World So Bright
World So Bright | ||||
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Studio album by | ||||
Released | 1991 | |||
Genre | Pop | |||
Label | Reprise[1] | |||
Producer | Greg Edward, Adam Schmitt | |||
Adam Schmitt chronology | ||||
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World So Bright is the debut album by the American musician Adam Schmitt, released in 1991.[2][3] Schmitt supported the album by opening for the BoDeans on a North American tour.[4]
Production
[edit]Recorded at Chicago Recording Company and in Schmitt's Champaign, Illinois, basement, the album was produced by Greg Edward and Schmitt.[5][6][7] It contains contributions from Lisa Germano, Kenny Aronoff, John Richardson, and Jay Bennett.[8][9] "Scarlet Street" addresses the problem of homelessness in the United States.[10]
Critical reception
[edit]Review scores | |
---|---|
Source | Rating |
AllMusic | [11] |
Chicago Tribune | [12] |
The Record | [4] |
The Republican | [13] |
The Telegraph | [9] |
Trouser Press thought that the "well-crafted songs are mega-tuneful guitar-driven gems with hooks galore and lyrics that rise above the prosaic 'boy meets girl/boy loses girl/boy misses girl/boy goes looking for another girl' fodder."[8] The Chicago Tribune determined that "the album's dozen songs resound with the innate humability that informs the best work of Squeeze, XTC and the dB's."[12]
The Palm Beach Post wrote: "A hopeful romantic, [Schmitt] infuses love song after love song with memorable hooks. A tough, heartfelt delivery gives them an added edge."[14] The Republican concluded that "it's pop alright, but the hooks don't hook and the thing don't swing."[13] Rolling Stone called it "more than a promising debut, it's a confident piece of work from a canny singer-songwriter who's going to be around for a good long while."[1]
AllMusic wrote that "things are less impressive when the amps get cranked too high ('River Black'), but fortunately that's not a frequent mistake, and one that's more than redeemed by songs like the wistful, touching ballad 'Elizabeth Einstein'."[11] MusicHound Rock: The Essential Album Guide deemed the album "a flawless disc," writing that the title track is a "symmetrical diamond."[15] In 2001, Goldmine labeled World So Bright "a pop manifesto to the max, brimming with catchy tunes delivered in a classic pop style."[16]
Track listing
[edit]No. | Title | Length |
---|---|---|
1. | "Dead End" | |
2. | "World So Bright" | |
3. | "Can't Get You on My Mind" | |
4. | "River Black" | |
5. | "Lost" | |
6. | "Garden of Love" | |
7. | "My Killer" | |
8. | "Remembered Sun" | |
9. | "Everything Turned Blue" | |
10. | "Elizabeth Einstein" | |
11. | "Scarlet Street" | |
12. | "At Season's End" |
References
[edit]- ^ a b Wild, David (July 12, 1991). "Rating the Recordings". St. Louis Post-Dispatch. Rolling Stone. p. 4F.
- ^ "Adam Schmitt Biography, Songs, & Albums". AllMusic.
- ^ Corcoran, Michael (July 21, 1991). "Record File". Show. Chicago Sun-Times. p. 2.
- ^ a b Jaeger, Barbara (November 7, 1991). "Adam Schmitt, 'World So Bright'". The Record. p. C1.
- ^ Caro, Mark (21 June 1991). "National debuts". Friday. Chicago Tribune. p. N.
- ^ Smith, Liz (12 Aug 1991). "Yes, summer is more than half over...". News. Newsday. p. 11.
- ^ "Album Reviews — World So Bright by Adam Schmitt". Billboard. Vol. 103, no. 25. Jun 22, 1991. p. 70.
- ^ a b "Adam Schmitt". Trouser Press. Retrieved 21 November 2021.
- ^ a b Mueller, Paul (Aug 16, 1991). "Adam Schmitt nearly does it all in debut showing much promise". The Telegraph. Macon. p. 5D.
- ^ Wolff, Carlo (Feb 6, 1992). "Adam Schmitt World So Bright". Calendar. The Boston Globe. p. 6.
- ^ a b "World So Bright". AllMusic.
- ^ a b Kening, Dan (4 July 1991). "Adam Schmitt World So Bright". Tempo. Chicago Tribune. p. 7.
- ^ a b O'Hare, Kevin (August 11, 1991). "Ethereal to earthy – New discs run gamut". The Republican. p. D10.
- ^ Benarde, Scott (August 18, 1991). "Troubadours, Genre Fusion Latest in Pop". The Palm Beach Post. p. 1L.
- ^ MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 984.
- ^ Borack, John M. (Nov 30, 2001). "New Releases". Goldmine. Vol. 27, no. 24. p. 52.