Dream a Little Dream (album)

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Dream a Little Dream
Studio album by Cass Elliot
Released October 19, 1968
Genre Pop-rock
Label Dunhill
Producer Lou Adler, John Simon
Cass Elliot chronology
- Dream a Little Dream
(1968)
Bubblegum, Lemonade, and... Something for Mama
(1969)

Dream a Little Dream is the debut solo album by singer Cass Elliot immediately after the breakup of The Mamas & the Papas, though she was still billed as "Mama Cass" for this release. Capitalizing on the success of her first solo song as the album's title, it was released on October 19, 1968 by Dunhill Records. The album was re-released by MCA Japan in 2001.

Conception[edit]

Less than a month after her split with the Mamas & the Papas, Cass Elliot had already agreed to a three-album deal as a solo artist with Dunhill Records.

Elliot chose John Simon as producer to help her steer the album. She had liked his work with The Band and after hanging out found him to be the perfect person to work with. Both Elliot and Simon agreed that this would be her album and Simon was keen on allowing her the chance to choose her own material and to shine on her own.

Album[edit]

Elliot's original title for the album was going to be "In the Words of My Friends", called this because most of the songs she chose were written by friends and family.

The album itself, is very much a concept album. While working with the Mamas & the Papas, Elliot felt severely limited in her desire to try different musical styles and took this album as that opportunity. The album contains touches of country, blues, rock, jazz, gospel, and bluegrass. When interviewed about the split, she told the Los Angeles Free Press, "I have a lot of things inside me to sing and I can't expect the others to wait around until I have got things out of my system. It's not that I wanted to leave the group, it's just that I wanted to do some things on my own."

The album was recorded in no more than ten days at Wally Heider's studio in Los Angeles. Instead of spending countless hours doing retakes as she had done with the Mamas & the Papas, she recorded almost every song live. Elliot was also keen to try, with the help of Simon, some experimental techniques such as adding sound effects to the songs. "Dream a Little Dream of Me" was introduced at the beginning of the album with the sound of rain and a thunderstorm and then with the static of someone changing a radio station. At the end of the song, a radio DJ announces that an ensuing earthquake has hit Los Angeles as "California Earthquake" begins. Several other songs on the album lead into the next song to create the feeling that the same song is still playing.

John Sebastian's "Darling Be Home Soon" and Joni Mitchell's "Sisotowbell Lane" were both recorded but ultimately dropped from the album. These finally saw the light of day in 2005 when The Complete Cass Elliot Collection: 1968-71 was released; it featured all the material recorded for Dunhill on Elliot's first three solo albums, along with several other singles and unreleased rarities.

Track listing[edit]

Elliot's signature piece, released as a single in 1968, and became most famous rendition of the song

Problems playing this file? See media help.
  1. "Dream a Little Dream of Me" (Wilbur Schwandt, Fabian Andre, Gus Kahn) (US Pop #12/AC #2/UK #11)
  2. "California Earthquake" (John Hartford) (US #67)
  3. "The Room Nobody Lives In" (John Sebastian)
  4. "Talkin' to Your Toothbrush" (John Simon)
  5. "Blues for Breakfast" (Richard Manuel)
  6. "You Know Who I Am" (Leonard Cohen)
  7. "Rubber Band" (Cyrus Faryar)
  8. "Long Time Loving You" (Stuart Scharf)
  9. "Jane, The Insane Dog Lady" (Simon)
  10. "What Was I Thinking Of" (Leah Cohen)
  11. "Burn Your Hatred" (Graham Nash)
  12. "Sweet Believer" (Faryar)

Reception[edit]

Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars link

When Elliot presented the album to the studio heads of Dunhill, they were less than pleased; they had expected her to produce material similar to her work with the Mamas & the Papas. They felt the album she had made was only marketable to a hippie audience, and thus went about marketing it toward the underground media. Elliot was displeased with this; she felt that the album really showed who she was and where she was at that moment, and that, had the album been promoted properly, it would have been a hit. Dunhill was also keen on keeping the "Mama Cass" name alive, hence the decision to bill her under that name, despite Elliot wanting to separate herself from that image as much as possible and to be known as "Cass Elliot."

Despite the clashes between Elliot and Dunhill, the album sold over 150,000 copies and was a moderate success, landing at #87 on the Billboard Hot 100 Chart.

To promote the album, Elliot became the first woman subject for Rolling Stone magazine[clarification needed] followed by a then-extraordinary $40,000 a week gig at Caesars Palace in Las Vegas.

Personnel[edit]