|Dimensions||15 m (50 ft)|
The Chicago Picasso (often just The Picasso) is an untitled monumental sculpture by Pablo Picasso in Chicago, Illinois. The sculpture, dedicated on August 15, 1967, in Daley Plaza in the Chicago Loop, is 50 feet (15.2 m) tall and weighs 162 short tons (147 t). The Cubist sculpture by Picasso was the first such major public artwork in Downtown Chicago, and has become a well known landmark.
The sculpture was commissioned by the architects of the Richard J. Daley Center in 1963. The commission was facilitated by the architect William Hartmann of the architectural firm of Skidmore, Owings & Merrill. Picasso completed a maquette of the sculpture in 1965, and approved a final model of the sculpture in 1966. The cost of constructing the sculpture was $351,959.17, paid mostly by three charitable foundations: the Woods Charitable Fund, the Chauncey and Marion Deering McCormick Foundation, and the Field Foundation of Illinois. Picasso himself was offered payment of $100,000 but refused, stating that he wanted to make his work a gift.
An architect who worked on the Daley Center project, Richard Bennett, wrote Picasso a poem asking him to make the sculpture. Picasso accepted saying "You know I never accept commissions to do any sort of work, but in this case I am involved in projects for the two great gangster cities" (the other being Marseille, France). Picasso refused the $100,000 payment considering his work a gift to the people of Chicago.
The sculpture was fabricated by the American Bridge Company division of the United States Steel Corporation in Gary, Indiana using COR-TEN steel, before being disassembled and relocated to Chicago. Before fabrication of the final steel sculpture was started, a 3.5 meter (~12 feet) tall wooden model was constructed for Picasso to approve, this was eventually sent to the Gary Career Center. Ground was broken in Daley Plaza for the construction of the sculpture on May 25, 1967.
The efforts of the City of Chicago to publicize the sculpture — staging a number of press events before the sculpture was completed, and displaying the maquette without a copyright notice — were cited as evidence in a 1970 U.S. District Court case where the judge ruled that the city's actions had resulted in the sculpture being dedicated to the public domain.
The sculpture was initially met with controversy. Before the Picasso sculpture, public sculptural artwork in Chicago was mainly of historical figures. One derisive Chicago City Council alderman, John Hoellen, immediately proposed replacing it with a statue of Ernie Banks, and Chicago publicist and science fiction writer Algis Budrys erected a giant pickle on the proposed site. There was speculation on the subject, which has ranged from a bird, or aardvark to Picasso's pet Afghan Hound, a baboon head, or the Egyptian deity Anubis.
Newspaper columnist Mike Royko, covering the unveiling of the sculpture, wrote: “Interesting design, I’m sure. But the fact is, it has a long stupid face and looks like some giant insect that is about to eat a smaller, weaker insect.” Royko did credit Picasso with understanding the soul of Chicago. “Its eyes are like the eyes of every slum owner who made a buck off the small and weak. And of every building inspector who took a wad from a slum owner to make it all possible.... You’d think he’d been riding the L all his life.” 
Although Picasso never explained what the sculpture was intended to represent, it may have been inspired by a French woman, Sylvette David, now known as Lydia Corbett, who posed for Picasso in 1954. Then 19 years old and living in Vallauris, France, Corbett would accompany her artist boyfriend as he delivered chairs made of metal, wood and rope. One of those deliveries was to Picasso, who was struck by her high ponytail and long neck. "He made many portraits of her. At the time, most people thought he was drawing the actress Brigitte Bardot. But in fact, he was inspired by [Corbett]," Picasso's grandson Olivier Widmaier Picasso told the Chicago Sun-Times in 2004.
"I think the Chicago Sculpture was inspired by her," said the grandson, author of Picasso, the Real Family Story. Picasso made 40 works inspired by her, said the grandson, including The Girl Who Said No, reflecting their platonic relationship. The quality of the Picasso's sculpture inspired other artists such as Alexander Calder, Marc Chagall, Joan Miró, Claes Oldenburg and Henry Moore.
Local and pop culture
The Picasso was the site of an August 23, 1968 press conference in which Yippies Jerry Rubin, Phil Ochs, and others were arrested after nominating a pig - Pigasus - for president of the United States. This event was held just before the opening of the 1968 Democratic National Convention, which became known for its anti-Vietnam war protests.
The sculpture was mentioned (and appears) in the 1980 film The Blues Brothers during the chase scene leading to the Richard J. Daley Center. It can also be seen briefly in the 1993 film The Fugitive, as Harrison Ford, playing Richard Kimble, and his pursuers run across the plaza, and in the 1986 film Ferris Bueller's Day Off as people in and under a reviewing stand dance to a song sung by Matthew Broderick, who plays Bueller. The sculpture also makes an appearance in the 1988 film Switching Channels starring Kathleen Turner, Burt Reynolds and Christopher Reeve.
Today, the Chicago Picasso has become a well known meeting spot for Chicagoans. Depending on the season and time of the month there are musical performances, farmer's markets, a Christkindlmarkt, and other Chicago affairs which are held around the Picasso statue in front of Daley Plaza.
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- "Pablo Picasso - Other Works - Art Gallery Svetlana & Lubos Jelinek". Retrieved 2007-11-08.
- "Chicago...Picasso...Anubis?". 2011. Retrieved 2014-02-24.
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- Mailer Norman Miami and the Siege of Chicago: An Informal History of the Republican and Democratic Conventions of 1968; New York: New American Library, 1968
|Wikimedia Commons has media related to Chicago Picasso.|
- Herrmann, Andrew, "The Woman Who Inspired City's Picasso", Chicago Sun-Times (Nov. 11, 2004)
- Artner, Alan G., "Chicago's Picasso sculpture: The unveiling of the puzzling sculpture changes the public art landscape". Chicago Tribune (Aug. 15, 1967)