Jaz Coleman

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Jaz Coleman
Jaz-Coleman Paris sept 2008.jpg
Jaz Coleman in 2008
Background information
Born (1960-02-26) 26 February 1960 (age 54)
Origin Cheltenham, Gloucestershire, England
Genres Post-punk, industrial metal, classical music
Occupation(s) Singer, keyboardist, songwriter, conductor
Years active 1978–present
Labels Cooking Vinyl, Red Ink, Sony, Zoo Entertainment/Volcano, EG, Virgin, Spinefarm Records
Website www.killingjoke.com

Jeremy "Jaz" Coleman (born 26 February 1960, Cheltenham, Gloucestershire, England) is a musician, composer, singer-songwriter and record producer. He came to prominence in the early 1980s as the lead vocalist and occasional keyboardist of post-punk group Killing Joke. In addition, Coleman has composed orchestral and soundtrack pieces.

Early life[edit]

Coleman was born in Cheltenham to an English father and an Anglo-Indian mother of half-Bengali descent, both of whom were school teachers. He studied piano and violin under Eric Coleridge, head of music for Cheltenham College, until the age of 17 and was a member of several cathedral choirs in England.

Coleman studied in Leipzig DDR in 1987 and Cairo Conservatoire in 1979, completing an extensive study of Arabic quartertones at the latter institution. According to his own account, Coleman also studied international banking for three years in Switzerland[1] and is an ordained priest with a church in New Zealand.[2]

Music[edit]

Killing Joke[edit]

Main article: Killing Joke

In 1978 Coleman founded Killing Joke with drummer Paul Ferguson in Notting Hill, United Kingdom. The pair then recruited guitarist Geordie Walker and bassist Martin Glover (aka Youth). The group released their first single in October 1979 and their first eponymous album was released in 1980. Coleman contributed lead vocals and keyboards to the band's songs, which are categorised as post-punk, and the music later inspired the industrial rock and metal genres.

Known for controversial political and social opinions, the events of Coleman's public life are intertwined with Killing Joke. Coleman is known for an aggressive and powerful stage presence,[citation needed] and he remains an active member of the band.

Jaz Coleman performing at the 2009 Ilosaarirock festival.

Solo composition and recordings[edit]

Coleman once quit Killing Joke temporarily following a gig in 1982—the day after, he travelled to Iceland and announced his intention to become a classical composer. Ten years of studying and ongoing Killing Joke involvement later, he commenced conducting and worked with some of the world's leading orchestras. Conductor Klaus Tennstedt described him as a "new Mahler".[3]

Coleman has studied and played music from many cultures, and is a multi-instrumentalist. He studied Arabic music at the Cairo Conservatoire and has a passion for Czech folk music and Māori music, among others. One of his Māori pieces is the Second Symphony for Māori Voice and Orchestra. Along with Anne Dudley of Art of Noise, Coleman co-wrote and co-performed the 1990 middle-eastern instrumental album called Songs From the Victorious City, which refers to Cairo, Egypt.[citation needed]

In 1995 Coleman released his first of three albums of symphonic rock music: Us and Them: Symphonic Pink Floyd, which peaked at number one in the Billboard Magazine Top Classical Crossover Albums chart,[4] and Kashmir: Symphonic Led Zeppelin were both written and produced by Coleman with Peter Scholes conducting the London Philharmonic Orchestra. On 8 June 2007, Coleman collaborated with over 150 youth musicians in the Contemporary Youth Orchestra, based in Cleveland, Ohio, USA to perform the entirety of Kashmir: Symphonic Led Zeppelin along with additional orchestrations of Led Zeppelin's music. In 1999 he produced and arranged an album of Doors material for orchestra, performed by classical musicians including Nigel Kennedy and the Prague Symphony Orchestra, called Riders on the Storm: The Doors Concerto (CD released in 2000). He has worked with the New Zealand Symphony Orchestra, who have issued a CD of his Symphony No. 1 "Idavoll" with the Auckland Philharmonia Orchestra, and as composer in residence to the Prague Symphony Orchestra.[5][6]

In 2001 Coleman was commissioned by the Royal Opera House in Covent Garden London for his first large scale opera entitled The Marriage at Cana,[7] which in essence is the Gnostic theme of Jesus Christ and Mary Magdalene and her subsequent exile to Provence (predating Dan Brown's The Da Vinci Code). The libretto was composed by genealogist Sir Laurence Gardner, author of the controversial bestseller Bloodline of the Holy Grail. The nine acts of the opera were painted by the oil-on-canvas artist Andrew Jones, whose work was exhibited at the premiere of the opera on 9 December 2001 at the Royal Opera House. The opera received great critical acclaim and is to be recorded with Sarah Brightman.[citation needed]

Also commissioned by the Royal Opera House was Coleman’s Unwanted, a concerto grosso for violin, viola and string orchestra whose theme portrays the plight of the Romany people of central Europe. This work was in collaboration with Czech photographer Jana Tržilová,[8] whose portraits of the Roma taken within her own country moved the composer with their deep compassion and humanity.

On 22 March 2003, Coleman was commissioned by the Institute for Complex Adaptive Matter[9] ICAM to compose a three-part concerto Music of the Quantum,[10] expressing the ideas of the quantum and emergence in musical form, which he co-produced with his older brother, Piers Coleman (born 13 February 1958), who is a condensed matter physicist at Rutgers University.[11] The event was performed at Columbia University and was repeated the following year at Bethlehem Chapel in Prague.[citation needed]

On 22 March, Sir Laurence Gardner’s book Secrets of the Lost Ark, which expounds on anti-gravity and prehistory, was published. Coleman and Gardner publicly exchanged their work (book and scores) at the Occulture Lectures in Brighton on 20 July 2003,[12] a gesture appropriate to Coleman’s interest in themes of renaissance, collaboration, and working in parallels.

In April 2002, Coleman received three Grammies and quadruple platinum sales[citation needed] for his concerto for the Czech folk group Čechomor and orchestra production entitled Proměny. Proměny was performed in 8,000-10,000 seat auditoriums throughout the Czech Republic and Slovakia in 2003.

Also in 2003, Coleman completed a second work with Nigel Kennedy and the Kroke Trio in the role of friend and producer of their album, East Meets East, released through EMI Classics.[13]

In 2004 and 2005, Coleman arranged the Sarah Brightman album Harem and wrote a further 12 Arias to be recorded with her. He also continues with his work as composer in residence of the Prague Symphony Orchestra. In early 2006 Joseph McManners performed Coleman's Daughter of England at the Royal Albert Hall with the Royal Philharmonic to standing ovation.[14] He also toured with Killing Joke in the early part of the year and won a Lifetime Achievement Award from Kerrang! magazine.[citation needed] International premieres of Coleman's classical works are too numerous to mention.

In 2008, Coleman outlined an alternative educational programme based on Renaissance principles with the aim of promoting the principles of self-education. He completed a series of arias for mezzo-soprano titled The Secret Pilgrimage based on the sacred sites he visited during that year. Coleman became composer-in-residence of Berlin’s Kammerorchester.[citation needed]

In 2009, Coleman recorded the Nirvana Suite with the Czech National Symphony Orchestra, and played summer festivals across Europe with Killing Joke. Coleman travelled from Japan to South India with former bandmate Paul Raven’s ashes and participated in Pradakshina.[15]

In 2010, so far Coleman has completed his Magna Suscitatio for solo violin, chorus and full orchestra, which illustrates the process of transformation and illumination of the human condition "from our current barbaric state". Coleman also began work with the Prague Chamber Orchestra and was in discussion about a series of concerts. Coleman’s second symphony, recorded by the Auckland Philharmonic Orchestra, was due for release with the Nirvana Suite.

Coleman wrote a mass for choir and orchestra—consisting of Killing Joke’s music, with the original lyrics translated into Latin—for a recording and two nights in London in 2011.[citation needed]

Films and soundtracks[edit]

In 2002 Coleman starred in a Czech film by Petr Zelenka Rok ďábla (Year of the Devil). He also co-directed a documentary-style music film called "The Death And Resurrection Show", named after a song on Killing Joke's 2003 album.[16]

Coleman has contributed to several film soundtracks, such as Walt Disney’s Mulan (1998; with Vanessa-Mae on violin) and Channel 4 TV film Cinderella (released in 2000, with music composed by Jaz and Youth). Individual songs by Coleman appeared in film soundtracks such as: Weird Science (1985; "Eighties" by Killing Joke), Showgirls (1995; "Hollywood Babylon" by Killing Joke) or Year of the Devil (2002; "Pukaea" by Jaz Coleman and Hinewehi Mohi, "Universe B" and "Exorcism" by Killing Joke).[citation needed]

Production[edit]

Together with Malcolm Welsford, Coleman founded the York Street Studio in NZ. The studio was closed after Coleman produced the ninth album of NZ band Shihad, FVEY, which was released in the second half of 2014.[17]

Coleman produced Shihad's debut album, Churn—also recorded at York Street—but a disagreement with the band occurred after the release of the album. Following a 15-year period in which Coleman and Shihad did not communicate, Coleman made amends with the band members at a London, UK awards ceremony.[17] Shihad's lead signer and guitarist Jon Toogood explained in June 2014:

We'd had a falling out, I just didn't have time for him [Coleman] ... I was like, "Fuck that guy". But he was softer—he doesn't drink alcohol anymore. He's still gnarly and idealistic and brutal but minus the alcohol that makes him this focused machine. It was just the perfect meeting of what we wanted to do and having the right guy to do it with.[18]

Prior to the recording of FVEY, Coleman informed the band, "I'm going to work you until you've made a great record" and, after the completion of a two-month recording period, Toogood referred to the band's time with Coleman as a "bootcamp"; however, Toogood further explained that the band "needed someone to crack the whip" and he felt "purged" afterward.[18]

Books[edit]

In 2006 Coleman was writing a book about permaculture, free energy, freedom and freedom-loving individuals.[19] The book, titled Letters from Cythera, was released in early 2014 and was described by Coleman as an overview of "how the occult sciences have shaped my philosophical outlook expounding on my preferred system for a personalized renaissance (the supersynthesis)"—Coleman stated that the book was written between 2007 and 2008.[20] When asked to expound upon his "supersynthesis" concept, Coleman explained:

It’s [supersynthesis] the idea that we can stretch ourselves in 12 different directions all at once, and I put myself out as a guinea-pig and put myself through the paces and I’m in the process of sharing my results with people, to show how far I got. The thing about the super-synthesis is you choose one opus magnum, a huge work to do, then you chose 12 other non related projects that you’re meant to take to mastery and so I’ve finished pretty much everything and now is the execution of all of these – some of which I’ve done …[21]

Awards and accolades[edit]

In 1973, Coleman was awarded the Rex Watson Cup at the Cheltenham International Festival of Music.[citation needed] Coleman was made Chevalier des Arts et des Lettres by the French Minister of Culture for his contribution to contemporary music,[22][23] and was decorated by the French government on 27 September 2010, while Killing Joke were in concert at the Bataclan in Paris.[23]

Personal life[edit]

Coleman has joint British and NZ citizenship, and owns residences in Prague, Switzerland and NZ. He has been married twice and has three children.[citation needed]

Coleman is a supporter of the concept of environmental sustainability and has invested in the creation of two eco-villages in the South Pacific and in Chile.[24] Coleman is actively involved in the Raukatauri Music Therapy Centres of New Zealand and is open about the source of his inspiration, noting "my entire outlook has been shaped by Rosicrucian principles".[citation needed]

When asked about his perspective on the United States in a May 2013 interview, Coleman explained:

It’s [US] different from 30 year’s ago. There’s no rebellion left. Everyone is just a passive zombie. Food supply has something to do with its – dumbed down everyone to obese, lethargic corpses ... People are worn down ... It’s a fragmented society. People have access now to amazing amounts of information, but their attention spans are getting shorter, their focus is gone. Instant gratification. Instant knowledge orgasm! I think that a lot of the great thinkers couldn’t achieve what they did through a computer.[25]

References[edit]

  1. ^ "Killing Joke's Jaz coleman Takes No Prisoners!". the-raft.com. p. 2. Archived from the original on 28 September 2007. Retrieved 7 January 2008. Killing Joke- Interview with Jaz Coleman, JC 
  2. ^ All that Jazz (The Insight, July 2003)
  3. ^ "Coleman's classical punk mix". Entertainment (BBC NEWS). 3 September 2003. Retrieved 14 February 2011. 
  4. ^ "Us and Them: Symphonic Pink Floyd". Charts & Awards – Billboard Albums. Allmusic. Retrieved 2010-07-07. 
  5. ^ "Prague Symphony Orchestra". fok. Archived from the original on 24 August 2007. Retrieved 24 January 2008. 
  6. ^ Bennett, J. (July 2007). "Killing Joke" (ASPX). Decibel (1032 Arch Street, Philadelphia PA: Red Flag Media) (33). Retrieved 23 April 2010. Coleman is a Composer in Residence to the Prague Symphony Orchestra, the nation of New Zealand. [dead link]
  7. ^ "Bloodline Of The Holy Grail At The Royal Opera House". Graal.co.uk. 9 December 2001. Retrieved 2012-06-28. 
  8. ^ Renata Marešová. "Ten talent, ten tam prostě vždycky byl". 
  9. ^ "ICAM". 
  10. ^ "Music of the Quantum". ILCProductions.com. Retrieved 24 January 2008. 
  11. ^ Tomlin, Sarah (2 September 2004). "Physics and music: Brothers in art". Nature (London, New York: Macmillan) 431 (7004): 14–16. doi:10.1038/431014a. OCLC 4285192. PMID 15343304. Retrieved 7 January 2008. Lay summaryNature (1 September 2004). Piers Coleman is a theoretical physicist, his brother Jaz a musician with an unusual pedigree. Together, they want to break down boundaries between science and the arts. Sarah Tomlin attends their latest concert. (To read this story in full you will need to login or make a payment.) 
  12. ^ a review by Gyrus (19 July 2003). "Review of Occulture 2003 « Dreamflesh". Dreamflesh.com. Retrieved 2012-06-28. 
  13. ^ "Nigel Kennedy And Kroke Band, The* - East Meets East (CD, Album) at Discogs". Discogs.com. 10 June 2003. Retrieved 2012-06-28. 
  14. ^ "Joseph McManners | Gratis muziek, tourneedata, foto's, video's". Myspace.com. Retrieved 2012-06-28. 
  15. ^ Haynes, Rob (12 August 2010). "Jaz Coleman's Guide To Killing Joke's Absolute Dissent" (XHTML). Track-by-track. The Quietus. Retrieved 2010-09-06. 
  16. ^ Coffee Design. "The Death and Resurrection Show from ILC Productions, Jaz Coleman and Coffee Films". Coffeefilms.com. Retrieved 31 March 2010. 
  17. ^ a b "Watch Jaz Coleman scream at Shihad in new studio footage". New Zealand Herald. 21 July 2014. Retrieved 4 August 2014. 
  18. ^ a b Chris Schulz (26 June 2014). "Jon Toogood talks new Shihad album: 'It will slay people'". New Zealand Herald. Retrieved 4 August 2014. 
  19. ^ Marie Lecocq (16 January 2006). "Jaz Coleman eng". Disturb.org. Retrieved 31 March 2010. 
  20. ^ "Jaz Coleman’s book "Letters from Cythera" has arrived…". Gods & Alcoves. Wordpress. 15 February 2014. Retrieved 4 August 2014. 
  21. ^ albertpeterson. "Jeremy 'Jaz' Coleman; Anti-christ, superstar...". Metal As Fuck. Metal As Fuck. Retrieved 4 August 2014. 
  22. ^ "Jaz Coleman distingué - Libération". Liberation.fr. Retrieved 2012-06-28. 
  23. ^ a b "Jaz Coleman Knighted + Killing Joke Ticket Discount". metalhammer.co.uk. 28 September 2010. Retrieved 4 November 2010. 
  24. ^ Video Interview with Jaz Coleman, recorded June 2005; extracted 21 November 2006[dead link]
  25. ^ "Laughing Lines – Jaz Coleman Interview". FreshThinking.net.nz. Wordpress. 24 May 2013. Retrieved 4 August 2014. 

External links[edit]