The Man Who Knew Too Much (1934 film)
| The Man Who Knew Too Much | |
|---|---|
| File:The man who knew too much 1934 poster.jpg | |
| Directed by | Alfred Hitchcock |
| Written by | Charles Bennett D. B. Wyndham-Lewis Edwin Greenwood (scenario) A.R. Rawlinson (scenario) |
| Produced by | Michael Balcon (uncredited) |
| Starring | Leslie Banks Edna Best Peter Lorre Nova Pilbeam Frank Vosper |
| Cinematography | Curt Courant |
| Music by | Arthur Benjamin |
| Distributed by | Gaumont-British Picture Corporation |
Release date |
|
Running time | 75 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £40,000 (estimated) |
The Man Who Knew Too Much (1934) is a British suspense film directed by Alfred Hitchcock, featuring Peter Lorre and released by Gaumont British. It was one of the most successful and critically acclaimed films of Hitchcock's British period.
Hitchcock remade the film with James Stewart and Doris Day in 1956 for Paramount Pictures. The two films, however, are very different in tone, in setting, and in many plot details.
The film has nothing except the title in common with G. K. Chesterton's 1922 book of detective stories of the same name. Hitchcock decided to use the title as he had the rights for some of the stories in the book.[1]
Synopsis
Bob and Jill Lawrence (Leslie Banks and Edna Best) are a British couple on a trip to Switzerland, travelling with their daughter Betty (Nova Pilbeam). Jill is participating in a clay pigeon shooting contest. She is the best shot but she loses first place to a male sharpshooter because, at the crucial moment, she was distracted by the noise of a chiming watch which belongs to Abbott (Peter Lorre).
Bob and Jill have befriended Frenchman Louis Bernard (Pierre Fresnay) who is staying in their hotel. One evening, Louis is fatally shot as Jill dances with him. Before he expires, Louis tells Bob where to find a note to be delivered to the British consul. Bob reads the note, which contains vital indications about a planned international crime.
The criminals kidnap the couple's daughter Betty and threaten that she will be killed if her parents tell anyone what they know. Unable to seek help from the police, the couple return to England. They follow a series of leads and discover that the group, led by Abbott, intends to assassinate the head of state of an unidentified European country during a concert at the Royal Albert Hall. The group has hired the winner of the Swiss clay-pigeon contest as gunman for the assassination, who has excellent sharpshooting skills. Jill attends the concert and distracts the gunman's aim with a scream at the crucial moment.
The criminals return to their lair, which is the temple of a sun-worshipping cult in a working-class area of Wapping in London, near the docks. Bob had entered the temple as he was searching for Betty, and is being held prisoner in the adjoining house. Betty is also imprisoned there in another room. The police surround the buildings and a major gunfight ensues; the police are issued with rifles. The criminals hold out until their ammunition runs low and nearly all of them have been killed.
Betty climbs up to the roof, fleeing from the gunman who follows her. A police marksman dares not try to shoot him, as he is standing so close to Betty. Jill grabs the rifle and her sharpshooting skills finally triumph—she shoots the gunman and he falls off the roof without harming Betty.
The police storm the building. Abbott, the criminal mastermind, is still alive and hiding behind a door, but he is betrayed by the chiming of his watch, and is shot and killed by the police.
A terrified Betty is reunited with her parents.
Cast
- Leslie Banks as Bob
- Edna Best as Jill
- Peter Lorre as Abbott
- Frank Vosper as Ramon
- Hugh Wakefield as Clive
- Nova Pilbeam as Betty Lawrence
- Pierre Fresnay as Louis
- Cicely Oates as Nurse Agnes
- B. A. Clarke Smith as Binstead
- George Curzon as Gibson
Production
Before switching to the project, Hitchcock was reported to be working on Road House (1934), which was eventually directed by Maurice Elvey.[2] The film started as Hitchcock and writer Charles Bennett tried to adapt a Bulldog Drummond story revolving around international conspiracies and a baby kidnapping; its original title was Bulldog Drummond's Baby. As the deal for an adaptation fell through, the frame of the plot was reused in the script for The Man Who Knew Too Much, the title itself taken from an unrelated G.K. Chesterton compilation.[1]
The story is credited to Bennett and D.B. Wyndham Lewis; Bennett claims Lewis had been hired to write some dialogue which was never used and provided none of the story.[3]
Peter Lorre was unable to speak English at the time of filming (he had only recently fled from Nazi Germany) and learned his lines phonetically.[4]
The shoot-out at the end of the film was based on the Sidney Street Siege, a real-life incident which took place in London's East End (where Hitchcock grew up) on 3 January 1911.[5][6][7] The shoot-out was not included in Hitchcock's 1956 remake.[8]
Hitchcock hired Australian composer Arthur Benjamin to write a piece of music especially for the climactic scene at Royal Albert Hall. The music, known as the Storm Clouds Cantata, is used in both the 1934 version and the 1956 remake.
Alfred Hitchcock's cameo appears 33 minutes into the film. He can be seen crossing the street from right to left in a black trench coat before they enter the Chapel.
Production crew
- Directed by Alfred Hitchcock
- Written by Charles Bennett and D. B. Wyndham-Lewis
- Associate Producer: Ivor Montagu
- Photography: Curt Courant
- Editor: H St. C.J. Stewart
- Music: Arthur Benjamin
References
- ^ a b "The Making of The Man Who Knew Too Much", The Man Who Knew Too Much (1956) DVD
- ^ Ryall p.103
- ^ Pat McGilligan, "Charles Bennett", Backstory 1, p25
- ^ Classic Film Guide: "his first English-speaking role (learned phonetically)"
- ^ TimeOut Review: "shootout re-enacting the Sidney Street siege"
- ^ "Review". Screenonline.org.
modelled on the notorious Sidney Street siege of 1911
- ^ "Review". Britmovie.co.uk.
based on the Sidney street siege
- ^ TCM.com
Bibliography
- Ryall, Tom. Alfred Hitchcock and the British Cinema. Athlone Press, 1996.
- Youngkin, Stephen D. (2005). The Lost One: A Life of Peter Lorre. University Press of Kentucky. ISBN 0-8131-2360-7. – Contains interviews with Alfred Hitchcock and a discussion on the making of The Man Who Knew Too Much (1934).
External links
- The Man Who Knew Too Much at IMDb
- The Man Who Knew Too Much at AllMovie
- The Man Who Knew Too Much at the TCM Movie Database
