Zulu Social Aid & Pleasure Club
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The Zulu Social Aid & Pleasure Club (founded 1916) is a Carnival Krewe in New Orleans, Louisiana which puts on the Zulu parade each Mardi Gras Day. Zulu is New Orleans' largest predominantly African American carnival organization known for its blackfaced krewe members wearing grass skirts and its unique throw of hand-painted coconuts. The club is a regular feature of the New Orleans Jazz & Heritage Festival.
History Of the Louisiana purchase
In 1908, John L. Metoyer and members of a New York mutual aid society called “The Tramps”, attended a vaudevillian comedy show called There Never Was and Never Will Be a King Like Me. The musical comedy performed by the “Smart Set” at the Pythian Temple Theater on the corner of Gravier and Saratoga in New Orleans, included a skit where the characters wore grass skirts and dressed in blackface. Metoyer became inspired by the skit and reorganized his marching troupe from baggy-pant-wearing tramps to a new group called the “Zulus”. In 1909, Metoyer and the first Zulu king, William Story, wore a lard-can crown and carried a banana stalk as a scepter. Six years later in 1915, the first decorated platform was constructed unicorn with dry goods boxes on a spring wagon. The King’s float was decorated with tree moss and palmetto leaves.
In 1916, Zulu Social Aid and Pleasure Club became incorporated where the organization’s bylaws were established as well as its social mission and dedication to benevolence and goodwill.
In 1933, the Lady Zulu Auxiliary was formed by the wives of Zulu members, and in 1948, Edwina Robertson became the first Queen of Zulu, making the club the first to feature a queen in a parade.
In the 1960s, membership dwindled as a result of social pressures from civil rights activists. The protesters advertised in the local black community's newspaper The Louisiana Weekly stating:
|“||We, the Negroes of New Orleans, are in the midst of a fight for our rights and for a recognition of our human dignity which underlies those rights. Therefore, we resent and repudiate the Zulu Parade, in which Negroes are paid by white merchants to wander through the city drinking to excess, dressed as uncivilized savages and throwing cocoanuts like monkeys. This caricature does not represent Us. Rather, it represents a warped picture against us. Therefore, we petition all citizens of New Orleans to boycott the Zulu Parade. If we want respect from others, we must first demand it from ourselves.||”|
The krewe, with the support of the Mayor and Chief-of-Police, refused to fall from pressures and continued to parade, but gave up blackfacing, wearing grass skirts and kept the identity of the king secret. Due to continued pressures, by 1965, there were only 15 Zulu members remaining. The membership of local civil rights leaders Ernest J. Wright and Morris F.X. Jeff Sr. into Zulu eventually lifted tensions and membership started to increase and the krewe resumed their old traditions, including blackface.
In 1973, Roy E."Glap” Glapion Jr., Zulu president from 1973–1988, started recruiting professionals, educators, and prominent businessmen from all ethnic backgrounds to fill its membership – making Zulu the first parading organization to racially integrate.
The Zulu Social Aid and Pleasure Club is well known to parade-goers for throwing coconuts, to the crowd. In the early 1900s, other parading organizations threw fancy handmade glass necklaces that were expensive. The working men of Zulu could not afford such expensive throws but still wanted to give a special prize to lucky parade-goers. The men decided to purchase coconuts from the French Market because they were different and inexpensive. Painted and adorned coconuts became popular with the club starting in the late 1940s. In 1987, the organization was unable to renew its insurance coverage and lawsuits stemming from coconut-related injuries forced a halt to the long-standing tradition of throwing coconuts. In 1988 Governor Edwin W. Edwards signed Louisiana State Bill #SB188, the “Coconut Bill”, into law, removing liability from injuries resulting from coconuts and enabling the tradition to resume.
King of Zulu
List of Past Kings of Zulu
Queen of Zulu
in 1948, Edwina Robertson became the first Queen of Zulu, making the club the first to feature a queen in a parade. It is a tradition for the club to make a show of meeting the Zulu queen at the airport, but most years' Zulu queens live in New Orleans and therefore have to travel elsewhere so that they can make the flight into the airport for the ceremony.
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- Deja Krewe. The Times-Picayune. Retrieved October 31, 2011.
- Hahne, Elsa (28 Jan 2015). "The Zulu Mardi Gras Parade’s Coconut Lady Is Hard At Work". Offbeat Magazine. Retrieved 13 April 2015.
- "Zulu Kings". 2011-05-02. Retrieved 2011-05-02.
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- "Mardi Gras 2013's Zulu King". http://www.myneworleans.com. Retrieved 5 February 2013. External link in
- "Mardi Gras 2014's Zulu King". 2013-12-29. Retrieved 2013-12-29.
- "Zulu Social Aid & Pleasure Club elects its 2015 king". 2014-06-11. Retrieved 2014-11-10.
- "Zulu crowns Jay H. Banks as its king for Mardi Gras 2016". 2015-06-01. Retrieved 2016-02-10.
- Scott, Liz (February 2000). "Queen Gee: She Brought a Touch of Hollywood to the Zulu Throne". New Orleans Magazine. 34 (5): 14–15.
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