Tommy Johnson (musician)

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Tommy Johnson
Tommy-Johnson pre-1923.png
Background information
Birth name Tom Johnson
Born January 1896
Terry, Mississippi, United States
Died November 1, 1956(1956-11-01) (aged 60)
Crystal Springs, Mississippi, United States
Genres Delta Blues
Occupation(s) Musician, songwriter
Instruments Vocals, guitar
Years active 1914–1956
Labels Victor, Paramount
Associated acts Papa Charlie McCoy, Ishman Bracey

Tommy Johnson (January 1896 – November 1, 1956)[1] was an American Delta blues musician who recorded in the late 1920s and was known for his eerie falsetto voice and intricate guitar playing.[2] He was unrelated to fellow blues musician Robert Johnson.

Early life[edit]

Johnson was born near Terry, Mississippi, and moved around 1910 to Crystal Springs, where he lived for most of his life.[3] He learned to play the guitar and, by 1914, was supplementing his income by playing at local parties with his brothers Major and LeDell. In 1916 he married and moved to Webb Jennings' plantation near Drew, Mississippi, close to the Dockery Plantation. There he met other musicians, including Charlie Patton and Willie Brown.[4]


By 1920 Johnson was an alcoholic and an itinerant musician, based in Crystal Springs but traveling widely around the South, sometimes accompanied by Papa Charlie McCoy. In 1928 he made his first recordings, with McCoy, for Victor Records,[3] including "Canned Heat Blues", in which he sang of drinking methanol from the cooking fuel Sterno.[3] The song features the refrain "canned heat, mama, sure, Lord, killing me." The blues group Canned Heat took their name from this song.[3] Johnson's "Big Road Blues" inspired Canned Heat's song "On the Road Again". A significantly different version of the song appears as "Canned Heat" on the album Big Road Blues by K. C. Douglas.

Johnson recorded two further sessions, for Victor in August 1928 and for Paramount Records in December 1929. He did not record again, mistakenly believing that he had signed away his right to record. Some suggest he had been intentionally given this misimpression by people at Paramount Records. This resulted in a legal settlement with the Mississippi Sheiks, who had used the melody of Johnson's "Big Road Blues" in their successful "Stop and Listen". Johnson was party to the copyright settlement but was too drunk at the time to understand what he had signed.[5]

Johnson's recordings established him as the premier Delta blues vocalist of his day, with a powerful voice that could go from a growl to a falsetto. He was an accomplished guitarist. He also performed tricks with his guitar, playing it between his legs and behind his head and throwing it in the air while playing.[3]

His style influenced later blues singers, such as Robert Nighthawk and Howlin' Wolf (whose song "I Asked for Water [She Brought Me Gasoline]" was based on Johnson's "Cool Water Blues"),[3] and the country singer Hank Williams.[4] Johnson was a talented composer, blending fragments of folk poetry and personalized lyrics into set guitar accompaniments to craft striking blues compositions such as "Maggie Campbell".[6]

To enhance his fame, Johnson cultivated a sinister persona. According to his brother LeDell, he claimed to have sold his soul to the devil at a crossroads in exchange for his mastery of the guitar.[4][7] This story was later also associated with Robert Johnson, to whom Tommy Johnson was unrelated.

Johnson remained a popular performer in the Jackson area through the 1930s and 1940s, sometimes performing with Ishman Bracey.[3] He influenced other performers, partly because he was willing to teach his style and his repertoire. His influence on local traditions is described by David Evans in Tommy Johnson and Big Road Blues: Tradition and Creativity in the Folk Blues.[8]


Johnson died of a heart attack after playing at a party in 1956.[3] He is buried in the Warm Springs Methodist Church Cemetery, outside Crystal Springs, Mississippi.[3] In 2001 his family commissioned a headstone through the Mt. Zion Memorial Fund, a Mississippi nonprofit corporation; it was paid for by the musician Bonnie Raitt. The large granite memorial, engraved with Johnson's portrait, was not placed on his grave for several years afterward, however, because of a dispute between Johnson's family (led by his niece, Vera Johnson Collins), the owners of farm property encircling the cemetery, and the Copiah County Board of Supervisors over a deteriorated road to the burial site. The dispute was resolved in October 2012, when it was announced that the headstone would be erected on October 26.[9] The headstone had been on public display in the Crystal Springs Public Library since being unveiled on October 20, 2001. On the night of Saturday, February 2, 2013, the headstone was desecrated, apparently smashed by a sledge hammer or some similar device.[10]

An annual Tommy Johnson Blues Festival is held in Crystal Springs on the third weekend in October. The inaugural festival was held in Jackson and Crystal Springs in 2006.[11]

In fiction[edit]

In the film O Brother, Where Art Thou? (2000), a character named Tommy Johnson, played by Chris Thomas King, describes selling his soul to the devil to play guitar. The Tommy Johnson character in the film plays a number of songs originally recorded by the blues musician Skip James and accompanies the Soggy Bottom Boys, a band consisting of the film's three main protagonists plus Johnson, on "Man of Constant Sorrow".

The story of Johnson's selling his soul to the devil was first told by his brother, LaDell Johnson, and reported by David Evans in his 1971 biography of Johnson.[7] This legend was subsequently attributed to the blues musician Robert Johnson.[12]


Victor Records, 1928, Memphis, Tennessee

Paramount Records, 1929, Grafton, Wisconsin


  1. ^ Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 215. ISBN 978-0313344237. 
  2. ^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. pp. 127–128. ISBN 1-85868-255-X. 
  3. ^ a b c d e f g h i "Biography by Cub Koda". Retrieved November 23, 2009. 
  4. ^ a b c [1] Archived July 18, 2007, at the Wayback Machine.
  5. ^ Evans, David (1971). Tommy Johnson. Studio Vista. p. 68. ISBN 978-0289701515,
  6. ^ Barlow, William (1989). "Looking Up at Down": The Emergence of Blues Culture. Temple University Press. p. 42. ISBN 0-87722-583-4.
  7. ^ a b Evans, David (1971). Tommy Johnson. Studio Vista. p. 22. ISBN 978-0289701515.
  8. ^ Evans, David (1982). Big Road Blues: Tradition and Creativity in the Folk Blues. Da Capo. ISBN 0-306-80300-3.
  9. ^ "Miss. bluesman getting long overdue grave marker". Associated Press. October 25, 2012. Retrieved October 25, 2012. 
  10. ^ "Tommy Johnson headstone desecrated – Pomeroy Blues & Jazz Society". February 3, 2013. Retrieved 2015-03-12. 
  11. ^ "First Annual Tommy Johnson Celebration" (PDF). Programme. Tommy Johnson Blues Foundation. 2006. Retrieved August 31, 2011. 
  12. ^ Wald, Elijah, 2004, Escaping The Delta: Robert Johnson and the Invention of the Blues, pp. 265–276.

External links[edit]