Australian feminist art timeline
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.
1967 Performance: Yoko Ono and Juno Gemes, The Scream, Ono covered seated Gemes in bandages from ankle to crown while Ono performed a crescendo of screams. This performance was sabotaged by male owners of the Club. <International Times> Jay Landesman Kingly Street Gallery and Perfumed Garden, London, UK.
1967 Performance: Juno Gemes and Lawrence Bourke, The Carnivorous Nature of Love, performance with female store mannequin, belly filled with offal. The Model was disemboweled to a recitation of Spencerian Sonnet. Joan Littlewood's Stratford East Theatre, East London, UK. 24 Hours of Performance Art Event.
1967 Performance: Juno Gemes, Charles Marovitz, David Curtis, Women dancers, The Plight of Erogenous UFO Multi Media Venue, 100 Tottenham Court Road, London, UK. Weekly multimedia serial performed over a six week period. Elements included performance, film projection, dry ice music by The Soft Machine, colour projection by Mark Boyle, elements varied each performance.
1967 Artwork: Bottoms, Director: Yoko Ono, Assistants Robin Rudnick, Juno Gemes, Cinematographer Tim Rudnick. 300 participants filmed and sound recorded during a three month period
1968 Performance: The Human Performance Art Group, The Body Eats a Peach Pact Theatre 10 Cunningham Street, Sydney, NSW; La Mama, Melbourne, VIC; Tribe, Brisbane, QLD. Multi Media Performance Group: Laurel Fox, Gillian Jones, Julia Salle, Juno Gemes, Michael Glasheen, Stephen Jones, Brian Thompson, Mick Glasheen, Jack Myers, Tom Barber, Ken Beatty, Jack Jacobson, Garry Shead, Peter Kingston,Andrish St Clare, Clem Gorman, James Ricketson,Albie Thoms, Ubu Films, Roger Fogg Foley-mixed media, performance choreographed, paint, furniture installation, geodesic wood structure, kinetic light installation, steel and wire sculpture, film, sound collage.
1969 Uluru Desert Research Room, Juno Gemes, Michael Glasheen, The Yellow House, Sydney, NSW. Preparation and research for six months in Central Australian Desert, consultation and filming with Pitdjandara, Loritcha, Arrenete Elders and families on stories embedded in Uluru. Women artist/participants in The Yellow House: Little Nell, Antionette Starowitz and Juno Gemes, 
1974 Women's Art Movement (Feminist art movement) formed in Sydney by Babara Hall and others
1974 Exhibition: A Room of One's Own: Three Women Artists Ewing Gallery, University of Melbourne, co-curated by Kiffy Rubbo, Lynne Cooke and Janine Burke Artists: Lesley Dumbrell, Julie Irving, Ann Newmarch
1974 Exhibition: Women Photographers, Pram Factory, Carlton, VIC, included work by Ponch Hawkes
1974 Exhibition: Women in the Community, Bondi Pavilion, Bondi, NSW, organised by the Sydney Women's Art Movement
1975 Victorian Women's Art Movement, also known as the Women's Art Forum, founded Women's Art Register
1975 Women's Art Register established in Melbourne. One of the founders was painter Erica McGilchrist.
1975 American feminist writer Lucy R. Lippard conducts Australian lecture tour
1975 First Festival of Women's Culture, Bondi Pavilion, Bondi, NSW
1975 Exhibition: Art and the Creative Woman, Royal South Australian Society of Arts Gallery, Adelaide, SA, organised by the Royal South Australian Society of Arts (RSASA) with entries from fellows of the society and other women artists from across Australia.
1975 Exhibition: Australian Women Artists: 1840–1940, Ewing Gallery and George Paton Galleries, University of Melbourne; Art Gallery of NSW; Newcastle Region Art Gallery; Art Gallery of South Australia, curated by Janine Burke.
1975 Exhibition: Ethnic Handicrafts Exhibition, Australia Hotel and Uniting Church, Fitzroy, VIC, organised by social workers, exhibited over 500 handicrafts by migrant women living in Australia
1975 Exhibition: Fantasy and Reality, Wentworth Building, Sydney University, Sydney, NSW, organised by the Sydney Women's Art Movement, included work by Jude Adams, Jenny Barber, Frances Budden, Marie McMahon, Mandy Martin and Toni Robertson
1975 Exhibition: Five Women Artists, Queensland Art Gallery, Brisbane, Qld, exhibited work by Anne Alison-Greene, Bessie Gibson, Vida Lahey, Daphne Mayo and Margaret Olley
1975 Exhibition: It's Great to be an Australian Woman, Women's House, Brisbane, QLD, organised by the Women's Community Aid Association.
1975 Exhibition: Queensland Women Artists' Mixed Media Show, Hogarth Galleries, Sydney, NSW, exhibited sculptures, painting and prints from 36 Australian artists including Jude Adams, Jenny Barber, Frances Budden, Pamela Harris, Ann Newmarch and Toni Robertson
1975 Exhibition: Six Australian Women Photographers, Australian Centre for Photography, Sydney, NSW; National Gallery of Victoria, Melbourne, VIC
1975 Exhibition: Three Women Photographers, Ewing and George Paton Gallery, Melbourne, VIC, Micky Allan, Virginia Coventry and Sue Ford
1975 Exhibition: Women: An Exhibition of Four Newcastle Photographers, Newcastle Regional Art Gallery, Newcastle, NSW, organised as part of International Women's Year
1975 Exhibition: Women in Art, Western Australian Institute of Technology, Perth, WA, organised as part of International Women's Year
1975 Artwork: Ann Newmarch Vietnam Madonna
1975 Refractory Girl: a women's studies journal published a special issue on 'women in the visual arts'
1975 Hecate: An Interdisciplinary Journal of Women's Liberation established, edited by Carole Ferrier (1975–present)
1975 Women's Studies Resource Centre established, Adelaide, South Australia
1976 Launch of Melbourne-based art journal LIP A Journal of Women in the Visual Arts (1975–1983).
1976 Women's Art Movement established, Adelaide, South Australia 
1976 Jude Adams taught the first Australian feminist art course,'Women and Art: The Artist as She', at the Workers Educational Association and then at Alexander Mackie College of Advanced Education, Sydney, NSW
1976 Ann Stephen taught,'Women and Art', at Preston Institute of Technology, Preston, VIC
1976 Dag Printing formed, screenprinting collective, Wendy Black, Angela Gee and Evelyn Vynhal
1978 Artwork: Ann Newmarch, Women hold up half the sky! 1978
1978 Exhibition: The Women's Show, Experimental Art Foundation, Adelaide
1978–80 Performance: Lyndal Jones, The At Home Series, performances in the series held at La Mama Theatre, Melbourne, George Paton Gallery, University of Melbourne, RMIT, Melbourne, 110 Chambers Street, New York
1979 Germaine Greer publishes The Obstacle Race: The Fortunes of Women Painters and Their Work
1979 Anarchist Feminist Poster Collective formed by Sally O’Wheel and Megan Schlunke, Adelaide, VIC, other contributors included Karen Elliot, Marie Morrissey, Barbary O'Brien
1979 Blatant Image formed, Sydney, NSW, photographic subgroup of the Sydney Women's Art Movement, included Sandy Edwards, Helen Grace, Victoria Middleton and Lynn Silvermann
1979 Mathilda Graphics formed, Sydney, NSW, women's creative and commercial collective offering services in photography, illustration, typesetting, etc.
1979 Women's Warehouse Screenprinting Collective formed, Sydney, NSW, contributors included Jan Fieldsend, Marla Guppy and Anne Sheridan (Beard)
1979 Registry of Women Artists founded, Canberra, ACT, members included Carol Ambrus and Cathy Walters
1979 Exhibition: The D'Oyley Show, Australian Domestic Needleworkers' Group, Watters Gallery, Sydney
1979-1980 Artwork: Lyn Finch, Cherie Bradshaw and Michael Calaghan Prostitution is the rental of the body, Marriage is the sale, screenprinted poster
1980 Artwork: Davida Allen painted her sexual fantasy pictures of actor Sam Neill. While the paintings followed in the tradition of the Burt Reynolds nude centrefold in Cosmopolitan in 1972, in 1980s Australia the artist raised eyebrows for depicting a man as a sex object.
1980 Performance: Bonita Ely, Bread Line, Anzart, Christchurch, New Zealand
1980 Performance: Bonita Ely, Murray River Punch, George Paton and Ewing Gallery, Melbourne University. Women at Work, a festival of women's performance art.
1980 Performance: Jill Orr, Split- Fragile Relationships, George Paton and Ewing Gallery, Melbourne University. Women at Work, a festival of women's performance art.
1980 Women at Work : a week of women's performance, June 1980. George Paton and Ewing Gallery, Melbourne University. Artists included Jill Orr and Bonita Ely.
1982 Christine Westwood and Sue Hill, Women in Theatre Project - a year-long initiative at Belvoir Street Theatre to create opportunity for women directors, play writers, designers and visual artists and creatives in Australia. New plays were written and performed, the project was documented by Juno Gemes, Sandy Edwards, Maree Cunningham. Goodburra Projects was formed creating three documentaries including: Representing Aboriginal Women in Film and Theatre an interview with Justine Saunders interviewed by Juno Gemes produced by Goodburra Doco Collective.
1982 Rosalie Gascoigne is the first female artist to represent Australia at the Venice Biennale
1982 NSW Women and Arts Festival, October 1982, included more than 1,000 events throughout New South Wales and initiated a national research project about women in the arts. A Women’s Arts Fellowship was awarded to an outstanding female artist/arts worker by the NSW Government for the next few years.
1983 Janine Burke's Joy Hester published.
1984 Artwork: Julie Rrap, Persona and Shadows (series), 1984, photographic collage
1985 Project: Coordinated by Carolyn Lewens and five photographers from Lewen's TAFE women's photography course, Prahran Neighbourhood House women's photography project, 1985, photographic panels documenting the activities of women at the Neighbourhood House under certain themes including child-care, after school activities, home environments and porttraits.
1986 Publication: Australian Women Photographers 1840-1960, Barbara Hall and Jenni Mather
1989 Artwork: Something More by Tracey Moffatt.
1991 Exhibition: Frames of Reference: Aspects of Feminism and Art, Artspace, Sydney, curated by Sally Couacaud. Artists: Kathy Temin, Susan Norrie, Vivienne Binns, Rebecca Cummins, Anne MacDonald 
1991 Event: At least it’s gone to a good home: Women collecting and producing art at the University of Sydney 1971-1991, Tin Sheds Gallery, University of Sydney (13 September-5 October). Speakers: Sue Best, Brownyn Hanna, Therese Kenyon and Joan Kerr. Part of Dissonance: Feminism and the Arts.
1991 Manifesto: VNS Matrix (Virginia Barratt, Francesca da Rimini, Juliane Pierce, Josephine Starrs), Cyberfeminist Manifesto for the 21st Century, Adelaide. The manifesto was distributed on street posters around Adelaide. VNS Matrix was an artist collective founded in Adelaide and active 1991–1997. VNS Matrix is pronounced 'Venus Matrix'.
1992 Exhibition: Feminisms: An Exhibition of 27 Women Artists, PICA, Perth, curated by Nikki Miller.
1994 Exhibition: The Women's Show, Sutton Gallery, Melbourne
1994 WandA (Women and Arts) established in Brisbane by founding members Edwina Bartleme, Brona Keenan, Tracey Benson, Rosz Craig
1995 Exhibition WWWO : Wollongong Worlds Women Online, first national Australian online women's group exhibition, featuring the first or early digital works from 30 women including Francis Dyson and Mez Breeze. Curators Melinda Rackham, Louise Manner, Ali Smith, Sandy Indlekofer-O’Sullivan.
1995 Exhibition: VNS Matrix: ALL NEW GEN, (VNS Matrix: Virginia Barratt, Francesca da Rimini, Juliane Pierce, Josephine Starrs), ACCA, Melbourne. Part of the National Women's Art Exhibition.
1995 Exhibition: In the Company of Women: 100 years of Australian women's art from the Cruthers Collection, PICA, Perth, curated by Sarah Miller. Part of the National Women's Art Exhibition.
1995 Exhibition: Bur-ran-gur ang (court out): Women and the law, Lawrence Wilson Art Gallery, Perth, curated by Annette Pedersen. Part of the National Women's Art Exhibition.
1995 Exhibition: Out of the Void: Mad and Bad Women, Queensland Art Gallery, Brisbane, touring Queensland. Part of the National Women's Art Exhibition.
1995 Exhibition: Girls Girls Girls, Annandale Galleries, Sydney, also Orange Regional Gallery. Women's show to mark the 20th Anniversary of the United Nations, Year of the Woman.
1996 Manifesto: VNS Matrix (Virginia Barratt, Francesca da Rimini, Juliane Pierce, Josephine Starrs) Bitch Mutant Manifesto, Adelaide.
1996 Exhibition: Women Hold Up Half the Sky: the Orientation of Art in the Post-War Pacific, Monash University Gallery, Melbourne, curated by Roger Butler. Artists: Micky Allan, Vivienne Binns, Kate Daw, eX de Medici, Diena Georgetti, Joan Grounds, Helga Groves, Indulkana Community, Emily Kame Kngwarreye, Narell Jubelin, Maningrida Arts, Banduk Marika, Ann Newmarch, Margaret Preston, Thancoupie, Kelly Thompson, Utopia Batik, Toni Warburton, Judy Watson, Robin White 
1996 Exhibition: Inside the Visible, Boston: ICA/ MIT: Kanaal Art Foundation, and Touring to Whitechapel, London, and PICA, Perth, Australia, curated by Catherine de Zegher (USA)
1997 Ann Newmarch first living female artist to be given a Retrospective exhibition at the Art Gallery of South Australia The Personal is Political in 1997.
1999 Australian feminist art historians Joan Kerr & Jo Holder publish Past present : the national women's art anthology
2003 Germaine Greer publishes The Beautiful Boy.
2004 Artwork: Mary Lou Pavlovic Liar! Public Art, Melbourne
2004 Death of Gabrielle Pizzi, widely admired dealer in contemporary aboriginal art.
2004 Death of Joan Kerr (1938–2004), Australian art historian
2006 Exhibition: Feminist Actions, Spacement, Melbourne, curated by Veronica Tello. Artists: Andrew Atchison, Pia de Bruyn, Sue Dodd, Sarah Lynch, Alex Martinis Roe, Ali Sanderson, Jessie Scott
2007 Exhibition: Bird Girls, Margaret Lawrence Gallery, VCA, curated by Kate Daw and Vikki McInnes. Artists: Fiona Abicare, Jessie Angwin, Cate Consandine, Danielle Freakley, Kate Just, Simone Slee, Andrea Tu
2007 Forum: Feminism Never Happened, Gertrude Contemporary Art Spaces, Melbourne. Panelists included: Julie Rrap, Alex Martinus Roe, Ann Marsh, Lily Hibberd, Felicity Coleman, Lyndall Walker, Emily Cormack
2007-8 Exhibition: Girl Parade, ACP, Sydney, curated by Bec Dean. Artists: Anoush Abrar (Iran) & Aimée Hoving (Netherlands), Bianca Barling (SA), Anthea Behm (NSW), Brown Council (NSW), Kelli Connell (USA), Pilar Mata Duppont & Tarryn Gill (WA), Karina Grundy (SA), EJ Major (UK), Belinda Mason (NSW), Tatjana Plitt (VIC), Narinda Reeders (VIC), Tomoko Sawada (JAPAN) and Justene Williams (NSW).
2008 Exhibition: Lauren Berkowitz/ Starlie Geikie, Neon Parc, Melbourne, curated by Rebecca Coates.
2008 Exhibition: A Time Like This, VCA Margaret Lawrence Gallery, Melbourne. Curated by Samantha Comte, Jirra Lulla Harvey, Kate Rhodes and Meredith Turnbull. Artists: Louisa Bufardeci, Bindi Cole, Lorraine Connelly-Northey, Eliza Hutchison, Wietske Maas, Kate Smith, Salote Tawale, Annie Wu.
2008 Exhibition: Emily Floyd, Temple of the Female Eunuch, Anna Schwartz Gallery, Melbourne.
2008 Exhibition: Girls, Girls, Girls, Carlton Hotel, Melbourne, curated by Lyndal Walker and Nat Thomas.
2008 Essay: On Rage by Germaine Greer (academic, social commentator and collector of Aboriginal art).
2008 Miss Despoinas a feminist group based in Hobart founded by Nancy Mauro-Flude. Formed initially as a curatorial premise, a mail list for discussion and a hackspace aimed at removing the strict barriers between software users and developers to enable the ‘uninitiated’ artist into using free software; a largely male user base. It advocates home-brewed methods for collective gain (think of self-organized digital art literacy circles). Associates are not fixed but expand and contract in response to each project.
2010 Exhibition: A Different Temporality: Aspects of Australian Feminist Art Practice 1975-1985, Monash University, Melbourne 
2010 Exhibition: Feminism Never Happened, IMA, Brisbane. Artists: Del Kathryn Barton, Pat Brassington, Kirsty Bruce, Jacqueline Fraser, Anastasia Klose, Fiona Lowry, Fiona Pardington, Yvonne Todd, and Jemima Wyman 
2010 Exhibition: The View From Here: 19 Perspectives on Feminism, West Space, Melbourne. Curated by Clare Rae and Victoria Bennett.Artists: Jessie Angwin, Kiera Brew Kurec, Brown Council, Madeleine Donovan, Mariam Haji, Hannah Raisin, Jessie Scott, Hayley Forward and Jessica Olivieri with the Parachutes for Ladies. Writers: Emilie Zoey Baker, Laura Castagnini, Tamsin Green, Anna Greer, Rachel Fuller, Jo Latham, Dunja Rmandic, Daine Singer, Nella Themelios.
2010 Death of Eva Breuer, at the time one of the major dealers of secondary market Australian paintings. Breuer was one of the few dealers stocking works by notable, lesser known twentieth century female Australian artists: Bessie Davidson, Margaret Cilento, Janet Cumbrae Stewart, Margo Lewers, Jean Bellette, Dorrit Black, Lina Bryans, Nora Heysen, Mirka Mora, Florence Rodway, Jane Sutherland.
2010 Exhibition: The Feminist Salon Group, The Envelope Residency, The West Wing, West Space Project Site, Melbourne. Coordinated by Caroline Phillips and Sarah Lynch. A week-long residency by a group of artists and writers engaged with reading and discussing feminist texts, in particular the work of Luce Irigaray. The residency included performance, film, visual art, sound, reading, discussion and a lecture by Dr. Louise Burchill. Participants included Sharon Billinge, Dr. Louise Burchill, Victoria Duckett, Catherine Evans, Janice Gobey, Kate Hodgetts, Kate Just, Anastasia Klose, Angie de Latour, Sarah Lynch, Valentina Palonen, Caroline Phillips, Hannah Raisin, Caroline Thew, Inez de Vega and Jane Whitfid.
2010 Exhibition: "Twined: Weaving and Abstraction", Cross Art Projects, Sydney. Artists:Robyn Djunginy and Karen Mills. Curated by Fiona McDonald.
2011 Exhibition: "Twining: Weaving and Abstraction, Dawes / Djunginy / Mills / MacDonald", 24hr Art, Northern Territory Centre for Contemporary Art, Darwin. Artists: Debra Dawes, Robyn Djunginy, Fiona MacDonald and Karen Mills. Co-Curators: Jo Holder and Fiona MacDonald with Karen Mills.
2012 Exhibition: No Added Sugar, Casula Powerhouse Arts Centre, NSW  Artists: Asiya Sian Davidson, Crooked Rib Art, Fatima Killeen, Idil Abdullahi, Marwa Charmand, Mehwish Iqbal, Resala Alazzawi and Zeina Iaali, and creative writing by Eugenia Flynn.
2012 Exhibition: Contemporary Australia: Women, Queensland Art Gallery: Gallery of Modern Art, Brisbane. Artists: Amata painters: senior artists, Tjampawa Katie Kawiny; Wawiriya Burton; Ruby Tjangawa Williamson; Iluwanti Ken; Tjungkara Ken; Paniny Mick, Rebecca Baumann, Lauren Brincat, Brown Council, Kirsty Bruce, Bindi Cole, Agatha Gothe-Snape, Marie Hagerty, Fiona Hall, Natalya Hughes, Ruth Hutchinson, Deborah Kelly, Justine Khamara, Anastasia Klose, Gabriella Mangano and Silvana Mangano, Jennifer Mills, Kate Mitchell, Rose Nolan Jess Olivieri and Hayley Forward with Parachutes for Ladies, Therese Ritchie, Sandra Selig, Noël Skrzypczak, Sally Smart, Soda_Jerk, Wakartu Cory Surprise, Hiromi Tango, Monika Tichacek, Jenny Watson, Judy Watson, Louise Weaver, Justene Williams, Gosia Wlodarczak and Judith Wright. Curated by Julie Ewington.
2012 Guerrilla Girls public lecture and workshop at the Victorian College of the Arts in Melbourne. Part of a wider discursive project about humour in feminist art curated by Laura Castagnini and Vikki McInnes through the NAVA Curatorial Mentorship Initiative.
2012 Exhibition: Kate Just, Venus Was Her Name, Kunsthalle Krems, Austria.
2012 Exhibition: Feminage - The logic of Feminist Collage, The Cross Art Projects, Sydney. Artists: Karla Dickens, Elizabeth Gower, Emily Hunt, Mehwish Iqbal, Deborah Kelly, Fiona MacDonald, Paula do Prado, Sangeeta Sandrasegar, Sally Smart, Tai Snaith, Nancy Spero, Jemima Wyman. Curator: Jo Holder with assistant curator Sofia Freeman 
2012 Exhibition: The Baker's Dozen, curated by Lorna Grear, UTS Gallery, The University of Technology, Sydney
2012 Exhibition: SEXES, Performance Space, Carriageworks, Sydney. Artists: Christian Thompson, Cigdem Aydemir, Eric Bridgeman, Jessica Olivieri and the Parachutes for Ladies, John Meade, Julie Rrap, LEVEL, Liam Benson, Luke Parker & Sangeeta Sandrasegar, Marley Dawson, Natalya Hughes, Paul Knight, Philip Brophy, The Kingpins, Tarryn Gill & Pilar Mata Dupont, Tracey Moffatt & Gary Hillberg, Trevor Fry. Curated by Bec Dean, Deborah Kelly and Jeff Khan. Exhibition accompanied by multi-disciplinary program of dance, performance, lectures, film and parties, and extensive catalogue.
2012 A Dinner Party: setting the table. Curated by Victoria Duckett and Caroline Phillips. A feminist residency at West Space, Melbourne, including workshops, film programs, forums and exhibition of feminist art archive. Participants included Kate Just, Jon Dale, Danni Zuvela, Marcia Jane, Virginia Fraser, Kate MacNeill, Stephanie Alexander, Lyndal Walker, Victoria Bennett, Anne Marsh, Catherine Deveney, Laura Castagnini and Inez de Vega.
2013 The F Word - Regional Feminist Art Forum, La Trobe Visual Art Centre, Bendigo. Curated by Caroline Phillips. Panel of speakers including Juliette Peers, Filomena Coppola and Virginia Fraser, with a workshop facilitated by Inez de Vega, exploring Regional Feminist Art issues.
2013 BACKFLIP: Feminism and Humour in Contemporary Art, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne. Artists: Catherine Bell, Melanie Bonajo, Brown Council, Catherine or Kate, Patty Chang, Guerrilla Girls, Hotham Street Ladies, Alice Lang, Louise Lawler, Tracey Moffatt, Nat & Ali, Frances (Budden) Phoenix, Pushpamala N, Hannah Raisin, Pipilotti Rist, Mika Rottenberg, Christian Thompson and Paul Yore. Curated by Laura Castagnini. Exhibition accompanied by extensive publication, a program of panel discussions and performances, and the on site VCA Video Lounge; an archive of funny feminist videos made by former students during their time at the VCA School of Art.
2013 Contemporary Art and Feminism (CAF) launched, 30 October, Sydney College of the Arts. An independent platform for art, scholarship and activism, instigated by Catriona Moore, Jacqueline Millner, and Jo Holder.
2014 Exhibition: Katherine Hattam, Consciousness Raising, Daine Singer Gallery, Melbourne. Catalogue with texts by Ellen Koshland, Victoria Hattam, Jenny Little, Harriet Morgan, Hannah Piterman, Ann Snitow, Kate Reeves, Suzanne Spunner, Margaret Bowland and Hilary McPhee.
2014 Conference: Curating Feminism A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, Art Gallery New South Wales and MCA. Exhibition, masterclasses, conference and Wikithon, Keynotes: Michael Birchall: Activism & Art: for the de-proletarianized petty bourgeoisie; Dr Maura Reilly: Curatorial Activism: Towards an Ethics of Curating. Co-ordinating Curator: Jacqueline Millner
Art historians in the field of Australian feminist art
- Jude Adams
- Caroline Ambrus
- Susan Best
- Barbara Bolt
- Janine Burke
- Anita Callaway
- Lynne Cooke
- Elizabeth Gertsakis
- Janda Gooding
- Germaine Greer
- Elizabeth Grosz
- Pat Hoffie
- Jo Holder
- Jeanette Hoorn
- Caroline Jordan
- Anne Kirker
- Sandy Kirby (−2011)
- Joan Kerr (1938–2004)
- Kate MacNeill
- Anne Marsh
- Catriona Moore
- Juliette Peers
- Helen Topliss
- Anna Voigt
- Visual arts of Australia
- Australian artist-run initiatives
- Indigenous Australian art
- List of Australian artists
- [dead link]
- Anne Kirker in Delia Gaze (ed) Dictionary of women artists, Volume 1 (Fitzroy Dearborn: USA, 1997), p.262
- "BINNS , Vivienne | Vag Dens". National Gallery of Australia. Retrieved 2014-05-08.
- Gemes, Juno; Robert Adamson (1997). The Language of Oysters. Sydney, N.S.W: Craftsman House. p. 166. ISBN 9057031019.
- Greer, Germaine (1979). The Female Eunuch. London [England]: Granada. ISBN 0586080554.
- "Women's Art Movement (1976 - )". The Australian Women's Register. Retrieved 2014-05-08.
- Farrar Straus Giroux, New York, 1979 ISBN 978-0-374-22412-7
- Juliana Engberg, 'Breadline: Women and Food', ArtlinkVol19, No4, Australia.
- Women at Work : a week of women's performance, exhibition catalogue (George Paton Gallery: Melbourne, 1980)
- Betty Churcher appointed
- Cousins ed., Robert (2014). 25 Belvoir Street. Sydney: Belvoir Street Theatre.
- Moore, A. (1991) "Indecent Exposures: Twenty years of Australian Feminist Photography", St Leonards: Allen and Unwin.
- "Betty Churcher - Introduction". Australianbiography.gov.au. Retrieved 2014-05-08.
- Juliana Engberg, Feminist Narratives, exhibition catalogue, (George Paton Gallery: Melbourne, 1987)
- Kate MacNeill, 'When historic time meets Julia Kristeva's women's time: the reception of Judy Chicago's The Dinner Party in Australia' Outskirts, Vol 18, May 2008
- "Betty Churcher - Biographical Information". Australianbiography.gov.au. Retrieved 2014-05-08.
- Frames of Reference: Aspects of Feminism and Art(exhibition catalogue. Australia: Sydney: Artspace, 15 Aug-29 Sept 1991)
- [dead link]
- "VNS Matrix: Biography". Medien Kunst Netz (Media Art Net). Retrieved 2014-05-08.
- Site lost, some documentation here
- Jo Holder (ed) The national women's art exhibition : a great collaborative exhibition, (Uni of NSW COFA: Sydney, 1995)
- Joan Kerr & Jo Holder (eds) Past present : the national women's art anthology, (Craftsman House: Sydney, 1999)
- "Beyond the picket fence: Australian women's art in the National Library's collections". National Library of Australia. Retrieved 2014-05-08.
- Women Hold Up Half the Sky: the Orientation of Art in the Post-War Pacific (Melbourne, Victoria: Monash University Gallery, 1996)
- Catherine de Zegher (Ed.)Inside the Visible An Elliptical Traverse of 20th Century Art in, of, and From the Feminine, MIT: USA, 1996
- Difficult Territory: a postfeminist project, exhibition catalogue (Australia, Sydney: Artspace and Woolloomooloo, Visual Art Centre, 1997.)
- Merren Ricketson, Australian Women's Art Register – The Bulletin, 30 August 1999
- [dead link]
- Rebecca Coates, Neo-neo feminisms, catalogue essay, Neon Parc, Melbourne, 2008
- Emily Cormack, review 'Girls, Girls, Girls,' Artlink, Vol29, No1, Australia
- Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth (Columbia UP: New York, 2008)
- Melissa Miles, Art Monthly, "Whose Art Counts?" Issue 224, 2009
- Sarah Rodigari Interviews CoUNTess Runway, Issue 18, 2011
- Nancy Mauro-Flude, Runway, "Interrupts aren’t hidden: Experiential Prototyping with Miss Despoina" Issue 23, 2013
- Miss Desponias Salon Miss Hack Website
- "A Different Temporality: Aspects of Australian Feminist Art Practice 1975-1985". Monash University. 2013-02-13. Retrieved 2014-05-08.
- [dead link]
- "Feminism Never Happened". IMA - Institute of Modern Art. Retrieved 2014-05-08.
- "Archive - Robyn Djunginy / Karen Mills — Twined: Weaving and Abstraction — 24 July to 30 Sept 2010". Cross Art Projects. Retrieved 31 October 2014.
- "Archive - Twining: Weaving and Abstraction, Dawes / Djunginy / Mills / MacDonald at 24hr Art — 11 February to 19 March 2011". Cross Art Projects. Retrieved 31 October 2014.
- "No Added Sugar". Casula Powerhouse. 2012-07-08. Retrieved 2014-05-08.
- "Feminage. The logic of feminist collage — 2 August to 15 Sept 2012". The Cross Art Projects. 2012-09-15. Retrieved 2014-05-08.
- Jenny Barber, Women's Movement South Australia, (Experimental Art Foundation: Adelaide, 1980) ISBN 0-949836-03-6
- Janine Burke, Field of Vision: A Decade of Change: Women's Art in the 1970s (Viking: Victoria, 1990)
- Barbara Caine, Australian Feminism: A Companion, (Oxford University Press: Melbourne, 1998) ISBN 0-19-553818-8.
- Jeanette Hoorn, Strange Women : Essays in Art and Gender (Melbourne University Press: Melbourne, 1994)
- Jane Kent(ed.), Setting the pace: the Women's Art Movement, 1980–1983, (Women's Art Movement: Adelaide, 1984)
- Joan Kerr(ed.), Heritage: The National Women's Art Book, 500 Works by 500 Australian Women Artists from Colonial times to 1955, (Craftsman House, Sydney 1995)
- Joan Kerr & Jo Holder (eds) Past present : the national women's art anthology, (Craftsman House: Sydney, 1999)
- Sandy Kirby, Sight lines : women's art and feminist perspectives in Australia (Craftsman House, Sydney in association with Gordon and Breach, New York, 1992)
- Catriona Moore, Indecent Exposures: Twenty Years of Feminist Photography in Australia,1970–1990 (Allen & Unwin: Sydney, 1993)
- Anne Marsh Body and Self : Performance Art in Australia,1969–1992, (Oxford University Press: Australia, 1993)
- Anne Marsh Difference: A Radical Approach to Women and Art, (Women's Art Movement: Adelaide, 1985)
- Catriona Moore (ed.), Dissonance: Feminism and the arts 1970–90, (Allen & Unwin: Sydney, 1994)
- Helen Topliss, Modernism and feminism : Australian women artists, 1900–1940, (Craftsman House: Sydney, 1996)
- Anna Voigt (ed.), New Visions, New Perspectives: Voice of Contemporary Australian Women Artists