User:UttRen0002/LGBT themes in horror fiction
Villains
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Because of the Hays Code, positive portrayals of homosexual characters were barred, and the only characters in fiction that could be perceived as homosexuals had evil roles and were punished throughout the work.[2] Thus, villains became noted in particular to have effeminate characteristics, behaviors or gestures that could be perceived as LGBTI.[3][4] Disney characters have attracted attention because their films are popular among children.[5][6][7] Examples include:
- Governor Ratcliffe in Pocahontas, who is the only male character with makeup, braided hair and bows, and wears pink.
- Ursula in The Little Mermaid was inspired by the drag queen Divine.
- Scar in The Lion King, who has mannered[clarification needed] gestures.
- Captain Hook in Peter Pan.
- Hector Barbossa in the Pirates of the Caribbean franchise.
- The Cheshire Cat in Alice in Wonderland, as an anti-hero.
While many examples can be pulled from Disney, the trend of queer coding villains in prominent media and film extends beyond the corporation. Some examples include:
- The character 'HIM' in The Powerpuff Girls, who dresses in a tutu and heels.
- The lethal duo of Billy Loomis and Stu Macher in Scream, who are based on murderers Nathan Freudenthal Leopold Jr. and Richard Albert Loeb according to the screenwriter of Scream, Kevin Williamson. [8]
History
[edit]The idea of non-explicit queer coding likely stems from the strict regulations of how queer characters were able to be portrayed in the early days of film-making. In 1930, the Hays Code was established as a standard for what was allowed to be shown on the big screen.[9] According to the code, films were not allowed to portray "perverse" subjects such as homosexuality, which inevitably led to the portrayal of non-explicit queer characters. The trend of the inclusivity of queer characters in a subtextual way likely bled into modern portrayals of queer characters. One scholar, Jo Johnson, argued that Jerry in the Tom & Jerry cartoons had an androgynous design, even if feminized, and noted a possible homoerotic subtext between Jerry and Tom, especially when there is cross-dressing.[10] Johnson pointed to the 1966 short "Jerry-Go-Round", by Chuck Jones, as having a coded same-sex relationship between Jerry, who was gendered by Jones as female, and a female elephant who wears a pink tutu. She argued that the episode's ending could be read as a "prophetic depiction of Gay Pride".[11] Cade M. Olmstead, an interdisciplinary philosophy scholar, built upon Johnson's work. He argued that Tom and Jerry "subverts normalized gender and sexuality structures" through theatrical play and performance, transgressing the normal construction of gender.[12] Despite the queer coding in "Bugs Bunny" and "Tom & Jerry" cartoons, as scholars Deborah A. Fisher, Douglas L. Hill, Joel W. Grube, and Enid L. Gruber noted, before 1970, almost no gay characters were on television, and they remained relatively absent "until the 1990s".[13] Continuing from the late 1980s, villains in Disney films which were queer coded appeared in this decade.[14] Commentary on the treatment of LGBT+ characters in film is made in the 1995 documentary The Celluloid Closet, and is one of the first instances in which the idea of queer coding is presented to the public.[15] In
Time Squad, which aired from 2001 to 2003 on Cartoon Network, arguably had an LGBTQ character. In 2012, the voice actor of Larry 3000, Mark Hamill, implied that Larry could easily have been interpreted as gay,[16] due to his femininity and presentation as the "gay best friend" to Cleopatra in "Shop like an Egyptian", even though Larry has stated on multiple occasions he dislikes humans in general. However, the show never directly stated his sexuality. Even so, Hamill described Larry 3000 as fierce and flamboyant.[17] In 2019, Klaudia Amenábar, writing for The Mary Sue, argued that Cassandra in Rapunzel's Tangled Adventure was a gay coded character who had feelings for the show's protagonist, Rapunzel.[18]
Late in 2021, Kevin Williamson told The Independent he believed that "the Scream movies are coded in gay survival.[19]" In the same interview, prior to him saying the previous statement, Williamson talked about how much of himself he unintentionally projected onto the main character of the first movie, Sidney Prescott. "As a gay kid, I related to the final girl and to her struggle because it’s what one has to do to survive as a young gay kid, too."[20]
Sidney is not the only queer coded character in the original 1996 Scream film, however. Neve Campbell, who plays as main character Sidney Prescott, describes Billy and Stu as "pretty confused guys" in an interview, and speculates that their desire to kill has some roots in them "not being allowed to be who they want to be." [21]She describes them as "pretty confused guys" and speculates that their desire to kill has some roots in them "not being allowed to be who they want to be."[22] Williamson has since confirmed[23] that the two Ghostface killers, Stu and Billy, were inspired by Leopold and Loeb, an allegedly gay couple who were infamous for the kidnapping murder of 14-year-old Bobby Frank in May of 1924.[24]
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[edit]References
[edit]- ^ "From Mouse to Mermaid: The Politics of Film, Gender, and Culture". Indiana University Press. 1995. ISBN 0253209781.
- ^ "From Sissies to Secrecy: The Evolution of the Hays Code Queer". Filmic Magazine. 1 August 2015.
- ^ Santos, Caynnã de Camargo (2014). "O vilão desviante: Uma leitura sociocultural pela perspectiva de gênero de Scar em O Rei Leão". Revista de Educação e Letras (in Portuguese). 16 (32).
- ^ "La problemática del villano afeminado". Gaymer (in Spanish). 13 October 2018.
- ^ "Wait a second, are all Disney villains gay?". The Tempest. 4 June 2020.
- ^ "10 Queer-Coded, Gay Villains from Our Childhood". Pride. 5 February 2020.
- ^ "Los villanos de Disney salen del armario". El País (in Spanish). 28 May 2021.
- ^ "'Scream' Screenwriter Kevin Williamson Confirms Billy and Stu's Queer-Coded Relationship Was Based on Real Gay Killers". Pride Source. 2022-01-12. Retrieved 2023-12-04.
- ^ Billheimer, John (2019). "Origins of the Code". Hitchcock and the Censors. University Press of Kentucky. pp. 9–23. doi:10.2307/j.ctvfjcx5v.4. ISBN 9780813177427. JSTOR j.ctvfjcx5v.4. S2CID 214143884.
- ^ Johnson, Jo (2010). ""We'll Have A Gay Old Time!": Queer Representation in American Prime-Time Television from the Cartoon Short to the Family Sitcom". In Elledge, Jim (ed.). Queers in American Popular Culture Volume 1: Film and television. Vol. 1. Santa Barbara, California: Praeger. pp. 249, 251. ISBN 9780313354571. Retrieved September 23, 2021.
- ^ Johnson, Jo (2010). ""We'll Have A Gay Old Time!": Queer Representation in American Prime-Time Television from the Cartoon Short to the Family Sitcom". In Elledge, Jim (ed.). Queers in American Popular Culture Volume 1: Film and television. Vol. 1. Santa Barbara, California: Praeger. pp. 256–257. ISBN 9780313354571. Retrieved September 23, 2021.
- ^ Olmstead, Cade M. (2018). "Tom and Jerry: Performative Queerness in Action". Undergraduate Student Work. University of Northern Iowa. pp. 1–8. Archived from the original on March 18, 2020. Retrieved September 25, 2021.
- ^ Fisher, Deborah A.; Hill, Douglas L.; Grube, Joel W.; Gruber, Enid L. (2007). "Gay, Lesbian, and Bisexual Content on Television: A Quantitative Analysis Across Two Seasons". Journal of Homosexuality. 52 (3–4): 167–168. doi:10.1300/J082v52n03_08. PMC 2000838. PMID 17594976.
- ^ Snyder, Chris; Desiderio, Kyle (June 29, 2021). "The evolution of queer characters in children's animation". Insider. Archived from the original on July 1, 2021. Retrieved July 1, 2021.
- ^ Pullen, Christopher (2016). "Youth, Realism and Form". Straight Girls and Queer Guys. pp. 147–168. ISBN 9780748694846. JSTOR 10.3366/j.ctt1bgzbtn.12.
- ^ "039 – Mark Hamill on Talkin Toons with Rob Paulsen – Weekly Voice Acting and Voice Over Tips". Tech Jives Network. Archived from the original on 2020-03-19. Retrieved 18 March 2020.
- ^ Hamill, Mark. "Love Unique Deadpan No-Nonsense #Skips but #Larry3000 of #TimeSquad was Fierce-Flamboyant & more Crazy-Fun to play!". Twitter. Archived from the original on March 19, 2020. Retrieved March 18, 2020.
- ^ Amenábar, Klaudia (March 25, 2019). "Rapunzel's Tangled Adventure Is a Surprisingly Perfect Show for Millennials". The Mary Sue. Archived from the original on April 11, 2020. Retrieved September 13, 2020.
- ^ "Kevin Williamson interview: 'The Scream movies are coded in gay survival'". The Independent. 2021-12-06. Retrieved 2023-12-05.
- ^ "Kevin Williamson interview: 'The Scream movies are coded in gay survival'". The Independent. 2021-12-06. Retrieved 2023-12-05.
- ^ "A Survivor to Scream About: Neve Campbell on 'Scream' Queer Theories (Yes, Billy and Stu), and How Sidney Still Inspires the LGBTQ+ Community". Pride Source. 2022-01-10. Retrieved 2023-12-05.
- ^ "A Survivor to Scream About: Neve Campbell on 'Scream' Queer Theories (Yes, Billy and Stu), and How Sidney Still Inspires the LGBTQ+ Community". Pride Source. 2022-01-10. Retrieved 2023-12-05.
- ^ "'Scream' Screenwriter Kevin Williamson Confirms Billy and Stu's Queer-Coded Relationship Was Based on Real Gay Killers". Pride Source. 2022-01-12. Retrieved 2023-12-05.
- ^ "Murderers Leopold and Loeb gain national attention". HISTORY. Retrieved 2023-12-05.