|Birth name||Nicholas Bowen Headon|
|Also known as||Topper|
30 May 1955 |
Bromley, Kent, England
|Genres||Jazz, soul, R&B, rock, punk rock, reggae, rock and roll|
|Occupations||Drummer, percussionist, songwriter|
|Instruments||Drums and percussion, bass guitar and occasional piano|
|Associated acts||The Clash, Mirkwood, Bobby Tench, Jimmy Helms, Mick Gallagher|
Nicholas Bowen "Topper" Headon (born 30 May 1955), known as "Topper" due to his resemblance to Mickey the Monkey from the Topper comic, is a British rock and roll drummer, best known for his membership in the punk rock band The Clash. He is regarded as one of the most inspirational and technically inventive punk rock drummers of the late 1970s and early 1980s. Writing for Allmusic, critic Greg Prato stated that record producer Sandy Pearlman dubbed Headon as "The Human Drum Machine", due to his impeccable timing and drumming skills.
Topper Headon spent his early childhood in Crockenhill, northwest Kent. He started playing drums at an early age and was a jazz fan, citing Billy Cobham as a strong influence. In 1973, Headon joined the cult progressive rock outfit Mirkwood. He appeared with them for a year and a half and they supported major acts such as Supertramp. He later played with a band which opened for American R&B legends The Temptations and admits to falsely claiming that he played with The Temptations.
Originally Headon joined The Clash in 1977 with the intention of establishing a reputation as a drummer, before moving onto other projects, but he soon realised their full potential and remained with them for four and half years. Headon appeared on the albums Give 'Em Enough Rope (1978), The Clash (1979 US version), London Calling (1979), Sandinista! (1980) and Combat Rock (1982), as well as several landmark singles the Clash recorded during their early period. Also of note are his lead vocal on "Ivan Meets G.I Joe" from Sandinista and his work on the hit single "Rock the Casbah" from Combat Rock, on which Headon composed most of the music and played drums, piano and bass guitar. He also appeared on Super Black Market Clash (1993), which included B-sides from the band's single releases.
Clash singer/guitarist Joe Strummer is quoted as saying that Headon's drumming skills were a vital part of the band. Tensions rose between Headon and his fellow band members due to his addiction, and he left the band on 10 May 1982, at the beginning of the Combat Rock tour. The band covered up the real reason for Headon's departure, the apparent growing use of heroin, claiming Headon's exit was due to exhaustion.
In a later interview for the rockumentary Westway to the World, he apologised for his addiction and speculated that had he not been asked to leave The Clash, the band might have lasted longer and might possibly still be together. He also lamented the fact that the best known Clash line-up had been considering a reunion at the time of Strummer's death, after the positive reunion during the Westway to the World rockumentary.
After The Clash
After leaving the Clash, he was considered as drummer in Mick Jones' post-Clash band Big Audio Dynamite Headon subsequently focused on recording a solo album Waking Up (1986). He also released a cover version of the Gene Krupa instrumental "Drumming Man" as a single, which featured Headon's "DuKane Road" on the B-side. His own composition "Hope for Donna" was included on the Mercury Records sampler Beat Runs Wild, in the same year . During the 1980s Headon produced albums for New York band Bush Tetras and contributed drums to Chelsea's Underwraps (1989), before becoming involved with a court case over his drug habits.
He still makes occasional public appearances and it was after one of his shows that he was informed of the death of Clash frontman Joe Strummer. An emotional Headon stated:
|“||It's taken Joe's death to make me realise just how big The Clash were. "We were a political band and Joe was the one who wrote the lyrics. Joe was one of the truest guys you could ever meet. If he said 'I am behind you', then you knew he meant it 100 percent".||”|
Headon was extensively interviewed for the Joe Strummer: The Future Is Unwritten documentary film about the late Clash frontman. He related his experiences during this period, how he became addicted to heroin and how there were problems before his dismissal. For example, Joe once slept with his girlfriend, which caused a lot of pain to Headon, and Mick Jones didn't want any bus-travelling without pot. Topper also said that seeing the video of "Rock the Casbah" with "someone else (Terry Chimes) in my place playing my song" caused him to fall in even greater depression and heavier drug addiction. It appears that his addiction was only part of the growing tension in the band that led to Mick Jones' dismissal a year later and the eventual break-up of the band in 1986.
On 11 January 2008, Carbon/Silicon, a new band with the line-up of Mick Jones, Tony James, Leo Williams and Dominic Greensmith, played a show at the Carbon Casino Club in Portobello London. Headon joined the band on stage during The Clash's "Train in Vain (Stand by Me)". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This performance marked the first time since 1982 that Headon and Jones had performed together on stage.
In a February 2008 newspaper article Headon revealed that in 2003 he started to experience serious back pain, a frequent complaint of ageing rock drummers. Diagnosed with hyperkyphosis, a forward curvature of the back, he underwent intense posture adjustment treatment and continues to exercise daily. He notes that, on his recent appearance with Jones, he exhibited his new upright stance.
The BBC featured Headon in a February 2009 feature on drumming as therapy. He shares some of his story in a brief video interview. In 2012 Headon was interviewed by fellow drummer Spike Webb, sharing stories from his years drumming for The Clash and his experience writing 'Rock The Casbah'.
As a drummer, Headon often employed a distinctive style which emphasised a simple bass-snare up-down beat, accentuated with closed hi-hat flourishes. Such a method can be found in the songs "Clampdown", "Train in Vain", and "Lost in the Supermarket". His drumming on "Train in Vain" has been characterised as one of the most important and distinctive beats in rock music. Writes Scott Kenemore, "[hi]s contribution to the music was tremendous, and his drumming remains an undiscovered treasure for too many."
With The Clash
- Give 'Em Enough Rope (1978)
- The Clash (1979 U.S. release of the album; originally released in 1977, Headon plays drums on "Clash City Rockers", "Complete Control", "(White Man) In Hammersmith Palais", "I Fought the Law", and "Jail Guitar Doors")
- London Calling (1979)
- Sandinista! (1980)
- Combat Rock (1982)
- Super Black Market Clash (1980/1993) drums on all tracks except on "1977" and "Listen"
- Prato, Greg. "Topper Headon > Biography". allmusic.com. Retrieved 12 December 2007. "a) Sandy Pearlman dubbed Headon "The Human Drum Machine," due to his impeccable timing and skills.
b) Headon grew up a soul and jazz fan (an early influence was ace fusion drummer Billy Cobham), and he was once a member of a local group that opened a show for The Temptations.
c) Headon's original plan was to stay with the Clash for only a year – which he figured would give enough time to get his name known so he could move on to another more "suitable" group. Headon quickly realised that the group was not just a one-dimensional punk band, as they branched out and touched upon a wide variety of styles – all the while never losing sight of their original punk ideals.
d) a heroin addiction had drawn a wedge between Headon and the rest of his bandmates.
e) After a planned reunion with Jones (who was expelled from the Clash himself a year after Headon's dismissal) in the group Big Audio Dynamite failed to work out, Headon focused on recording a solo album."
- Letts Don; Rick Elgood, Joe Strummer, Mick Jones, Paul Simonon, Topper Headon, Terry Chimes, The Clash (2001). The Clash: Westway to the World (Documentary). New York, NY: Sony Music Entertainment; Dorismo; Uptown Films. Event occurs at 37:00–39:00. ISBN 0-7389-0082-6. OCLC 49798077.
- Coon 1977.
- Cooke, Brandon; Pete Shelley, Tom Verlaine, Topper Headon, Hipsway, Curiosity Killed the Cat, Wet Wet Wet, Love and Money, Swing Out Sister, Zerra One (1986). Beat Runs Wild (LP recording). London: Mercury. OCLC 51782857.
- "Celebrity Tributes to Joe Strummer". strummernews.com. Retrieved 12 December 2007. "It's taken Joe's death to make me realise just how big The Clash were. We were a political band and Joe was the one who wrote the lyrics. Joe was one of the truest guys you could ever meet. If he said 'I am behind you', then you knew he meant it 100 percent."
- Harper, Simon (12 January 2008). "The Carbon Casino – The Clash reunited! Pair jam after 25 years". Clash Music. Retrieved 15 January 2008. "For the first night of their six-week residency in West London's Inn On The Green, Carbon/Silicon had promised surprises, but few had realised that meant the reunion of Mick Jones and the powerhouse drummer of The Clash, Topper Headon."
- "Clash members Topper Headon and Mick Jones reunite on stage". Punknews.org. 13 January 2008. Retrieved 15 January 2008. "For the first time in 25 years, former Clash members Mick Jones and Topper Headon have shared the stage together. The reunion took place at Carbon/Silicon's "Carbon Casino" residency, and comes five years after Mick joined Joe Strummer on stage at the Brixton Academy."
- "The Clash's Mick Jones and Topper Headon reunite after 25 years". NME. UK. 14 January 2008. Retrieved 15 January 2008. "Clash drummer joins Carbon/Silicon at London show"
- "Can our natural rhythm heal us?". BBC. 10 February 2000. Retrieved 7 June 2010.
- "Topper Headon (The Clash) talks about 'Mad, Bad and Dangerous'". YouTube. 5 May 2012. Retrieved 5 May 2012.
- Headon, Nicky (9 February 2008). "Backache calling ... Nick Headon reveals the treatment that helped his back pain". Daily Mail (UK). Retrieved 10 February 2008.
- Kenemore, Scott (21 March 2007). "All Talk and No Stick". PopMatters. Retrieved 12 December 2007. "a) Rock fans everywhere recognise his opening beat to the Mick Jones song “Train in Vain.” A typical example of Topper’s excellent work, the beat is both catchy and deceptively complicated.
b) Despite his personal failings, his contribution to the music was tremendous, and his drumming remains an undiscovered treasure for too many."
- "Albums by Topper Headon – Rate Your Music". rateyourmusic.com. Retrieved 12 December 2007.
- "Bob Tench at Allmusic". allmusic.com. Retrieved 14 December 2008.
- Headon, Topper (1986). I'll Give You Everything (LP recording). England: Mercury. OCLC 29290615.
- Clash, The (1 October 2008). The Clash: Strummer, Jones, Simonon, Headon. London: Atlantic Books. ISBN 1-84354-788-0. OCLC 236120343.
- Coon, Caroline (1977). 1988: The New Wave Punk Rock Explosion. London: Hawthorn. ISBN 0-8015-6129-9. OCLC 79262599. Retrieved 2011-09-19.
- Gilbert, Pat (2005) . Passion Is a Fashion: The Real Story of The Clash (4th ed.). London: Aurum Press. ISBN 1-84513-113-4. OCLC 61177239.
- Gray, Marcus (2005) . The Clash: Return of the Last Gang in Town (5th revised ed.). London: Helter Skelter. ISBN 1-905139-10-1. OCLC 60668626.
- Green, Johnny; Garry Barker (2003) . A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. ISBN 0-7528-5843-2. OCLC 52990890.
- Gruen, Bob; Chris Salewicz (2004) . The Clash (3rd ed.). London: Omnibus. ISBN 1-903399-34-3. OCLC 69241279.
- Needs, Kris (25 January 2005). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN 0-85965-348-X. OCLC 53155325.
- Topping, Keith (2004) . The Complete Clash (2nd ed.). Richmond: Reynolds & Hearn. ISBN 1-903111-70-6. OCLC 63129186.