Willard (1971 film)
|Directed by||Daniel Mann|
|Produced by||Charles A. Pratt
|Written by||Gilbert Ralston|
|Music by||Alex North|
|Cinematography||Robert B. Hauser|
|Editing by||Warren Low|
|Distributed by||Cinerama Releasing Corporation|
|Running time||95 minutes|
Willard is a 1971 horror film starring Bruce Davison and Ernest Borgnine, directed by Daniel Mann. The movie is based on the novel Ratman's Notebooks by Stephen Gilbert, and was nominated for an Edgar Award for best picture. The supporting cast included Elsa Lanchester in one of her last performances, and Sondra Locke in one of her first. The film was a summer hit in 1971; opening to good reviews and high box office returns. It inspired other horror films with wild animals as predators, as well as psychological thrillers with social outcasts as the protagonists, climaxing in 1975 and 1976 with the hit films Jaws and Carrie.
Willard is a meek social misfit who later develops a strange affinity for rats. He lives in a large Victorian home, with only his cranky and decrepit mother for company. On his 27th birthday, he is humiliated to come home to a birthday party thrown by his mother, where all of the attendees are her own aging friends. After having left the party in embarrassment, he notices a rat in his backyard and tosses it pieces of his birthday cake. Later, his mother gets upset with him for leaving the party and she scolds him later while also discussing how badly the house is falling apart. The next morning he goes out and feeds another rat (this one has babies with it) while imitating their squeaks. His mother starts telling him that he needs to kill the rats that have been running around their yard, to which Willard refuses.
When Willard goes to work he is promptly scolded by his boss Al Martin. Later he returns home and traps the rat family in the center rock in the pond by using a wooden plank and food, before turning on the water, taking the plank away, and letting it fill up until the water level reaches the rats (which are on top of a tall rock in the center); by then he feels guilty and puts the plank back before turning off the water. When his mother asks if he killed the rats he lies and tells her he did.
That afternoon he begins playing with a rat he names Queenie, and begins teaching them words like "food" and "empty". He sees a white rat and immediately takes a liking to it. The white rat becomes his best companion and he names it Socrates for his wisdom. Numerous other rats quickly emerge, one of which is a bigger black specimen whom he names Ben.
At work, Mr. Martin nags at Willard, telling him he will not give him a raise, and then urges him to sell the house. Willard sneaks up to a party Mr. Martin is throwing, opens his suitcase which has rats in it, and then urges them to go get the food and ruin the party. The guests begin screaming and Willard laughs behind the bushes where he is hiding.
The next day Willard's mother dies. After this Willard is further pressured by the banks to give up the house.
Willard decides to bring Socrates and Ben to the office with him. He sets them on some shelves and tells them to be good. One of his friends at work gives him a cat named Chloe. Chloe constantly claws at the suitcase where Ben and Socrates are residing. Willard hands her off to a complete stranger and drives away. Later on it is revealed that the rat population is getting too big and he can not afford to feed them much longer. Willard decides to steal money from his boss. He orders the rats to "tear it up" and puts them in front of the door.
Later, at home, Willard gets mad at Ben and keeps putting him outside the bedroom, but Ben persists in sleeping in his room. The next day he again takes Ben and Socrates to work. One of the workers spots the rats and Mr. Martin bludgeons Socrates to death, leaving Willard devastated. Willard trains his rats to follow his commands, and later instructs them to kill Mr. Martin upon his confronting him over all of the misdeeds he has perpetrated against him. Slightly unnerved by Martin's gruesome death, Willard then abandons Ben, goes home and begins sealing up any holes that the rats can enter his house through. He also puts as many as he can into cages and drowns them in the small pool outside.
Willard has dinner with Joan, a co-worker he likes, but is startled to look up and see Ben back in the house staring at him from a corner shelf. He gets up and notices hordes of rats running up the stairs from the basement. He orders Joan to leave and locks the door before confronting Ben. Willard stalls and begins mixing rat poison, but Ben reads the box and squeals loudly, alerting the others, some of whom attack Willard. In an act of desperation, Willard tries to hit the rat with a broom, but misses. He runs upstairs but the other rats come after him. Shutting the door, he stands there terrified. The rats begin to gnaw at the door and eventually break in and devour him. The camera zooms into a close-up of Ben and the credits roll.
- Bruce Davison as Willard Stiles
- Sondra Locke as Joan
- Elsa Lanchester as Henrietta Stiles
- Ernest Borgnine as Al Martin
- Willard was nominated for the Eddie award in Best Edited Feature Film at the 1972 American Cinema Editors Awards.
- Willard was also nominated for the Edgar award in Best Motion Picture at the 1972 Edgar Awards.
- A seven page satire by Mort Drucker and Dick DeBartolo titled "WILLIES" appeared in Mad (magazine) #149, dated March 1972. The cover of the magazine announced "IN THIS ISSUE WE TEAR APART WILLARD" and featured artwork by Jack Rickard. The cover art portrays Alfred E. Neuman as Willard siccing an army of rodents (all dressed in Mickey Mouse pants and shoes with Mouseketeer Ears) on a hapless Ernest Borgnine.
- A sequel called Ben was released in 1972
- Willard serves as the opening anecdote to a chapter, "Becoming-Intense, Becoming-Animal, Becoming-Imperceptible..." in Gilles Deleuze and Felix Guatarri's A Thousand Plateaus.
- A remake also titled Willard was released in 2003, with Crispin Glover playing Willard. Bruce Davison is also featured in the film as Willard's father, appearing in a portrait.
In popular culture
- In the video game "Grand Theft Auto: San Andreas", the film is mentioned in the vehicle chart under the car called "Willard". Its listing says that the car is like the movie in that it "squeaks and it's hard to get rid of".
- The video game Shining Force II contains a boss monster named Willard, a giant rat.