Catherine Crouch

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Catherine Crouch is an American film director, screenwriter, producer, cinematographer, and actor. She has been active in independent film-making for over two decades. Most of her work explores gender, race, and class in lesbian and queer lives. She is most well known for Stray Dogs (2002), Stranger Inside (2001), and The Gendercator(2007).

Filmography[edit]

Director

  • Osco Bag (1996)
  • Vanilla Lament - 16mm - (1997)
  • One Small Step - 16mm - (1999)
  • A Christmas Sacrifice (1999)
  • Stray Dogs (2001)
    • Stray Dogs was Crouch's first feature-length film. IMDB describes the film as: "A mother must choose between love and devotion to her sons and unborn child or staying with her sexy, maniacal husband and his patriarchal sister, who respectively fulfill her physical and emotional needs." The film starred Guinevere Turner.
  • Pretty Ladies - super 8mm - (2002)
  • The Gendercator - super 8mm, miniDV - (2007)
  • Buttery Top - super 8mm, miniDV - (2009)
  • A Pirate in Alphabet City - HD Animation - (2010)

Screenplays

  • Slaves of the Saints (2011) Directed by Kelly Hayes; written by Catherine Crouch;

"Slaves of the Saint is an ethnographic documentary about Afro-Brazilian religions, which combine elements of African religions, folk Catholicism, and Spiritualism...Eschewing an all-knowing narrator in favor of participants' own testimony--and featuring an interview with a bawdy pomba gira--Slaves of the Saint shows the importance of these spirits in the lives of their devotees and offers an inside account of popular but often maligned spiritual practices."[1]

  • The Taste of Dirt (2003) Directed by Yvonne Welbon; written by Catherine Crouch

"depicts a young African American girl who struggles with the role race plays in her relationships"[2]

  • Stranger Inside (2001) Directed by Cheryl Dunye; Screenplay by Cheryl Dunye and Catherine Crouch

"A mother daughter reunion set in the harsh reality of a women's correctional facility"[3] "In 2001, Sranger Inside won the Audience Awards at the Seattle Lesbian & Gay Film Festival, the San Francisco International Film Festival, L.A. Outfest and the Philadelphia Film Festival. It also won the Breakthrough Award at the Gotham Awards (for Yolonda Ross) and the Special Jury Award at the Miami Gay and Lesbian Film Festival. In 2002, the film was nominated for several awards including a GLAAD Media Award, three Independent Spirit Awards and five Black Reel Awards. It won the Audience Award and Special mention at the Créteil International Women's Film Festival. For producing the film, Effie Brown won the Producer's Award at the 2003 Independent Spirit Awards."[4]

Cinematography and Sound

  • Living with Pride: Ruth Ellis @ 100 (1999) Director & Producer: Yvonne Welbon; Camera & Sound: Catherine Crouch

"Winner of 10 Best Documentary Awards, "Living With Pride: Ruth Ellis @ 100" is an one hour documentary about the life and times of Ruth Ellis.

Born July 23, 1899, in Springfield, Illinois, she was thought to be the oldest "out" African American lesbian known. In addition to exploring her rich past, the film offers a rare opportunity to experience a century of our history as lived by one inspiring woman. By example, Ruth Ellis shows us what is possible and what can be realized, if one not only lives long and ages well but also lives with pride."[5]

"The film was screened at film festivals worldwide, and won the Audience Award for Best Documentary at the San Francisco International Gay and Lesbian Film Festival in 1999."[6]

Acting

  • Ms Stevens Hears the Mermaids Singing (2004) - Supporting, Dorthea Miller (directed by Linda Thornbug)[7]
  • The Undergrad (2003) - Featured, Revered Crouch (written and directed by Mahoney)
  • Pretty Ladies (2002) - Supporting, The Priestess
  • Vanilla Lament (1997)


Controversy[edit]

The Gendercator became a controversial film, because it portrayed a furture distopic world where gender nonconformity was intolerable and all were required to align their masculinity with malesness or feminity with femaleness through coerced sex-change operations. Transgender community members took issue with the film as transphobic. The filmmaker has a body of work of nine films, all of which have been screened at Frameline. The Gendercator, is about a 1970s lesbian who wakes up in 2048 where strict binary roles are enforced was pulled from Frameline, the first film to be pulled in its 31 year history. Frameline viewed the film, approved it for the LGBT festival and put it into the programming. It is a fantasy film that was to be screened with other futuristic and experimental films in the Outer Limits section.[8] Later Frameline yielded to an online protest with approx 130 signatures from the site Left on SF[9] "News and (mostly) opinion from San Francisco’s economic left", which according to Crouch, only six of which had seen the film. Crouch had been invited to San Francisco by Ondine Kilker[10] to screen her film in the fall of 2007. Currently (2010), The Gendercator is the only film in Frameline's history to ever be removed due to controversy. Crouch maintains that gender pluralism was the core gender message, and that she was represented a lesbian and queer perspective about binary gender roles rather than a phobic response to the lived experiences of transgender and transsexual people.

References[edit]

  1. ^ "IMDb". Retrieved 6 December 2013. 
  2. ^ "Queer Film Review". QFR Interviews Yvonne Welbon. Retrieved 6 September 2008. 
  3. ^ "IMDb". Retrieved 10 November 2013. 
  4. ^ "Wikipedia Stranger Inside". 
  5. ^ "The Bravenew Theaters". 
  6. ^ "Ruth Ellis, "Oldest Know Lesbian Activist"". Queers in History. Retrieved 30 July 2011. 
  7. ^ "IMDb". 
  8. ^ Frameline Outer Limits section
  9. ^ [1]
  10. ^ Ondine Kilker

External links[edit]