Jump to content

Sartana: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
m Begining > Beginning
Line 135: Line 135:
! Producer(s)
! Producer(s)
| [[Aldo Addobbati]]
| [[Aldo Addobbati]]
| Aldo Addobbati<br/>[[Paolo Moffa]]
| Aldo Addobbati<br/>[[Paolo Moffa]]
| [[Sergio Borelli]]<br/>Franco Palaggi
| Franco Palaggi
| Leo Cevenini<br/>Vittorio Martino
| Sergio Borelli
| Eduardo Manzanos Brochero<br/>[[Luciano Martino]]
| Eduardo Manzanos Brochero<br/>[[Luciano Martino]]
|-
|-

Revision as of 04:25, 31 October 2021

Sartana
Cover of the 2018 The Complete Sartana box set by Arrow Video
Original workIf You Meet Sartana Pray for Your Death
Films and television
Film(s)

Sartana is a series of Spaghetti Western films which follows the adventures of the title character, a gunfighter and gambler who uses mechanical gadgets and seemingly supernatural powers to trick his rivals. The series features five official entries: If You Meet Sartana Pray for Your Death (1968), I am Sartana, Your Angel of Death (1969), Sartana's Here… Trade Your Pistol for a Coffin, Have a Good Funeral, My Friend... Sartana Will Pay and Light the Fuse... Sartana Is Coming (all 1970). The first film was directed by Gianfranco Parolini, with the remaining four directed by Giuliano Carnimeo. Sartana is portrayed by Gianni Garko in all the films in the series except for Sartana's Here… Trade Your Pistol for a Coffin, in which he was portrayed by George Hilton.

The name "Sartana" was first used for Garko's character in the film Blood at Sundown, which proved very popular on its release in Italy and Germany, leading to producers to develop a new series around the Sartana character. Garko took creative control of the character, and gave him unique abilities to differentiate him from other spaghetti Western characters such as Django and the Man with No Name. If You Meet Sartana Pray for Your Death was a financial success; aside from its four sequels, it inspired a host of unofficial films made throughout the late 1960s and early 1970s, such as One Damned Day at Dawn… Django Meets Sartana!, Alleluja & Sartana are Sons... Sons of God and Sartana Kills Them All. The unofficial films bare little resemblance to the original character and occasionally do not even feature a character named Sartana, such as Sartana Kills Them All.

In Film Comment, Bert Fridlund described the financial performance of the Sartana films as "fairly successful, with an Italian box office reception well above the average for spaghetti Westerns", although they did not match the success of Parolini's rival Sabata trilogy or Enzo Barboni's Trinity duology.[1]

Overview

In the official Sartana films, Sartana is a gunfighter and gambler who appears to posses supernatural abilities which he uses to trick his rivals.[2] These include Sartana appearing in improbable and even physically impossible places, such as in I am Sartana, Your Angel of Death, when Sartana is seen by the banker Sims through a window in the distance, and then suddenly enters the room.[1] Of all the Spaghetti Western characters, Kevin Grant wrote in his book Any Gun Can Play that Sartana's personality and traits are sustained and developed among the official films.[2] Film historian and critic Roberto Curti noted that Sartana loses some of his more menacing traits featured in his first film, but still retains his catchphrase "I am your pallbearer".[3] In the second film, Sartana was described by Curti as being a "conjurer of the Wild West" who was able to turn various objects into weapons, ranging from spoons to a wheel of a cart.[3] In the third film the series, Sartana's appearance changes with the character now having a black bow-tie and often resorts to disguises.[4] Sartana would continue to resort to his conjurer tricks in the film making his tiny pistol appear out of unexpected places including a hat, a boot and a loaf of bread.[4] In the fourth film, Sartana has a moustache and continue to eschew ordinary objects as weaponized gadgets such as his razor sharp playing cards.[5]

The plots of the Sartana films mostly revolve around short-term alliances and betrayals between groups who are attempting to get money or objects of value. These acts of duplicity occur continuously between various characters, which Bert Fridlund of Film International described as "producing quite complex stories".[1] Rather than following a continuous storyline, all films in the series are stand-alone and do not require knowledge of the plots or characters of earlier entries.[6] In the first film, If You Meet Sartana Pray for Your Death, Sartana arrives in a small town that is rife with corruption where several criminals are after a chest of gold and often double-cross and black mail each other to get it. They are continuously interrupted by Sartana who makes away with it.[7] The second film, I am Sartana, Your Angel of Death finds Sartana as a wanted man after a bank robbery which he is framed in committing. Sartana tries to avoid several bounty hunters who are after him while unravelling who is behind who has framed him.[8] In Sartana's Here… Trade Your Pistol for a Coffin, Sartana arrives in a mining town where he gets involved with several double crosses involving a stolen shipment of gold. He often meets with a character named Sabata, a white-clad gunman who quotes Shakespeare and Tennyson who foils several of Sartana's plans.[9] The Sabata in the film is not the same character from the 1969 film Sabata.[4] In the fourth film, Have a Good Funeral, My Friend... Sartana Will Pay, an owner of a goldmine is murdered, leading his daughter to arrive in town to claim the property. She finds herself thwarted by several criminals and the sheriff in town to who all have their eye on the gold until Sartana arrives to interfere with their plans.[10] In the last film in the official series, Light the Fuse... Sartana Is Coming, Sartana helps clear the name of Grandville Fuller, who he assists in a jailbreak after he is accused of murder. The two head to the scene of a crime to unravel the situation.[11] Curti described this final film to have elements of other genres such as the giallo, where Sartana is a detective who investigates and solves a mystery.[5] Curti also noted that the film enhances on the irony to nearly cartoonish levels that were also touched upon in previous entries to the series.[12]

English Title Italian title Release date Ref(s)
If You Meet Sartana Pray for Your Death Se incontri Sartana prega per la tua morte 14 August 1968 [13]
I am Sartana, Your Angel of Death Sono Sartana, il vostro becchino November 1969 [13]
Sartana's Here… Trade Your Pistol for a Coffin C'è Sartana... vendi la pistola e comprati la bara August 1970 [4]
Have a Good Funeral, My Friend... Sartana Will Pay Buon funerale amigos!... paga Sartana October 1970 [5]
Light the Fuse... Sartana Is Coming Una nuvola di polvere... un grido di morte... arriva Sartana 24 December 1970 [12]

Production

The character of Sartana was first created by screenwriters Ernesto Gastaldi and Vittorio Salerno for the film Blood at Sundown, directed by Alberto Cardone.[2] Played by Gianni Garko, Sartana is portrayed here as a villain who frames his brother for murder.[2][1] The character of Sartana proved to be so popular that when Blood at Sundown was released in Germany, it was re-titled to simply Sartana.[2] A German producer wanted Garko to continue making films as the Sartana character, but as a hero rather than a villain.[2] The producer proposed two scripts, which Garko was not interested in as he was looking for a different type of character than he had played in Ten Thousand Dollars for a Massacre and Per 100.000 dollari ti ammazzo, which were not very popular with audiences.[2]

The Sartana character in Blood at Sundown does not have the look or demeanour that the character that would eventually exhibit, beginning with the film If You Meet Sartana Pray for Your Death directed by Gianfranco Parolini.[1] Garko stated that the new interpretation of the character was influenced by director Gianfranco Parolini, whose interpretation of Sartana was inspired by Lee Falk's comic strip character Mandrake the Magician, a black-caped illusionist.[2][14] The character would also use mechanical gadgets similar to those used by James Bond in his film series.[14] Contrary to the characters such as Django or the protagonists of the Dollars Trilogy, Sartana is entirely money-oriented and typically succeeds in securing his sought-after riches. Sartana also has a flashier wardrobe and browses saloons with lush interiors compared to the typically ragged appearances and simple surroundings of earlier Spaghetti Westerns and their characters.[1] Garko spoke later about the creation of the character in 1990, stating that cartoon strips were "like film, are part of arte d'imagine and therein lie [Sartana's] cultural roots".[2] He specifically consulted with the writers of the film to preserve the character's integrity and would later claim that he had a clause in his contract with producer Aldo Addobbati that the scripts had to meet with his approval.[2][14] Garko would portray Sartana in all the official films except for Sartana's Here… Trade Your Pistol for a Coffin, as he was committed to a role in Enzo G. Castellari's film Cold Eyes of Fear, which led to George Hilton portraying Sartana.[15] Director Giuliano Carnimeo stated that for Sartana's Here… Trade Your Pistol for a Coffin, the producers decided to develop the film as a Sartana film despite the change in casting due to the character's popularity with audiences.[4]

Crew

Occupation Film Ref(s)
If You Meet Sartana Pray for Your Death I am Sartana, Your Angel of Death Sartana's Here… Trade Your Pistol for a Coffin Have a Good Funeral, My Friend... Sartana Will Pay Light the Fuse... Sartana Is Coming
Director Gianfranco Parolini Giuliano Carnimeo [16]
Producer(s) Aldo Addobbati Aldo Addobbati
Paolo Moffa
Franco Palaggi Leo Cevenini
Vittorio Martino
Eduardo Manzanos Brochero
Luciano Martino
Screenwriter(s) Renato Izzo
Gianfranco Parolini
Werner Hauff
Tito Capri
Enzo Dell'Aquila
Tito Capri Roberto Gianviti
Giovanni Simonelli
Eduardo Manzanos Brochero
Tito Capri
Ernesto Gastaldi
Screen story writers Luigi De Santis
Fabbio Piccioni
Adolfo Cagnacci
Tito Capri Giovanni Simonelli Eduardo Manzanos Brochero
Composer(s) Piero Piccioni Vasco Vassil Kojucharov
Elsio Mancuso
Francesco De Masi Bruno Nicolai
Director of photography Sandro Mancori Giovanni Bergamini Stelvio Massi Julio Ortas
Editor Edmond Lozzi Ornella Micheli Giuliana Attenni Ornella Michelli

Reception

The directors of the Sartana films would later declare their fondness for their entries in the series, with Carnimeo proclaiming that Sartana's Here… Trade Your Pistol for a Coffin was "perhaps [his] best film", describing Hilton as a better fit for the role than Garko due to the increasingly "absurd" situations Sartana would find himself in.[17] Parolini stated that If You Meet Sartana Pray for Your Death was "the film I love the most and gave me the most satisfaction."[2] According to Garko, Parolini left after the first film for the opportunity to work with Lee Van Cleef on Sabata.[18] Van Cleef's Sabata was compared to being similar to Sartana by Grant, noting the character's penchant for gadget-like firearms, and that Sabata is referred similarly to Sartana in the films as a "pallbearer".[19] Bert Fridlund described the financial gross of the Sartana films as "fairly successful, with an Italian box office reception well above the average for spaghetti westerns" while not as popular as Sabata, which had grossed over 1 billion lire, or Barboni's They Call Me Trinity and Trinity Is Still My Name.[1]

Retrospective reviews of the series include Amy Longsdorf of the Courier-Post, who stated that "of all the Spaghetti westerns which arrived in the wake of Clint Eastwood's "Man With No Name" trilogy the "Sartana flicks [...] ranks as some of the best."[20] James Evans of Starburst found the films to be "convoluted and occasionally plodding" but in certain cases, such as Light the Fuse… Sartana is Coming they could be "still convoluted but nevertheless entertaining, well-directed and atmospheric films that combine action, humour and invention throughout."[6]

Legacy

Giuliano Carnimeo later compared Sartana to another spaghetti western character Django, who solves his issues with high levels of violence, that Sartana often took on revenge-themed storylines but had a more ironic edge and humorous weapons that would eventually lead the spaghetti western into full blown comedies such as the Trinty film series.[2]

Unofficial Sartana films

Despite borrowing of character names of Sartana, the films by Parolini and Carmineo had few direct imitators.[1] As Gastaldi and Salerno did not use the name of the character in the film's title for Blood at Sundown they could not copyright the name.[17] This led to several films being released with Sartana in the title with only George Ardisson in Django Against Sartana resembling the character of Sartana from the official films.[17] Gastaldi commented on the other Sartana films in 1995 stating he had never seen the other Sartana films.[17]

The first unofficial Sartana films appeared shortly after the release of If You Meet Sartana Pray for Your Death.[13] Two months after the release of the film, Alfonso Balcazar's film Sonora (1968) was distributed under the title Sartana Does Not Forgive.[13] In 1969, director Demofilo Fidani directed two unofficial Sartana films: Shadow of Sartana... Shadow of Your Death (Italian: Passa Sartana è la ombra della tua morte) and Four Came to Kill Sartana (Italian: ...e vennero in quattro per uccidere Sartana!).[13] Fridlund described Fidani's Sartana films as not having very involved plots and contained simply orchestrated fight sequences where "the bad guys (and their director or script writers) can seldom come up with anything more clever than to, one at a time, make an open rush against the sneaking hero and consequently get shot."[1] In 1970, several more unofficial Sartana films were released: Django Defies Sartana and another film directed by Fidani titled One Damned Day at Dawn… Django Meets Sartana!.[4] Other film included Roberto Mauri's Sartana in the Valley of Death and Sartana Kills Them All.[5] In the English version of Sartana in the Valley of Death titled Ballad of Death Valley, the hero is referred to as Lee Calloway and never as Sartana.[1] Sartana Kills Them All starred Garko as a character called Larry Santana who is dressed in a brown leather jacket with fringes, not a black suit and long coat, and he uses no special weapons or tricks.[1][5] Fidani made another unofficial Sartana film released in 1970 titled Django and Sartana Are Coming... It's the End.[12] In 1971 other films baring the name were released such as Let's Go and Kill Sartana where the titular character does not appear in the film.[12] Two more films followed in 1972 with Trinity and Sartana are Coming and Alleluja & Sartana are Sons... Sons of God. [12] The two latter films were more comedy oriented films that followed the success of They Call Me Trinity.[12][21]

References

  1. ^ a b c d e f g h i j k Fridlund, Bert (2008). "'A First Class Pall-bearer!': The Sartana/Sabata Cycle in Spaghetti Westerns". Film International. Vol. 6, no. 3.
  2. ^ a b c d e f g h i j k l Grant 2011, p. 255.
  3. ^ a b Curti 2018, p. 23.
  4. ^ a b c d e f Curti 2018, p. 26.
  5. ^ a b c d e Curti 2018, p. 27.
  6. ^ a b Evans 2018.
  7. ^ If You Meet Sartana Pray for Your Death (Back cover). Arrow Video. 2018. FCD1762A.
  8. ^ I Am Sartana, Your Angel of Death (Back cover). Arrow Video. 2018. FCD1762B.
  9. ^ Sartana's Here… Trade Your Pistol for a Coffin (Back cover). Arrow Video. 2018. FCD1762C.
  10. ^ Have a Good Funeral, My Friend... Sartana Will Pay (Back cover). Arrow Video. 2018. FCD1762D.
  11. ^ Light the Fuse... Sartana Is Coming (Back cover). Arrow Video. 2018. FCD1762E.
  12. ^ a b c d e f Curti 2018, p. 30.
  13. ^ a b c d e Curti 2018, p. 22.
  14. ^ a b c Curti 2018, p. 18.
  15. ^ Grant 2011, p. 259.
  16. ^ "Cast and Crew". The Complete Sartana (Booklet). Arrow Video. 2018. pp. 4, 7, 8, 11, 12. FCD1762 / AV151.
  17. ^ a b c d Grant 2011, p. 260.
  18. ^ Grant 2011, p. 261.
  19. ^ Grant 2011, p. 263.
  20. ^ Longsdorf 2018.
  21. ^ Curti 2018, p. 31.

Sources