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Barton Music Corp. was a music publishing firm formed as a partnership of Frank Sinatra, Ben Barton (1900–1989) (one-time manager of Sinatra), and Hank Sanicola (né Henry William Sanicola; 1914–1974) (Sinatra's maganer, until 1962). Barton published many of Sinatra's hits. Sanicola also was involved with Maraville Music Corp. of Los Angeles. Jacqueline Sanicola (Jacqueline T. Curtis; born 1954) is the President of Maraville. She is the third wife of Hank's son, Hank Sanicola, Jr., a recording studio engineer. Hank and Jacqueline Sanicola were the owners of O'Henry Sound Studios. When Hank, Sr., split with Frank Sinatra in 1962, Hank, Sr., acquired Sinatra's interest in Barton Music Corp., Sands Music Corp., and Maraville Music Corp., and the BMI firm, Ding Dong Music. Also, according to Sinatra book author Tarraborrellie, Tamarisk and Saga. In Tarraborrellie's book, Maraville is spelled Marivale.[1][2][3][4][3]

Main firm[edit]

Barton Music Corp. (ASCAP), 116 Central Park South, Suite 3B, New York, N.Y. 10019. Tel: (212) JU 2-2205. Pres.: Henry W. Sanicola; General Professional Manager: Sol Parker (aka Barry Parker) (co-composer of "This Love of Mine")

Branch: Los Angeles, Calif., 9220 Sunset Blvd. Zip: 90069.

Affiliates

Ding Dong Music Corp. (BMI)
Maraville Music Corp. (ASCAP)
Midwood Music Corp. (BMI)
Mr. Music
Ritchie Music Co. Inc. (ASCAP)
Saga Music Corp. (ASCAP)
San Dino Music Corp. (ASCAP)
Sands Music Corp. (ASCAP)
Sinatra Songs (ASCAP)
Stanwood Music Corp. (ASCAP).

References[edit]

  1. ^ "Ben Barton, Published Music, Played Vaudeville" (AP), Arizona Republic, December 13, 1989, pg. 40 (retrieved May 26, 2017, via www.newspapers.com/image/118448339/; fee/subscription required)
  2. ^ "Sanicola, Sinatra Split Confirmed," Billboard, November 10, 1962, pg. 4
  3. ^ a b "Sanicola Building His Own Edifice," Cash Box, April 25, 1964, pg. 44 Cite error: The named reference "CashBox 1964 Apr 25" was defined multiple times with different content (see the help page).
  4. ^ Sinatra: Behind the Legend, by J. Randy Taraborrelli, Sidgwick & Jackson (2015), pg. 304; OCLC 952161859