Guitar Slim: Difference between revisions
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{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians --> |
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians --> |
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| name = Guitar Slim |
| name = Guitar Slim |
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| image |
| image = |
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| caption = |
| caption = |
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| image_size |
| image_size = |
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| background = solo_singer |
| background = solo_singer |
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| birth_name = Eddie Jones |
| birth_name = Eddie Jones |
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| alias = |
| alias = |
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| birth_place |
| birth_place = |
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| birth_date |
| birth_date = {{Birth date|1926|12|10}} |
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| birth_place = [[Greenwood, Mississippi]], USA |
| birth_place = [[Greenwood, Mississippi]], USA |
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| death_date = |
| death_date = {{Death date and age|1959|2|7|1926|12|10}} |
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| death_place = New York City, USA |
| death_place = New York City, USA |
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| instrument = [[Guitar]], [[Singing|vocals]] |
| instrument = [[Guitar]], [[electric guitar]], [[Singing|vocals]] |
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| genre = [[Blues]], [[R&B]] |
| genre = [[Blues]], [[Electric blues]], {{nowrap|[[New Orleans blues]]}}, [[R&B]] |
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| occupation = [[Musician]] |
| occupation = [[Musician]] |
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| years_active = |
| years_active = |
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| label = |
| label = |
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| associated_acts = |
| associated_acts = |
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| website |
| website = |
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| notable_instruments = |
| notable_instruments = |
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}} |
}} |
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|publisher= |
|publisher= |
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|accessdate=2006-11-25 |
|accessdate=2006-11-25 |
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|archiveurl = http://web.archive.org/web/20061116145354/http://www.bsnpubs.com/specialty.html <!-- Bot retrieved archive --> |archivedate = 2006-11-16}}</ref> |
|archiveurl = http://web.archive.org/web/20061116145354/http://www.bsnpubs.com/specialty.html <!-- Bot retrieved archive --> |archivedate = 2006-11-16}}</ref> Slim had a major impact on [[rock and roll]] and experimented with [[distortion (music)|distorted]] overtones on the [[electric guitar]] a full decade before [[Jimi Hendrix]].<ref>{{cite book|last=Aswell|first=Tom|title=Louisiana Rocks! The True Genesis of Rock & Roll|year=2010|publisher=[[Pelican Publishing Company[[|location=[[Gretna, Louisiana]]|isbn=1589806778|pages=61-5|url=http://books.google.co.uk/books?id=BSHTGsnI8skC&pg=PA61#v=onepage&q&f=false}}</ref> |
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==Biography== |
==Biography== |
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===Recording career=== |
===Recording career=== |
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After returning from [[World War II]] military service, he started playing clubs around [[New Orleans, Louisiana|New Orleans]], [[Louisiana]]. [[Bandleader]] [[Willie D. Warren]] introduced him to the guitar, and he was particularly influenced by [[T-Bone Walker]] and [[Clarence Gatemouth Brown|Clarence "Gatemouth" Brown]].<ref name="russell"/> About 1950 he adopted the [[stage name]] 'Guitar Slim' and started becoming known for his wild stage act. He wore bright-colored suits and dyed his hair to match them, had an assistant follow him around the audience with up to 350 feet of cord between [[amplifier]] and guitar,<ref name="AMG">{{cite web |first= |last= |url={{Allmusic|class=artist|id=p354/biography|pure_url=yes}} |title=Biography by Bill Dahl |publisher=Allmusic.com |accessdate=June 1, 2009}}</ref> and would occasionally get up on his assistant's shoulders, or even take his guitar outside the club and bring traffic to a stop.{{Citation needed|date=May 2009}} His sound was just as unusual — he was playing with [[distortion|distorted]] guitar more than a decade before rock guitarists did the same, and his gospel-influenced vocals were easily identifiable.<ref name="braun">{{cite book |
After returning from [[World War II]] military service, he started playing clubs around [[New Orleans, Louisiana|New Orleans]], [[Louisiana]]. [[Bandleader]] [[Willie D. Warren]] introduced him to the guitar, and he was particularly influenced by [[T-Bone Walker]] and [[Clarence Gatemouth Brown|Clarence "Gatemouth" Brown]].<ref name="russell"/> About 1950 he adopted the [[stage name]] 'Guitar Slim' and started becoming known for his wild stage act. He wore bright-colored suits and dyed his hair to match them, had an assistant follow him around the audience with up to 350 feet of cord between [[amplifier]] and guitar,<ref name="AMG">{{cite web |first= |last= |url={{Allmusic|class=artist|id=p354/biography|pure_url=yes}} |title=Biography by Bill Dahl |publisher=Allmusic.com |accessdate=June 1, 2009}}</ref> and would occasionally get up on his assistant's shoulders, or even take his guitar outside the club and bring traffic to a stop.{{Citation needed|date=May 2009}} His sound was just as unusual — he was playing with [[distortion|distorted]] guitar more than a decade before [[rock music|rock]] guitarists did the same, and his gospel-influenced vocals were easily identifiable.<ref name="braun">{{cite book |
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| first= Hans-Joachim |
| first= Hans-Joachim |
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| last= Braun |
| last= Braun |
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===Recordings=== |
===Recordings=== |
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{{Listen |
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| filename = Guitar Slim - The Things That I Used to Do.ogg |
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| title = Guitar Slim - "The Things That I Used to Do" (1953) |
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| description = Guitar Slim's "[[The Things That I Used to Do]]" (1953) featured an early example of an [[electric guitar]] solo with [[distortion (music)|distorted]] overtones. |
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| pos = right |
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}} |
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His first recording session was in 1951, and he had a minor [[rhythm and blues]] hit in 1952 with "Feelin' Sad", which [[Ray Charles]] [[cover version|covered]]. His biggest success was "[[The Things That I Used to Do]]" (1954).<ref name="russell"/> The song, produced by a young Ray Charles, was released on [[Art Rupe]]'s [[Specialty Records]] label.<ref>{{cite book |
His first recording session was in 1951, and he had a minor [[rhythm and blues]] hit in 1952 with "Feelin' Sad", which [[Ray Charles]] [[cover version|covered]]. His biggest success was "[[The Things That I Used to Do]]" (1954).<ref name="russell"/> The song, produced by a young Ray Charles, was released on [[Art Rupe]]'s [[Specialty Records]] label.<ref>{{cite book |
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| first=Michael Erlewine, Valadimir Bogdanov, |
| first=Michael Erlewine, Valadimir Bogdanov, |
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| location=Los Angeles |
| location=Los Angeles |
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| isbn= 0-87930-423-5 |
| isbn= 0-87930-423-5 |
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| page= 501 }}</ref> The song spent weeks at [[List of number-one R&B hits (United States)#1954|number one on the R&B charts]] and sold over a million copies, soon becoming a [[blues standard]].<ref name="murrells"/> |
| page= 501 }}</ref> The song spent weeks at [[List of number-one R&B hits (United States)#1954|number one on the R&B charts]] and sold over a million copies, soon becoming a [[blues standard]].<ref name="murrells"/> It also contributed to the development of [[soul music]].<ref name=Bogdanov2003AMLouisianBlues>R. Unterberger, "Louisiana blues", in V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, ''All Music Guide to the Blues: The Definitive Guide to the Blues'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2003), ISBN 0-87930-736-6, pp. 687-8.</ref> |
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He recorded on a few labels, including Imperial, Bullet, Specialty, and Atco.<ref>{{cite web |
He recorded on a few labels, including Imperial, Bullet, Specialty, and Atco.<ref>{{cite web |
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Revision as of 22:22, 5 July 2012
Guitar Slim | |
|---|---|
| Birth name | Eddie Jones |
| Born | December 10, 1926 Greenwood, Mississippi, USA |
| Died | February 7, 1959 (aged 32) New York City, USA |
| Genres | Blues, Electric blues, New Orleans blues, R&B |
| Occupation(s) | Musician |
| Instrument(s) | Guitar, electric guitar, vocals |
Eddie Jones (December 10, 1926 – February 7, 1959),[1] better known as Guitar Slim, was a New Orleans blues guitarist, from the 1940s and 1950s, best known for the million-selling song, produced by Johnny Vincent at Specialty Records, "The Things That I Used to Do". It is a song that is listed in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.[2] Slim had a major impact on rock and roll and experimented with distorted overtones on the electric guitar a full decade before Jimi Hendrix.[3]
Biography
Early life
Eddie "Guitar Slim" Jones was born in Greenwood, Mississippi, United States.[4] His mother died when he was five, and his grandmother raised him, as he spent his teen years in the cotton fields. He spent his free time at the local juke joints and started sitting in as a singer or dancer; he was good enough to be nicknamed "Limber Leg."[5]
Recording career
After returning from World War II military service, he started playing clubs around New Orleans, Louisiana. Bandleader Willie D. Warren introduced him to the guitar, and he was particularly influenced by T-Bone Walker and Clarence "Gatemouth" Brown.[4] About 1950 he adopted the stage name 'Guitar Slim' and started becoming known for his wild stage act. He wore bright-colored suits and dyed his hair to match them, had an assistant follow him around the audience with up to 350 feet of cord between amplifier and guitar,[6] and would occasionally get up on his assistant's shoulders, or even take his guitar outside the club and bring traffic to a stop.[citation needed] His sound was just as unusual — he was playing with distorted guitar more than a decade before rock guitarists did the same, and his gospel-influenced vocals were easily identifiable.[7]
He got together with Muddy Waters in Los Angeles, California for some lively playing.[8]
Recordings
His first recording session was in 1951, and he had a minor rhythm and blues hit in 1952 with "Feelin' Sad", which Ray Charles covered. His biggest success was "The Things That I Used to Do" (1954).[4] The song, produced by a young Ray Charles, was released on Art Rupe's Specialty Records label.[9] The song spent weeks at number one on the R&B charts and sold over a million copies, soon becoming a blues standard.[1] It also contributed to the development of soul music.[10]
He recorded on a few labels, including Imperial, Bullet, Specialty, and Atco.[11] The recordings made in 1954 and 1955 for Specialty are his best.[12]
Death
His career having faded, Guitar Slim became an alcoholic, and then died of pneumonia in New York City at age 32.[12] Guitar Slim is buried in a small cemetery in Thibodaux, Louisiana, where his manager, Hosea Hill, resided.
Influence
Buddy Guy, Albert Collins [6] and Frank Zappa[13] were influenced by Slim. Stevie Ray Vaughan recorded a cover version of "The Things That I Used to Do".[14]
One of Slim's sons bills himself as Guitar Slim, Jr. around the New Orleans circuit, and his repertoire is heavily reliant on his father's material.[6]
References
- ^ a b Murrells, Joseph (1978). The Book of Golden Discs (Second ed.). London: Barrie and Jenkins Ltd. p. 68. ISBN 0-214-20512-6.
- ^ "Specialty Album Discography". Archived from the original on 2006-11-16. Retrieved 2006-11-25.
- ^ {{cite book|last=Aswell|first=Tom|title=Louisiana Rocks! The True Genesis of Rock & Roll|year=2010|publisher=[[Pelican Publishing Company[[|location=Gretna, Louisiana|isbn=1589806778|pages=61-5|url=http://books.google.co.uk/books?id=BSHTGsnI8skC&pg=PA61#v=onepage&q&f=false}}
- ^ a b c Russell, Tony (1997). The Blues - From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. p. 115. ISBN 1-85868-255-X.
- ^ http://shs.starkville.k12.ms.us/mswm/MSWritersAndMusicians/musicians/GuitarSlim/GuitarSlim.html
- ^ a b c "Biography by Bill Dahl". Allmusic.com. Retrieved June 1, 2009.
- ^ Braun, Hans-Joachim (2002). Music and Technology in the Twentieth Century. Baltimore, Maryland: The Johns Hopkins University Press. p. 194. ISBN [[Special:BookSources/00801868858 |00801868858 [[Category:Articles with invalid ISBNs]]]].
{{cite book}}: Check|isbn=value: invalid character (help) - ^ Oliver, Paul (1984). Blues Off the Record. New York, N.Y.: Da Capo Press. p. 266. ISBN 0-306-80321-6.
- ^ Chris Woodstra & Stephen Thomas Erlewine (Eds.), Michael Erlewine, Valadimir Bogdanov, (1997). Allmusic. Los Angeles: Miller Freeman Press. p. 501. ISBN 0-87930-423-5.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link) - ^ R. Unterberger, "Louisiana blues", in V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, All Music Guide to the Blues: The Definitive Guide to the Blues (Milwaukee, WI: Backbeat Books, 3rd edn., 2003), ISBN 0-87930-736-6, pp. 687-8.
- ^ "Sunnyland Slim -> Roosevelt Sykes". Roots & Rhythm. Retrieved 2006-11-17.
- ^ a b Scott, Frank (1991). The Down Home Guide to the Blues. Chicago: Chicago Review Press. p. 59. ISBN 1-55652-130-8.
- ^ Electric Don Quixote by Neil Slaven
- ^ Stevie Ray Vaughan and Double Trouble: Catalog[dead link]