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Trần Văn Thủy

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(Redirected from Tran Van Thuy)
In this Vietnamese name, the surname is Trần. In accordance with Vietnamese custom, this person should be referred to by the given name, Thủy.
People's Artist
Trần Văn Thủy
Born
Trần Văn Thủy

(1940-11-26) November 26, 1940 (age 83)
Nam Định, French Indochina
Nationality Vietnam
EducationVietnam Film School (1965–1966)
Soviet University of Cinema (1972–1977)
Occupations
Known forDocumentary film
Notable work
SpouseNguyễn Thị Hằng
ChildrenTrần Nhật Thăng
Trần Thu Hương
Parent(s)Trần Văn Vỵ
Đỗ Thị Hiếu
AwardsVietnam Film Festival

Trần Văn Thủy is a Vietnamese documentary film director, reporter, and writer. He has directed more than twenty documentary films on a wide variety of themes. His work has often been a center of controversy in Vietnam; his 1982 film Hanoi In Whose Eyes, and his 1985 film The Story of Kindness, were both banned for a number of years by the Vietnamese government because each had content that was implicitly critical of the regime.[1] Nonetheless, due in large measure to the success of his work at international film festivals, Thủy was able to continue working for the Government Cinema department as a creator of significant films, including A Story From the Corner of the Park (1996), and The Sound of a Violin at Mỹ Lai (1999).

Early life and education

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Trần Văn Thủy was born in 1940 in Nam Định, Vietnam. His father was Trần Văn Vỵ (1902–1975), an automotive mechanic and functionary in the French protectorate government who was personally supportive of the revolutionary Việt Minh.[2] According to Тhủy, his father Tràn Văn Vỵ was an extremely humane man who made many efforts to help people in trouble, and Thủy attributes his own strong sense of social responsibility, and his activities as a philanthropist, to the influence of his father.[3] After 1954, his family had a difficult time because Thủy's father had worked for the French.[why?] None of Thủy's brothers and sisters were allowed to enter colleges, in spite of achieving high scores in entrance examinations.[4] Тhủy's mother was Đỗ Thị Hiếu (1917–2015). He was the second of seven children. In 1949, his elder brother Vĩnh was killed by French fire in the course of a sweep operation in Hải Hậu, a rural district in Nam Định province where the family had taken refuge.[5]

During his childhood he became an avid swimmer, a skill that later saved his life during his years as a combat photographer.[6] He was educated in French schools until 1954, when he turned fourteen. After high school, Thủy enrolled in a museum course in anthropology organized by the Ministry of Culture, and in 1960 went out to the mountains in the extreme northwest of Vietnam to do ethnographic studies of small groups of minority peoples such as the Tổng lượng and Khu Sung.[7] In 1965, he returned, partly on foot, to Hanoi to study at the Cinema Academy, a subsidiary of the government Cinema Department.[8] His training was supposed to consist of a two-year curriculum concluding in 1967 but, after only one year, he and number of fellow students were recruited to go south as combat journalists and photographers.[9]

Career

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Thủy then worked as a war journalist in Military District V (a region around Quảng Đà) from 1966 to 1969, filming scenes of combat while suffering from extreme privation and danger.[10] In 1969, gravely ill and exhausted, he made his way back north, carrying on his back the canisters of film that he had shot in the south. These rolls of film later became his first finished work, "My Land and My People."[11]

In 1972, Thủy went to the USSR to study directing at the Moscow Film College under Roman Karmen (1906–1978), a renowned Soviet documentary filmmaker.[12] After returning to Vietnam from the Soviet Union in 1977, Thủy worked for the Vietnam Central Documentary Film Unit under the Ministry of Culture, and during several sojourns abroad, also worked with Britain's Channel 4 and Japan's NHK.

Since 1992, Thủy has put much effort into charitable work in Hải Hậu, where the local people are for the most part subsistence-level rice farmers. Raising funds through organizations such as "Friends of Trần Văn Thủy," Thủy has provided the wherewithal for the villagers to build roads, bridges, and schools.[13]

Thủy's films have received acclaim, earning him the Golden Dove Prize and the Silver Dove Prize at the Dok Leipzig film festival, and the Silver Lotus Prize and Best Director Prize at the Vietnam Film Festival. He was awarded the Best Documentary Prize at the Asia Pacific Film Festival in 2000 for The Sound of the Violin in Mỹ Lai.[14]

In 2019 Thủy was interviewed by British film director Esther Johnson about his career and philosophy of life. Extracts from the resultant oral histories were included in Johnson's 2022 film Dust & Metal (Cát Bụi & Kim Loại), a documentary feature film funded by the British Council, that looks at Vietnam's love affair with motorcycles. Dust & Metal includes archive material from the Vietnam Film Institute including excerpts from a few of Thuy's films.

Filmography

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  • Có Hai Tục Ngữ (Làm ở Liên Xô) 1986
  • Phiên chợ tình (Love Market) 1992
  • Chuyện Từ Một Góc Công Viên (A Story From a Corner of the Park) 1996
  • Hải Hậu—Một Vùng Quê Văn Hoá (The Rural Culture of Hải Hậu) 1998
  • Huế—Những di tích xưa (Remnants of Former Days in Huế) 1999
  • Huế—Lịch sử (History in Huế) 1999
  • Huế—Văn Hóa (The Culture of Huế) 1999
  • Vọng Khúc Ngàn Năm (Songs Resounding for a Thousand Years; in three parts) 2013
Year

manufacture

Movie Role Manufacturer Note Reference
Director Writer Film
1970 Những người dân quê tôi (My Land and My People) Yes Yes Yes Giải Phóng film studio area V first film, shot in the battlefield Quảng Đà; with the contribution of martyr Trần Mậu Tý (pen name Triều Phương), later brought on by Trần Văn Thủy as co-writer of the film [15][16]
1975 Nơi chúng tôi đã sống (The Place Where We Lived; Russian: Там Где Мы Жили); 1977 Yes Yes No Soviet University of Cinema film shot in Siberia, is Tran Van Thuy's second-year assignment. The cameraman was a Czechoslovakian named Peter Bartol. [17][18]
1980 Phản bội (Betrayal); Yes Yes No National Documentary and Scientific Film Studio The film is about the Sino-Vietnamese War; Currently, the movie versions cannot be viewed [19][20]
1983 Hà Nội trong mắt ai (Hanoi in Whose Eyes) Yes Yes No The film was first released in 1983 but was censored and was re-released in 1987 along with A Kind Story [21][22]
1985 Chuyện tử tế (On Being Kind; often referred to as “The Story of Kindness”) Yes Yes No Considered volume 2 of Hà Nội trong mắt ai (Hanoi in Whose Eyes)[23] [24][25]
1986 Có hai câu tục ngữ Yes Yes No The film was made in the Soviet Union, talking about the lives of Vietnamese people living and working here. The film was ordered to be produced by the Ministry of Labor, War Invalids and Social Affairs, but after completion, it encountered controversy among many different ministries and departments regarding content issues, in the end, it was not allowed to be shown [26]
1990 Thầy mù xem voi (Blind Soothsayers Examining an Elephant; in two parts) Yes Yes No —[a] films made in several Western European countries; Includes 2 volumes, volume 1 is called "Chuyện vặt xứ ngườ" and volume 2 is called "Chuyện đồng bào"[27] [28][29]
1992 Chợ tình Khâu Vai Yes Yes No National Documentary and Scientific Film Studio Movies that were shown at Yamagata International Documentary Film Festival [30][31]
1992 Một cõi tâm linh (A Spiritual Realm) Yes Yes No Channel 4
Thanh Niên Film Studio 		Movies made to order [32][33]
1993 The Vietnam Peace Yes No No ABC Canberra The movie consists of 3 episodes. Join as a contributor to ABC (Australia) [32][34]
1994 Có một làng quê (There Was a Village) Yes Yes No NHK
Thanh Niên Film Studio 		Movies made to order [32][35]
1996 Chuyện từ góc công viên Yes Yes No National Documentary and Scientific Film Studio [36][37]
1998 Tiếng vĩ cầm ở Mỹ Lai (The Sound of a Violin at Mỹ Lai) Yes Yes No Film produced and broadcast commemorating the 30th anniversary of the My Lai Massacre [38]
1999 Nam Retour sur image Yes No No Do Quak Production participate in the filmmaking process [39]
2000 Tưởng nhớ Giáo sư Hoàng Minh Giám (Professor Hoàng Minh Giám) Yes Yes No National Documentary and Scientific Film Studio biographical film about Hoàng Minh Giám [40][41]
2001 Nhà thờ Phát Diệm (The Phát Diệm Cathedral) Yes Yes No Roman Catholic Diocese of Phát Diệm Produced to celebrate the 100th anniversary of the founding of the Roman Catholic Diocese of Phát Diệm [42][43]
Lời của đá (The Stones Speak) Yes Yes No
2006 Vượt lên chính mình Yes Yes No Center for Research in Community Health and Development (COHED) [44]
2007 Mạn đàm về người man di hiện đại (Conversations Concerning a Barbarian of Modern Times; in 4 parts) Yes Yes No —[b] Movie about journalist Nguyễn Văn Vĩnh, 4 episodes long with a total duration of 215 minutes [45][46]
2011 Vọng khúc ngàn năm Yes Yes No Music Publishing House film made to order on Millennial Anniversary of Hanoi; co-directed by Nguyễn Sỹ Chung, 4 episodes long, each episode 70–80 minutes
2015 Alexander Yersin No Yes No National Documentary and Scientific Film Studio Director Đào Thanh Tùng and Nguyễn Sỹ Bằng [47][48]
2023 Mẹ ngóng con về No No No Vietnam Television shown in the program VTV Special. The film was created by him with ideas and themes [49]

Filmscripts

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  • Nhà Giáo Nguyễn Lân, 2001
  • Alexander Yersin, 2015

Films with contributions by Trần Văn Thủy

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  • Hoà Bình Cho Việt Nam (participating director; made for ABC Australia) 1991
  • Nam, Retour sur image (participating director; made for Quak Productions, France) 1999

Books

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  • Nếu Đi Hết Biển (If You Go to the Ends of All the Seas); 2003
  • Chuyện Nghề Của Thủy (Thủy's Craft; written with Lê Thanh Dũng); 2013. This is a set of professional memoirs.
  • In Whose Eyes: The Memoir of a Vietnamese Filmmaker in War and Peace (a considerably rearranged English version of Chuyện Nghề Của Thủy, above); University of Massachusetts Press, 2016; ISBN 978-1-62534-252-2
  • Trong Đống Tro Tàn (Amid the Heap of Dusty Ashes); 2016
  • Wayne Karlin, War Movies: Journeys to Vietnam, Curbstone Press, 2005; ISBN 1-931896-16-X

Notes

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  1. ^ Phim do một số tổ chức Hội người Việt tại các nước Tây Âu cùng bạn bè Trần Văn Thủy tổ chức và tài trợ.
  2. ^ Phim tư liệu do gia đình Nguyễn Văn Vĩnh đầu tư sản xuất.

References

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  1. ^ Lê & Trần 2016, Chapters 11 through 14, pages 84–113.
  2. ^ Trần 2016, Chapter 2, pages 51–64.
  3. ^ Trần 2016, Chapter 2, pages 58, 62.
  4. ^ Lê & Trần 2016, Chapter 3, pages 19–20.
  5. ^ Lê & Trần 2016, Chapter 1, pages 6–7.
  6. ^ Lê & Trần 2016, Chapter 1, page 7.
  7. ^ Lê & Trần 2016, Chapter 1 and Chapter 2, pages 9–13.
  8. ^ Lê & Trần 2016, Chapter 3, pages 14–20.
  9. ^ Lê & Trần 2016, Chapter 3, pages 18–20.
  10. ^ Lê & Trần 2016, Chapter 5 and 6, pages 26–46.
  11. ^ Lê & Trần 2016, Chapter 7 and 8, pages 47–67.
  12. ^ Lê & Trần 2016, Chapter 10, pages 71–78.
  13. ^ Thủy 2007.
  14. ^ Lê & Trần 2016, pages 195–96.
  15. ^ Phạm Ngọc Trương et al. 1987, p. 25.
  16. ^ Nguyễn Thị Hồng Ngát 2003, p. 173.
  17. ^ Wilson & Ronov 2020, p. 387.
  18. ^ Trần Trọng Đăng Đàn 2010a, p. 585.
  19. ^ Bành Bảo 1983, p. 87.
  20. ^ Phạm Ngọc Trương et al. 1987, p. 29.
  21. ^ Nguyễn Thị Hồng Ngát 2005, p. 55.
  22. ^ Vietnam Institute of Arts and Cinema Archives 2001, p. 136.
  23. ^ Lã Khánh Tùng 2019.
  24. ^ Nguyễn Thị Hồng Ngát 2005, p. 53.
  25. ^ Ngô Phương Lan 1998, p. 36.
  26. ^ Trần Trọng Đăng Đàn 2010c, p. 298.
  27. ^ Trần Văn Thủy 2004, p. 45.
  28. ^ Ministry of Culture 2003, p. 48.
  29. ^ Trần Trọng Đăng Đàn 2010c, p. 778.
  30. ^ Trần Trọng Đăng Đàn 2010b, p. 55.
  31. ^ Cao Xuân Thái 2022.
  32. ^ a b c Văn Thọ 2003, p. 114.
  33. ^ Cinemaya 1995, p. 72.
  34. ^ Screen Australia.
  35. ^ Ngô Phương Lan 1998, p. 350.
  36. ^ Trần Trọng Đăng Đàn 2010c, p. 295.
  37. ^ Nguyễn Thị Hồng Ngát 2005, p. 69.
  38. ^ Tiếng vĩ cầm ở Mỹ Lai.
  39. ^ International Documentary Film Festival Amsterdam.
  40. ^ baoquocte.vn 2014.
  41. ^ National Documentary and Scientific Film Studio 2000.
  42. ^ Phạm Phú Minh 2017, p. 2.
  43. ^ Roman Catholic Diocese of Phát Diệm 2001.
  44. ^ Trần Trọng Đăng Đàn 2010c, p. 914.
  45. ^ Nguyen Thi Minh Thai 2009.
  46. ^ Nguyễn Thiêm 2014.
  47. ^ Triệu Gio Cam 2015.
  48. ^ Võ Văn Tạo 2008.
  49. ^ Phương Bùi 2023.

Works cited

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