Kode9
Kode9 | |
---|---|
Background information | |
Birth name | Steve Goodman |
Born | 1973 (age 50–51) Glasgow, Scotland |
Genres | Electronic, dubstep, future garage, UK bass |
Occupation(s) | Musician, record label owner, remixer, DJ |
Instrument(s) | Synthesizer, sampler, mixing desk, turntables, bass guitar |
Years active | 1991–present |
Labels | Hyperdub |
Website | http://www.hyperdub.com |
Steve Goodman, known as Kode9 (born 1973) is a Scottish electronic music artist, DJ, and founder of the Hyperdub record label.[1] He was one of the founding members of the early dubstep scene with his late collaborator The Spaceape. He has released four full-length albums: 2006's Memories of the Future and 2011's Black Sun (both with The Spaceape), Nothing (2015), Escapology and Astro-Darien (2022).
As owner of Hyperdub, Goodman has signed artists such as Burial, DJ Rashad, Zomby, and Fatima Al Qadiri. Goodman has a PhD in philosophy from the University of Warwick and has published a book, Sonic Warfare: Sound, Affect, and the Ecology of Fear, in 2009.
Biography
[edit]Foundations
[edit]Kode9 studied philosophy at university in Edinburgh. During this time he DJ'd playing music genres including psychedelic jazz, rare groove and funk.[2] However, around this time he started becoming interested in jungle. He has mentioned his first encounter with jungle as being "the most important musical event of my life".[3][when?]
Kode9 moved to Warwick to study rave culture, cybernetics, postmodernism and afrofuturism at the University of Warwick. This later led to a memetic philosophy regarding music, which he has spoken about in interviews.[4] He gained a PhD in philosophy from the university.[5] Here he also collaborated with the Cybernetic Culture Research Unit and was involved in running jungle nights.[2]
In 1997, Kode9 moved to London, becoming a teaching assistant and later a lecturer.[2][6] At this time Kode9 began finding a lot of jungle formulaic and he was looking to expand his musical horizons. He became interested in 2 step garage, DJing the style at clubnights such as FWD>>. He also played on pirate radio stations including Rinse FM.[2][7]
Musical artist and Hyperdub
[edit]In 2002, Kode9 had his first release as a musical artist; it was a track called Fat Larry’s Skank; a collaboration with Benny Ill and The Culprit.[8][2]
In 2004, Kode9 appeared on the second grime compilation on Rephlex records.[9] That same year, Kode9 founded Hyperdub records; the first release was Sine of the Dub, a collaboration between Kode9 and Daddy Gee, which was a minimal, loose cover version of Prince's "Sign "O" the Times". Kode9 treated the vocals to fit his idea of their delivery by "a man on his deathbed".[10]
The label as become an important and influential label within the dubstep genre. In 2006, Hyperdub released Burial's self-titled debut album, which The Wire magazine named their number one album of 2006.[11] Kode9 continued his academic career working at the University of East London as a lecturer in media production, and course tutor for a master's program in sonic culture.[6][12][13]
In December 2009, his Sonic Warfare: Sound, Affect, and the Ecology of Fear, a book exploring the uses of acoustic force and how it affects whole populations was published by MIT Press.[14] The book also explores how sound can be deployed to set moods of dread and fear, how sound can be used as torture, as a weapon and as a threat.
Musical style
[edit]He has been inspired by, what he calls the "hardcore continuum" of British dance music; styles such as jungle, drum and bass and 2-step garage. Genres that are common influences in his work include dub, dancehall (such as toasting), and Indian music.
Discography
[edit]Studio albums
[edit]- Memories of the Future with the Spaceape (Hyperdub, 2006)
- Black Sun with the Spaceape (Hyperdub, 2011)
- Nothing (Hyperdub, 2015)
- Escapology (Hyperdub, 2022)
- Astro-Darien (Hyperdub, 2022)
DJ mixes
[edit]- DJ Kicks (Hyperdub, 2010)
- Rinse:22 (Rinse, 2013)
- Fabriclive 100 with Burial (Fabric London, 2018)
See also
[edit]References
[edit]- ^ IMO Records. "Kode9 Biography" Archived 20 April 2013 at archive.today, IMO Records Retrieved on 25 June 2012.
- ^ a b c d e "Kode9 Stared Into The Void And It Stared Back". The FADER. Retrieved 2 May 2024.
- ^ Invisible Jukebox, The Wire no. 269, July 2006
- ^ Sandhu, Sukhdev (16 November 2015). "How dub master Kode9 became the hero of zero". The Guardian. Archived from the original on 22 September 2020. Retrieved 28 June 2020.
- ^ Goodman, Steve (26 January 1999). Turbulence : a cartography of postmodern violence. Wrap.warwick.ac.uk (Thesis). Retrieved 26 March 2020.
- ^ a b "Steve Goodman - UEL HSS (staff profile)". 22 September 2009. Archived from the original on 22 September 2009. Retrieved 26 March 2020.
- ^ "Croydon, community, soundsystem culture: Tracing the history of dubstep". Red Bull. 12 June 2020. Retrieved 2 May 2024.
- ^ "Fat Larry's Skank". Discogs.
- ^ Derek Walmsley, "Dubstep", The Wire Primers: A Guide to Modern Music, ed. Rob Young, London: Verso, 2009, p. 89.
- ^ Derek Walmsley, "Dubstep", The Wire Primers: A Guide to Modern Music, ed. Rob Young, London: Verso, 2009, p. 92
- ^ Rewind 2006, The Wire no. 275, January 2007.
- ^ "Kode9" - Artforum International, Vol. 45, Issue 4, December 2006". Archived from the original on 26 March 2020. Retrieved 26 March 2020.
- ^ "Sonic Culture (MA) (Summary of programme specification)". www.uel.ac.uk. Archived from the original on 26 January 2010. Retrieved 17 January 2022.
- ^ "Sonic Warfare: Sound, Affect, and the Ecology of Fear catalogue description at MIT Press". Archived from the original on 4 January 2010. Retrieved 29 December 2009.