The 7th Guest

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The 7th Guest
T7G-Box-Cover.jpg
CD Cover art
Developer(s) Trilobyte
Publisher(s) Virgin Interactive
Distributor(s) Trilobyte
Designer(s) Rob Landeros
Graeme Devine
Artist(s) Robert Stein III
Writer(s) Matthew Costello
Composer(s) George Sanger
Platform(s) PC, CD-i, Mac OS, iOS, OS X, Linux
Release date(s) PC
CD-i
Mac OS
  • NA January 1, 1993
  • EU 1993
iOS
  • NA December 15, 2010
Linux
  • WW October 19, 2013
Genre(s) Interactive movie, Puzzle adventure
Mode(s) Single player
Distribution CD, Download

The 7th Guest, produced by Trilobyte and originally released by Virgin Games in 1993,[1] is an interactive movie puzzle adventure game. It was one of the first computer video games to be released only on CD-ROM. The 7th Guest is a horror story told from the unfolding perspective of the player, as an amnesiac. The game received a great amount of press attention for making live action video clips a core part of its gameplay, for its unprecedented amount of pre-rendered 3D graphics, and for its adult content. In addition, the game was very successful, with over two million copies sold, and is widely regarded as a killer app that accelerated the sales of CD-ROM drives. The 7th Guest has subsequently been re-released on Apple's app store for various systems such as the Mac.[2] Bill Gates called The 7th Guest "the new standard in interactive entertainment."[3]

The game has since been ported in various formats to different systems such as iOS, with Trilobyte mentioning the potential for a third entry in the series.[4][5]

Gameplay[edit]

The game is played by wandering through a mansion, solving logic puzzles and watching videos that further the story. The main antagonist, Henry Stauf, is an ever-present menace, taunting the player with clues, mocking the player as they fail his puzzles ("We'll all be dead by the time you solve this!"), and expressing displeasure when the player succeeds ("Don't think you'll be so lucky next time!").

One of Stauf's many puzzles: This one requires Ego to close all of the skeletons in the coffins. When one coffin is selected, that one, and some of its adjacent ones, open or close.

A plot of manipulation and sin is gradually played out, in flashback, by actors through film clips as you progress between rooms by solving twenty-one puzzles of shifting nature and increasing difficulty. The first puzzles most players encounter is either one where players must select the right interconnected letters inside the lens of a telescope to form a coherent sentence; or a relatively simple cake puzzle, where the player has to divide the cake evenly into six pieces, each containing the same number of decorations. Other puzzles include mazes, chess problems, logical deductions, Simon-style pattern-matching, word manipulations, and even an extremely difficult game of Infection similar to Reversi that utilizes an AI (and would later go on to make an encore appearance in the sequel). For players who need help or simply cannot solve a particular puzzle, there is a hint book in the library of the house. The first two times the book is consulted about a puzzle, the book gives clues about how to solve the puzzle; on the third time, the book simply completes the puzzle for the player so that the player can proceed through the game. After each puzzle, the player is shown a video clip of part of the plot, if the hint book was consulted 3 times, the player does not get to view the clip. The hint book can be used for all but the final puzzle.

The 7th Guest was one of the first games for the PC platform to be available only on CD-ROM, since it was too large to be distributed on floppy disks. Computer Gaming World reported with amazement in 1993 that "not only does Guest consume an entire CD-ROM ... it actually requires TWO".[6] Removing some of the large movies and videos wasn't an option as they were essential to the gameplay. This game, along with LucasArts' Star Wars: Rebel Assault and Brøderbund's Myst, helped promote the adoption of CD drives, which were not yet common. The game's POV footage of walking through the house was originally planned as live-action video in a practical set, but the idea was abandoned after pre-rendered 3D sequences proved feasible and more cost-effective.[7]

Plot[edit]

Set in 1935 in the town of Harley-on-the-Hudson; a drifter named Henry Stauf, after murdering a woman, had dreams of beautiful dolls which he would then carve and give to the local children. Successful, he set up a toy store and continued to sell the dolls. At the height of his success, some of the children with Stauf's dolls came down with an incurable virus; meanwhile, Stauf, guided by another vision, built an eerie mansion on the edge of town, and after its construction, was not seen for some time. The rest of the game is presented from a first-person view as the player's avatar, called "Ego", explores the house, witnessing the events of the past through ghostly images and narrating on what is seen.

Some time after the virus outbreak, six people received invitations to stay at Stauf's mansion: Martine Burden, a former singer; Edward and Elinor Knox, an older dissatisfied couple; Julia Heine, a bank worker who reminisces of her youth; Brian Dutton, a fellow shopowner; and Hamilton Temple, a stage magician. When they arrive, they find no sign of Stauf, but instead instructions that they should stay the night and solve the puzzles that he has left them, and he will grant them their greatest desires. The guests, once on their own, each come to the conclusion that Stauf wants them to bring him the "seventh guest", which turns out to be a boy named Tad that has entered the house on a dare from his friends. Stauf seeks one more child which he will turn into one of his dolls, completing his pact with a supernatural entity.

The guests soon turn on each other: Martine lures Edward from his wife, and together they search for the boy. However, both Elinor and Hamilton recognize that Stauf has only evil plans for the child, and urge him to escape when they find him. Eventually, all but Julia and Tad succumb to death from their fellow guests or traps left by Stauf (Brian is stabbed by Edward, Edward's neck broken by Hamilton, Hamilton strangled by Julia, Martine is drowned by a spirit in her bathtub, and Elinor's spirit is transferred into a mannequin). Julia brings Tad to the attic, where the wheelchair bound Stauf awaits. Julia hands the boy to Stauf and demands her wish, but Stauf dissolves her in a pool of his own bile as she shrieks in pain. Tad attempts to escape, but Stauf holds him back with a long, prehensile tongue. The narrator, at this point, recognizes that he has seen all these events before, as he is the spirit of Tad; he has tried to stop this from happening countless times before and doomed to repeat it. Through the narrator's motivation, Tad is able to break free of Stauf's hold, causing the supernatural entity to take Stauf to Hell. Tad thanks the narrator, as the loop has now been broken, and they are taken into a glowing white light.

Music[edit]

The second disc of the CD-ROM set included a very large single audio track playable on any regular CD player. In total, the track was almost a half an hour long and it included both the in-game music, composed by already leading video game musician George "The Fat Man" Sanger, and two live music recordings: "The Game", whose melody in various permutations and stylistic variations became the background music for most of the game (as well as the theme for a piano puzzle) and whose lyrics (sung on the disc by Cotton Mather vocalist Robert Harrison) were based on Stauf's twisted plot, and "Skeletons in My Closet", a jazzy tune with a female lead voice (Kris McKay) which was the ending-credits theme. A few years later, Sanger independently released an album titled 7/11, which was a little over an hour long and contained all the music from T7G (this time, on separate tracks) as well as its sequel, The 11th Hour.

\relative b { b b' fis g e dis e fis  e b r }
Portion of Sanger's "The Game" leitmotif

The in-game music had conventions similar to the use of leitmotif in Sergei Prokofiev's Peter and the Wolf, wherein each guest was assigned a musical theme; where Peter and Wolf used instrumental changes for its characters, The 7th Guest, conversely, used stylistic variations on the melody of Sanger's "The Game".

Where two characters interact in the story, the styles are fused, counterpointed, or even sounded simultaneously and when tension abounds, the characters' themes are reflected thusly.

Development[edit]

The 7th Guest was the brainchild of game designer/graphic artist Rob Landeros, and a Virgin MasterTronics programmer, Graeme Devine. When Landeros and Devine presented their idea for the game, they were promptly "fired" so that they could start their own company, Trilobyte, dedicated solely to the development of this game.[8] They originally intended to create the movements through the mansion using video. 3D graphics and animation were introduced to the title early in '91 when Robert Stein III joined the team.

Devine created the game's engine GROOVIE, which allowed continuous streaming of data from CD-ROM.[9] The 7th Guest was the first graphic adventure to use 640x320 Super VGA graphics with 256 colors; Trilobyte reportedly spent more than $500,000 over more than two years to produce the graphics. George Sanger created the soundtrack.[6]

Devine said that he cried when watching the end credits play for the first time: "It had been such a hard game to make and I was so exhausted from the process of getting it finished that seeing those credits play through made me realise what we had done."[10]

The game was to be ported to the unreleased SNES-CD peripheral.

Reception[edit]

The game received a very positive response at its preview at the Summer 1992 Consumer Electronic Show[6] and was very successful, with over two million copies sold. It is widely regarded as a killer app that accelerated the sales of CD-ROM drives.[2] Bill Gates called The 7th Guest "the new standard in interactive entertainment."[3]

The Macintosh version of the game was reviewed in 1994 in Dragon #212 by Paul Murphy in the "Eye of the Monitor" column. Murphy felt that "The Seventh Guest suffers from an incurable case of confusion about what it is trying to be. It's either a collection of puzzles encumbered by an unnecessary horror setting and story—or it's a horror story and setting encumbered by an unnecessary collection of puzzles."[11]

Legacy[edit]

Content of the original 7th Guest boxed release.

Due to the success of The 7th Guest, Trilobyte released a sequel entitled The 11th Hour. The game's reception was initially mixed and did not sell as well as was initially expected.[12] Plans for further sequels to the series were initiated, but never completed due to the then demise of the company. Landeros attempted to create his own official third installment titled The 7th Guest Part III: The Collector, releasing a trailer for the game onto his official website, only for the trailer to disappear and no further information on the series being released.[citation needed]

Trilobyte also released a compilation game made up of the puzzles from both The 7th Guest and The 11th Hour as well as Clandestiny. The game was entitled Uncle Henry's Playhouse. The game was poorly received, only selling 27 copies in the United States.[13]

Ports of both The 7th Guest and The 11th Hour were planned, with The 7th Guest being ported to the CD-i console. Initial plans for The 11th Hour to be ported to the 3DO eventually fell through. In 2010 the first game in the series was ported to the iPhone and iPad, with the series later also being ported to other systems such as the Macintosh. A stand-alone version of the Microscope Puzzle from the original version of The 7th Guest was later released under the name The 7th Guest: Infection. The puzzle had been excluded from the game for technical reasons and features two versions of the puzzle, a somewhat updated version of the puzzle as well as an older version of the Infection game that can be unlocked by beating the main game.[14][15][16]

Crowdfunding campaigns for The 7th Guest 3[edit]

Trilobyte, relaunched under Rob Landeros, started a Kickstarter campaign on Halloween 2013 for The 7th Guest 3: The Collector. However, it failed to meet its funding target of $435,000.[17] Another crowdfunding campaign was started at Crowdtilt with a smaller goal of $65,000 to build the first story of the haunted mansion.[18]

Awards[edit]

The 7th Guest won the following awards:[19]

Year Awards
1993
  • PC Computing- MVP Entertainment Software
  • Game Players PC Entertainment - Special Achievement in Graphics Design
  • British Interactive Media - Silver Award
1994
  • Interactive Academy/Cybermania Awards - Best CD Game[20]
  • Multimedia World Readers' Choice Award - Best Entertainment Title
  • Computer Game Review - Golden Triad Award
  • New Media Invision Awards - Award of Excellence
  • New Media Invision Awards - Gold-Creative Excellence for Best Animation/Graphics
  • PC World Class - Best CD-ROM Game / Adult
  • Electronic Entertainment 1st Annual Editors' Choice - Breakthrough Game
  • Computer Gaming World Readers' Poll - No. 1 Rated Game

References[edit]

  1. ^ a b Wolf, Mark J. P. (2008). The Video Game Explosion. Milton Park, Abingdon, UK: Greenwood Publishing Group. p. 192. ISBN 9780313338687. 
  2. ^ a b Geoff Keighley: "Haunted Glory: The Rise and Fall of Trilobyte" at GameSpot
  3. ^ a b Wolf, Mark J.P. (2007). The video game explosion: a history from PONG to PlayStation and beyond. Greenwood. p. 129. ISBN 0-313-33868-X. 
  4. ^ "The 7th Guest: Infection Launches for iPad". Dread Central. Retrieved 14 November 2012. 
  5. ^ "Products". Trilobyte Games. Retrieved 2012-11-01. 
  6. ^ a b c Miller, Chuck (1993-04). "A Sneak Preview of Virgin's The 7th Guest". Computer Gaming World. p. 30. Retrieved 6 July 2014. 
  7. ^ Demaria, Rusel (1993-11-15). The 7th Guest: The Official Strategy Guide. Prima Games. ISBN 1-55958-468-8. 
  8. ^ Keighley, Geoff (22 September 1999). "Haunted Glory: The Rise and Fall of Trilobyte". GameSpot. pp. 2–3. Retrieved 28 December 2012. 
  9. ^ Keighley, Geoff. "Haunted Glory: The Rise and Fall of Trilobyte." Part 1.4 from GameSpot
  10. ^ "A Moment With... Graeme Devine". Retro Gamer (122) (Imagine Publishing). December 2013. p. 30. 
  11. ^ Rolston, Ken, Paul Murphy, and David "Zeb" Cook (December 1994). "Eye of the Monitor". Dragon (212): 55–59, 62. 
  12. ^ Stiles, Greg (November 4, 2010). "Extinct Trilobyte's back in the game". Mail Tribune. Retrieved 14 November 2012. 
  13. ^ Keighley, Geoff. "Haunted Glory: The Rise and Fall of Trilobyte". Page 5. GameSpot.
  14. ^ "Download The 7th Guest - PC Game". Dotemu.com. Retrieved 2012-11-01. 
  15. ^ "Download The 11th Hour - PC Game". Dotemu.com. 1995-11-30. Retrieved 2012-11-01. 
  16. ^ "News - Trilobyte Games joins list of GOG.com partners". GOG.com. Retrieved 2012-11-01. 
  17. ^ "The 7th Guest 3: The Collector". Kickstarter. 2013-12-08. 
  18. ^ "The 7th Guest 3: The Collector". Crowdtilt. 2014-02-20. 
  19. ^ WILLIAMS, STEPHEN (Feb 5, 1995). "PLUGGED IN GAMES". Newsday. Retrieved 23 November 2012. 
  20. ^ "'Cybermania' cites tops in Multimedia". Billboard. Nov 19, 1994. Retrieved 23 November 2012. 

External links[edit]