An American Werewolf in Paris

From Wikipedia, the free encyclopedia
Jump to: navigation, search
An American Werewolf in Paris
ParisWerewolf.jpg
Theatrical release poster
Directed by Anthony Waller
Produced by Richard Claus
Screenplay by Anthony Waller
Tim Burns
Tom Stern
Based on Characters 
by John Landis
Starring Tom Everett Scott
Julie Delpy
Vince Vieluf
Phil Buckman
Julie Bowen
Music by Wilbert Hirsch
Cinematography Egon Werdin
Edited by Peter R. Adam
Production
company
Hollywood Pictures
Propaganda Films
J&M Entertainment
Cometstone Pictures
Avora Media
Delux Productions
Distributed by Buena Vista Pictures
Becker Entertainment (AU)
Entertainment Film Distributors (UK)
Release dates
  • December 25, 1997 (1997-12-25)
Running time 105 minutes
Country United Kingdom
Netherlands
Luxembourg
United States
France
Language English
French
Budget $25 million
Box office $26,570,463[1]

An American Werewolf in Paris is a 1997 comedy-horror film directed by Anthony Waller and starring Tom Everett Scott and Julie Delpy. The film was in development for 6 years[2] and follows the general concept of, and is a sequel to, the 1981 film An American Werewolf in London.

The title of this film has its roots in the production of its predecessor; when production of the original London film ran into trouble with British Equity, director John Landis, having scouted locations in Paris, considered moving the production to France and changing the title of his film to An American Werewolf in Paris.[3]

Plot[edit]

Andy McDermott is a tourist seeing the sights of Paris with his friends Brad and Chris. When Serafine Pigot leaps off the Eiffel Tower just before Andy is about to bungee jump, he executes a mid-air rescue. She vanishes into the night, leaving Andy intrigued – and also unaware that she is the daughter of David Kessler and Alex Price, the couple seen 16 years earlier in the first film. That night, Andy, Chris, and Brad attend a night club called "Club de la Lune". The club's owner, Claude, is actually the leader of a werewolf society that uses the club as a way to lure people (preferring tourists) in to be killed. Serafine arrives, tells Andy to run away and transforms into a werewolf. The club owners transform into werewolves as well and butcher all the guests. Chris escapes but is later kidnapped by Claude, Brad's heart is eaten by a werewolf and Andy is bitten by another werewolf.

The next day, Andy wakes up at Serafine's house. He is still in shock, but Serafine allows him to feel her breasts to calm him down. She tells him he's transforming into a werewolf. This is interrupted by the sudden appearance of Alex's ghost. Andy leaves and soon Brad's ghost appears to Andy and explains Andy's werewolf condition. In order for Andy to become normal again, he must eat the heart of the werewolf that bit him; in order for Brad's ghost to be at rest, the werewolf that ate his heart must be killed too. Andy hooks up with an American tourist named Amy, but transforms and kills her. Andy also kills a cop who had been tailing him, suspecting Andy was involved in the Club de la Lune massacre. Andy is arrested but escapes. He begins to see Amy's ghost as well, and she begins trying to kill him.

Claude and his henchmen ask Andy to join their society, but to prove his loyalty, Andy must kill Chris. Serafine rescues Andy, explaining that her father prepared a drug to control werewolf transformations, but instead the drug forces werewolves to immediately transform into their beast form, as a result she killed her mother and savaged her stepfather. Claude and the other werewolves then raid Serafine's stepfather's lab and kill him, taking the drug to transform immediately.

Serafine and Andy learn of a Fourth of July party Claude has planned and infiltrate it. They help the partygoers escape and Andy manages to kill the werewolf that ate Brad's heart, thus setting Brad free. The cops arrive and a fight ensues. Andy and Serafine manage to kill many werewolves, with Serafine shifting to her beast form to fight when she runs out of ammunition. During a fight between Serafine and Claude, Andy shoots one of the wolves but it turns out that he has shot Serafine.

Claude makes his way onto a subway train, but slips onto the tracks. A train slams into him, causing him to transform back to a human. He tries to take another dose of the drug, but Andy stops him. As they fight, Andy discovers that Claude is the werewolf that bit him. Andy then kills him and eats his heart, breaking the werewolf curse. Serafine is taken in an ambulance, but begins to show signs of transforming. The EMT, thinking she is going into shock, administers adrenaline, which stops the transformation - where the "cure" (which turned out to be a sedative) triggered the change, adrenaline has the opposite effect.

The film ends with Serafine and Andy celebrating their wedding atop the Statue of Liberty with Andy's pal Chris, who survives. The couple seem to be controlling the curse with a steady application of adrenaline-fueled activities. They bungee jump off it as the credits roll.

In an alternate ending, after Andy eats Claude's heart, Serafine has a vision of her step-father in the back of an ambulance, explaining how he found a cure before his death. The new closing scene shows Serafine and Andy having a child, whose eyes shift to look like the werewolves'.

Cast[edit]

Trivia[edit]

  • It is believed that being born a werewolf, that Serafine has a small bit of control of her werewolf side. After she kills another werewolf and sees Andy, she doesn't attack him, but acts as if she recognizes him. The same thing happened to David in the first film when Alex tells him she loves him and he hesitates for a brief moment before charging at her.

Reception[edit]

An American Werewolf in Paris was poorly received by most critics and audiences alike. The review aggregation site Rotten Tomatoes lists the film as "rotten", with only 8% of reviews positive based on national and worldwide ratings. Unlike An American Werewolf in London, which had Oscar-winning special make-up effects by Rick Baker, Paris relied heavily on CGI for its transformation effects and chase sequences, a common point of derision from most critics. According to box-office sales and online reviews, this sequel proved to be much less successful than the first film.

The film opened on December 25, 1997 to #7 with $7,600,878.[4]

References[edit]

External links[edit]