| Title |
Year |
Location |
Material |
Dimensions |
Image |
| Head of a faun |
1489-1494[1] |
Lost |
Marble |
|
|
| Madonna of the stairs |
c. 1491 |
Casa Buonarroti, Florence |
Marble |
55.5 × 40 cm |
 |
| Battle of the Centaurs |
c. 1492 |
Casa Buonarroti, Florence |
Marble |
84.5 × 90.5 cm |
 |
| Crucifix |
1492 |
Santo Spirito, Florence |
Polychrome wood |
142 × 135 cm |
 |
| The Ark of St Dominic |
|
San Domenico, Bologna |
|
|
 |
| St Petronius from The Ark of St Dominic |
1494–1495 |
|
Marble |
height 64 |
 |
| St Proclus from The Ark of St Dominic |
1494–1495 |
|
Marble |
height 58.5 cm |
 |
| Angel from The Ark of St Dominic |
1494–1495 |
|
Marble |
height 51.5 cm |
 |
| Sleeping Cupid (Antique forgery) |
1496 |
Lost |
Marble |
|
|
| Standing Cupid (Rome) |
|
Lost |
|
|
|
| Bacchus |
1496–1497 |
Museo Nazionale del Bargello, Florence |
Marble |
height 203 cm |
 |
| Crucifix[2] |
1497–1498? |
Santa María de Montserrat, Montserrat |
Ivory |
|
 |
| Pietà |
1499–1500 |
St. Peter's Basilica, Rome |
Marble |
height 174 cm, width at the base 195 cm |
 |
| David |
1501–1504 |
Galleria dell'Accademia, Florence |
Marble |
height 5.17 meter (17 ft) |
 |
| Madonna and Child (Madonna of Bruges) |
1501–1504 |
Church of Our Lady, Bruges |
Marble |
height 128 cm |
 |
| St. Paul |
1503–2012 |
Cathedral, Siena |
Marble |
|
 |
| St. Peter |
1503–1504 |
Cathedral, Siena |
Marble |
|
 |
| St. Pius |
1503–1504 |
Cathedral, Siena |
Marble |
|
 |
| St. Gregory |
1503–1504 |
Cathedral, Siena |
Marble |
|
 |
| Madonna and Child with the Infant St. John (Taddei Tondo) |
c. 1503 |
Royal Academy of Arts, London |
Marble/Coon(a type of graphite) |
diameter 82.5 cm |
 |
| Madonna and Child (Tondo Pitti) |
c. 1503 |
Museo Nazionale del Bargello, Florence |
|
85,8 × 82 cm |
 |
| St. Matthew |
c. 1505 |
Galleria dell'Accademia, Florence |
Marble |
height 271 cm |
|
| Tomb of Pope Julius II |
1503[3] |
|
|
|
 |
| Moses |
c. 1513–1515 |
San Pietro in Vincoli, Rome |
|
|
 |
| Rebellious Slave |
1513–1516 |
Louvre, Paris |
|
|
 |
| Dying Slave |
1513–1516 |
Louvre, Paris |
|
|
 |
| Young Slave |
1520–1523 |
Accademia di Belle Arti Firenze, Florence |
|
|
|
| Atlas Slave |
1520–1523 |
Accademia di Belle Arti Firenze, Florence |
|
|
|
| Bearded Slave |
1520–1523 |
Accademia di Belle Arti Firenze, Florence |
|
|
|
| Awakening Slave |
1520–1523 |
Accademia di Belle Arti Firenze, Florence |
|
|
|
| The Genius of Victory |
c. 1532–1534 |
Palazzo Vecchio, Florence |
Marble |
height 261 cm |
 |
| Rachel |
1545 |
San Pietro in Vincoli, Rome |
|
|
 |
| Leah |
1545 |
San Pietro in Vincoli, Rome |
|
|
 |
| Medici Chapel |
1520–1534 |
Basilica of San Lorenzo, Florence, architecture |
|
|
|
| Tomb of Giuliano de' Medici, Night and Day |
|
|
|
|
 |
| Tomb of Lorenzo de' Medici, Evening and Morning[4] |
|
|
|
|
 |
| Virgin and Child |
|
|
|
|
|
| Apollo (David) |
c. 1530 |
Museo Nazionale del Bargello |
Marble |
height 146 cm |
|
| Crouching Boy |
c. 1530–1534 |
State Hermitage, St. Petersburg |
Marble |
height 54 cm |
 |
| Cristo della Minerva (Christ Carrying the Cross) |
(1519–1520) |
church of Santa Maria sopra Minerva, Rome |
Marble |
height 205 cm |
 |
| Brutus |
1540 |
Museo Nazionale del Bargello, Florence |
Marble |
height 95 cm |
 |
| Florentine Pietà |
c. 1550 |
Museo dell'Opera del Duomo, Florence |
Marble |
height 253 cm |
 |
| Rondanini Pietà |
1552–1564[5] |
Castello Sforzesco, Milan |
Marble |
height 195 cm |
 |
| Palestrina Pietà[6] |
|
Galleria dell'Accademia, Florence |
Marble |
height 253 cm |
 |
| Image |
Details |
Notes |
 |
- The Torment of Saint Anthony
- c. 1487–1488[7]
- Oil and tempera on panel
- 47 cm × 35 cm (18½ in × 13¼ in)
- Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July, 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently purchased by the Kimbell Art Museum, Fort Worth, TX and attributed to Michelangelo[8][9].
|
|
 |
- Madonna and Child with St John and Angels
- (The Manchester Madonna)
- circa 1497
- Tempera on panel
- 105 cm × 76 cm (41 in × 30 in)
- National Gallery, London
|
|
 |
- The Entombment
- circa 1500–1501
- Tempera on panel
- 162 cm × 150 cm (64 in × 59 in)
- National Gallery, London
|
|
 |
- Doni Tondo
- (The Holy Family)
- circa 1503/6[10]
- Oil and tempera on panel
- 120 cm (47 ½ in) diameter
- Uffizi, Florence
|
|
 |
- The Battle of Cascina
- 1504
- Lost
|
- An unfinished fresco that was to be painted in the Palazzo Vecchio in Florence, in competition with Leonardo da Vinci's The Battle of Anghiari
|

Detail: The Creation of Adam
|
- Sistine Chapel ceiling
- 1508–1512
- Fresco
- Sistine Chapel, Rome
|
|
 |
- The Last Judgment
- 1534–1541
- Fresco
- 1,370 cm × 1,200 cm (540 in × 470 in)
- Sistine Chapel, Rome
|
|
 |
- The Conversion of Saul
- circa 1542–1545
- Fresco
- 625 cm × 661 cm (246 in × 260 in)
- Cappella Paolina, Vatican Palace, Rome
|
|
 |
- The Crucifixion of St. Peter
- circa 1546–1550
- Fresco
- 625 cm × 662 cm (246 in × 261 in)
- Cappella Paolina, Vatican Palace, Rome
|
|