User talk:Ls937911

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Tuesday In Class Work

Original Article: [Here]

Is each fact referenced with an appropriate, reliable reference?
Yes, the only thing that i did not see a citation for was in the very beginning when they talk about what her stylistic preferences were.

Is everything in the article relevant to the article topic? Is there anything that distracted you?
For the most part, the only thing that seems a little odd to me was that it was mentioned her and her sister shared a husband. I feel like thats a tough call though because it is true and a part of her life, however, her sister or husband are never mentioned again, and it seems to have little impact on her art work which is what the article is about.

Is the article neutral? Are there any claims, or frames, that appear heavily biased toward a particular position?
The article is very neutral, strictly based in cited factors and unbiased research.

Where does the information come from? Are these neutral sources? If biased, is that biased noted?
Most of the sources used seem to be neutral, for the most part the reference come from books on aboriginal art/artists.

Are there viewpoints that are overrepresented, or underrepresented?
I think where her origins in art started is a little underrepresented and could use a little more explain as its rather quite interesting.

Check a few citations. Do the links work? Is there any close paraphrasing or plagiarism in the article?
All of the links that i check (which was many) work perfectly. The in text references brought me down to the bottom of the page and the references at the end when click on took me to the webpage if there was one.

Is any information out of date? Is anything missing that could be added?

I feel that the article would benefit from more imagery. There is only one picture of her art work, I would love to see more and get a better feel for what she does. Art is one of those thing that you can read about, but might not ever make sense till you see what is being talked about.

Annotated Bibliography on Natasha Law by Laurel Sira

"Eleven Fine Art - Artist Detail." Eleven Fine Art - Artist Detail. Web. 31 Mar. 2015.

This article talks briefly about the meaning behind her work, as well as the artist process that she follow when creating her paintings

Her figures are suspended in a moment whether posed and purposeful or casual and spontaneous. Tousled hair, the curve of a hip, or discarding clothing, the works allude to the privacy of domestic spaces and relies on the viewer’s own voyeuristic fascination to draw them into her intriguing vignettes.

It is her protracted process which creates the vibrancy in her works. She often begins with line drawings from her modeling sessions and determines where to zoom in and crop the image before transcribing the lines onto the aluminum panel. She then applies numerous coats of household gloss paint in a completely dust-free environment to achieve the flawless almost liquid like surface which has become part of unique style.

Discusses in detail her 'put it on Paper' exhibit

Her 2014 exhibition ‘Put it on Paper’ focuses on paper as a medium, bringing together all the different ways she uses it in her practice through ink drawings, screen printing and large scale gloss paintings on paper. In Head in the Clouds (2013) an elongated torso is caught in the moment of removing a top; the neutral tones of the body contrasting against the saturated gloss paint. She exercises a certain amount of restraint- never overstating areas, instead she allows her forms to materialize through her descriptive lines and intense colours. Law has become known for her figurative works of females often in an act of undress, provocatively capturing these fleeting moments of both vulnerability and intimacy. ^[1]

Crowley, Evelyn. "The Feminine Mystique: Natasha Law’s Works of Art on View at MaxMara Los Angeles." Vouge. Vouge. Web. 31 Mar. 2015.

Talks about Natasha Law’s solo exhibit at the MaxMara boutique in Beverly Hills

The new exhibit, “Inside Out,” focuses on women in various stages of undress—shimmying out of undergarments, elbows and knees coyly splayed. “I like the slightly ungainly moments of undressing where you’ve got the vest pulled over you and you’re sort of headless,” says Law.

Perhaps that’s because, despite her works’ erotic capacity (the subjects are almost exclusively female nudes and partial nudes) the intimacy they convey feels more akin to sisterly warmth than carnal heat. “It’s become really important for me that I work with my friends as models, as the resonance of that affection and relationship is hopefully there,” says Law.^[2]

"Natasha Law." Breed. Breed London. Web. 31 Mar. 2015.

Reiterates some of whats already been said about her art, but more importantly provides a list of some of her major clientes

Clients include Vogue, Max Mara, Teen Vogue, Browns, Matches, Beatrix Ong, Globe Trotter, Harrods, Mr

& Mrs Smith, Samsung, Canongate Publishing, Tiffany & Co and Mulberry.^[3]

"Voltz Clarke LLC - Contemporary Fine Art - Natasha Law." Contemporary Fine Art - Natasha Law. Voltz Clarke LLC. Web. 31 Mar. 2015.

Gives a lot of really wonderful background information including birth place, education, and selected exhibitions.^[4]

Born and works in London, England
Camberwell College Arts & Warwick University
Selected exhibitions below:
- 2014
  - Kips Bay Designer Show House, Voltz Clarke & Carrier & Company, New York, NY
  - Put it on Paper, Eleven Gallery, London, UK

- 2013
  - Inside Out, Max Mara, Los Angeles, California

- 2012
  - The Female Form, Bartolomi Gallery with Voltz Clarke, Max Mara and Vogue, New York, NY
  - Dust in Their Eyes, Eleven Gallery, London, UK
  - Presentation at Anthropologie on King’s Road, London, UK
  - Pink Strips and 'Passenger I' and 'Passenger II', Eleven Gallery, London, UK

- 2010
  - Close, Closer, (Solo), Eleven Gallery, London, UK

- 2009
  - Bad Girls Go To Heaven, Group Exhibition of International Female Artists part of Remap2, Iassonos Gallery, Athens, Greece
  - Ok, Alright, (Solo) Space Gallery, Tokyo, Japan
  - No Love Lost: Natasha Law and Daisy Devilleneuve, Eleven Gallery, London, UK

- 2008
  - I Put My Finger On You, Matches in association with Eleven Gallery, London, UK
  - Romanticism Interrupted: Natasha Law and Natasha Kissell, The Viewing Room Gallery, Mumbai, India
  - Room, Solo Exhibition, Eleven Fine Art, London, UK

- 2007
  - Fold Continued, Solo Exhibition, Eleven Fine Art, London, UK

- 2006
  - Hold, Solo Exhibition, Eleven Fine Art, London, UK

- 2005
  - Figurations, Eleven Fine Art, London, UK

- 2004
  - Stills Continued, (Solo), Space Gallery, London, UK
  - Stills, (Solo), curated by Blair Clarke at Diane Von Furstenberg, New York, NY
  - Sweet & Sour, curated by Blair Clarke & Salvatore Ferragamo at Salvatore Ferragamo Gallery, New York, NY

- 2003
  - Kaleidoscope, curated by Blair Clarke at Ingrao, New York, NY
  - Girls In Space, Space Gallery, London, UK
  - Peep, (Solo), Space Gallery, London, UK

- 2002
  - Lie Back and Think of England, Rivington Arms Gallery, New York, NY
  - Slip, (Solo), Space Gallery, London, UK

D'Souza, Christa. "'Jude and I Are like Chalk and Cheese'" The Telegraph. Telegraph Media Group. Web. 31 Mar. 2015.

Talks about Natasha child start, and interest in art

Natasha Law was born in 1971, the daughter of two school teachers, and was brought up with Jude, who came along 18 months later, in a "big, mad" Victorian house near Blackheath, south-east London.
They were also, thanks to their mother Maggie's passion for theatre, obsessed with staging plays for the grown-ups.
Natasha went to Warwick University to read history. However, she soon switched to studying art at Camberwell, and, after graduation, embarked on a career that encompassed graphic illustration, photography and styling.
Natasha also spent a lot of time painting, gluing and sticking. "My mother was really into all that, encouraging us to make our own Christmas cards, and that sort of thing. She was also very much into the whole idea of fashion and style - her best friend was the designer Betty Jackson."^[5]

^ "Gallery Artist - Natasha Law". Eleven. Retrieved 31 March 2015.
^ Crowley, Evelyn. "The Feminine Mystique: Natasha Law's Works of Art on View at MaxMara Los Angeles". Vouge. Vouge. Retrieved 31 March 2015.
^ Breed. Breed London http://www.breedlondon.com/artists/natasha-law. Retrieved 31 March 2015. {{cite web}}: Missing or empty |title= (help)
^ "Contemporary Fine Art - Natasha Law". Voltz Clarke. Voltz Clarke LLC. Retrieved 1 April 2015.
^ D'Souza, Christa. "Jude and I Are like Chalk and Cheese". The Telegraph. Telegraph Media Group. Retrieved 31 March 2015.

[1] "Gallery Artist - Natasha Law". Eleven. Retrieved 31 March 2015.

[2] Crowley, Evelyn. "The Feminine Mystique: Natasha Law's Works of Art on View at MaxMara Los Angeles". Vouge. Vouge. Retrieved 31 March 2015.

[3] Breed. Breed London http://www.breedlondon.com/artists/natasha-law. Retrieved 31 March 2015. {{cite web}}: Missing or empty |title= (help)

[4] "Contemporary Fine Art - Natasha Law". Voltz Clarke. Voltz Clarke LLC. Retrieved 1 April 2015.

[5] D'Souza, Christa. "Jude and I Are like Chalk and Cheese". The Telegraph. Telegraph Media Group. Retrieved 31 March 2015.

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