Three Pieces for Solo Clarinet
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky. It was composed in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist.[1] The Three Pieces is perhaps the most well-known work for unaccompanied clarinet in the repertoire. It is also notable for being one of the few clarinet solo pieces that calls for clarinets in both B♭ and A.
Analysis
I (Preferably Clarinet in A)
The first movement of the piece started out as a song Stravinsky began writing in 1916.[2] It is marked "Sempre p e molto tranquillo", or "Always piano and very peaceful". The tempo is marked at quarter note = 52, making it by far the slowest movement of the three in the piece. The movement is made up of a long, plodding series of quarter and eighth notes, adorned by the occasional grace notes and often interrupted by a breath mark. The lower register of the clarinet is explored here, with many leaps going from the upper to lower clarion register of the instrument. The last measure is marked "poco piu f e poco piu mosso", or "A little more forte and a little more motion". This last measure is to be played much quicker and at a louder dynamic so as to create a contrast with the rest of the first movement. A sustained concert C ends the first piece in a long fade-out.
II (Preferably Clarinet in A)
The second movement is written in a free-form style, akin to jazz improvisation, with no time signature or bar lines. The indicated tempo is eighth note = 168, with an eighth note being treated as three sixteenth notes. The movement can be segmented into three sections. The first is a flurry of sextuplets and thirty-second notes that are extremely challenging from a technical standpoint. The second section is quieter and calmer, with the clarinetist playing fast eight notes in the lower register. The second section soon transitions to the third, which is a recapitulation of the first section, bringing back the same sextuplet patterns from earlier. The second piece also ends softly, with a sudden change from a f to p dynamic.
III (Preferably Clarinet in B♭)
The third movement is inspired by the ragtime from the L'Histoire du Soldat Suite,[3] and is the only one to call for clarinet in B♭ instead of in A. With a tempo marking of eighth note = 160, the piece is characterized by much rapid syncopation and frequently shifting time signatures, made more complicated by the accents placed on certain notes. It maintains a near-constant f dynamic until the very end, where the player backs down to a softer dynamic and ending with one final grace note.
References
- ^ Huscher, Phillip. "Program Notes: Three Pieces for Solo Clarinet." cso.org. Chicago Symphony Orchestra, n.d. Web. 16 Mar. 2017.
- ^ Huscher, Phillip. "Program Notes: Three Pieces for Solo Clarinet." Cso.org. Chicago Symphony Orchestra, n.d. Web. 16 Mar. 2017.
- ^ Huscher, Phillip. "Program Notes: Three Pieces for Solo Clarinet." Cso.org. Chicago Symphony Orchestra, n.d. Web. 16 Mar. 2017.
External links
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