In Irish and Scottish mythology, the Cailleach (Irish pronunciation: [ˈkalʲəx], Irish plural cailleacha ˈkalʲəxə, Scottish Gaelic [ˈkaʎəx] plural cailleachan [ˈkaʎəxən]), also known as the Cailleach Bheur, is a divine hag, a creatrix, and possibly an ancestral deity or deified ancestor. The word Cailleach means 'hag' in modern Scottish Gaelic, and has been applied to numerous mythological figures in Ireland, Scotland and the Isle of Man.
In Scotland, where she is also known as Beira, Queen of Winter, she is credited with making numerous mountains and large hills, which are said to have been formed when she was striding across the land and accidentally dropped rocks from her creel or wicker basket. In other cases she is said to have built the mountains intentionally, to serve as her stepping stones. She carries a hammer for shaping the hills and valleys, and is said to be the mother of all the goddesses and gods.
In partnership with the goddess Brìghde, the Cailleach is seen as a seasonal deity or spirit, ruling the winter months between Samhainn (1 November or first day of winter) and Bealltainn (1 May or first day of summer), while Brìghde rules the summer months between Bealltainn and Samhainn. Some interpretations have the Cailleach and Brìghde as two faces of the same goddess, while others describe the Cailleach as turning to stone on Bealltainn and reverting to humanoid form on Samhainn in time to rule over the winter months. Depending on local climate, the transfer of power between the winter goddess and the summer goddess is celebrated any time between Là Fhèill Brìghde (1 February) at the earliest, Latha na Cailliche (25 March), or Bealltainn (1 May) at the latest, and the local festivals marking the arrival of the first signs of spring may be named after either the Cailleach or Brìghde.
Là Fhèill Brìghde is also the day the Cailleach gathers her firewood for the rest of the winter. Legend has it that if she intends to make the winter last a good while longer, she will make sure the weather on 1 February is bright and sunny, so she can gather plenty of firewood to keep herself warm in the coming months. As a result, people are generally relieved if Là Fhèill Brìghde is a day of foul weather, as it means the Cailleach is asleep, will soon run out of firewood, and therefore winter is almost over. On the Isle of Man, where She is known as Caillagh ny Groamagh, the Cailleach is said to have been seen on St. Bride's day in the form of a gigantic bird, carrying sticks in her beak.
In Scotland, the Cailleachan (lit. 'old women') are also known as The Storm Hags, and seen as personifications of the elemental powers of nature, especially in a destructive aspect. They are said to be particularly active in raising the windstorms of spring, during the period known as A' Chailleach.
On the west coast of Scotland, the Cailleach ushers in winter by washing her great plaid (Gaelic: féileadh mòr) in the Gulf of Corryvreckan (Gaelic: Coire Bhreacain - 'cauldron of the plaid'). This process is said to take three days, during which the roar of the coming tempest is heard as far away as twenty miles (32 km) inland. When she is finished, her plaid is pure white and snow covers the land.
In Scotland and Ireland, the first farmer to finish the grain harvest made a corn dolly, representing the Cailleach (also called "the Carlin or Carline"), from the last sheaf of the crop. The figure would then be tossed into the field of a neighbor who had not yet finished bringing in their grain. The last farmer to finish had the responsibility to take in and care for the corn dolly for the next year, with the implication they'd have to feed and house the hag all winter. Competition was fierce to avoid having to take in the Old Woman.
Some scholars believe the Old Irish poem, 'The Lament of the Old Woman of Beare' is about the Cailleach; Kuno Meyer states, '...she had fifty foster-children in Beare. She had seven periods of youth one after another, so that every man who had lived with her came to die of old age, and her grandsons and great-grandsons were tribes and races.'
The word cailleach (in modern Irish and Scottish Gaelic, 'old woman') comes from the Old Irish caillech ('veiled one'), an adjectival form of Old Irish caille "veil", an early loan from Latin pallium ('cloak', an ecclesiastical garment worn by nuns; displaying the expected p > c change of early loans). The word is found as a component in terms like the Gaelic cailleach-dhubh ('nun') and cailleach-oidhche ('owl'), as well as the Irish cailleach feasa ('wise woman', 'fortune-teller') and cailleach phiseogach ('sorceress', 'charm-worker').
Related words include the Gaelic caileag ('young woman', 'girl') and the Lowland Scots carline/carlin ('old woman', 'witch'). A more obscure word that is sometimes interpreted as 'hag' is the Irish síle, which has led some to speculate on a connection between the Cailleach and the stonecarvings of Sheela na Gigs.
Locations associated with the Cailleach
In Ireland she is also associated with craggy, prominent mountains and outcroppings, such as Hag's Head (Irish: Ceann Caillí, meaning "hag's head") the southernmost tip of the Cliffs of Moher in County Clare. The megalithic tombs at Loughcrew in County Meath are situated atop Slieve na Calliagh (Irish: Sliabh na Caillí, meaning "the hag's mountain") and include a kerbstone known as "the hag's chair". Cairn T on Slieve na Calliagh is a classic passage tomb, in which the rays of the equinox sunrise shine down the passageway and illuminate an inner chamber filled with megalithic stonecarvings.
The Cailleach is prominent in the landscape of Argyll and Bute, Scotland. In later tales she is known as the Cailleach nan Cruachan ("the witch of Ben Cruachan"). Ben Cruachan is the tallest mountain in the region. Tea-towels and postcards of her are sold in the visitor shop for the Hollow Mountain, which also features a mural depicting her accidental creation of Loch Awe.
Legend has it that the Cailleach was tired from a long day herding deer. Atop Ben Cruachan she fell asleep on her watch and a well she was tending overflowed, running down from the highlands and flooding the valleys below, forming first a river and then the loch. The overflowing well is a common motif in local Gaelic creation tales - as seen in the goddess Boann's similar creation of the River Boyne in Ireland. Other connections to the region include her above-mentioned strong ties with the fierce whirlpool in the Gulf of Corryvreckan.
Beinn na Caillich on the Isle of Skye is one of her haunts, as are other mountains which are prominent in the landscape, and from which fierce storms of sleet and rain descend, wreaking havoc and destruction upon the lands below.
There is a Glen Cailleach which joins to Glen Lyon in Perthshire. The glen has a stream named Alt nan Cailleach. This area is famous for a pagan ritual which according to legend is associated to the Cailleach. There is a small Shieling in the Glen, known as either Tigh nan Cailleach or Tigh nam Bodach, which houses a series of apparently carved stones. These stones, according to local legend, represent the Cailleach, her husband the Bodach, and their children.
The local legend suggests that the Cailleach and her family were given shelter in the glen by the locals and while they stayed there the glen was always fertile and prosperous. When they left they gave the stones to the locals with the promise that as long as the stones were put out to look over the glen at Bealltainn and put back into the shelter and made secure for the winter at Samhainn then the glen would continue to be fertile.
This ritual is still carried out to this day.
- Monaghan, Patricia (2004) The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit. New World Library. ISBN 1-57731-458-1 p.23: "We see her silhouette on Ceann na Cailleach [recte Ceann Caillí], "Hag's Head", the most southerly of the Cliffs of Moher".
- Robertson, Boyd; Ian McDonald (2004). Gaelic Dictionary. Hodder Education, Teach Yourself Series. pp. 24–25. ISBN 0-07-142667-1.
- Briggs, Katharine (1976) An Encyclopedia of Fairies. New York, Pantheon Books. pp. 57-60.
- Mackenzie, Donald Alexander (1917). "Beira, Queen of Winter" in Wonder Tales from Scottish Myth and Legend".
- Briggs, K. M. (1967). The Fairies in English Tradition and Literature. London: University of Chicago Press. p. 40.
- McNeill, F. Marian (1959). The Silver Bough, Vol.2: A Calendar of Scottish National Festivals, Candlemas to Harvest Home. Glasgow: William MacLellan. pp. 20–1. ISBN 0-85335-162-7.
- McNeill, F. Marian (1959). The Silver Bough, Vol.1: Scottish Folklore and Folk-Belief. Glasgow: William MacLellan. p. 119. ISBN 0-85335-161-9.
- Frazer, The Golden Bough 1922, ch. 45.
- McNeill, Vol.2 (1959) pp. 119-124.
- Meyer, Kuno (1994 (orig. 1913)). Ancient Irish Poetry. London: Constable and Co. pp. 90–3. ISBN 0-09-473380-5.
- Ó Crualaoich, Gearóid (2003). The Book of the Cailleach: Stories of the Wise-Woman Healer. Cork: Cork University Press. pp. 48–52. ISBN 1-85918-372-7.
- Ó Dónaill, Niall (1992). Foclóir Gaeilge-Béarla. Éireann: Mount Salus Press. p. 172. ISBN 1-85791-037-0.
- Rudolph Thurneysen, A grammar of old Irish, Volume 1, Dublin Institute for Advanced Studies, 1946, p. 568.
- Ó Cathasaigh, T. 'The eponym of Cnogba', Éigse 23, 1989, pp. 27–38.
- Ó hÓgáin, D. Myth, legend & romance: an encyclopaedia of the Irish folk tradition, Prentice Hall Press, 1991, p. 67.
- Macbain, Alexander (1998) Etymological Dictionary Of Scottish-Gaelic. New York, Hippocrene Books. ISBN 0-7818-0632-1 p. 63.
- Ross, Davie; Gavin D. Smith (1999). Scots-English English-Scots Dictionary. New York: Hippocrene Pres. p. 21. ISBN 0-7818-0779-4.
- Freitag, Dr Barbara (2004) Sheela-na-gigs: Unravelling an Enigma. Routledge ISBN 0-415-34553-7.
- Cochrane, Andrew (2005) "A taste of the unexpected: subverting mentalités through the motifs and settings of Irish passage tombs". p.4: "To the north of Cairn T and on the exterior is located K29 or the ‘Hag’s Chair’. This kerbstone has visual imagery on its front and back face. The top of the central part of this kerbstone is believed to be artificially cut to create the chair appearance (Shee Twohig 1981, 217; contra. Conwell 1866, 371)".
- Documented in photos and videos taken on site for six years running.
- 'The Legend of Cruachan', from the Ben Cruachan visitor's website. Access date 21-11-2007.
- 'Cailleach Bheur' from the Mysterious Britain website. Access date 21-11-2007.
- MacKillop, James (1998) Dictionary of Celtic Mythology. Oxford University Press. ISBN 0-19-280120-1 p. 45.
- Ross, Anne (2000). Folklore of the Scottish Highlands. Stroud: Tempus Publishing Ltd. p. 114.
- Sacred stones out in the sun, May 4, 2012. Perthshire Advertiser Co UK
- Carmichael, Alexander (1992). Carmina Gadelica. Lindisfarne Press. ISBN 0-940262-50-9
- Campbell, John Gregorson (1900, 1902, 2005) The Gaelic Otherworld. Edited by Ronald Black. Edinburgh, Birlinn Ltd. ISBN 1-84158-207-7
- Danaher, Kevin (1962). The Year in Ireland. Irish Books & Media. ISBN 0-937702-13-7
- Hull, Eleanor (30 Sep 1927). "Legends and traditions of the Cailleach Bheara or Old Woman (Hag) of Beare". Folklore 38.3: 225–54. JSTOR 1256390.
- MacKillop, James (1998). Dictionary of Celtic Mythology. Oxford University Press. ISBN 0-19-280120-1
- McNeill, F. Marian (1959). The Silver Bough, Vol. 1 -4. William MacLellan, Glasgow
- Monaghan, Patricia (2004). Encyclopedia of Celtic Myth and Folklore. New York: Facts on File. ISBN 0-8160-4524-0.
- Ó Crualaoich, Gearóid (2003). The Book of the Cailleach: Stories of the Wise-Woman Healer. Cork: Cork UP. ISBN 1-85918-372-7.
- Ross, Anne (2000). Folklore of the Scottish Highlands. Stroud: Tempus Publishing Ltd. ISBN 0-7524-1904-8.
- "The Lament of the Old Woman of Beare", ed. and tr. Donncha Ó hAodha (1989). "The Lament of the Old Woman of Beare". In Donnchadh Ó Corráin, Liam Breatnach and Kim McCone. Sages, Saints and Storytellers: Celtic studies in Honour of Professor James Carney. Maynooth Monographs 2. Maynooth: An Sagart. pp. 308–31.
- Krappe, A. H. (1936). "La Cailleach Bheara. Notes de mythologie Gaélique". Études Celtiques 1: 292–302.
- Carey, John (1999). "Transmutations of Immortality in the 'The Lament of the Old Woman of Beare'". Celtica 23: 30–7.
- The Cailleach, or Hag of Winter - history by Stuart McHardy, artwork by Rebecca Barnett
- Cailleach Bheur - brief entry at Mysterious Britain
- Hags, Queens and Wise Women: Supernatural Females of the Irish Otherworld - RTÉ radio series, based on the work of Gearóid Ó Crualaoich
- An Cailleach Bhéarra (2007) - an IFB short film (8 minutes)
- Putting out the hare, putting on the harvest knots - don't get stuck with the Cailleach
- Ben Cruachan, the Hollow Mountain - The Legend of Cruachan, featuring the Cailleach Bheur
- Photos of the Hag's Chair and other megalithic features at Slieve na Calliagh, Ireland
- Crones - Overview of tales about the Cailleach and Cailleachan in mythology and folklore, along with a bit of lore about hags in other cultures.
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