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The book puts forward its own thesis about the reason behind the extreme music, the arsons and the cases of murder, interpreting these events as the appearance of an [[odin]]ic [[Jungian archetypes|archetype]].<ref name="loc_188">
The book puts forward its own thesis about the reason behind the extreme music, the arsons and the cases of murder, interpreting these events as the appearance of an [[odin]]ic [[Jungian archetypes|archetype]].<ref name="loc_188">
LOC, p. 188</ref> Within this scope, the [[psychologist]] [[Carl Jung]] is quoted, <ref>LoC (1998): 176</ref> and also a study ''Pathological firesetting'' from the year 1951.<ref>[http://worldcat.org/oclc/14656626 Book entry for Pathological firesetting] at WorldCat</ref><ref>LoC (1998): 81</ref>
LOC, p. 188</ref> Within this scope, the [[psychologist]] [[Carl Jung]] is quoted, <ref>LoC (1998): 176</ref> and also a study ''Pathological firesetting'' from the year 1951.<ref>[http://worldcat.org/oclc/14656626 Book entry for Pathological firesetting] at WorldCat</ref><ref>LoC (1998): 81</ref> Similar to [[Miguel Serrano]]<ref>For Serrano, see: Goodrick-Clarke, [[Black Sun (Goodrick-Clarke book)|Black Sun]], p. 179; That Moynihan is attracted to the works of Miguel Serrano is mentioned in Gardell, [[Gods of the Blood]], p.303</ref> and other proponents of [[Esoteric Nazism]], he links archetypes and the collective unconscious to [[occult]] or mystical sources:


''"Satanism and the heathenism from which it ultimately descends are themselves the products of the archetypes and differentiated psyches of nations and peoples, and they therefore spring from the same “occult” or mystical sources as nationalism itself. Nationalism is the political manifestation of a folk’s unconscious; heathenism/Satanism is the spiritual manifestation."''<ref>LoC (1998): 314</ref>
''"Satanism and the heathenism from which it ultimately descends are themselves the products of the archetypes and differentiated psyches of nations and peoples, and they therefore spring from the same “occult” or mystical sources as nationalism itself. Nationalism is the political manifestation of a folk’s unconscious; heathenism/Satanism is the spiritual manifestation."''<ref>LoC (1998): 314</ref>

Revision as of 22:59, 1 June 2008

Lords of Chaos: The Bloody Rise of the Satanic Metal Underground
File:Lords of Chaos.jpg
AuthorMichael Moynihan, Didrik Søderlind
CountryUnited States
LanguageEnglish
GenreNon-fiction
PublisherFeral House
Publication date
1998 (orig.)
2003 (rev.)
ISBN[[Special:BookSources/0-922915-48-2+%3Csmall%3E%28orig.%29%3C%2Fsmall%3E%3Cbr+%2F%3E0-922915-94-6+%3Csmall%3E%28rev.%29%3C%2Fsmall%3E |0-922915-48-2 (orig.)
0-922915-94-6 (rev.)]] Parameter error in {{ISBNT}}: invalid character
For other uses of "Lords of Chaos", see Lords of Chaos (disambiguation).

Lords of Chaos: The Bloody Rise of the Satanic Metal Underground is a book by Michael Moynihan and Didrik Søderlind. The book presents itself as a a non-fiction account of the early Norwegian black metal scene, with a focus on the string of church burnings and murders that occurred in the country around 1993.

The book is sometimes criticized for its approach towards its controversial subject matter and alleged political leanings of author Michael Moynihan,[1][2] though Moynihan denies these allegations.[3]A fiction film based on the book and helmed by documentary filmmaker Hans Fjellestad is in the works. On his homepage this film is mentioned as being in pre-production.[4][5]

Publication history and Background

Lords of Chaos was originally published by Feral House in 1998 (ISBN 0-922915-48-2). A second, revised edition was released in 2003 and expands the original book by fifty pages (ISBN 0-922915-94-6). A German edition was published in 2002 with the respective revised edition following in 2005 (ISBN 3-936878-00-5).

Due to the controversy surrounding the book, the background of the publications is of interest. A critical essay by Kevin Coogan (the critism is debated below) offers some information on this. Whereas Coogan considers Moynihan "an extreme rightist whose fusion of politics and aesthetic violence shapes a not-so-hidden sub current that runs throughout LOC," Coogan writes that the book itself "is not a "fascist" tract in the strict sense of the term, in part because Moynihan co-wrote the book with Didrik Søderlind, a former music critic for a mainstream Norwegian paper who is now (as of 2005) an editor at Playboy. Moreover, Feral House editor Adam Parfrey clearly wanted to publish a popular book on the strange universe of black metal rather than a political polemic."[1] Moynihan, in turn, has denied Coogan's allegations.[3]

List of Chapters

  • 1: Sympathies for the Devil
  • 2: Death Metal dies, Black Metal arrives
  • 3: A Blaze in the Northern Sky
  • 4: Mayhem in the Dead Zone
  • 5: Welcome to Hell
  • 6: Ashes
  • 7: Deathlike Silence
  • 8: Count Quisling
  • 9: Resurgent Atavism
  • 10: Their Satanic Majesties
  • 11: Furor Teutonicus
  • 12: Lords of Chaos
  • 13: Ragnarok

Contents

The book focuses on the scene surrounding the extreme heavy metal sub-genre black metal in Norway between 1990 and 1993. The first few chapters give an outline of the progression of heavy metal from bands such as Black Sabbath, Coven and Black Widow to proto-black metal bands such as Bathory, Mercyful Fate and Venom and finally to the early Norwegian black metal band Mayhem.

The book then details the April 1991 suicide of Mayhem front man Per Yngve "Dead" Ohlin and the formation of a radicalized "inner circle" around Øystein "Euronymous" Aarseth, based out of his small black metal store Helvete (Norwegian for "hell") in Oslo.

In 1992 and 1993, members of the group are connected with a series of crimes, starting with the arson of the Fantoft stave church on June 6, 1992, although the book mentions that there had previously been a "small, ineffectual fire at Storeveit Church.".[6] Church arsons continue but with a steady decline up until the year 1995. (The cover of Lords of Chaos shows a "19th Century Swedish church in flames").[7]

An interview in a Norwegian Newspaper given by Burzum founder Varg "Count Grishnackh" Vikernes, also a member of the Helvete group, leads to a media outrage condemning the arsons as acts of Satanism. On August 21, 1992 Bård "Faust" Eithun of the band Emperor murders a homosexual man in the Olympic Park in Lillehammer. He is subsequently convicted of this crime and sentenced to 14 years in prison (of which he subsequently serves nine years before being released in 2003). On August 10, 1993 Aarseth is murdered by Vikernes, who receives a 21 years sentence for the murder and several cases of arson related to the church burnings.

The book also mentions other cases of "satanic" murderers, such as that of Hendrik Möbus by members of the German National Socialist black metal band Absurd and Caleb Fairley in the USA. It also devotes several pages to the case of a self-styled teen militia named Lords of Chaos that perpetrated murder and arson in Fort Myers, Florida in April 1996,[8] but does not mention why the title Lords of Chaos was chosen for the book.

Interview passages with Varg Vikernes are spread out through several sections of the book. On www.burzum.org Vikernes has said, that he would not use the term Nazi any longer as self-description, however this statement is rather ambiguous.[9]

The interview with Vikernes about the Norwegian Nazi-collaborationist Vidkun Quisling is the main source for Vikernes admiration of him,[10] and the source for the rumor that Quisling had some influence on certain extreme strains of Norwegian black metal.[11]

Other people interviewed include Anton LaVey, founder of the Church of Satan, Tomas "Samoth" Haugen of Emperor and Dani Filth of Cradle of Filth. Filth mentions a "Satanic Gestapo", when he recounts an incident where he was apparently attacked on stage with a knife (which may have been a prop) during a concert in Germany.

The book puts forward its own thesis about the reason behind the extreme music, the arsons and the cases of murder, interpreting these events as the appearance of an odinic archetype.[12] Within this scope, the psychologist Carl Jung is quoted, [13] and also a study Pathological firesetting from the year 1951.[14][15] Similar to Miguel Serrano[16] and other proponents of Esoteric Nazism, he links archetypes and the collective unconscious to occult or mystical sources:

"Satanism and the heathenism from which it ultimately descends are themselves the products of the archetypes and differentiated psyches of nations and peoples, and they therefore spring from the same “occult” or mystical sources as nationalism itself. Nationalism is the political manifestation of a folk’s unconscious; heathenism/Satanism is the spiritual manifestation."[17]

The book goes on to compare the state sought by the commission of these violent acts with the apocalyptic Norse tale Ragnarök, but states that neither radicalized black metalers nor "their occasional allies, the right wing revolutionaries" may have found "the fuse on the powderkeg of alienated resentment which lies behind the façade of 20th century civilisation", yet that such a "powderkeg" exists nonetheless.[18]

Critical reaction

Reviews of Lords of Chaos have been mixed, with several critics praising the book for offering an informative or at least interesting view on a relatively obscure sub-culture, winning the 1998 Firecracker Alternative Press Award.[19] The publication was sometimes criticized for a perceived lack of distance towards its subject matter. This was considered especially alarming to groups and figures that had accused Moynihan of right-wing sympathies,[1] charges which Moynihan has denied.[3]

German online magazine Telepolis questioned Moynihan's neutrality towards the ideologies portrayed in the book, as it leaves several far-right and racist statements by interviewees such as Vikernes uncommented and uncriticized. The author's questions during these interviews are noted to resemble "cue-giving" at times.[2]

While a reviewer for the left-oriented German newspaper Die Tageszeitung did not appreciate Moynihan earning royalties for Lords of Chaos, he still called it "the most thrilling non-fiction book since the Old Testament".[20] TV evangelist Bob Larson stated that he and Moynihan were "poles apart spiritually and philosophically", but that he respected the book as an "exhaustive resource regarding the seamy and Satanic side of pop music and culture".[7]

Journalist Kevin Coogan wrote an essay titled "How Black Is Black Metal?" in which he discusses several of the ideas purported in Lords of Chaos. Coogan considers Moynihan's personal political beliefs to be "at work just below the surface of a text ostensibly devoted solely to analyzing an extremist musical sub-culture" and ultimately counters the book's apocalyptic thesis with the conclusion that the black metal/fascism connection hangs largely "on a thin evidentiary thread", namely Varg Vikernes, who had shown extremist tendencies well before entering the scene.[1]

The satanic metal biography, Lords of Chaos, which has been criticized for inaccurate information and statements, quotes Jan Axel Blomberg (Hellhammer) as saying, "I'll put it this way, we don't like black people here. Black metal is for white people. … I'm pretty convinced that there are differences between races as well as everything else. I think that like animals, some races are more…you know, like a cat is much more intelligent than a bird or a cow, or even a dog, and I think that's also the case with different races." Contradicting these racial statements, Blomberg said in a 2004 interview, "I don’t give a crap if the fans are white, black, green, yellow, or blue. For me music and politics don’t go hand in hand."[21].

Varg Vikernes, a primary focal point of the book, is critical of the book. Vikernes states that the authors of 'Lords of Chaos' have no "insight into or even good knowledge about the subjects discussed and .. don't understand one bit what Black Metal was about on 1991 and 1992" and that they "have managed to fill the heads of a generation of metal fans with lies."[22]

However, an article on www.burzum.com that is allegedly written by Varg Vikernes evaluates the book quite differetly. There it is said that "The book is pretty much objective."[23], and although this statement is followed by a critism of some of the people that were interviewed, it is far less polemical than the one on burzum.org. Varg Vikernes says that www.burzum.org is the official site where he speaks out and has asked burzum.com to be shut down, though they refuse to do so for the reason that they believe Vikernes does not clearly know what he is asking.[24]

See also

References

  1. ^ a b c d Coogan, Kevin (1999), "How Black Is Black Metal?", Hitlist Cite error: The named reference "coogan_article" was defined multiple times with different content (see the help page).
  2. ^ a b Klarmann, Michael (2003-01-01). ""Hasse deinen nächsten, wie dich selbst"". heise.de (in German). Retrieved 2007-08-11. {{cite web}}: Check date values in: |date= (help)
  3. ^ a b c Dundas, Zach. "The Notorious Michael Moynihan
  4. ^ ""Lords of Chaos Movie to Go into Production in May"". blabbermouth.net. 2006-04-11. Retrieved 2007-08-11. {{cite web}}: Check date values in: |date= (help)
  5. ^ "Filmography" on Hans Fjellestad's Homepage.
  6. ^ Moynihan, Michael (1998). Lords of Chaos (LOC). Feral House. pp. p.79. ISBN ISBN 0-922915-94-6. {{cite book}}: |pages= has extra text (help); Check |isbn= value: invalid character (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); templatestyles stripmarker in |title= at position 16 (help)
  7. ^ a b Taylor, R. N. ""Exploring the Realms of Heathen Atavism: An Interview with Michael Moynihan"". cyberpsychos.netonecom.net. Retrieved 2007-08-11. {{cite web}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  8. ^ LOC, p. 293-300
  9. ^ A Burzum Story: Part VII - The Nazi Ghost
  10. ^ LoC (1998): 163
  11. ^ "The World According to Quisling" by Gisle Tangenes, BitsofNews.com, 19 September 2006
  12. ^ LOC, p. 188
  13. ^ LoC (1998): 176
  14. ^ Book entry for Pathological firesetting at WorldCat
  15. ^ LoC (1998): 81
  16. ^ For Serrano, see: Goodrick-Clarke, Black Sun, p. 179; That Moynihan is attracted to the works of Miguel Serrano is mentioned in Gardell, Gods of the Blood, p.303
  17. ^ LoC (1998): 314
  18. ^ LOC, p. 330
  19. ^ Zach Dundas. Willamette Week culture feature: "Lord of Chaos: ACTIVISTS ACCUSE PORTLAND WRITER AND MUSICIAN MICHAEL MOYNIHAN OF SPREADING EXTREMIST PROPAGANDA, BUT THEY'RE NOT TELLING THE WHOLE STORY. Available online: [1]
  20. ^ Brinkmann, Lars (2002-11-30). ""Satans Kirchen brennen"". taz.de (in German). Retrieved 2007-08-11. {{cite web}}: Check date values in: |date= (help)
  21. ^ ThyDoom.com
  22. ^ A review of M. Moynihan & D. Søderlind's "Lords Of Chaos: The Bloody Rise Of The Satanic Metal Underground" review
  23. ^ www. burzum.com Varg Vikernes analyses the book Lords of Chaos, by Michael Moynihan and Didrik Søderlind
  24. ^ Burzum.com

External links

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