was distributed by Buena Vista, making it one of the few religious films ever associated with the Disney Company.
It was shot on location in the San Fernando Valley in California. Portions were also shot at La Quinta, California.[3]: 168–71 [4]
After having starred in a number of MGM film musicals from 1950 (Annie Get Your Gun) to 1955 (Kismet), Howard Keel switched to straight acting roles with the 1958 British noir thriller Floods of Fear, followed by The Big Fisherman. He starred or co-starred in six additional features (four of which were westerns) between 1961 and 1968 and made his final appearance in a 2002 film, playing a supporting role.
Reception
Leonard Maltin's Movie Guide (2012 edition) gave The Big Fisherman 2½ stars (out of 4), describing it as a "sprawling religious epic" and deciding that it is "seldom dull, but not terribly inspiring." Maltin also adds that it is "Borzage's last film" and that at "149m.", it was "originally 184m., then cut to 164m." Steven H. Scheuer's Movies on TV and Videocassette (1993–1994 edition) also settled on 2½ stars (out of 4), writing that "the story of Simon called Peter" "unfolds with predictable pageantry and uplifting sermonizing". Scheuer gives the running time as "166 mins".
Assigning 2 stars (out of 5), The Motion Picture Guide (1987 edition) found it to be "long, often-enraging and totally miscast" with "a nonsinging Keel as Saint Peter". Evaluating the presentation as "just so much biblical nonsense because such liberties are taken that any serious student of the life and surrounding events will take exception, the write-up decides that "Douglas wrote the novel but made the mistake of entrusting it to the wrong people." After pointing out the film's "numerous technical mistakes: microphone boom shadows, klieg lights, Martha Hyer's vaccination mark", the Guide concludes that "to make a love story the focal point of such a potentially dynamic saga of history's most memorable era was a bad decision. One of the rare bummers by Disney in those years."[5]
Among British references, Leslie Halliwell in his Film and Video Guide (5th edition, 1985) gave no stars (Halliwell's top rating is 4), dismissing it as a "well-meaning but leaden adaptation of a bestselling novel which followed on from The Robe. He concluded that it is "too reverent by half, and in many respects surprisingly incompetent." Also appended were quotes from MFB [Monthly Film Bulletin] ("its overall flatness of conception and execution is a stiff price to pay for the lack of spectacular sensationalism characterizing its fellow-epics") and The Hollywood Reporter ("the picture is three hours long, and, except for those who can be dazzled by big gatherings of props, horses and camels, it is hard to find three minutes of entertainment in it").
Awards and honors
The film was nominated for three Academy Awards:
- Lee Garmes for Best Cinematography
- Renié for Best Costume Design
- John DeCuir and Julia Heron for Best Art Direction (color)
References
- ^ "Rental Potentials of 1960", Variety, 4 January 1961, p. 47. Please note figures are rentals as opposed to total gross.
- ^ Hayes, John. "The Epic That Disappeared: The Big Fisherman" Widescreen Movies Magazine (last revised 6 November 2009)
- ^ Niemann, Greg (2006). Palm Springs Legends: creation of a desert oasis. San Diego, CA: Sunbelt Publications. p. 286. ISBN 978-0-932653-74-1. OCLC 61211290. (here for Table of Contents)
- ^ The Big Fisherman at the AFI Catalog of Feature Films
- ^ The Motion Picture Guide (Chicago, 1987), volume I, page 193
External links
- The Big Fisherman at the AFI Catalog of Feature Films
- The Big Fisherman at IMDb
- The Big Fisherman at the TCM Movie Database
- The Big Fisherman at the Notable Names Database
- The Big Fisherman at TV Guide (a longer form of this 1987 write-up was originally published in The Motion Picture Guide)
- The Big Fisherman at AllMovie
- The Big Fisherman at Rotten Tomatoes
- The Big Fisherman (e-book) available freely at the Project Gutenberg of Australia website.