Dungeon Master (video game)
Atari ST cover art
|Designer(s)||Doug Bell, Dennis Walker, Michael Newton, Andy Jaros, Wayne Holder|
|Genre(s)||Role-playing video game|
Dungeon Master (short: DM) is an early grid-based 3D realtime action role-playing video game. DM was developed and published by FTL Games for the Atari ST in 1987. It reportedly sold 40,000 copies in its year of release alone, and went on to become the ST's best selling product of all time.
|Dungeon Master||1987||Atari ST||Amiga, Apple IIGS, PC (MS-DOS), SNES, TurboGrafx-CD, Sharp X68000, PC-9801, FM Towns|
|Dungeon Master: Chaos Strikes Back||1989||?||Amiga, Atari ST, PC (MS-DOS), Sharp X68000, PC-9801, FM Towns|
|Dungeon Master: Theron's Quest||1992||TurboGrafx||N/A||modified version of Dungeon Master|
|Dungeon Master II: The Legend of Skullkeep||1993||?||Amiga, PC (MS-DOS), PC-9801, Mac OS, Sega Mega-CD|
|Dungeon Master Nexus||1998||Sega Saturn||N/A|
Dungeon Master was a realtime game in contrast to the traditional turn-based approach that was, in 1987, most common. Other factors in immersiveness were the use of sound effects to indicate when a creature was nearby, and (primitive) dynamic lighting. Abstract Dungeons and Dragons style experience points and levels were eschewed in favor of a system where the characters' skills were improved directly via using them. Dungeon Master was not the first game to introduce these features. Dungeons of Daggorath for the TRS-80 Color Computer first employed them in 1982. Dungeon Master was, however, responsible for popularizing these elements. Other features of Dungeon Master included allowing players to directly manipulate objects and the environment by clicking the mouse in the enlarged first-person view. It also introduced some novel control methods including the spell casting system, which involved learning sequences of runes which represented the form and function of a spell's effect. For example, a fireball spell was created by mixing the fire symbol with the wing symbol. This kind of attention to detail and focus on the user interface was typical of the game and helped create an often captivating sense of craft and ingenuity.
While many previous games such as Alternate Reality: The Dungeon, The Bard's Tale, Ultima and Wizardry offered Dungeons & Dragons-style role-playing, Dungeon Master established several new standards for role-playing video games and video games in general.
Another factor in its popularity may have been the imaginative mythology, with players often reporting a nurturing identity with their chosen characters. Nancy Holder, wife of producer Wayne Holder, wrote the storyline in the manual (from a base scenario suggested by Michael Newton and the FTL team). She is a successful novelist, and has written for television series including Buffy the Vampire Slayer, Sabrina, the Teenage Witch and Smallville.
Many reviewers considered Dungeon Master as the best example of its genre, despite the many clones that arrived to challenge it. First of these was Bloodwych (1989), featuring similar gameplay but adding a mode allowing two simultaneous players on one machine. Other notable clones included Captive and Eye of the Beholder.
Originally, Dungeon Master was started with the name Crystal Dragon. Doug Bell and Andy Jaros began development in their development studio PVC Dragon, before they joined in 1983 FTL Games. It was finished there and published in 1987 for the Atari ST first. An almost identical Amiga version was released the following year, which was the first video game to use 3D sound effects. The game was also ported to PC, Apple IIGS, TurboGrafx-CD, SNES, Sharp X68000, PC-9801 and FM Towns and translated from English into German, French, Japanese, Chinese and Korean.
While Dungeon Master itself was inspired by early Ultima games, it was also itself the source of inspiration for the later Ultima Underworld game. Game journalist Niko Nirvi wrote that no 3D role-playing title before Ultima Underworld (1992) could challenge Dungeon Master as a game.
Dungeon Master received the Special Award for Artistic Achievement from Computer Gaming World when it was initially released. It achieved the top place in the magazine's game rankings system, and was entered into its hall of fame in November 1989.
The following list of awards is comprehensive, but not complete. Notably, it does not include any of the awards that followed the game's release in Japan in 1990.
- Special Award for Artistic Achievement awarded in 1988 by Computer Gaming World
- Adventure Game of the Year, 1988 — UK Software Industry Awards
- Best Selling Atari ST Title, 1988 — UK Software Industry Awards
- Best Role Playing Game, 1988 — PowerPlay Magazine (German)
- Best Role Playing Game, 1988 — Tilt Magazine
- Best Sound Effects, 1988 — Tilt Magazine
- Game of the Year, 1988 — Computer Play Magazine
- Best Atari ST Game, 1988 — Computer Play Magazine
- Game of the Year, 1988 — 4th Generation Magazine (French)
- "Golden Sword" Award ,1988 — The Adventurer's Club of the UK
- Best Role Playing Game, 1988 — The Adventurer's Club of the UK
- "Beastie Award", 1988 — Dragon Magazine
- Best Atari ST Title, 1988 — Dragon Magazine
- Best Game, 1989 — Amiga World Magazine
- Best Role Playing Game, 1989 — Amiga World Magazine
- Best Amiga Game, 1989 — Game Player's Magazine
- Best Amiga Game, 1989 — Datormagazin (Swedish)
- "Beastie Award" Best Apple //GS Title, 1989 — Dragon Magazine
- Best Game, 1989 — Info Magazine
- Best of the Amiga, 1989 — Compute magazine
- Inducted as an original member in the Computer Gaming World Hall of Fame in 1989
- Designated as one of the 100 Best Games by PowerPlay Magazine (German, January 1990)
- 16th best game of all time in Amiga Power.
Computer Gaming World in 1988 praised the attention to detail in the dungeons' graphics, allowing players to "practically feel the damp chill of the dungeons portrayed", as well as those of the monsters, including the multiple facial expressions on the ogres. The magazine said the control system works "extremely well" and "one's adrenaline really flows because the game is in real-time." The reviewer also praised the extensive use of sound effects, uncommon to RPGs. He complained that the manual does not describe monsters or their attributes, of a "frustrating" shortage of food and water replenishments and that the lack of a map makes the game "extremely difficult". He called the game "fantastic" and said "It is a welcome addition to any fantasy player's library. Those who want a good fantasy/role-playing game will love this one." Another reviewer for the magazine stated in 1992 that the newly released IBM PC version's graphics "are surprisingly good, all things considered" despite the game's age, but wrote that "No endgame has ever given me so much trouble or frustration". Althogh the reviewer believed that the game "is still eminently worth playing, even years later[, and] still has someting to offer the seasoned adventurer", because of the endgame she "can't give it a blanket recommendation". Computer and Video Games called the story a "cliché" but praised the graphics, sound and controls. The reviewer said Dungeon Master is an example of a title which "changes the way we think about games" and a "must for all roleplayers".
Advanced Computing Entertainment said the graphics are "largely repetitive" but "wonderfully drawn" and wrote the "Sound is sparse but the effects are great." The reviewer called it a "thrilling game with plenty in it to keep you searching, fighting and pondering for a long time." He summarised the game as a "huge, immensely playable and very atmospheric mixture of role-playing and adventure. If you've been looking for a real-time role-playing game that manages to keep you interested for long periods of time, then your prayers have been answered." The Games Machine wrote: "the innovative character selection system and icon display are both neatly implemented and quick to use", praised the "superb" atmosphere - enhanced by the spare but apt sound effects - and called the game universe "believable because of its details". The magazine praised the color and clarity of the monster graphics and the shading of the surroundings. It called the story and setting a "wholly engrossing scenario [which] creates a complete world which can be manipulated at will: its depth fully reflects the two years it took to program it. The presentation - an interesting and evocative novella neither too involved to prove turbid not too short to be unhelpful - is superb." The reviewer summarised: "Dungeon Master is a role-player's dream, but capable of providing a good deal of enjoyment for any ST owner."
Kati Hamza of Zzap!64 said of the Amiga version: "The first-person perspective ensures an incredibly realistic atmosphere - you just can't help really getting into the feeling of walking through damp echoing caverns looking for ghosts." The reviewer also said: "The puzzles are incredibly devious, the spell system is really flexible and the need to practise magic and spells gives the whole thing that extra-special depth." The reviewer asserted: "This has to be the most amazing game of all-time, anywhere, ever". In the same issue Gordon Houghton said: "This is just about the most incredible game I've ever seen. When you pick it up you find you lose whole days of your life." He said: "The best time to play it is late at night in a room by yourself - it's guaranteed to scare the life out of you. It's like Gauntlet in 3D, but about a hundred times better. If you enjoy arcade adventures, RPGs or combat games, but it: it's the perfect combination of all three." Reviewer Maff Evans professed to be little enthused by RPGs generally but said "I know a brilliant game when I see one and this is a brilliant game." He praised the scares delivered by ambushing monsters and said "you'd have to be deaf, dumb and blind not to be affected by the atmosphere". The magazine complained that saving games is "a bit laboured" but praised the "extremely detailed and accessible" controls, "interactive, detailed and extremely atmospheric" scenery and said the clarity of the graphics made the game an unusually accessible RPG. It summarized: "you'll be playing for months" and said Dungeon Master was "The best game we've ever seen".
Also reviewing the Amiga version, Graham Kinsey of Amazing Computing wrote that Dungeon Master "completely blows away any other RPG on the Amiga market today, and may do for some time". Dave Eriksson of Amiga Computing praised the "brilliant" graphics, sound effects and replay-value and said "Dungeon Master is the most stunning role-playing game I have seen on the Amiga". Antic's Amiga Plus felt the game "captures the essence of Dungeons & Dragons role-playing games". The reviewer praised the "dazzling" graphics, called the user-friendly controls "a real joy" and said the game was the "best graphics adventure for the Amiga to date." Your Amiga called the sound "extremely well done" and said the "most striking feature of the game is the attention to detail". The reviewer said called the game "amazing" and recommended: "If you never buy another game, by [sic] this one."
Andy Smith of Advanced Computing Entertainment several months after its release called Dungeon Master "one of the all time classics" and said "What makes Dungeon Master really special (apart from the marvellous 3D graphics and eerie sound effects) are the puzzles". The game was reviewed in 1988 in Dragon #136 by Hartley, Patricia, and Kirk Lesser in "The Role of Computers" column. The reviewers gave the game 4½ out of 5 stars. The Lessers reviewed the PC/MS-DOS version in 1993 in Dragon #195, giving this version 5 stars. In 1997, ten years after release, Dungeon Master got again a 5 from 5 stars score in a review.
In 1990 the game received the second-highest number of votes in a survey of Computer Gaming World readers' "All-Time Favorites".
The packaging cover art was designed and illustrated by David R. Darrow, for which Andy Jaros posed as the leftmost character pulling on the torch. The woman in the scene was Darrow's wife, Andrea, and the muscular man in the background is unknown, but hired by Darrow from a local fitness club.
The painting itself is 25 to 30 inches high and doesn’t contain the word "Master". Darrow’s painting portrays a scene from the prologue in the manual for Dungeon Master. It shows the three (or four) main characters' last few minutes alive, and is a portrayal of the player’s challenge to defeat the antagonist, Lord Chaos. The heroes in the painting are Halk the Barbarian, Syra Child of Nature, Alex Ander – and Nabi the Prophet who’s been reduced to a bunch of skulls.
A soundtrack album, titled Dungeon Master: The Album, was released later. This album featured music composed by Darrell Harvey, Rex Baca, and Kip Martin. The original ST version and its faithful Amiga and PC ports contain no music.
||This section is in a list format that may be better presented using prose. (October 2010)|
- According to "The Definitive CDTV Retrospective: Part II"  by Peter Olafson, Dungeon Master was ported to the Amiga CDTV but this version was never completed because FTL could not obtain reliable information from Commodore about saving games to memory cards.
- Dungeon Master was also ported to Macintosh but never released.
- There exists a prototype for the Atari Lynx under the name Dungeon Slayers.
- McFerran, Damien (2006). "The Making of Dungeon Master". Issue 34. Retro Gamer Magazine. pp. 30–31. Retrieved 2011-01-19.
- Daniel Durgan (October 1998). "Interview with the Apple Dungeon Master programmer Don Jordan". The Un-Official Dungeon Master Web Site. Archived from the original on 2000-12-05.
- Barton, Matt (2007-02-23). "Part 2: The Golden Age (1985–1993)". The History of Computer Role-Playing Games. Gamasutra. Retrieved 2009-03-26.
- Petersen, Sandy (December 1993). "Eye of the Monitor". Dragon (Lake Geneva, Wisconsin: TSR, Inc.) (#200): 73.
- Stahl, Edwin Robert (2002). "Exploring the Virtual Frontier: The Evolution of Narrative Form in Immersive Video Games" (pdf). St Louis University. pp. 44–45. Retrieved 2008-06-19. "It was the most advanced RPG experience available and a true immersive milestone. [...] What made Dungeon Master so important [...] was its combination of a first-person 3D engine, point-and-click interface, and enveloping sound."
- Paul Neurath (2000-06-23). "The Story of Ultima Underworld". Looking Glass Studios. Archived from the original on 2001-03-09. Retrieved 2011-01-04.
- Fontanel, Christophe. "Clones". Dungeon Master Encyclopaedia. Retrieved 2011-08-04. "Dungeon Master opened a new way for computer role-playing games, inspiring many developers. A lot of commercial games tried to improve the genre (like Eye of the Beholder I, II and III, Captive, Lands Of Lore, etc...) [...] More recently, some fans have been active at keeping the dream alive."
- "Announcing Computer Gaming World's 1988 Game of the Year Awards". Computer Gaming World (52): 54. October 1988.
- "Game of the Year Awards". Computer Gaming World (53): 35. November 1988.
- "Computer Gaming World's Top 100 Games". Computer Gaming World (64): 36. October 1989.
- "Computer Gaming World's Top 100 Games". Computer Gaming World (65): 49. November 1989.
- Daniel Durgan (October 1998). "Awards". The Un-Official Dungeon Master Web Site. Archived from the original on 2000-12-05.
- Schneider, Boris (February 1988). "Dungeon Master" (in German). PowerPlay. Retrieved 2010-11-18.
- Hengst, Michael (January 1990). "Die 100 Besten Spiele: Dungeon Master – Mumien, Monster, Mutationen und Magie" (in German). PowerPlay. Retrieved 2010-11-18.
- Amiga Power magazine issue 0, Future Publishing, May 1991
- Battles, Hosea Jr. (April 1988), Computer Gaming World (issue 46), pp. 18-19
- Scorpia (1992-11). "Dungeon Master". Computer Gaming World. pp. 94–96. Retrieved 4 July 2014.
- April 1988, Computer and Video Games (issue 78), p. 92
- Smith, Andy (May 1988), Advanced Computing Entertainment (issue 8), pp. 54-55
- "Men Down Under". The Games Machine (5): 64–65. April 1988.
- Hamza, Kati; Evans, Maff; Houghton, Gordon (April 1989). "Dungeon Master". Zzap!64 (48): 60–62.
- Kinsey, Graham (July 1989). "Dungeon Master". Amazing Computing (vol. 4 no. 7): 49.
- Eriksson, Dave (April 1989). "Into the famous dungeon". Amiga Computing (vol. 1 no. 4): 14–18.
- Rimpilainen, Aki (August–September 1989). "Dungeon Master". Antic's Amiga Plus (vol. 1 no. 3): 52.
- Webb, Allen (June 1989). "Review: Dungeon Master". Your Amiga: 44–45.
- Smith, Andy (April 1989). "Dungeon Master: Update Special". Advanced Computing Entertainment (19): 85.
- Lesser, Hartley; Lesser, Patricia; Lesser, Kirk (August 1988). "The Role of Computers". Dragon (136): 76–81.
- Lesser, Hartley; Lesser, Patricia; Lesser, Kirk (July 1993). "The Role of Computers". Dragon (195): 57–64.
- Rosemary Young (1997-01-01). "Dungeon Master dust off after 10 years 5/5 Stars rating". Archived from the original on 2007-04-11. Retrieved 2011-01-05.
- "CGW Readers Select All-Time Favorites". Computer Gaming World. January 1990. p. 64. Retrieved 15 November 2013.
- DM Original Artwork - Dungeon Master Encyclopedia
- This is how the cover art of Dungeon Master (1987) was made - Spelpappan.se
- "Review of the Dungeon Master Album in Game Bytes issue 18.".
- ""Dungeon Master The Album" page at "The Dungeon Master and Chaos Strikes Back Encyclopaedia" web site".
- Peter Olafson. "The Definitive CDTV Retrospective: Part II". Archived from the original on 2007-07-06. Retrieved 2008-07-16.