Extremities, Dirt and Various Repressed Emotions is the ninth studio album by English rock band Killing Joke, recorded in August 1990 and in November 1990 by record label Noise. This is the only Killing Joke album to feature drummer Martin Atkins (formerly of Public Image Ltd. and Brian Brain).
The eyes on the cover of the album belong to actor Conrad Veidt as featured in the film The Cabinet of Dr. Caligari. The top pair is upside-down, and the cover for the cassette version shows all four pairs upside-down. The back of the CD bears two Latin phrases: the first, "hoc volo, sic iubeo, sit pro ratione voluntas", means: "I wish it, I command it. Let my will take the place of a reason", and was quoted from Roman poet Juvenal; the second, "semper imitatum nunquam idem", means: "always imitated, never replicated".
The riff from "Intravenous" would be reprised on 2006's "Majestic".
Extremities, Dirt and Various Repressed Emotions saw a return to a rawer, guitar-based sound from the keyboards of their previous album Outside the Gate. Trouser Press wrote, "Perhaps inspired by all the new industrial bands aping their early style, Killing Joke reformed for a tour, demonstrating new resolve to recapture the old formula", describing it as having "all the intoxicating intensity and righteous fury missing from Outside the Gate mated to a timelier Ministry-like feel."
The double LP edition features the track "Age of Greed (Live)" as a bonus, whereas both CD reissues also feature four tracks from a very rare 1989 cassette demo. One of these tracks, "Jubilation", is actually an early version of "The Beautiful Dead" and had been released previously on a flexi disc. Of the other tracks, only "The Fanatic" was known, having been performed live at several concerts in 1989. The Deluxe Edition featured all bonus tracks on a separate dual disc, with the DVD side containing the music video for "Money Is Not Our God".
In his retrospective review, Ned Raggett of AllMusic wrote that the album "[recaptures] the sprawling spirit of the early days" of the band, after the "gaggingly awful monstrosity of Outside the Gate".