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Water in Time and Space

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Untitled

Water in Time and Space (時空の水, Jikū no Mizu) is Susumu Hirasawa's first solo album.

Background

In December 1988, Hirasawa decided to put his post-punk/new wave band P-Model on hiatus after spending two years being unable to arrange a recording deal, feeling that the group's continued existence was taking a mental and emotional toll on him.[1] The following year, he was signed to Polydor, where he recorded Water in Time and Space.[2]

Composition

Water in Time and Space is half a self-cover album: With the band being put on hold, P-Model's Monster album was not recorded. However, Hirasawa could not afford to discard three of its songs and salvaged them for the album instead.[3] Two songs from lo-fi cassette only releases (Scuba and Charity Original Tape) were also rearranged for the album, with Hirasawa wanting a better form for the former[3] and the latter being a guideline for the style of Water in Time and Space.[4] To prepare for the songwriting of new material, Hirasawa re-recorded "Happening by the Windowsill" by his former progressive rock band Mandrake as an étude.[5]

Water in Time and Space features a large variety of styles, such as march, orchestral, western and folk, influenced by Jungian, New Age and Andean themes. The album has no particular total concept,[3] unlike most of Hirasawa's solo output. Free from the constraints of P-Model and the band's nervous energy, the album is comparatively light and brisk. Though created with heavy use of digital devices, it is one of Hirasawa's least electronic works, with prominent use of acoustic tones throughout. In the manner of P-Model's 1986 album One Pattern, Hirasawa also put emphasis on sampling, with such sounds as bird chirping and coin rolling being used as rhythmic backing.

Production

Water in Time and Space is built around the Korg M1 workstation synthesizer, whose expansive, organic-sounding palette completely replaces the digital tones from the Casio synths used by the P-Model in their later years. The M1's built-in sequencer and its large memory bank led to a shift in Hirasawa's production style; with the M1, he could record parts of songs that weren't completed in studio at home, being more equipped to make music by himself and less dependent on labels. Still, some equipment from One Pattern and Monster was carried over, as well as the mechanical lo-fi sound of the former album, setting up the general production style of Hirasawa's first solo phase.

The chief engineer of the album is Yoshiaki Kondo, who worked on Karkador and One Pattern, this being the first project where Hirasawa got his long-sought services unaltered.[3] Besides electronics, Hirasawa also performed with plucked string instruments and percussion instruments. Only two tracks were performed by Hirasawa completely solo, while others feature a variety of guest performers, such as session musicians for parts he couldn't play by himself and friends from the underground new wave scene. For songs that required choral backing, Hirasawa would get whoever was present during recording and form an impromptu choir.

Track listing

All tracks are written by Susumu Hirasawa, except "Root of Spirit", with titling by Toshiaki Minejima and string arrangement by Jun Miyake

No.TitleLength
1."Haldyn Hotel" (ハルディン・ホテル Harudin Hoteru)4:32
2."Root of Spirit" (魂のふる里 Tamashii no Furusato)5:42
3."Coyote" (コヨーテ Koyōte)4:48
4."Solar Ray" (ソーラ・レイ Sōra Rei)3:08
5."No Workshop" (仕事場はタブー Shigotoba wa Taboo)4:02
6."Dune" (デューン Dyūn)4:36
7."Frozen Beach" (フローズン・ビーチ Furōzun Bīchi)4:53
8."Water in Time and Space" (時空の水 Jikū no Mizu) (instrumental)2:17
9."Skeleton Coast Park" (スケルトン・コースト公園 Sukeruton Kōsuto Kōen)5:52
10."Venus" (金星 Kinsei)3:17

Personnel

Additional musicians
Production
  • Yoshiaki Kondo (Gok Sound) - Recording & Mixing Engineer
  • Shinichi Tomita (Mix), Nobuhiko Matsufuji (Mix), Atsushi Hattori (Mix), Masanori Ihara (Gold Rush Studio) and Yoshikatsu Takatori (Sound Inn) - Second Engineer
  • Kiyoshi Inagaki - Art Direction
  • Mado & Vincent - Photograph
  • Akemi Tsujitani & Michiko Aoki - Styling
  • Kazunori Yoshida - Hair & Make Up
  • Mitsuo Nagano (for Octave) - Artist Management
  • Mitsuru Hirose - Publicity Coordination
  • Office Moving - Concert Coordination
  • Kazuyoshi Aoki (Polydor Records.) - A&R
  • Osamu Takeuchi (Polydor Records.) - Assistant
  • Thanks: Yasumasa Mishima, Yumiko Ohno, Masaya Abe, Mezame no Sato, Kei Fukuchi, Akimoto-kun, Kazumi Sawaki, AC Unit, Ice Grey, Nobuyoshi Matsubara, Akira Ito, Aria, Casio, Signifie

Release history

Date Label(s) Format Catalog Notes
September 1, 1989 (1989-09-01) Polydor K.K. CD HOOP-20343
July 1, 2005 (2005-07-01) Universal Music Japan, Universal Sigma Digital Download none
February 29, 2012 (2012-02-29) Chaos Union, Teslakite CD CHTE-0054 Remastered by Masanori Chinzei. Part of Disc 1 of the HALDYN DOME box set, alongside "Solar Ray (SPECTRUM 2 TYPE)" and "Bandiria Travellers [physical navigation version]". "Haldyn Hotel [Fractal Terrain Track]" is on Disc 3 (CHTE-0056); "Water in Time and Space (Full Size)" is on Disc 9 (CHTE-0062).
September 24, 2014 (2014-09-24) Universal Music Japan SHM-CD UPCY-6909 Part of Universal's "Project Archetype" (supervised by Osamu Takeuchi & Kasiko Takahasi). Remastered by Kenji Yoshino (supervised by Chinzei) with both original liner notes and new ones.[7]
  • "Haldyn Hotel", "Root of Spirit", "Coyote", "Frozen Beach" and "Venus" are included on the ADVANCED ROCK 3 promotional sampler.
  • "Solar Ray (SPECTRUM 2 TYPE)" is the B-Side to the "World Turbine" single.
  • "Haldyn Hotel [Fractal Terrain Track]" is the B-Side to the "Bandiria Travellers [Physical Navigation Version]" single.
  • "Venus" is included on Detonator Orgun 2; "Water in Time and Space (Full Size)" and "Root of Spirit" are on the Detonator Orgun 3 soundtrack album.
  • "Haldyn Hotel [Fractal Terrain Track]", "Root of Spirit", "Skeleton Coast Park" and "Venus" are included on the Root of Spirit~ESSENCE OF HIRASAWA SOLO WORKS~ compilation.
  • "Haldyn Hotel" (and "Fractal Terrain Track"), "Root of Spirit", "Solar Ray (SPECTRUM 2 TYPE)", "Frozen Beach", "Water in Time and Space (Full Size)" and "Venus" are included on the Archetype | 1989-1995 Polydor years of Hirasawa compilation.

References

  1. ^ Hirasawa, Susumu (1989). 平沢進のCG年賀状 [Susumu Hirasawa's CG New Year Message] (VHS) (in Japanese). Hirasawa Bypass.
  2. ^ "P-MODEL / 平沢進 バイオグラフィ". MODEROOM. Fascination, inc.
  3. ^ a b c d Takahasi 2010, p. 18.
  4. ^ Takahasi 2010, p. 28.
  5. ^ unreleased materials vol.1 (liner notes) (in Japanese). Mandrake. Chaos Union, TESLAKITE. 2006 [1997]. CHTE-0036.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. ^ a b "奇跡のスキマに...: 平沢 進 - 新讃インタビュー" [In a Crack in the Miracles... Susumu Hirasawa - New Acclaim Interview]. バンドやろうぜ [Let's Start a Band] (in Japanese). No. 9. Takarajimasha. September 1989.
  7. ^ Takeuchi, Osamu. "wilsonic works 41". wilsonic journal. Retrieved 15 November 2014.
Bibliography
  • Takahasi, Kasiko (2010) [1999], 改訂DIGITAL復刻版 音楽産業廃棄物 [Music Industrial Wastes Rev.2.4], vol. Hirasawa Side — 卓上のウロボロス [Desktop Ouroboros] (3rd ed.), Fascination {{citation}}: |format= requires |url= (help); Invalid |ref=harv (help).