When Nietzsche Wept (novel)
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When Nietzsche Wept is a 1992 novel by Irvin D. Yalom, Emeritus Professor of Psychiatry at Stanford University, an existentialist, and psychotherapist. The book takes place mostly in Vienna, Austria, in the year 1882, and relates a fictional meeting between the doctor Josef Breuer and the philosopher Friedrich Nietzsche. The novel is a review of the history of philosophy and psychoanalysis and some of the main personalities of the last decades of the 19th century, and revolves around the topic of "limerence".
Lou Salomé, who was involved with Friedrich Nietzsche, has written a letter stating that the future of the philosophy of Germany is at stake and that the German philosopher needs help desperately. The plot develops into a therapy where Breuer needs to have his soul treated, i.e. to help him get over a patient who he treated for hysteria and with whom he has fallen in love, whereas Nietzsche needs help with his migraines. Influenced by the revolutionary ideas of his young disciple Sigmund Freud, Josef Breuer starts the dangerous strategy that will mean the origin of the psychoanalysis. Thanks to their unusual relation, both of them will see how their perspective of life changes completely. The story also explains how Friedrich Nietzsche received the inspiration to write his famous book, Thus Spoke Zarathustra.
References to famous personalities
Yalom's book is fictional but contains many references to history and historical personalities: Josef and Mathilde Breuer, Friedrich Nietzsche, Lou Salome, Sigmund Freud, Bertha Pappenheim, Paul Rée as well as mentioning Franz Overbeck, and the composer Richard Wagner.
There is also a theatre play based on the novel, adapted by Luciano Cazaux. The roles of Friedrich Nietzsche and Josef Breuer are performed by the actors Luciano Suardi and Claudio Da Passano. The play reflects the intellectual and philosophical atmosphere of the novel, almost dreamlike sometimes. An example of those details is that the female characters of the play wear colorful dresses, while the male characters wear black or grey suits; that is because the play tries to represent its reality from the point of view of the intellectual men of that period. The theatre play has received positive reviews in general, flattering the work of the actors and actresses.