List of marches by John Philip Sousa

For a complete list of compositions by John Philip Sousa, see List of compositions by John Philip Sousa

John Philip Sousa's portrait as leader of Marine Band (1880-92)

John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. He composed 136 marches, from 1873 until his death in 1932. A few of his marches are derived from his other musical compositions such as melodies and operettas. Some of his most famous marches include "The Stars and Stripes Forever", "Semper Fidelis", "The Washington Post", "The Liberty Bell", and "Hands Across the Sea". A British band journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. However, not all of Sousa's marches had the same public appeal. Some of his early marches are lesser known and rarely performed.

He composed marches for several American universities, including the University of Minnesota, University of Illinois, University of Nebraska, Kansas State University, Marquette University, Pennsylvania Military College (now known as Widener University), and the University of Michigan. He served as leader of the Marine Band from 1880 to 1892, and performed at the inaugural balls of President James A. Garfield and Benjamin Harrison.

"The Stars and Stripes Forever" is the national march of the United States, and "U.S. Field Artillery" is the official march of the U.S. Army. After leaving the Marine Band, he formed a civilian band and made many tours and performances in the subsequent 39 years. He died on March 6, 1932, at the age of 77 leaving his last march, "Library of Congress", unfinished.

List of marches

Music sheet of march "Across the Danube"

Music sheet of march "Transit of Venus"

Music sheet of march "El Capitan"

Music sheet of march "The Stars and Stripes Forever"

Music sheet of march "The Bride Elect"

Music sheet of march "Hands Across the Sea"

Sousa viewing Music sheet of march "The Invincible Eagle"

Music sheet of march "The Diplomat"

Music sheet of march "Imperial Edward"

Harry Franklin Waltman's 1909 portrait of Sousa

Music sheet of march "Boy Scouts of America"

Music sheet of march "Anchor & Star"

Music sheet of march "U.S. Artillery March"

Sousa marching along with his band in 1918

Sousa conducting a band in 1925.

Sousa's first appearance on radio in 1929

Music sheet of march "University of Illinois March"

Music sheet of march "University of Illinois March"

Sousa conducting the band at White House in 1930

Title	Composition year	Notes	Audio	Ref.
"Review"	1873	Sousa's Op. 5, "Review" was his first published march and was dedicated to Colonel William G. Moore.
"Salutation"	1873	"Salutation" was composed while Sousa was a musician in the Marine Band; he dedicated it to the new leader Louis Schneider.
"The Phoenix"	1875	This march was dedicated to Milton Nobles. Parts of this march were later used in Sousa's "Manhattan Beach".
"Revival"	1876	This march was composed upon the suggestion of fellow composer Simon Hassle. The hymn In the Sweet By-and-By was incorporated into the march.
"The Honored Dead"	1876	The occasion of this march's composition is unknown, but it was arranged upon the death of President Ulysses S. Grant in 1885.
"Across the Danube"	1877	Sousa credits the inspiration for this march to the victory of Christendom over the Turks in 1877.
"Esprit-de-corps"	1878	Esprit de corps is a french term meaning "the spirit of the body". It was published one year after Sousa resigned from the Marine Corps.
"On the Tramp"	1879	This march was based on the song "Out of Work" by Septimus Winner. The title of the march was a slang expression in the 1880's, meaning "on the lookout for employment".
"Resumption"	1879	The title of this march was derived from the resumption of the use of gold and silver coins in the U.S.
"Globe and Eagle"	1879	This march borrows its title from the emblem of the Marine Corps. It was one of several military-related titles chosen by Sousa while he was an orchestra conductor.
"Our Flirtation"	1880	"Our Flirtation" was from a musical comedy produced in 1880. It was dedicated to Henry L. West of The Washington Post.
"Recognition March"	1880	This march was presented by Sousa's heirs to the Library of Congress in 1970. It is considered to be a revised version of Sousa's "Salutation" march.
"Guide Right"	1881	Sousa composed this march for use in parade, dedicating it to R. S. Collum, captain of the Marine Corps.
"President Garfield's Inauguration"	1881	This was one of the two marches Sousa dedicated to U.S. presidents. It was composed for the inauguration of James A. Garfield, and was first performed on March 4, 1881.
"In Memoriam"	1881	This march was composed and dedicated to President James A. Garfield, upon his death. The dirge was played by the Marine Band as the president's body was received in Washington D.C.
"Right Forward"	1881	This march is considered the second version of "Guide Right". It was also dedicated to R. S. Collum.
"The Wolverine"	1881	Sousa composed and dedicated this march to David H. Jerome, Governor of Michigan. It was premiered in March 1881.
"Yorktown Centennial"	1881	Sousa composed this march to commemorate the hundredth anniversary of the British surrender at Yorktown, one of the last important battles in the Revolutionary War.
"Congress Hall"	1882	This march was composed after the Marine Band's first visit to the Congress Hall Inn in Cape May, New Jersey. He dedicated it to the proprietors of the inn, H. J. Crump and J. R. Crump.
"Bonnie Annie Laurie"	1883	Sousa composed this march by taking inspiration from an old Scottish ballad "Annie Laurie", which he considered the most beautiful folk song.
"Mother Goose"	1883	This march was composed using various nursery tunes like "Our Dear Doctor", "There Is a Man in Our Town", etc.
"Pet of the Petticoats"	1883	The occasion and reason for this march's composition are unknown.
"Right-Left"	1883	Sousa composed this march in 1883; it is famous for its trio part, which calls for shouts of "Right! Left!" at regular intervals.
"Transit of Venus"	1883	This march was composed for the unveiling of a statue of Joseph Henry, the first Secretary of the Smithsonian Institution, and was premiered in April 1883.
"The White Plum"	1884	Sousa composed this march by transforming a previous piece of which he composed with Edward M. Taber. He rearranged the piece and added new sections.
"The Mikado"	1885	This march was based on themes from the Gilbert and Sullivan operetta of the same name.
"Mother Hubbard"	1885	This march is considered to be a version of "Mother Goose" as it is also based on a nursery rhyme theme.
"Sound Off"	1885	This march was composed and dedicated to Major George Porter Houston. The title of the march is a military command.
"Triumph of Time"	1885	The occasion and reason for this march's composition are unknown.
"The Gladiator"	1886	The inspiration for this march is not confirmed, but it is widely believed that Sousa might have been inspired by a literary account of some particular gladiator. It was initially composed for a music publisher in Pennsylvania, but after they rejected the march, it was sold to Harry Coleman, who sold over a million copies of it.
"The Rifle Regiment"	1886	The occasion for the composition of this march is unknown, but it was dedicated to the officers of the 3rd U.S. Infantry.
"The Occidental"	1887	The occasion of this march's composition is unknown, but it was published four years after its composition.
"Ben Bolt"	1888	Sousa composed this march by incorporating a melody of a song with the same name.
"The Crusader"	1888	This march was composed by Sousa after being "knighted" by Columbia Commandery No. 2, a local division of the Knights Templar of the Masonic York Rite. It is believed that Sousa used fragments of Masonic music in the march.
"National Fencibles"	1888	The titular National Fencibles were a Washington, D.C.-based drill team.
"Semper Fidelis"	1888	During a conversation with Sousa, President Chester A. Arthur expressed his displeasure for "Hail to the Chief", the personal anthem of the president, and requested that Sousa compose a more appropriate piece. "Semper Fidelis" was composed two years after Arthur's death, which takes its title from the motto of the U.S. Marine Corps, which means "always faithful".
"The Picador"	1889	This march was composed in 1889, and was soon sold to publisher Harry Coleman, for $35. A bullfight was depicted on the front page of its sheet music.
"The Quilting Party March"	1889	This march was composed from a famous song named "Aunt Dinah's Quilting Party".
"The Thunderer"	1889	This march was composed on the occasion of the twenty-fourth triennial Conclave of the Grand Encampment of the Knights Templar, and was dedicated to Columbia Commandery No. 2.
"The Washington Post"	1889	This march was composed for the award ceremony of an essay contest organized by The Washington Post. With President Benjamin Harrison in attendance, the march was premiered in June 1889.
"Corcoran Cadets"	1890	Sousa composed this march at the request of the Corcoran Cadets drill team.
"High School Cadets"	1890	This march was composed upon the request of the students of the only high school in Washington, D.C. Sousa was requested to compose a march superior to his "National Fencibles". It was published in February 1890.
"The Loyal Legion"	1890	This march was composed to commemorate the twenty-fifth anniversary of the founding of the Loyal Legion. It was first played in April 1890.
"Homeward Bound"	1891-92	"Homeward Bound" was an unpublished march whose existence was first hinted at in Sousa's autobiography Marching Along. It was not discovered until 1965, 23 years after Sousa's death. It is believed to have been composed in 1891 or 1892.
"The Belle of Chicago"	1892	Sousa composed this march to salute the ladies of Chicago, an action for which he was criticized. The march is more popular overseas than in the United States.
"March of the Royal Trumpets"	1892	This march was never published in its original form. Egyptian trumpets were used in its composition.
"On Parade"	1892	This march was published after being orchestrated into two different Sousa compositions. It was also known as "The Lion Tamer".
"The Triton"	1892	Originally composed by a composer named J. Molloy, this march was formed by transforming Molloy's simple arrangement into a march.
"The Beau Ideal"	1893	An inscription on the original sheet music indicated that "Beau Ideal" was a newly formed organization called The National League of Musicians of United States.
"The Liberty Bell"	1893	Sousa initially composed this march as an operetta at the request of Francis Wilson, but he later transformed it into a march. The unveiling of a painting of theLiberty Bell in Chicago and his son's march in a Philadelphia parade in the bell's honor inspired Sousa to name the march "The Liberty Bell".
"Manhattan Beach"	1893	This march had been derived from an earlier composition, probably "The Phoenix March". It was dedicated to Austin Corbin.
"The Directorate"	1894	This march was composed in appreciation of a honor bestowed upon Sousa by the Board of Directors of the 1893 St. Louis Exposition.
"King Cotton"	1895	This march was composed for the Cotton States and International Exposition of 1895. It was named the official march of the exposition.
"El Capitan"	1896	This march was extracted from Sousa's operetta, El Capitan. It was played at Admiral Dewey's victory parade in New York in 1899.
"The Stars and Stripes Forever"	1896	"The Stars and Stripes Forever" is Sousa's most famous composition. He composed the march at sea on Christmas Day in 1896 and committed the notes to paper on his arrival to the United States. It was first performed at Willow Grove Park, just outside Philadelphia, on May 14, 1897, and was immediately greeted with enthusiasm. In 1987, it was made the national march of the United States by an act of Congress.
"The Bride Elect"	1897	This march was extracted from an operetta named The Bride Elect. Frank Simon, a cornetist in Sousa's band, said that it was one of Sousa's favorite marches.
"The Charlatan"	1898	This march is extracted from Acts II and III of Sousa's same-named operetta.
"Hands Across the Sea"	1899	It is believed that Sousa took inspiration for this march from an incident in the Spanish-American War. He did not address it to any particular nation, but to all of America's friends abroad. It was first played at the Philadelphia Academy of Music in April 1899.
"The Man Behind the Gun"	1900	Sousa considered this march to be an echo of the Spanish-American war, and it first appeared as an operetta in 1899.
"Hail to the Spirit of Liberty"	1900	Sousa composed "Hail to the Spirit of Liberty" for his band's first overseas tour of Paris. It was first played when Lafayette's monument was unveiled there on July 4.
"The Invincible Eagle"	1901	This march was dedicated to the Pan-American Exposition, held in Buffalo in 1901.
"The Pride of Pittsburgh"	1901	This march was composed for the dedication of a music hall in Pennsylvania. The title of the march was selected through a contest arranged by a newspaper.
"Imperial Edward"	1902	This march was composed for and dedicated to Edward VII. The trio of this march consists of fragments of "God save the King"
"Jack Tar"	1903	This march was originally titled "British Tar", and it contains traces of "The Sailor's Hornpipe", a traditional melody associated with the British Royal Navy. Premiered at London's Albert Hall in 1903, it differs from other Sousa marches in its unusual structure.
"The Diplomat"	1904	After being impressed by the diplomatic skills of Secretary of State John Hay, Sousa composed this march and dedicated it to him.
"The Free Lance"	1906	This march was extracted from Sousa's operetta of the same name. The trio of the march is based on "On to Victory" from the operetta.
"Powhatan's Daughter"	1907	This march was composed for the 1907 Jamestown exposition, and was a salute to Chief Powhatan's daughter Pocahontas.
"The Fairest of the Fair"	1908	On being invited with his band to play at Boston food fair, Sousa composed this march for the fair. It was first played in September 1908.
"The Glory of the Yankee Navy"	1909	The march was composed for the musical comedy "The Yankee Girl"; Sousa dedicated it to Blanche Ring, the star of the show.
"The Federal"	1910	Sousa composed this march just before embarking on his world tour, honoring the people of Australia and New Zealand. It was originally titled "The Land of the Golden Fleece", but that was changed to "The Federal" upon the suggestion of George Reid, the High Commissioner for Australia.
"From Maine to Oregon"	1913	Sousa's operetta "All American" had been transformed to this march, with many passages, which were repetitive were removed.
"Columbia's Pride"	1914	"Columbia's Pride" was based on a Sousa's 1890 song "Nail the flag to the mast". Sousa made some modifications in the song and composed this march for piano, which he apparently never arranged on a band or orchestra.
"The Lamb's March"	1914	"The Lamb's March" was composed and dedicated to Lams Club of New York. Fragments of this march were later transformed into Sousa's 1882 operetta "The Smugglers".
"The New York Hippodrome"	1915	"The New York Hippodrome" was composed in commemoration of his band's tour as his band was featured in extravaganza at the New York Hippodrome.
"March of the Pan Americans"	1915	"March of the Pan-Americans" is Sousa's longest march, lasting approximately fifteen minutes. The march incorporated national anthems of various nations.
"The Pathfinder of Panama"	1915	"The Pathfinder of Panama" was composed upon the request from Walter Anthony, a San Francisco Call's reporter. It was dedicated to Panama Canal and Panama Pacific exposition held in 1915.
"America First"	1916	President Woodrow Wilson's speech at the twenty-fifth anniversary convention of the Daughters of the American Revolution in 1915 inspired Sousa to compose "America First". It was premiered on February 22, 1916 (George Washington's birthday).
"Boy Scouts of America"	1916	Sousa composed "Boy Scouts of America" upon request of Charles D. Hart, President of Philadelphia scout organization. It was dedicated to the boy scouts of America.
"Liberty Loan"	1917	"Liberty Loan" was composed for Fourth Liberty Loan campaign of World War I, upon joint request from Secretary of Treasury William McAdoo and Liberty Loan Director Charles Schweppe.
"The Naval Reserve"	1917	"The Naval Reserve" was dedicated to officers of the naval reserve. Other titles for this march were "Boys in the navy blue" and "Great lakes".
U.S. Field Artillery"	1917	On being requested by Army Lieutenant George Friedlander of the 306th Field Artillery, Sousa composed "U.S. Field Artillery". It is built around an existing song named The Caisson Song and is the official march of U.S. Army.
"The White Rose"	1917	Sousa composed "The White Rose" upon request of Pennsylvania civic committee. It was played at a public concert by combined bands in 1917.
"Wisconsin Forward Forward"	1917	The occasion and purpose of "Wisconsin Forward Forward" is unknown, although it is speculated that Sousa composed it to salute Wisconsin's contribution into war efforts. It was originally titled "Solid men to front", but that title was crossed out on the march's music manuscript, with the present title written.
"Anchor and Star"	1918	Sousa composed "Anchor and Star" while leading the Navy Battalion Band during World War I. He dedicated it to the U.S. Navy and it was named after the U.S. Navy's emblem.
"Bullets and Bayonets"	1918	Composed during World War I, "Bullets and Bayonets" was dedicated to the officers and men of U.S. infantry
"The Chantyman's March"	1918	Sousa composed "The Chantyman's March" from an article he wrote, entitled "Songs of the sea". It incorporates eight chanteys.
"Flags of Freedom"	1918	"Flags of Freedom" was composed upon the request of Joseph Gannon, chairman of Fourth liberty loan drive in World War I. Belgium, Italy, France, Great Britain and America were represented in this march.
"Sabre and Spurs"	1918	"Sabre and Spurs" was dedicated to officers of 311th cavalry and was also known as "March of the American Cavalry".
"Solid Man to the Front"	1918	"Solid Man to the Front" was composed during World War I. The title was initially used in music sheet of "Wisconsin Forward" march, but was later used for this march.
"USAAC"	1918	"USAAC" march was composed for members of the United States Army Ambulance Corps. It contained melodies from a musical called "Good-Bye Bill".
"The Volunteers"	1918	"The Volunteers" was composed upon request of Robert D. Heinl, chief of Defense Department of Patriotic services. It was premiered in March 1918.
"Wedding March"	1918	Sousa composed "Wedding March" upon request from representatives of American relief Legion during World War I.
"The Victory Chest"	1918	"The Victory Chest" was composed in May 1918. The occasion and reason for composition of this march are unknown.
"The Golden Star"	1919	"The Golden Star" was composed in memory of Theodore Roosevelt's son, who was killed in France. The composition was heartily, but seriously received immediately after World War I.
"Comrades of the Legion"	1920	Sousa composed "Comrades of the Legion" shortly after World War I for the newly formed American Legion. It was titled "Comrades of the Legion", but it was changed to "The American Legion March". However, original title was used in the published version.
"On the Campus"	1920	Sousa composed "On the Campus" on request of the publisher and dedicated it to "collegians, past, present, and future".
"Who's Who In Navy Blue"	1920	"Who's Who In Navy Blue" was composed upon request of student body from U.S. Naval Academy. T. R. Wirth suggested title "Ex Scienta Tridens", but Sousa rejected the title and named it "Who's Who in Navy Blue".
"Keeping in Step With the Union"	1921	The inspiration for "Keeping in Step With the Union" came from 1855 speech by Congressman Rufus Choate. The march is dedicated to First lady Florence Harding.
"The Gallant Seventh"	1923	"The Gallant Seventh's" title had been taken from a regiment on New York National Guard. Sousa composed this march upon request from Colonel Wade H. Hayes.
"The Dauntless Battalion"	1922	Upon receiving honorary doctorate from Pennsylvania Military College in Chester, Sousa composed "The Dauntless Battalion" to honor the cadets. It was originally titled "Pennsylvania Military College March", but upon its publication, title was changed to "The Dauntless Battalion"
"March of the Mitten Men"	1923	"March of the Mitten Men" was composed and dedicate to Thomas E. Mitten. For its second edition, the title was changed to "Power and Glory".
"Nobles of the Mystic Shrine"	1923	"Nobles of the Mystic Shrine" was composed on request of Sousa'a nephew, and was dedicated to Almas Temple and Imperial council.
"Ancient and Honorable Artillery Company"	1924	Sousa composed "Ancient and Honorable Artillery Company" upon request of Ancient and Honorable Artillery Company. It was formally presented to the company at Symphony hall in Boston, Massachusetts in September, 1924.
"The Black Horse Troop"	1924	Sousa dedicated "The Black Horse Troop" to the mounted troops of a Cleveland National Guard Unit. His admiration of horses is reflected by this march as he considered black horses used in Guard Unit to be his inspiration.
"Marquette University March"	1924	Upon receiving honorary doctorate from Marquette University, "Marquette University March" was composed as an expression of appreciation to the university.
"The National Game"	1925	"The National Game" was composed on request of Kenesaw Landis, baseball's high commissioner, on occasion of National League's fiftieth anniversary.
"The Gridiron Club"	1925-26	Another version of this march composed for piano is also called "Universal Peace", which was discovered among his papers in 1965. Other titles for "The Gridiron Club" are "The Wildcat" and "The Untitled March".
"The Universal Peace"	1925-26	The occasion and reason for "The Universal Peace" composition are unknown. Manuscript of this march was found with Sousa's documents in 1965.
"Old Ironsides"	1926	"Old Ironsides" was composed for a rally held in Madison Square Garden, regarding deterioration of historic old Ironsides. The march was never published.
"The Pride Of The Wolverines"	1926	Sousa composed "The Pride Of The Wolverines" upon request by Detroit's Mayor John W. Smith. It was later declared official march of Detroit.
"Sesqui-Centennial Exposition March"	1926	"Sesqui-Centennial Exposition March" was composed on request of Sesquicentennial Exposition officials, for one hundred and fiftieth anniversary of American independence.
"The Atlantic City Pageant"	1927	Sousa wrote "The Atlantic City Pageant" on suggestion of Atlantic City's mayor Anthony M. Ruffu. It was played to celebrate the second annual engagement of Sousa's band in Atlantic City.
"Magna Carta"	1927	Sousa composed "Magna Carta" as a tribute on International Magna Carta day Association.
"Minnesota March"	1927	"Minnesota March" was composed upon request of University of Minnesota football team. Sousa used Indian themes in this march, and later added field drum and bugle parts.
"Riders for the Flag"	1927	"Riders for the Flag" was composed by the request of Colonel Osmun Latrobe, and was dedicated to him.
"Golden Jubilee"	1928	Sousa composed "Golden Jubilee" to commemorate his fiftieth year as a conductor. Initially he was hesitant to compose anything for his own gratification, but reasoned that his public might expect something.
"New Mexico"	1928	"New Mexico" march was composed upon request of J. F. Zimmerman, President of University of New Mexico. It was original titled "The Queen of the Plateau".
"Prince Charming"	1928	Student band from Elementary school in Los Angeles inspired Sousa to compose "Prince Charming". It was dedicated to band's organizer Jennie L. Jones.
"University of Nebraska"	1928	osed "University Of Nebraska" for University of Nebraska upon its Director's request. He initially considered naming the march "The Corn-huskers", but ended up naming it "University of Nebraska", dedicating it to the faculty and students of the University.
"University of Illinois"	1929	Sousa composed this march for University of Illinois, as he considered its band to be the finest college band. It was premiered in July 1929.
"La Flor De Sevilla"	1929	"La Flor De Sevilla" was inspired from an old Spanish proverb "Quien no ha visto Sevilla no ha visto maravilla" meaning "He, who has not seen Sevilla has not seen beauty". The march was composed at the request of the directors of Ibero-American-exposition held at Sevilla, Spain.
"Daughter of Texas"	1929	"Daughter of Texas" was composed upon submission of a petition signed by 1300 students of Texas college. Two different sets of marched were composed, but one march from the set has been lost.
"Foshay Tower Washington Memorial"	1929	"Foshay Tower Washington Memorial" was composed from parts of "Daughter of Texas", another of Sousa's marches. It was re-premiered in August 1976, when Sousa's name was added to the hall of fame for Great Americans.
"The Royal Welch Fusiliers"	1929	"The Royal Welch Fusiliers" were two marches composed to commemorate the association of U.S. Marines with Battalion of Royal Welch in Britain. It is the only march written by Sousa for a British Army regiment. The two versions have the same title, and are referred as Number 1 and 2.
	1930
"George Washington Bicentennial March"	1930	Sousa was requested to compose a march to commemorate two hundredth anniversary of George Washington. Sousa participated and arranged "George Washington Bicentennial March" in the final ceremony, conducting combined bands of Navy, Army and Marine Corps.
"Harmonica Wizard"	1930	Sousa had composed "Harmonica Wizard" when he was leading the "hoxie's boys" harmonica band. It was first performed in November 1930.
"The Legionnaires"	1930	"The Legionnaires" was composed on request of French government for the 1931 International Colonial and Overseas Exposition in Paris.
"The Salvation Army"	1930	"The Salvation Army" was composed on request of Commander Evangeline Booth of Salvation Army. It was premiered in New York on fiftieth anniversary of Salvation Army.
"The Wildcats"	1930/31	Parts of "The Wildcats" was composed in early 1926. It was originally composed for Kansas State College, but the college was provided completely different march.
"The Aviators"	1931	Sousa dedicated "The Aviators" to one of his close friends and Chief of Navy's bureau of Aeronautics, William A. Moffett.
"A Century of Progress"	1931	Sousa was requested to compose a march on the hundredth anniversary of Chicago's incorporation as a town in 1933. He composed "A Century of Progress", but passed away few months before the anniversary.
"The Northern Pines"	1931	Inspired by the band at Interlochen, Sousa composed "The Northern Pines" immediately prior to his second visit at the National Music Camp in Interlochen
"Kansas Wildcats"	1931	Sousa was requested to compose a march for Kansas State College. "Kansas Wildcats" was subsequently dedicated to the college.
"The Circumnavigators Club"	1931	"The Circumnavigators Club" was composed and played for the Circumnavigators Club in December 1931. This was Sousa's last composition.
"Library of Congress" (unfinished)	1932	"Library of Congress " was Sousa's last march, which he began composing in 1931. He died leaving the march unfinished. It was later finished by Stephen Bulla.

See also

• List of compositions by John Philip Sousa
• John Philip Sousa
• United States Marine Band

Notes and references

Work cited

Bierley, Paul E (1984). The Works of John Philip Sousa. Columbus, Ohio: Integrity Press. ISBN 9780918048042. LCCN 84080665.