Toyi-toyi
Toyi-toyi is a Southern African dance used in political protests in South Africa.[1]
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously created.
Use during apartheid
Toyi-toyi was often used for intimidating the South African police and security forces during anti-apartheid demonstrations. The toyi-toyi was also used with chants such as the African National Congress's "Amandla" ("power") and "Awethu" ("ours") or the Pan African Congress's "One Settler, One Bullet".
After the 1976 Soweto massacre, the anti-apartheid movement became more militant. The toyi-toyi, a military march dance and song style became commonplace in massive street demonstrations. As one activist puts it, "The toyi-toyi was our weapon. We did not have the technology of warfare, the tear gas and tanks, but we had this weapon."[2]
Current use in South Africa
After Apartheid ended, people have used toyi-toyi to express their grievances against current government policies. Use of the dance has become very popular during recent service delivery protests and among trade unions.[3][4] The Anti-Privatisation Forum has come out with a CD that they see as a compilation of music specially for toyi-toying.[5]
General
The UK band, UB40, incorporated the "Amandla, Awethu" chant into Sing Our Own Song from the 1986 album Rat In The Kitchen.
In October 2004 Robert Mugabe of Zimbabwe banned toyi-toyi even indoors because of its use as a protest.[6]
References
- ^ Nevitt, Lisa (November 2010). "What's the Deal with the Toyi-Toyi". Cape Town Magazine.
- ^ "The Toyi-Toyi of Southern Africa". Power to the People.
- ^ "Use of Toyi-Toyi by the AEC". Anti-Eviction Campaign.
- ^ What's the Deal with the Toyi-Toyi, by Lisa Nevitt,Cape Town Magazine, November 2010
- ^ "GMusic to toyi-toyi to". Mail & Guardian.
- ^ "The Toyi-Toyi of Southern Africa". Power to the People.
External links
- Toyi Toyi Artz Kollektive
- What’s the Deal With Toyi-toyi?, Lisa Nevit, Cape Town Magazine