The Fugitive (TV series)
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (January 2011)|
|Created by||Roy Huggins|
|Narrated by||William Conrad|
|Theme music composer||Pete Rugolo|
|Country of origin||United States|
|No. of seasons||4|
|No. of episodes||120 (List of episodes)|
|Executive producer(s)||Quinn Martin|
|Producer(s)||Alan A. Armer (1963–66)
Wilton Schiller (1966–67)
|Running time||51 minutes|
|Production company(s)||Quinn Martin Productions
United Artists Television
|Distributor||CBS Television Distribution|
|Picture format||B&W (seasons 1–3)
Color (season 4)
|Original run||September 17, 1963– August 29, 1967|
The Fugitive is an American drama series created by Roy Huggins and produced by QM Productions and United Artists Television that aired on ABC from 1963 to 1967. David Janssen stars as Richard Kimble, a physician who is falsely convicted of his wife's murder and sentenced to receive the death penalty. En route to death row, Kimble's train derails over a switch, allowing him to escape and begin a cross-country search for the real killer, a "one-armed man" (played by Bill Raisch). At the same time, Dr. Kimble is hounded by the authorities, most notably dogged by Police Lieutenant Philip Gerard (Barry Morse).
The Fugitive aired for four seasons, and a total of 120 51-minute episodes were produced. The first three seasons were filmed in black and white; the final season was in color.
- 1 Premise
- 2 Inspirations and influence
- 3 Characters
- 4 Musical score
- 5 Episodes
- 6 Ratings
- 7 Other media
- 8 Notes
- 9 External links
The series premise was set up in the opening narration, but the full details about the crime were not offered in the pilot episode, which started with Kimble having been on the run for six months. In the series' first season, the premise (heard over footage of Kimble handcuffed to Gerard on a train) was summarized in the opening title sequence of the pilot episode as follows:
|“||Name: Richard Kimble. Profession: Doctor of Medicine. Destination: Death Row, state prison. Richard Kimble has been tried and convicted for the murder of his wife. But laws are made by men, carried out by men. And men are imperfect. Richard Kimble is innocent. Proved guilty, what Richard Kimble could not prove was that moments before discovering his wife's body, he encountered a man running from the vicinity of his home. A man with one arm. A man who has not yet been found. Richard Kimble ponders his fate as he looks at the world for the last time. And sees only darkness. But in that darkness, fate moves its huge hand.||”|
This title sequence was shortened for the remainder of the first season as follows:
|“||The name: Dr. Richard Kimble. The destination: Death Row, State Prison. The Irony: Richard Kimble is innocent. Proved guilty, what Richard Kimble could not prove was that moments before discovering his murdered wife's body, he saw a one-armed man running from the vicinity of his home. Richard Kimble ponders his fate as he looks at the world for the last time, and sees only darkness. But in that darkness, fate moves its huge hand.||”|
The main title narration, as read by William Conrad, was changed for the first episode of the second season on through the last episode of the series:
|“||The Fugitive, a QM Production—starring David Janssen as Dr. Richard Kimble: an innocent victim of blind justice, falsely convicted for the murder of his wife ... reprieved by fate when a train wreck freed him en route to the death house ... freed him to hide in lonely desperation, to change his identity, to toil at many jobs ... freed him to search for a one-armed man he saw leave the scene of the crime ... freed him to run before the relentless pursuit of the police lieutenant obsessed with his capture.||”|
It was not until episode 14, "The Girl from Little Egypt", that viewers were offered the full details of Richard Kimble's plight. A series of flashbacks reveals the fateful night of Helen Kimble's death, and for the first time offers a glimpse of the "one-armed man".
Inspirations and influence
The series was conceived by Roy Huggins and produced by Quinn Martin. It is popularly believed that the series was based in part on the real-life story of Sam Sheppard, an Ohio doctor accused of murdering his wife. Although convicted and imprisoned, Sheppard claimed that his wife had been murdered by a "bushy-haired man". Sheppard's brothers hired F. Lee Bailey to appeal the conviction. Bailey defended Sheppard and won an acquittal in the second trial. Huggins denied basing the series on Sheppard, though the show's film editor, Ken Wilhoit, was married to Susan Hayes, who had had an intimate relationship with Sheppard prior to the murder and testified during the first trial in 1954.
The plot device of an innocent man on the run from the police for a murder he did not commit while simultaneously pursuing the real killer was a popular one with audiences. It had its antecedents in the Alfred Hitchcock movies The 39 Steps, Saboteur and North by Northwest. The theme of a doctor in hiding for committing a major crime had also been depicted by James Stewart as the mysterious Buttons the Clown in The Greatest Show on Earth. Writer David Goodis claimed the series was inspired by his 1946 novel Dark Passage, about a man who escapes from prison after being wrongfully convicted of killing his wife. Goodis' litigation over the issue continued for some time after his 1967 death.
It has also been speculated that another part of the plot device of a fugitive living a life on the run from the authorities was loosely inspired by Victor Hugo's 1862 novel Les Misérables, and that the Richard Kimble character was inspired by the novel's protagonist, Jean Valjean, an ex-convict living a life as a fugitive and having numerous aliases as well as helping people around him. The character of Lt. Gerard, who hounds Kimble throughout the series, is also loosely inspired by a character from the same novel, a relentless police inspector named Javert, who is obsessed with capturing the fugitive.
While shows like Route 66 had employed the same anthology-like premise of wanderers finding adventure in each new place they came to, The Fugitive answered two questions that had bedeviled many similar series: "Why doesn't the protagonist settle down somewhere?" and "Why is the protagonist trying to solve these problems himself instead of calling in the police?" Casting a doctor as the protagonist also provided the series a wider "range of entry" into local stories, as Kimble's medical knowledge would allow him alone to recognize essential elements of the episode (e.g. subtle medical symptoms or an abused medicine) and the commonplace doctor's ethic (e.g. to provide aid in emergencies) would naturally lead him into dangerous situations. Several television series have imitated the formula, with the twists being mostly in the nature of the fugitives: a German Shepherd dog (Run, Joe, Run, 1974); a scientist with a monstrous alter ego (The Incredible Hulk, 1978); a group of ex-US Army Special Forces accused of a war crime they committed under orders (The A-Team, 1983); a husband and wife (Hot Pursuit, 1984); a boy afflicted with lycanthropy (Werewolf, 1987); a former police officer (Renegade, 1992); and a reinstated detective (Life, 2007).
In its debut season, The Fugitive was the 28th highest rated show in the US (with a 21.7 Rating), and it jumped to 5th in its second season (27.9). It fell out of the top 30 during the last two seasons, but the show's finale in 1967, in which Dr. Kimble's fate was shown, held the record at that time for the highest share of American homes with television sets to watch the finale of a series, 72%.
The show also came away with other honors. In 1965, Alan Armer, the producer and head writer of the series, received an Edgar Award from the Mystery Writers of America for his work. And in a 1993 ranking, TV Guide named The Fugitive the best dramatic series of the 1960s.
Dr. Richard Kimble
Though Kimble was a respected pediatrician in the fictional small town of Stafford, Indiana, it was generally known that he and his wife Helen had been having arguments prior to her death. Helen's pregnancy had ended in a stillborn birth of a son, and surgery to save her life had also rendered her infertile. The couple was devastated, but Helen refused to consider adopting children as Richard wanted. The night of Helen's murder, the Kimbles were heard arguing heatedly over this topic by their neighbors. Richard later went out for a drive to cool off; as he was returning home, he nearly struck with his car a one-armed man who was fleeing from the house. Richard then found that Helen had been killed. No one had seen or heard Richard go out for his drive, or seen him while he was out, and he was convicted of Helen's murder.
After his escape from custody, Kimble moves from town to town, always trying to remain unobtrusive and unnoticed as he evades capture and hopes to find the one-armed man. He adopts a nondescript alias, toils at low-paying menial jobs (i.e. those that require no identification or security checks, and bring about little social attention), and has a romance with a damsel in distress. He then chooses to put his anonymity at risk by aiding a deserving person, usually a woman or child.
Richard is smart and resourceful, and is usually able to perform well at any job he takes. He also displays considerable prowess in hand-to-hand combat. In the episode "Nemesis", he distracts and then knocks out a forest ranger (played by Kurt Russell's real-life dad Bing), then quickly unloads the man's rifle to ensure he cannot shoot him if pursued.
Lt. Philip Gerard
Kimble is pursued by the relentless police detective Lt. Philip Gerard (Morse), a formidably intelligent family man and dedicated public servant. Gerard appears in 37 episodes.
Morse portrayed Gerard as a man duty-bound to capture Kimble. Guilt or innocence was of no consequence to Gerard, whose own beliefs have been stated as:
"I enforce the law. The law pronounced him guilty... I enforce the law. Whether the law was right or wrong of convicting him is not my concern. Let others debate and conclude... I obey. But when I begin to doubt, to question... I can't permit it. Others found him guilty, others were about to execute him. I was merely an instrument of the law... and I am." ("Fear in a Desert City", 1963)
In "Never Wave Goodbye Pt. I", he states again, "The law pronounced him guilty, not me." In "Nightmare at Northoak" and "Wife Killer" he states with certainty that the one-armed man does not exist and that Kimble is guilty; in "Corner of Hell', even after his own Kimble-like experience, he still scoffs at the existence of the one-armed man ("Still the same fairy tale") and tells Kimble, "The truth is, you're still guilty before the law."
Over time, Gerard also appeared to have gained some doubts as to Kimble's guilt (in the penultimate episode "The Judgement Pt. I", he states, "I've lost a lot of things these past four years ... beginning with a prisoner the state told me to guard."). In one episode, when a woman witness remarks that Kimble killed his wife, Gerard simply replies, "The law says he did", with a tone of doubt in his voice; in the episode "Nemesis", the local sheriff (John Doucette) states, "You said he's a killer", to which Gerard sharply replies, "The jury said that!" Gerard's doubts are augmented after Kimble rescues Gerard in episodes such as "Never Wave Goodbye", "Corner of Hell", "Ill Wind", "The Evil Men Do", and "Stroke of Genius". "The Evil Men Do" in particular played on the respect that develops between the two men when Gerard is pursued by former Mob hitman Arthur Brame (James Daly), who is rescued from a runaway horse by Kimble; Kimble rescues Gerard from Brame. When Kimble escapes from Gerard, the lieutenant doesn't pursue Kimble, but instead goes after and kills Brame. In the epilogue, Gerard explains to Brame's wife Sharon (Elizabeth Allen) that he wanted both men, but Arthur was a career killer while "Kimble, he's done the one murder he'll probably ever do". Gerard comes close to acknowledging Kimble's innocence when he concludes, "Until I find him, and I will, he's no menace to anyone but himself."
In the course of the series, Gerard's family becomes entangled in Gerard's obsession with finding Kimble. In "Nemesis", Kimble unintentionally kidnaps Gerard's young son Philip Junior (played by 12-year-old Kurt Russell). Though as concerned as any father should be, Gerard is confident that Kimble will not do his boy any real harm. After his experience with Kimble, Philip Junior questions whether or not he is guilty and his father openly admits that he could be wrong, though it does not change his duty. It is this almost inhuman dedication to his duty that strains his relationship with his wife Marie (Barbara Rush) almost to the breaking point and causes her to leave him in the Season Three two-part episode "Landscape with Running Figures"; her actually coming into contact with Kimble (unknowingly at first) causes an emotional collapse when she realises who he is, with her screaming at Kimble, "It began with you ... it'll end with you!" It is clear that Gerard does indeed love his wife when he finally chooses to come find her over chasing Kimble (although he admits to her that he will go again when the next time comes: "He's stuck in my throat and I can't swallow him.").
There are parallels to be seen between Gerard's pursuit of Kimble and the pursuit of Jean Valjean by Inspector Javert in Les Misérables, though Javert never lets go of his obsession to follow the letter of the law and hunts down his fugitive, even killing himself when he could not reconcile his tenets with the mercy Valjean shows him. Gerard, on the other hand, was portrayed externally as a man like Javert, but internally as more of a thinking man who could balance justice and duty. According to some of those who worked on the show, these parallels were not coincidental. Stanford Whitmore, who wrote the pilot episode "Fear in a Desert City," says that he deliberately gave Kimble's nemesis a similar-sounding name to see if anyone would recognize the similarity between 'Gerard' and 'Javert'. One who recognized the similarity was Morse; he pointed out the connection to Quinn Martin, who admitted that The Fugitive was a "sort of modern rendition of the outline of Les Misérables." Morse accordingly went back to the Victor Hugo novel and studied the portrayal of Javert, to find ways to make the character more complex than the "conventional 'Hollywood dick'" Gerard had originally been conceived as. "I've always thought that we in the arts ... are all 'shoplifters'", Morse said. "Everybody, from Shakespeare onwards and downwards ... But once you've acknowledged that ... when you set out on a shoplifting expedition, you go always to Cartier's, and never to Woolworth's!"
The One-armed Man
A shadowy figure, the one-armed man (Bill Raisch) is seen fleeing Kimble's house by Kimble after the murder of Helen. In the series, not much is revealed about the man's personal life, and how or when he lost his right arm.
The one-armed man was rarely seen in the series, appearing in person in only ten episodes. (He also appears in the opening credits beginning with season 2, and in a photograph in the episode "The Breaking of the Habit".) He is seen extremely infrequently in the first three seasons, and has almost no actual dialogue until season four, when his character begins to take a more prominent part in the plotline. Aware that Kimble is after him, the one-armed man frequently tips the police off as to Kimble's whereabouts, most notably in "Nobody Loses All The Time" when he telephones his girlfriend (Barbara Baxley) at a hospital and orders her to call the police—even though Kimble risked arrest to save her life.
Like Kimble, he uses a variety of aliases and holds down various jobs while on the run. In the episode "A Clean And Quiet Town", he is credited as "Steve Cramer" and works as a mob-employed numbers runner. In the episode "The Ivy Maze", he poses as a college janitor and groundskeeper named "Carl Stoker". He goes by the name "Fred Johnson" in several episodes; first in the season-two episode "Escape Into Black", where he works as a dishwasher using this name. In the season-three episode "Wife Killer", a reporter discovers that the one-armed man carries a wide range of identification using various names. As "Fred Johnson", he has a membership in an athletic club, and a receipt for the sale of a pint of blood—this particular receipt shows that his blood type is B negative, and that he claims his age as 47. (Raisch himself was 60 when this episode was filmed.) The other identities used by the one-armed man are not revealed in the episode, although as the reporter flips through a wallet full of I.D, she notes that he is "a man of many identities, not one of them the same."
The one-armed man is identified as Fred Johnson in the two-part series finale "The Judgement". He is also referred to as Johnson in "The Ivy Maze" (where he is posing as "Carl Stoker") and at one point Fritz Simpson (William Windom) addresses him as "Fred" (in that episode, Kimble, Gerard, and the one-armed man all appear in the same scene for the first time). As this is the only consistent name they have to go by, both Gerard and Kimble refer to the one-armed man as "Fred Johnson" in a few later episodes. However, when interrogated by Lt. Gerard in "The Judgement", the one-armed man denies that Fred Johnson is his real name.
Though the one-armed man's real name is never definitely established, a case could be made for his actual name being "Gus Evans". As revealed in "The Judgement", that was the name the one-armed man used before he killed Helen Kimble, when he would presumably have had no need to adopt an alias.
Kimble's murdered wife Helen was portrayed in flashbacks in several episodes by Diane Brewster. Also seen very occasionally were Kimble's married sister, Donna Taft (Jacqueline Scott); his brother-in-law, Leonard Taft (played by several actors in different episodes, including Richard Anderson in season 4, James B. Sikking in season 1 and Lin McCarthy in season 3); and Gerard's superior at the Stafford police department, Captain Carpenter (Paul Birch). The character of Sister Veronica (played by Eileen Heckart) appears in two episodes: Season One's two-part "Angels Travel on Lonely Roads" and Season Four's "The Breaking of the Habit". Only the character of Richard Kimble is present onscreen in every episode; off-screen narrator William Conrad is also heard at the beginning and end of each episode (though not credited), while a different voice announces the title of the episode and the names of the episode's guest stars in the opening teaser. This announcer (an uncredited Dick Wesson) also says, "The Fugitive" aloud at the end of the closing credits leading in to studio sponsorships of the series ("'The Fugitive' has been brought to you by.....") Quinn Martin's previous show, The Untouchables, also contained both a narrator (Walter Winchell) and an announcer (Les Lampson).
The 120 episodes of The Fugitive offered a who's who of Hollywood character actors and upcoming talent. Many guest stars appeared in multiple episodes. Mel Proctor's book, The Official Fan's Guide to The Fugitive, lists all the actors and their episode numbers in Appendix 5.
Pete Rugolo, who worked on David Janssen's earlier series Richard Diamond, Private Detective, composed the original music for The Fugitive. (Rugolo would later work with creator Roy Huggins on Run for Your Life and other projects.) Tracking music was standard practice at the time, but unlike virtually all primetime scripted series of the 1960s, no episode—not even "The Judgment"—received an original score; all the original music used for the series was composed by Rugolo and recorded in London before the series was filmed. In fact, many episodes had Rugolo as the sole credited composer for the episode's scores. However, only a fraction of all the music heard throughout the series was original Rugolo music. Library music (either from other classic TV shows or from stock music libraries, as was the case with The Adventures of Superman) provided a majority of the episodes' scores. For example, Dominic Frontiere cues became common in the show's fourth season; a keen listener could find himself listening to such cues from the Outer Limits series during the climactic final episode of The Fugitive. Numerous cues from The Twilight Zone episode "The Invaders" are used to strong effect throughout the series, notably in the climax of the episode "The Witch". The old pop songs "I'll Never Smile Again" and "I'll Remember April" each appear several times in the series, often associated with Kimble's deceased wife, Helen.
What little original melody was actually written and recorded was built around a fast-paced tempo representing running music. Different variations, from sad to action-oriented, would be used, with many arrangements developed for the music supervisor to select as best suited for particular scenes. There was also an original "Dragnet"-type theme for Lt. Gerard.
It should be noted that in the unreleased longer version of the show's pilot, a different ('canned') music score was used in the opening and closing sequences. There are also several deleted scenes including one with Lt. Gerald talking to Captain Carpenter that was re-shot. Quinn Martin felt it made Gerald out to be a bit deranged in his obsession. That version also listed William Conrad as the narrator in the end credits.
The Fugitive premiered in the United States on September 17, 1963. A total of 120 episodes were produced over the course of the show's four seasons, with the last original episode airing in the United States on August 29, 1967.
The series aired Tuesdays at 10:00 EST on ABC.
The two-part final episode, titled "The Judgment", aired on Tuesday, August 22, and Tuesday, August 29, 1967.
The one-armed man, going by the alias "Fred Johnson", is arrested after tearing up a Los Angeles strip bar. When Kimble reads about it in a newspaper while working in Arizona, he travels to Los Angeles. However, Gerard has been alerted and has already arrived in Los Angeles, where he is spotted by an old friend of the Kimble family, a woman named Jean Carlisle (Diane Baker), who is working as a typist with the Los Angeles Police Department. She immediately contacts Kimble's sister Donna, who, after failing to reach Kimble at his last job in Tucson, manages to find out and tell Jean where Kimble might be arriving in Los Angeles. Jean manages to reach Kimble just as the police start searching the area and gets him safely away to her apartment. Later, she reveals that she has been fond of him since she was a child, when her father's arrest for embezzlement and disgrace left her family with no friends save the Kimbles. After Kimble learns that Johnson has been arrested, he elects to turn himself in in a final hope of confronting Johnson and making him tell the truth. Before he can carry out his plan, Johnson is bailed out of jail by a corrupt bail bondsman who formulates a plan to blackmail the person who supplied the bail and who is himself killed by Johnson after revealing that the money came from someone in Stafford. Kimble decides that he must leave Los Angeles and head back home immediately, but just as he is about to catch a taxi to the airport Gerard finally apprehends him after chasing him for years. "I'm sorry," Gerard tells him, "you just ran out of time."
While taking the train back from Los Angeles to Stafford, Kimble informs Gerard that he found something that might lead him to the truth and that he believes Johnson is going to Stafford to use the information for which he killed the bail bondsman. Gerard gives Kimble 24 hours to prove his innocence, and Kimble agrees to turn himself in if he cannot.
The key piece of evidence Kimble has is the bail bond slip signed by a man using the name "Leonard Taft", the name of Richard's brother-in-law, married to his sister Donna. The man is actually the Tafts' neighbor, Stafford city planner Lloyd Chandler (J. D. Cannon). Chandler learns from Donna that she had received a phone call from someone claiming that he knew who really killed Helen Kimble and arranging a meeting that night at an abandoned riding stable. While Donna and Leonard dismiss the call as a crank, Chandler keeps the meeting. Even though Chandler is armed with a loaded pistol, Johnson easily overpowers and disarms him and blackmails him for $50,000. Later, after learning from Donna about the phone call, Kimble and Gerard investigate the stable, but find only a dropped, unfired cartridge from Chandler's gun.
Chandler tries to get the money while hiding it from his wife, Betsy, even resorting to putting his house up for sale. Eventually, he cracks and tells her what he had done and why, revealing that he witnessed the murder of Helen Kimble. In a frightful panic after her husband had driven off and after drinking heavily, Helen had called Chandler and he had come over to the house to try to calm her down. While upstairs with Helen, both she and Chandler heard Johnson breaking into the house and witnessed his attempted robbery. Helen confronted Johnson, who responded by attacking her and beating her to death with a lamp, while Chandler stood frozen on the stairs watching in horror. Johnson spotted him, but seeing that Chandler in his current state posed no threat, he made good his escape. Chandler never told anybody, because he was afraid that his standing in the community would be ruined; he had fought in World War II and earned a Silver Star while in combat, and feared that if anyone found out about his moment of cowardice in the Kimble home he would never live it down.
Jean Carlisle returns to Stafford and she and Kimble are briefly reunited. However, because Kimble is unsuccessful in finding his evidence within the 24 hours he was given, he is about to leave with Gerard when Donna finds a bullet hidden in one of her sons' dresser drawers. Shown the bullet, Gerard identifies it as being identical to the one they found at the riding academy the night before. Donna tells her husband and the lieutenant that the bullet must have come from Chandler, who had taken a group of boys to a shooting range the day before. Kimble and Gerard head over to the Chandler residence to learn that Chandler has headed to an abandoned amusement park and is luring Johnson there so he can make up for his earlier unwillingness to talk by killing Johnson.
By the time Kimble and Gerard arrive at the amusement park, Chandler and Johnson have started a firefight, with Johnson's pistol squaring off against Chandler's rifle. While trying to stop the shooting, Gerard takes a bullet to his thigh from Johnson, temporarily disabling him. The lieutenant tosses Kimble his weapon and Kimble heads off to finally confront his wife's murderer. Chandler is forced to help Gerard walk, and during the whole time Gerard tries to convince him to speak up so Kimble can be exonerated.
The climax takes place on top of a carnival tower where Kimble has chased Johnson and where they engage in hand-to-hand fighting while Gerard and Chandler watch from the ground. Kimble is able to extract a confession from Johnson, but Johnson, who is also tired of having Kimble pursuing him, manages to get hold of Gerard's pistol, tells the doctor he is going to kill him and attempts to fire it, but before he is able, Gerard hits Johnson with a well placed shot from the ground with Chandler's rifle. Johnson falls off the top of the tower to his death. Kimble climbs down and tells Gerard that he was able to get a confession out of Johnson, but since he is now dead and there were no other witnesses but he, he cannot prove his innocence. Chandler, apparently having been convinced by Gerard, decides that he will, in fact, testify on Kimble's behalf in order to exonerate him.
In the final scene of the episode and the series, an exonerated Kimble leaves the courthouse and, after hesitating, shakes the extended hand of Lt. Gerard. Dr. Kimble walks off toward his new life, accompanied by Jean Carlisle. Narrator William Conrad intones, "Tuesday, September 5th: The day the running stopped."
According to Ed Robertson's book "The Fugitive Recaptured" (the first book written about the series), the final episode aired in Canada on September 5, 1967. The "Special Features" DVD states that the final episode was interrupted in some parts of the U.S. Sometimes this version is syndicated and was put out on VHS tape. Both versions are available on DVD.
Part two of the finale was the most-watched television series episode at that time. It was viewed by 25.70 million households (45.9 percent of American households with a television set and a 72 percent share), meaning that more than 78 million people tuned in. That record was held until the November 21, 1980 episode of Dallas, ("Who Done It"), viewed by 41.47 million households (53.3 percent of households and a 76 percent share), but was later surpassed by the series finale of M*A*S*H, ("Goodbye, Farewell and Amen"), on February 28, 1983, viewed by 50.15 million households (60.2 percent of households and a 77 percent share). According to producer Leonard Goldberg, the network was simply going to end the series with a regular episode without any kind of denouement to the predicament of Richard Kimble, as the network executives were totally oblivious to the concept that a television audience actually tuned in week after week and cared about the characters of a TV series. The timing of the broadcast was unusual: Rather than ending the regular season, the finale was held back while suspense continued through the summer reruns.
- 1963–1964: #28 (21.7)
- 1964–1965: #5 (27.9)
- 1965–1966: N/A
- 1966–1967: N/A
In 1963, a soundtrack was issued containing the key music that Rugolo wrote and recorded for the series. In 2001, it was released on CD from Silva Screen Records. About 40 minutes in length, this CD contains mono yet hi-fidelity cuts and cues that were recorded in London.
- Theme From The Fugitive (1:18)
- The Kimbles (2:48)
- Tragic Homecoming (3:53)
- Under Arrest (1:43)
- Lt. Gerard (1:46)
- The Verdict/Train Wreck (2:07)
- On The Run (1:57)
- The Life Of A Fugitive (1:27)
- Main Title Theme (:39)
- Life On The Road (1:35)
- Main Theme – Jazz Version (1:30)
- The One-Armed Man's Name Is Fred Johnson (2:38)
- Brass Interlude (2:53)
- Sorrow (1:03)
- Dreams Of The Past (1:11)
- Youthful Innocence (1:35)
- Back On The Road (1:11)
- A New Love (2:16)
- Family Reunion (2:34)
- Watching And Waiting (1:33)
- Kimble vs. The One-Armed Man/Hand To Hand (5:11)
- The Day The Running Stopped (2:12)
- Freedom And Finale (:43)
- End Credits (1:09)
The Fugitive was part of the original lineup on the "Arts & Entertainment Network", commonly known as A&E, beginning in February 1984. It ran until the summer of 1994. The show also appeared on the nationwide WWOR EMI Service, on the former KTZZ-TV (now KZJO) in the Seattle area and briefly on the TV Land network in 2000. As of May 2014, the show airs Sundays at Midnight on ME-TV.
||This section may contain an excessive amount of intricate detail that may only interest a specific audience. (October 2012)|
A total of 40 episodes have been released on VHS by NuVentures Video (Volumes 1–10 were later re-released with Barry Morse providing introductions to each episode, as in Volumes 11–20), with selected shows from the 40 later issued by Republic Pictures. Twelve episodes were also released on laserdisc.
Currently, Republic Pictures and CBS Television Studios own the copyrights to the series (while CBS itself now owns distribution rights); CBS DVD (with distribution by Paramount) released Season 1, Volume 1 on DVD in Region 1 in late 2007. Reviews of the first DVD set have been very positive as the show appears uncut and uncompressed, re-mastered from the original negatives and magnetic soundtrack, although a disclaimer by CBS mentions some episodes are "edited from their original broadcast versions" and some music changed for home video. (Incidental music was altered in at least two episodes, "Where the Action Is" and "The Garden House".) There are no subtitles or alternate languages but English closed captioning are provided, and the "liner notes" consist merely of TV-Guide-style episode synopses inside the four-disc holder. Season 1, Volume 2 was released on February 26, 2008. Season 2, Volume 1 was released on June 10, 2008. Many reviews of this third DVD set were highly negative due to the replacement of the original used music tracks with the aforementioned synthesizer music (see Musical score section above for details.) Season 3, volume 1 was released on October 27, 2009, and Season 3, volume 2 was released on December 8, 2009, with most, but not all, of the original music intact. Season 4, volume 1 was released on November 2, 2010. It appears that this volume will be the first to include any extras, including a Featurette titled "Season of Change: Composer Dominic Frontiere". Season 4, volume 2 was released on February 15, 2011.
On November 1, 2011, CBS released The Fugitive- The Most Wanted Edition on DVD in Region 1. This 34-disc set featured all 120 episodes of the series as well as bonus features, such as the unaired version of the pilot with different footage. The set was recalled due to possible music issues, but some sets were released. The set was rereleased (with 5 replacement discs) so that now all original music is intact.
CBS's rights only cover the original series; the later productions were handled by Warner Bros. Entertainment.
|DVD name||No. of
|Season 1, Volume 1||15||August 14, 2007|
|Season 1, Volume 2||15||February 26, 2008|
|Season 2, Volume 1||15||June 10, 2008|
|Season 2, Volume 2||15||March 31, 2009|
|Season 3, Volume 1||15||October 27, 2009|
|Season 3, Volume 2||15||December 8, 2009|
|Season 4, Volume 1||15||November 2, 2010|
|Season 4, Volume 2||15||February 15, 2011|
|The Complete Series||120||October 23, 2012|
In 1993, a feature film, of the same name, based on the series, was released by Warner Bros. Pictures on August 6, 1993, and starred Harrison Ford as Kimble, Tommy Lee Jones as Gerard (now named 'Samuel' instead of 'Philip') and Andreas Katsulas as the one-armed man (now called Fredrick Sykes instead of Fred Johnson). The movie's success came as Hollywood was embarking on a trend of remaking old television series into features. In the film, Kimble is portrayed as a prominent Chicago vascular surgeon instead of a small town Indiana pediatrician, while Gerard is portrayed as a U.S. Marshal rather than a police lieutenant. Kimble's wife is killed in an attempt on his own life (rather than during a robbery attempt as in the TV series) as the result of a conspiracy involving a pharmaceutical company, Devlin MacGregor, which the one-armed man is employed by.
However, the film remained true to its source material, in particular, the notion that Kimble's kindness led him to help others even when it posed a danger to his liberty or physical safety. The film also showed Gerard pursuing his own investigation into the murder as part of his pursuit of Kimble and coming up with his own doubts as to the case. To coincide with the theatrical release, NBC aired the show's first and last episodes in the summer of 1993, and later hosted the film's broadcast television premiere in 1996. Jones received the 1993 Academy Award for Best Supporting Actor. The film was also nominated for six other Academy Awards, including Best Picture. It also spawned a sequel, U.S. Marshals, in which Jones reprised his role as Gerard. The motion picture was later developed into a parody film as well called Wrongfully Accused, with actor Leslie Nielsen portraying the lead character.
2000 revival series
A short-lived TV series remake (CBS, October 6, 2000 – May 25, 2001) of the same name also aired, filmed in Everett, Washington starring Tim Daly as Kimble, Mykelti Williamson as Gerard, and Stephen Lang as the one-armed man. CBS canceled the series after one season with a total of 22 episodes, leaving a cliffhanger unresolved. The show was the first lead-in to CSI: Crime Scene Investigation on Friday nights, which became a hit when it debuted the same year. This incarnation was produced by Arnold Kopelson and Warner Bros., the producers of the 1993 film.
- TV Guide Names Top 50 Shows
- Bretts, Bruce; Roush, Matt; (March 25, 2013). "Baddies to the Bone: The 60 nastiest villains of all time". TV Guide. pp. 14–15.
- Bailey, F. Lee; Aronson, Harvey (September 1, 1972). The Defense Never Rests. New American Library. p. 67. Retrieved 2013-01-02. "More than ten years later, the Sheppard card would serve as a model for the popular television show The Fugitive."
- Brooks, Tim; Marsh, Earle. The Complete Directory to Prime Time Network and Cable TV Shows, 1946–Present. Eighth Edition. NY: Ballantine Books, 2003. Pp. 1459-60.
- The Lies That Bind - Page 3 - Sun Sentinel
- The Evil Men Do, Act IV and Epilogue
- Robertson, Ed (1993). The Fugitive Recaptured. Universal City, California: Pomegranate Press. ISBN 0-938817-34-5.
- Lin McCarthy at IMDB
- Jon Burlingame, "TV's Biggest Hits: The Story of Television Themes From Dragnet To Friends," 1996, p. 134, Schirmer Books, ISBN 0-02-870324-3
- "Episode Guide for The Fugitive". Internet Movie Database.
- Dan Pasternack (October 21 and December 7, 2004). "Leonard Goldberg on "The Fugitive" series finale". Archive of American Television - EMMYTVLEGENDS.ORG. Retrieved April 17, 2013.
- "Special Collector's Issue: 100 Greatest Episodes of All Time". TV Guide (June 28-July 4). 1997.
- Fugitive Season 1 Volume 2 Box Art
- Fugitive Season 2 Volume 1 Box Art
- Fugitive Season 3 Volume 2
- Fugitive Season 3 Volume 2
- Fugitive Season 4 Volume 1
- Fugitive Season 4 Volume 2
- Fugitive: The Complete Series
- The Fugitive: Season One, Volume One
- The Fugitive: Season One, Volume Two
- The Fugitive: Season Two, Volume One
- The Fugitive: Season Two, Volume Two
- The Fugitive: Season Three, Volume One
- The Fugitive: Season Three, Volume Two
- The Fugitive: The Fourth And Final Season, Volume One
- The Fugitive: The Fourth And Final Season, Volume Two
|Wikimedia Commons has media related to The Fugitive (TV series).|
- The Fugitive (1963) at the Internet Movie Database
- The Fugitive (2000) at the Internet Movie Database
- Encyclopedia of Television
- Index at TV.com
- Stephen J. Cannell's Archive of American Television explanation of Huggins' approach
- The Fugitive in Flight: Faith, Liberalism, and Law in a Classic TV Show, a book by Stanley Fish examining the moral structure of the series