Nikita Shokhov

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Nikita Shokhov
Никита Константинович Шохов
Born (1988-02-15) 15 February 1988 (age 36)
Kamensk-Uralsky, USSR
NationalityRussian
Education
AwardsWorld Press Photo – 3rd prize for Staged Portrait Stories
2014 Utrish
Websitenikitashokhov.art

Nikita Shokhov (Russian: Никита Константинович Шохов; born 1988) is a visual artist and filmmaker in virtual environments.[1][2][3] He received third prize in the World Press Photo award, Staged Portrait: Stories category in 2014.

Biography[edit]

Nikita Shokhov, the son of Russian painter, art critic, and an associate professor of Tyumen State University Konstantin Shokhov,[4] was born in Kamensk-Uralsky, USSR. Despite the inherited interest in visual arts, he initially studied in Ural State Law University in Ekaterinburg. Immediately after that he lost interest in the legal profession and decided to study photography and cinema. He joined photography club at the Metenkov House Museum of Photography (Russian: Дом Метенкова), attended workshops led by a renowned photographer Sergey Rogozhkin, and cinematography classes at Sverdlovsk Film Studio. Thereafter he moved to Moscow to enroll in The Rodchenko Art School and continued his education at the documentary photography workshop under the guidance of Igor Mukhin.[5][6] In late 2010th he continued his education at California Institute of the Arts and School of Visual Arts at Virginia Tech.[7][8][9]

Art practice[edit]

Shokhov works with both still and moving images. Throughout art projects, he explores the duality of body and mind, myth and reality, human nature, religions, history, and culture.[10] He works in collaboration with his spouse Anna Evtiugina who takes roles of co-author, and producer, depending on a project.[11][12]

Shokhov's photographs were published in The New York Times, The Guardian, Le Monde, Harper's Bazaar Art, l’Insensé, Openspace, Elle, Time Out and British Journal of Photography, L'Officiel Russia, L'Express, Courrier International, IL, China Newsweek, Calvert Journal, Colta, and YET magazine.[13][14][10][15][6] He participated in numerous art festivals and biennales, including Manifesta 10 in Saint Petersburg, Moscow Biennale of Contemporary Art, and Photoquai in Paris.[5]

Photography[edit]

The Utrish series, 2013
The Moscow-Night life series, 2012
The Sacred Procession series, 2012
The Black Sea series, 2012
  • The series "Moscow Nightlife" (2010–2015) is a study on human behavior. Shokhov spent several years documenting a demographically diverse range of Muscovites from hipsters to low class at different settings and different moments of their night out. Through Shokhov's sober eyes the partymakers appear similar to carnival revelers in Mikhail Bakhtin's philosophy works.[16][17][18]
  • Shokhov's thesis project at the Rodchenko Art School, the series "Rublevka" (2012–2013) was a visual research of a prestigious residential area of that name to the west of Moscow. Rublevka is where the residencies of nouveau riche are located and also the place with the highest social stratification in Russia. In his photo report, Shokhov captured the new elite, the ordinary inhabitants, and the guest workers to highlight the threatening gap between extremely rich and incredibly poor.[19][20][21][22]
  • The series "Black Sea" (2011–2012) created at several Black Sea resorts such as Sochi and Anapa was dedicated to Russian beach culture. It resembles Martin Parr's photobook The Last Resort (1986) that represented working-class vacationers in the UK, and photographs by Sergey Rogozhkin on Black Sea beaches in the 1980s[23][24]
  • In the series "Utrich", Shokhov combined documentary and staged photography methods to approach Biblical motives. It was produced at Utrish national park on the northern shore of the Black Sea that has been a popular spot among nudists since the 1980s. Vacationers from the nudist camps were invited as models.[15][25][26][18][27]
  • The series "Children Personal Space" (2014) was a research on living space of young people and the way they interact with it with surreal scenarios shot in routine environments.[28]
  • In the series "Sacred Procession" (2012–2014), Shokhov approached religious processions in provincial towns, photographed candidly, bringing an unedited report.

A number of Shokhov's projects were dedicated to the contemporary Russian character.[8][29] He sampled the way of life of Russian people and their ties to national culture in the small towns of Bologoe (shot in 2014) and Pereslavl-Zalessky (shot in 2013), a Sep village in Udmurtia. In 2014, Shokhov took part in a large "Where Does the Motherland Begin?" national photographic project aimed to depict a variety of Russian traditions and overlapping of soviet and modern Russian culture.[30]

  • In the series "Scan" (2013–2016) Shokhov remained within the documentary tradition but went beyond the boundaries of direct photography. In that formal experiment, he used a slit-scan photography technique to capture 40 seconds of reality in one image using a view camera with a Better Light scanning back. Therefore, the moving objects, such as cars and people, undergo the process of plastic deformation while still objects such as architecture and landscapes appear as expected. Photographs of the "Scan" series portray processions, such as Mardi Gras in New Orleans, Saint Patrick's Day in Boston, New York, and Washington, Victory parade, and communist demonstration in Moscow and Velikoretsky Sacred Procession in Kirov Oblast. With the use of this artistic technique, Shokhov added a new visual metaphor to the mass gathering, where individuality becomes blurred and distorted.[18][31][32]
  • The series "Flaming Motors" was captured at the Gorky Automobile Plant (GAZ) in Nizhny Novgorod. The title refers to the figurative name, given to new Soviet plants at the time of mass industrialization. The series depicts industrial life through the prism of human-robot interaction. It also romanticizes the industrial buildings initially built for a solely functional reason and the cities that surround them.[33]

Visual installations and virtual environments[edit]

  • "The Last March" (2017) was a video installation created in collaboration with Russian-American artist Naum Medovoy. The exhibition in Moscow Museum of Modern Art presented Medovoy's graphic works and a film produced in memory of Soviet soldiers that were classified as missing in action, and the prisoners of war who were declared "Traitors to the Motherland" and sent to labor camps and Gulag. Shokhov presented two works. His film combined fragments of Medovoy's film with recently recorded footage of present-day Moscow and New York to highlight the gap between values of the mid-century and the present time. The second installation provided a contemporary interpretation of Medovoy's diaries and sketchbooks with a focus on women identity, stereotyping, and the tensions of daily life for a woman.[34][35]
  • The project "Ice" (2015—2017) was an experimental film and immersive video installation by Shokhov, Andrey Kachalian, and Albina Mochryakova. It combined the features of narrative film, documentary film, and performance art. It explored concepts of carnivalesque, freedom, and physicality. The project was filmed at many nudist colonies at the Black Sea beaches of the Crimea peninsula with non-professional performers.[36][37]
  • "Klaxon" (2017–2020) is a virtual reality experience that addresses questions of race and gender. The script combined the play by J. William Howe that explored the gender identity and Shokhov's research on racial identity.[7] The story unfolded around a black woman on the way to acceptance of her identity. The lead role was played by several actresses of different ages and races. The film was produced with a 360-degree camera in different locations, including Indiana University Bloomington, and New York City. Shokhov and Evtiugina aimed to facilitate cross-cultural dialogue and worked with a diverse team of Russian and American crew, artists and scholars. The cast followed Shokhov's guided improvisation method. The use of VR allows the audience to contemplate the memories and the reflections of the protagonist.[32][11][12][38]

Awards[edit]

  • 2014: Third prize, World Press Photo award, Staged Portrait: Stories category for his Utrich series[1]
  • 2015: Silver Camera Award (Children Personal Space series)[39][10]
  • 2019: Nova Art Award for the 360 degrees film Klaxon, in collaboration with Anna Evtiugina[40]

Shows[edit]

Solo shows[edit]

  • 2012 Empty Hills. The Space of Joy, Galerie Iragui, Moscow[41]
  • 2012 Sochi. City of the Future Olympic Games, White Nights Festival, Perm
  • 2013 Black Sea Vacations (a Biennale “Fashion and Style in Photography event), Multimedia Art Museum, Moscow[42]
  • 2014 Moscow Nightlife (Moscow Biennale of Photography event) Zurab Tsereteli Gallery, Moscow[43]
  • 2015 Children: Personal Space, Gallery Peresvetov, Moscow[28]
  • 2015 Sacred Procession (Baltic Biennial of Photography event), State Art Gallery, Kaliningrad[44]
  • 2017 Ice (screening at Artdocfest film festival), Czech Cultural Center, Moscow.[45]
  • 2017 The Last March (collaboration with Naum Medovoy), Moscow Museum of Modern Art, Moscow[35]
  • 2017 Ice, Artdocfest, Moscow[46]
  • 2020 Scan | Klaxon, 11.12 Gallery, Moscow[32]

Notable group shows[edit]

  • 2010 Self-image, Plates to Pixels Gallery, Portland, USA[47]
  • 2011 Life in Motion, International Center of Photography, New York[48]
  • 2012 The Stone Flower, National Centre for Contemporary Arts, Moscow[49]
  • 2013 Stability. Ghosts, Random gallery, Moscow
  • 2013 Chernukha, RuArts gallery, Moscow[50]
  • 2013 The Happy End, Multimedia Art Museum, Moscow[51]
  • 2013 What is Behind This Curtain?, Random Gallery, Moscow[52]
  • 2014 Twelve Thinking Photographers, Manifesta 10 parallel event, First Cadets' Corpus, St. Petersburg[53]
  • 2014 Moscow. Barocco, 4th Moscow International Biennale for young art collateral event, Triumph Gallery, Moscow[54]
  • 2014 Artistic Invention of Yourself and the Pure Enjoyment of Life and Love, Austrian Cultural Forum, Moscow[55]
  • 2014 Moskovia. Research, All-Russian Decorative Art Museum, Moscow[56]
  • 2014 Young, GUP Gallery, Amsterdam[57]
  • 2014 Where Motherland Begins, Museum of History of Moscow, Moscow[30]
  • 2015 Borderlands, Gallery for Russian Arts and Design, London[58]
  • 2015 Exhibition within the 5th Photoquai Biennale, Paris[59]
  • 2015 Hope (The 6th Moscow Biennale event), Moscow[60]
  • 2016 Ice (at Fada: House of Madness art show), The Watermill Center, Water Mill, New York[61]
  • 2018 Scan (8th Tashkent International Biennale of Contemporary Art), Tashkent[62]
  • 2019 Darling Angel (an annual CalArts School of Film/Video Showcase), Redcat, Los Angeles[63]
  • 2019 Exhibition within the Anhydrite Biennale of Media Art, Germany[64]
  • 2019 Klaxon (exhibition within the CYFEST-12 in collaboration with Anna Evtiugina), Saint Petersburg[65]
  • 2020 CADAF Online[66]

References[edit]

  1. ^ a b "Nikita Shokhov's profile at World Press Photo website". Retrieved 23 June 2015.
  2. ^ Митич, Юлия (22 March 2013). "Никита Шохов. "Главное правило: правил нет"" (in Russian). Leica Camera Russia Blog. Archived from the original on 23 June 2015. Retrieved 23 June 2015.
  3. ^ "Konstantin Shokhov's profile at Art Critics Association of Russia website" (in Russian). Retrieved 23 June 2015.
  4. ^ "Konstantin Shokhov's profile at Art Critics Association of Russia website" (in Russian). Retrieved 23 June 2015.
  5. ^ a b Марина Анциперова (29 June 2016). "11 выпускников Школы Родченко, которых нужно знать". Афиша. Retrieved 1 June 2020.
  6. ^ a b "Nikita Shokhov". OSE Project. Retrieved 1 June 2020.
  7. ^ a b Марина Виноградова (24 April 2020). "У художников будут бесконечные возможности для самовыражения". L'Officiel. Retrieved 1 June 2020.
  8. ^ a b Протасеня, Наталия (23 September 2014). "Никита Шохов: "Критикуя, я пытаюсь уравновесить действительность"" (in Russian). Aroundart.ru. Archived from the original on 3 March 2016. Retrieved 23 June 2015.
  9. ^ Анна, Толстова (16 May 2014). "Доложите постановку". Kommersant (in Russian). Retrieved 23 June 2015.
  10. ^ a b c "Фотограф, публиковавшийся в The New York Times и The Guardian, расскажет горожанам о провокации в искусстве". It's My City. 31 January 2020. Retrieved 1 June 2020.
  11. ^ a b Noni Ford (June 2018). "The Klaxon. Local Russian Filmmakers Anna Evtiulina and Nikita Shokhov have made a virtual reality film". The Ryder Magazine. {{cite journal}}: Cite journal requires |journal= (help)
  12. ^ a b Peter Dorfman (14 May 2018). "Russian Couple Makes Art Film in Bloomington with Local Cast". Bloom Magazine. Retrieved 1 June 2020.
  13. ^ "Artist - Nikita Shokhov". CADAF Online. Retrieved 23 August 2020.
  14. ^ Diane Smyth (14 December 2018). "BJP-online Loves…". British Journal of Photography. Retrieved 1 June 2020.
  15. ^ a b "Nikita Shokhov". World Press Photo. Retrieved 1 June 2020.
  16. ^ Ekaterina Inosemtseva. "Moscow Nightlife". The Story Institute. Retrieved 1 June 2020.
  17. ^ Giulia Mangione (18 December 2014). "Wild nights: shedding light on Moscow after dark". The Calvert Journal. Retrieved 1 June 2020.
  18. ^ a b c Ольга Дерюгина (22 December 2016). "Scan Никиты Шохова: куда уходит карнавал". Bleek Magazine. Retrieved 1 June 2020.
  19. ^ "Рублевка. Фотограф Никита Шохов исследует быт и нравы знаменитой подмосковной местности". Colta. 24 May 2013. Retrieved 1 June 2020.
  20. ^ ""Russian Elite": Photographer Documents Life Of Rich And Poor In The Prestigious Residential Area Rublevka". Design You Trust. 21 January 2019. Retrieved 1 July 2020.
  21. ^ "Приветствую тебя, пустынный уголок" [Greetings, the deserted little place] (in Russian). Lenta.ru. 25 July 2013. Retrieved 1 July 2020.
  22. ^ Nikita, Shokhov (24 May 2013). "Рублевка" (in Russian). Colta.ru. Retrieved 23 June 2015.
  23. ^ Giulia Mangione (8 August 2014). "The last resort: Nikita Shokhov captures the colourful world of the Russian seaside". The Calvert Journal. Retrieved 1 June 2020.
  24. ^ "В Екатеринбурге сравнили снимки фотографов СССР с работами призера World Press Photo-2014". ТАСС. 10 July 2014. Retrieved 1 June 2020.
  25. ^ "World Press Photo 2014: лучшие из лучших" [World Press Photo 2014: Best of the Best] (in Russian). Okolo Art Magazine. 18 June 2020. Retrieved 1 July 2020.
  26. ^ "Утриш" [Utrich] (in Russian). Colta. 19 February 2014. Retrieved 1 July 2020.
  27. ^ "Nikita Shokhov. Utrish: on the verge of genres". Open University. Retrieved 1 June 2020.
  28. ^ a b "Мама надела на брата белое одеяние, и он возомнил себя богом". Afisha.Gorod. 5 December 2014. Archived from the original on 19 June 2015. Retrieved 23 June 2015.
  29. ^ "В Бологое создается уникальная всепогодная open-air фотоэкспозиция о городе и его жителях" (in Russian). Afanasy.biz. Retrieved 23 June 2015.
  30. ^ a b Попова, Анна (15 May 2014). "В Музее Москвы создали фотолетопись современной России" (in Russian). RBC Information Systems. Retrieved 23 June 2015.
  31. ^ Анна Ив (2017). Александр Евагели (ed.). Annual Ring. Лаборатория времени.
  32. ^ a b c Владимир Дудченко (23 April 2020). "Жизнь в симуляции, или Портрет двумерной модели на трехмерном фоне". Colta. Retrieved 1 July 2020.
  33. ^ "Flaming Motors". The Story Institute. Retrieved 1 July 2020.
  34. ^ "Naum Medovoy, Last March". Salamatina Gallery. Retrieved 20 August 2020.
  35. ^ a b Nicolas Sarian (11 March 2017). "Victory Day, Through a Lens Darkly". The Moscow Times. Retrieved 1 June 2020.
  36. ^ Виталий Манский (8 November 2017). ""Андрей Звягинцев. Режиссер", коммуна в Крыму и сибирская любовь Виталий Манский — о пяти фильмах из программы "Среда". Артдокфест" ["Andrey Zvyagintsev. The Director", a community at Crimea, and the syberian love] (in Russian). Meduza. Retrieved 1 July 2020.
  37. ^ "Лёд" [Ice] (in Russian). artdoc.media. Retrieved 1 July 2020.
  38. ^ "Никита Шохов, Анна Евтюгина. Scan, Klaxon" [Nikita Shokhov, Anna Evtugina. Scan Klaxon] (in Russian). Winzavod Center for Contemporary Art. Retrieved 1 July 2020.
  39. ^ Ольга Осипова (30 December 2015). "10 любимых фотографий Никиты Шохова". Bird in Flight. Retrieved 1 June 2020.
  40. ^ Deni Jamalov (28 June 2019). "Петербургский конкурс Nova Art отобрал лучших молодых художников со всей России" [The Nova Art contest brought the best young artists from Russia] (in Russian). Saunt Petersburg Journal. Retrieved 21 July 2020.
  41. ^ Ольга, Данилкина (11 June 2012). "Другие пустые холмы" (in Russian). Aroundart.ru. Archived from the original on 13 July 2015. Retrieved 23 June 2015.
  42. ^ Попова, Анна (21 February 2013). "В Москве начинается биеннале "Мода и стиль в фотографии"" (in Russian). RBC Information Systems. Archived from the original on 23 June 2015. Retrieved 23 June 2015.
  43. ^ "Moscow Photobiennale. 2014 Nikita Shokhov: Moscow Night Life". L'Oeil de la Photographie. 24 February 2014. Retrieved 23 June 2015.
  44. ^ "The Program of the Festival in 2015". Kaliningradfoto.ru. Archived from the original on 13 July 2015. Retrieved 23 June 2015.
  45. ^ "Показ фильма "Лёд" на Артдокфесте". Multimedia Art Museum. 11 December 2017. Retrieved 21 July 2020.
  46. ^ "Показ фильма "Лёд" на Артдокфесте". Мультимедиа Арт Музей. 11 December 2017. Retrieved 24 August 2020.
  47. ^ "Self-image exhibition summary on Plates to Pixels gallery website". Retrieved 23 June 2015.
  48. ^ Alessandra, McAlister (23 October 2013). "Touching portraits of disabled Russian orphans taken by ten photographers". Featureshoot.com. Retrieved 23 June 2015.
  49. ^ "Каменный цветок/ Государственный центр современного искусства". Museum.ru. 12 July 2013. Retrieved 23 June 2015.
  50. ^ Preobrazhenskiy, Kirill. "Chernukha exhibition summary at RuArts gallery website" (in Russian). RuArts. Archived from the original on 15 June 2015. Retrieved 23 June 2015.
  51. ^ "The Happy End. Catalogue of diploma projects 2013". Rodchenko School of Photography and Multimedia: 85–89. {{cite journal}}: Cite journal requires |journal= (help)
  52. ^ "What is behind this curtain? exhibition overview on Rodchenko school website". Rodchenko School of Photography and Multimedia. Retrieved 23 June 2015.
  53. ^ "Twelve Thinking Photographers exhibition page on Manifesta 10 website". Paralleleventsm10.ru. Archived from the original on 23 June 2015. Retrieved 23 June 2015.
  54. ^ "Moscow. Barocco. 2014. exhibition page on Biennale website". Youngart.ru. Retrieved 23 June 2015.
  55. ^ "Explizit und dezent zugleich". Orf.at. 6 June 2014. Retrieved 23 June 2015.
  56. ^ ""Московия. Research". Фотография, видео". Museum.ru. 12 July 2013. Retrieved 23 June 2015.
  57. ^ "Young, December 12 – January 4". Gup Magazine. 11 June 2011. Retrieved 23 June 2015.
  58. ^ "Borderlands, 20 March – 16 May 2015". Grad-london.com. Retrieved 23 June 2015.
  59. ^ "We are family, the 5th Photoquai Biennale opened this week in Paris". Salt Images. Retrieved 21 July 2020.
  60. ^ "Чем живут промышленные города бывшего СССР" [How do the industrial Soviet towns live] (in Russian). DW. 24 September 2015. Retrieved 21 July 2020.
  61. ^ "Watermill Center's 23rd Summer Benefit Brings 'House of Madness' To Hamptons". The Southampton Press. 1 August 2016. Retrieved 21 July 2020.
  62. ^ "VIII Tashkent International Biennale of Contemporary Art - 2018". Bonum Factum Gallery. Retrieved 21 July 2020.
  63. ^ "CalArts 2019 Film/Video Showcase Continues at REDCAT". SCVNews. 8 May 2019. Retrieved 21 July 2020.
  64. ^ Яна Жиляева (8 August 2019). "Пещерные люди: что делают русские художники в пещере в Германии". Forbes. Retrieved 24 August 2020.
  65. ^ "CYLAND Announces artworks to be included in CYFEST-12: ID program in St. Petersburg". CYLAND. 31 October 2019. Retrieved 21 July 2020.
  66. ^ Maria Efimova (26 June 2020). "An Interview with Filmmaker and Photographer Nikita Shokhov". Art.art. Retrieved 24 August 2020.

External links[edit]

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