|Birth name||Winfield Scott Moore III|
December 27, 1931 |
|Genres||Rock and roll|
Winfield Scott "Scotty" Moore III (born December 27, 1931) is an American guitarist and recording engineer. He is best known for his backing of Elvis Presley in the first part of his career, between 1954 and the beginning of Elvis's Hollywood years. He was ranked 44th in Rolling Stone magazine's list of 100 Greatest Guitarists of All Time in 2011. He was inducted into the Rock and Roll Hall of Fame in 2000.
Scotty Moore was born near Gadsden, Tennessee. He learned to play the guitar from family and friends at eight years of age. Although underage when he enlisted, Moore served in the United States Navy between 1948 and 1952.
Moore's early background was in jazz and country music. A fan of guitarist Chet Atkins, Moore led a group called the "Starlite Wranglers" before Sam Phillips at Sun Records put him together with then teenage Elvis Presley. Phillips believed that Moore's lead guitar and Bill Black's double bass were all that was needed to augment Presley's rhythm guitar and lead vocals on their recordings. In 1954 Moore and Black accompanied Elvis on what would become the first legendary Presley hit, the Sun Studios session cut of "That's All Right (Mama)", a recording regarded as a seminal event in rock and roll history. Elvis, Black and Moore then formed the Blue Moon Boys.
For a time, Moore served as Elvis's personal manager.:85 They were later joined by drummer D.J. Fontana. Beginning in July 1954, the Blue Moon Boys toured and recorded throughout the American South and, as Presley's popularity rose, they toured the United States and made appearances in various Presley television shows and motion pictures. The Blue Moon Boys, including Moore, appear in the few 1955 home movie clips that survive of Elvis before he achieved national recognition. Moore, Black, and Fontana also appear on the Dorsey Brothers, Milton Berle, Steve Allen, and Ed Sullivan live TV shows of January 1956 to January 1957. Moore and Fontana also reunited on the 1960 Timex TV special with Frank Sinatra welcoming Elvis's return from the Army.
Moore played on many of Presley's most famous recordings, including "That's All Right", "Good Rockin' Tonight", "Milk Cow Blues Boogie", "Baby Let's Play House", "Heartbreak Hotel", "Mystery Train", "Blue Suede Shoes", "Hound Dog", "Too Much", "Jailhouse Rock", "Hard Headed Woman". Moore and the Blue Moon Boys also perform (and have additional small walk-on and speaking roles) with Elvis in three of his movies (Loving You, Jailhouse Rock, King Creole and G.I. Blues ) filmed in 1957, 1958 and 1960.
Early in 1958, when Elvis was drafted, Scotty began working at Fernwood Records and produced a hit record called "Tragedy" for Thomas Wayne Perkins—brother of Johnny Cash guitarist Luther Perkins.
In 1960, Moore commenced recording sessions with Elvis at RCA, and also served as production manager at Sam Phillips Recording Service, which involved supervising all aspects of studio operation. Moore played on such Presley songs as "Fame And Fortune", "Such A Night", "Frankfort Special", "Surrender", "I Feel So Bad", "Rock-A-Hula Baby", "Kiss Me Quick", "Good Luck Charm", "She's Not You", "(You're The) Devil In Disguise", "Bossa Nova Baby".
In 1964, Moore released a solo album on Epic Records called The Guitar That Changed the World, played using his Gibson Super 400. For this effort he was fired by Sam Phillips. Moore reunited with Fontana and Presley for the NBC television special known as the '68 Comeback Special, again with his Gibson Super 400 which was also played by Presley.
Style and influence
Moore's playing on his Gibson with his unique finger-picking style using a pick, as on the Sun and early RCA recordings, was unique and exciting, representing a move of the Chet Atkins style into a more rockabilly mode. Moore's best performances are often considered precedent-setting.
Moore is given credit as the pioneer rock 'n' roll lead guitarist. Many popular guitarists cite Moore as the performer that brought the lead guitarist to a dominant role in a rock 'n' roll band. Although some lead guitarists/vocalists, such as Chuck Berry and blues legend BB King, had gained popularity by the 1950s, Presley rarely played his own lead while performing, instead providing rhythm guitar and leaving the lead duties to Moore. As a guitarist, Moore was a noticeable presence in Presley's performances, despite his introverted demeanor. He became an inspiration to many subsequent popular guitarists, including Bruce Springsteen and Keith Richards of the Rolling Stones. While Moore was working on his memoir with co-author James L. Dickerson, Richards told Dickerson, "Everyone else wanted to be Elvis—I wanted to be Scotty.":xiii Richards has stated many times (Rolling Stone magazine, Life autobiography) that he could never figure out how to play the "stop time" break and figure that Moore plays on "I'm Left, You're Right, She's Gone" (Sun), and that he hopes it will remain a mystery.
One of the key pieces of equipment in Moore's sound on many of the recordings with Elvis, besides his guitars, was the use of the Ray Butts EchoSonic (first used by Chet Atkins), a guitar amplifier with a tape echo built in, which allowed him to take his trademark slapback echo on the road.
Portrayal in popular culture
Emory Smith portrayed Moore in the 1981 documentary film This is Elvis.
Jesse Dabson played Scotty Moore in the 1990 ABC television series Elvis: The Early Years.
The book That's Alright, Elvis: The Untold Story of Elvis's First Guitarist and Manager, is written by Scotty Moore as told to James Dickerson. A recent book called The Blue Moon Boys also tells the story of Moore, Black, and Fontana before, during and after their tenure with Elvis.
Scotty Moore co-wrote the songs "My Kind of Carrying On" and "Now She Cares No More" which were released as Sun 202 on Sun Records in 1954 when he was a member of the group Doug Poindexter and the Starlite Wranglers with Bill Black as the bassist. He co-wrote the instrumental "Have Guitar Will Travel" in 1958 with Bill Black, which was released as a 45 single, 107, on the Fernwood Records label.
For his pioneering contribution, Moore has been recognized by the Rockabilly Hall of Fame. In 2000, he was inducted into the Rock and Roll Hall of Fame.
- "100 Greatest Guitarists: Scotty Moore". Rolling Stone. ISSN 0035-791X. Retrieved 28 February 2014.
- Moore, Scotty; Dickerson, James L. (2005). That's Alright, Elvis:The Untold Story of Elvis's First Guitarist and Manager. New York: G. Schirmer Inc. ISBN 978-0-8256-7319-1.
- Marcus, Greil; Guralnick, Peter; Sante, Luc; Gordon, Robert (2011). Rockabilly: The Twang Heard 'Round the World: The Illustrated History. Voyageur Press. p. 40. ISBN 978-0-7603-4062-2.
- Carter, Walter (2007). Gibson Electric Guitar Book - Seventy Years of Classic Guitars. Hal Leonard Corporation. p. 42. ISBN 978-0879308957.
- Hunter, Dave (2005). Guitar Rigs: Classic Guitar and Amp Combinations. Hal Leonard Corporation. pp. 40, 54. ISBN 978-0-87930-851-3.
- Unterberger, Richie. "Scotty Moore Biography". Allmusic. Rovi Corporation. Retrieved 28 February 2014.
- Scotty Moore at The Rock and Roll Hall of Fame
- Scotty Moore discography at Discogs
- Scotty Moore at the Internet Movie Database
- SUN Records singles discography
- Interview with Scotty Moore